This is book two in The Seers Series. What were some themes you wanted to carry over from book one and what were some new ideas you wanted to introduce?
Some themes I wanted to carry over from the first book are:
-The classic good versus evil
-Acceptance of those who may be different from us
-By joining together, individual differences can make a stronger whole
Some new ideas I wanted to introduce are:
-Learn from the mistakes of the past, but don’t let them keep you from moving forward
-Love and life are possible again after loss
-Stand up for what you believe is right
There were many great, and well developed, characters in this book. Was there anything from your own life that you put into your characters?
I think every author puts things from their own lives into their characters. Sometimes, we put different aspects of ourselves into the characters, sometimes there are traits we see in others that we put into the characters. I did both things.
In order to write good, well developed characters, you need to be able to understand human behavior at least to some degree. Writers must be aware of our own strengths and weaknesses, as well as the strengths and weaknesses of those around us. We need to be understand how emotions and physical sensations translate to body language and facial expressions. And the best way to learn human behavior is to observe those around you, and to take a good, honest look at yourself as well.
Where will book three in The Seers Series take readers and when will it be available?
Book three in the Seers Series will take readers on a trip through the Sacred Forest, where they will visit an elven village and a bear shifter clan. Then they will go to Fair Harbor, a fishing village on the west coast of Sterrenvar, and finally to Westgate.
Plot-wise, the readers will learn more about the seers and some other of the magical races in the realm. They will learn more about the evil sorcerer, including some insights into his plans and motivations. They will get more clues about who he is and what started him down his dark path.
As of right now, I plan to publish the third book in the series in the spring of 2019, barring any unforeseen complications.
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Right from the very beginning the book has an air of suspense. The plot unfolded easily and the characters were easy to understand and like. All of this led me to flipping pages quickly. We are immediately introduced to Talwyn Sevi and her mother and sister running through the woods. The author expertly narrates how the three had been running away, passing through the woods and even hiding. I had no idea what they were running from but my anticipation was high, and I wanted to know more.
The story got juicier when I got to know Talwyn’s age. She was over three hundred years old, and all she was having were memories. The other interesting thing was that the events in her dream-memory had happened when she was just 8 years old. That was such a long time to remember some things. I loved that during their time, her people could live for over eight hundred years. I tried imagining how life was for them, and how they viewed life seeing that one could live for centuries. The other exciting thing was that Talwyn’s people didn’t experience adolescence until they were twenty-five or thirty years old. Thinking about it, it made sense because a thirty-year-old could not be described as a full adult considering how long they lived. This is reminiscent, for me, of the depth of lore found in well developed series like Dungeon’s and Dragons, or The Lord of the Rings series.
I enjoyed Talwyn character, she was not only loving but also cared for the people around her. I loved her sense of humor and how she was able to bring moments of levity into dark situations. Her whole personality was lovely. I, however, didn’t understand why she kept questioning her clear memory. As much as some of the things she remembered were unpleasant, I would not have minded having a memory as good as hers. Overall, Talwyn was my favorite character. Anwyl was another character I admired (I know, it sounds like every character is my favorite). Being the greatest metallurgist the seers had ever seen was an achievement. Anwyl was the only being Talwyn had who had been allowed access to the mountain. I love that he was useful, as most fantasy novels give someone a job with no real use; he mined rare metal and made whatever the dragonkin needed. I really loved the traits in the characters. That the shifters could shift between human and animal form at will was eccentric, but amusing regardless.
The Dragon Shifters At Southgate: Seers Book II is a creative piece of literature with an action-packed plot and well developed characters in a world with a rich backstory. This book has an enthralling story line that constantly hints at something larger. The author’s writing style is simple, making it easily accessible by anyone, and her way of narrating the story naturally capture’s the reader’s interest.
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Dark Karma follows Luke and Nina on a quest for vengeance, punctuated by secrets, and colored with dark magic. What were some driving ideals behind the development of this novel?
I wanted to write something different and unpredictable. My first book, Little Bits of Karma, focused on reincarnation; the second one, Tough Karma, focused on that same concept plus unusual psychic talents and a deranged villain. I wanted to use all of those concepts in Dark Karma, but take it to another level. The concept of traveling to other dimensions of reality intrigues me, and I thought it would be a wonderful element to include in this story. The main characters, Nina and Luke, are supporting characters in Tough Karma so it was easy to write for them. I’m just a channel for my characters, they work through me to tell their tales. I have to give them all of the kudos for the wonderful unpredictability of this story! They gave me the plot twists and turns as I commuted back and forth from work.
Luke and Nina have a fascinating and deep relationship. What was the inspiration for their characters and their relationship?
The inspiration for their characters came from my previous books. New characters come to me when I need to add one to move a story along. In Little Bits of Karma, I needed a bad guy (supposed) older brother to help an antagonist get his point across and Luke made his first appearance. He was a very minor character with only one or two sentences. When the antagonist from Little Bits of Karma became the redeemed romantic hero, Bryce, in Tough Karma, he needed his brother’s help to save his sweetheart, Amber. Luke’s character began to grow and he let me know that he was a CIA operative who worked with people who had unusual psychic abilities. Luke called up Nina and she entered the story. She was a free-spirited and spunky psychic gifted with telekinesis who knew how to manipulate energy and situations on the astral plane. She helped everyone by using her talents. I thought it would be fun to have a sexy friendship between Nina and Luke with both of them being independent and not needing anyone romantically; until he gets jealous of another man interested in her and makes his true feelings known. The seed for a deep and loving relationship was always there, but they both had their defenses up.
I enjoyed the well crafted use of magic throughout this novel. How did you balance magic to keep things grounded while also keeping readers wondering?
Thank you, but I honestly don’t know. I just wrote what came through. Most of this novel surprised me too! Dark Karma went in a direction I never dreamed of when I started writing it. You mentioned in your review that you gave up trying to predict what would happen and I laughed because that was my intent. As far as magic goes, I’ve been fascinated with it my whole life. I have books of spells which I’ve never tried and I would never dabble in the dark side. I love living vicariously through my characters and traveling the astral, moving objects with my mind, manipulating energy, and everything else.
What is the next book that you are working on and when will it be available?
I’ve started writing the follow-on book to Dark Karma but the plot hasn’t solidified. I strive to write all of my books as stand alones, however, it is proving difficult with this next story. I don’t have a title for it yet, I usually come up with those much later. For now I’m calling it Karma Book 4. I’m going to let the characters guide me and hope they can provide something just as unpredictable as Dark Karma. If not, then I hope whatever comes through is an entertaining read. My goal is to have it published by the end of next year or early in 2020.
A remarkable tale of vengeance, time travel, and dark magic. What would you do if you woke up one morning and your world was inexplicably changed in the worst way imaginable? Banished by his enemy into a hellish alternate dimension, Luke Decker fights to understand why his world has suddenly changed, and why is he on trial for the murder of his beloved Nina? What he doesn’t know is she’s not dead. Nina watches him vanish into thin air and is completely bereft, struggling to find out how and why he disappeared. Using all of her psychic talents and traversing the astral realm, she frantically searches for him to no avail. She owns a secret item which holds the key to his salvation, but will she figure it out before he’s condemned to live the rest of his life in a realm of darkness?
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Encore superbly intertwines themes of history, myth, psychology, romance and many more. Was this a conscious effort when you started writing or did this happen organically while writing?
Tantra: Thank you very much. I wrote the original idea as a Psychological Suspense novelette intentionally claustrophobic in scope. A hypnotist programs a standby to believe she is his wife, the star of a show, and abducts her before the curtain following the encore removes the post-hypnotic suggestion. He takes her, while she still believes she is his wife, to live in an “empty” alchemist’s castle.
I began with the alchemist’s castle that Miriam is taken to because I know a lovely man who sometimes lives in his family castle and sells homeopathic alchemical monoatomic elixirs using gems, flowers, and such. That’s the extent of my kind friend’s similarity to anything in the novel, but it sparked my imagination to bring the Gothic convention of immortality elixirs up to date in a believable way.
When I saw its potential as a novel in the series, I opened it up, as I do at the end of each Nevermind book, to a widening, spooky awareness of the relationship between these individuals and the community. That glimpse of how the protagonists are being used to influence others for nefarious purposes creates a shudder, a sensation I find pleasurable and strive for in my books. I love finding out the truth, no matter how grim (or fictional – especially if it reflects real life.)
A Thriller sensation slowly creeps up in each book with the big dramatic clash of the two factions at the end, the societally controlling and the heroic exposing of that mass mind control. When studying for my hypnosis certification long ago, I learned about negative hallucinations, when someone standing in front of us disappears if the hypnotist so commands. The Agents of the Nevermind are always up to something, always getting their noses into hypnosis. Subtle hypnotic techniques used by intelligence agents/news anchors sway a country into believing the deceitful narrative. Thus, proxy wars and coups garner popular support.
The more the public’s wits are softened, the more easily they can be fooled, and thus the Agents’ Occult Revival throws off people’s natural propensity toward logic. I explore ways that mind control has been used by the government throughout history, such as with the myths of Atlantis, Shambhala, and Camelot. The idea for legend-wars came late in the book’s creation, arising from studying of mystical imperialism in England. The historical use of those legends that I describe in the book is factual and it eventually structured the narrative conflict. Intelligence agents poached those cultural legends internationally, to persuade countries to align with them militarily.
I wanted to please readers with a fulfilling, moral romantic story. So, I eventually integrated Miriam’s friend Colin into the plot, who has no idea where she has vanished to, at the end of the last show of the theater season. The romance is Gothic in that Miriam is torn between the “light” and “dark” men and becomes isolated and gaslighted by the latter. Dune is dangerous, forbidden, rumored to be an Agent, the object of her sexual obsession, and in control of her subconscious. I deliberately pushed further into the “friends to lovers” to thrill the fans of that trope. Colin is the handsome, playful friend, a conscientious publisher who reliably does good things for her. But once he goes feral – watch out!
I enjoyed the Gothic underpinnings of this book. What were some Gothic sources of inspiration for you?
Tantra: I studied Gothic history in depth to understand the history underlying the conventions, including thorough material like Tyler Tichelaar’s The Gothic Wanderer: From Transgression to Redemption, and Gothic Imperialism, the Gothic Imagination Podcast, Gothic Studies Journal, “The Imperial Gothic” by Suzanne Daly, “The Truth About the Winchester House,” and Invisible History Blog’s Mystical Imperialism.
In terms of modern imaginative works, I didn’t draw from the directly, but I love the Spanish TV show, El Internado, Bates Motel, Crimson Peak, Ghost Flower by Michele Jaffe, My Sweet Audrina, Gothic Romantic Suspense by Phyllis Whitney, Mary Stewart, Daphne du Maurier, and Awakening by S.J. Bolton.
Characters that seem as if they walked out of a novel inspired the book, like John Mulholland, who of the British Magical Society, an officer who wrote the spellbook for soldiers, and went to work for the CIA and wrote their manual on deception and misdirection. Gaslighting of individuals who are used to gaslight a large population is a major interest in the book and the series.
Encore ‘dramatizes mystical sensual energy manipulation techniques’. How did you come about this topic and why did you want to explore this in your book?
Tantra: I studied about energy from childhood, learning to detect it through formally studying remote viewing until I became extremely accurate at age 11. When I got older, I learned advanced Tantra Yoga and taught it. The aspects of Tantra that require belief don’t convince me, but the exercises are very effective. Tantric history includes dark elements such as sexual energy vampirism and the sacrificing of the dakinis, which need to be included in the public discourse, to balance out the pastel, diluted, sexualized version of the practice that so many people believe is Tantra. The actionable techniques are also worth teaching through the novel. I still do these myself. Blissful.
Gothic novels tend to include magick grimoires, exotic mysticism and forbidden, out-of-this world sexuality. And as this novel relates to the role of the occult myths in British imperialism, particularly in the East, I wanted to delve deeply into the Tibetan sensibility and its magickal adaptations. That gave me the chance to describe a kind of love that I enjoy: circulating awareness between myself and a partner. Then, each partner should bring awareness back inside when ready to move on with the day.
This is book 3 in the The Agents of the Nevermind series. Where will book 4 take readers next?
Tantra: It’s called Giant Jack, a prequel set against the background of rise of the Agency and President Planda, who has gigantism. Planda networks with the budding Agency to create the Occult Revival, which is how he wins the election. Gigantism is a factual hormonal imbalance that makes some people very tall, with big hands, foreheads and such. They don’t tend to live as long, unfortunately, as average. So, Planda had to figure out a way to make the condition look positive in the eyes of the public. He called on the Agents of the Nevermind to run news stories on the Theosophical ancient superior giants and co-opted entertainment, books, documentaries, and cults. They picked Giant Jack to be the cult giant celebrity. Jack achieved gigantism artificially by taking Human Growth Hormone throughout his adolescence. It became a trend, and that’s why there are giants in the series.
In this Seductive Psychological Suspense, a troupe in England braves threats by hecklers when performing the history of the rare gem, Moldavite. The meteoric stone, featured in legends of Shambhalla and Atlantis, is sought after for its supposed mystical properties. The charismatic hypnotist, Dune, made the troupe famous, especially his wife Susan, the star. Whenever actors become ill, Dune hypnotizes the standbys to believe they actually are the actors they replace on stage, to fool the discerning audience. When the curtain reaches the floor after the encore, the post-hypnotic suggestion always ends, and the standbys recall their identities.
Susan mysteriously disappears, so her standby, Miriam, takes her place. Miriam’s friend Colin clutches flowers in the audience, ready to congratulate her on the life-changing evening. He just that day kissed her for the first time. Will he become more than a friend that night?
He doesn’t get the chance. Before the curtain lands, with Miriam still believing she is his wife, Dune whisks her away to an alchemist’s castle: Dune has plans for an equinox ritual using the Moldavite elixir made there. Rumors say he is a secret agent, in a cult intertwined with the Nevermind and the Bennu troupe. In fact, Bennu is an ancient Egyptian flamingo deity, similar to the Phoenix, associated with initiation rituals that break down the identity and rebirth a person into a loyal member of a secret society.
This contemporary Gothic Romance dramatizes mystical sensual energy manipulation techniques that have been used for both good and bad. And it also explores the dangerous historical appropriation of cultural legends for the sake of forging military alliances.
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Arisawe Hampton takes the reader into the fantastical land of Roan. A land with many modern and typical occurrences but a land so not typical! In the opening chapter we meet the somewhat reluctant hero of our tale, the hermit Pyrus. The gods have spoken, however, and he must enter a quest that will save the land of Roan. Along the way we are introduced to many interesting characters, the soldier with magically produced “amnesia”, Hazel the maid, the spoiled Lady, Leo the wolf-dog, and more!
This story is full of adventure, magic, fantasy, and even some romance! The author paints absolutely beautiful scenery with her words. I felt transported to the world of Roan. It is clear that this world is very detailed in her mind. She writes with passion and conviction for her story. Although there were times I wanted the story line to progress more rapidly, I loved how this book flowed. The story archs for these characters were connected very well.
Another part of the writing I enjoyed was the world that is created is part reality and part fantasy. For example, we see characters playing a game of poker, but we also see Pyrus communicating with animals. We see Pyrus the “therapist” and Pyrus the mage who can use spells for all sorts of fantastical things! I loved this juxtaposition of modernity with fantasy.
The word usage and descriptors are fun to read. I was truly transported into this world. She created realistic dialogue for her characters. There were a lot of scenes that I found humorous. Pyrus’s use of the Asher Zin as Hazel’s fiancé was hilarious. It had me thinking of the movie Overboard, where an amnesiac (although not spell induced!) is lead to believe she is married to someone she is not.
I recommend this book to lovers of epic fantasy fiction. The reader will immediately see that they are in good company because Hampton clearly has a passion for fantasy herself. There are moments of levity and moments of intensity that make this story very well-rounded. I’m looking forward to reading more books in this series!
Pages: 327 | ASIN: B07FD743HD
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Callie and Kane have escaped from the King Hugo’s realm but have been conscripted into the army. Here they hide, Kane posing as a common mage and Callie is put to work in the maid’s camps. With them is Jonas, one of the three roses that Master Cypher was searching for. While the war effort is continuing Jonas reveals to Callie he can see visions of the future, he tells her he must go save Kane or he will die. She rushes out to find Kane and they escape what turns out to be a massacre of all the mages in the camp. After this they find Master Cypher escaping the area with Jonas and he offers to let Kane and Callie join him on his journey to Lonsaran, the neighboring kingdom. Entering the new land, Kane changes his name to Sean McAlister and presents himself as a commoner / mage. Now Sean and Callie must look to make new lives in this land while keeping an eye on Jonas till he can be safely delivered to the king in Asturia. Along the way Callie’s past comes back to haunt her and they must figure out how to survive.
Jason Hubbard’s The Hunt for the Three Roses while a continuation of the previous novel is still able to stand alone and not confuse a new reader too much. It is a long book and some sections drag out and feel like page filler rather than moving the plot along. Aside from that, the actual story line is engaging and the character development, I feel, is enhanced from previous works by Hubbard. I enjoy the relationship dynamic between the characters. Sean’s caring nature is apparent, and you see him grow from a spoiled, selfish nineteen-year-old, into a mature father figure with Jonas. His relationship with Callie is back and forth as both can’t seem to figure out what they really want in life and what direction they want to go in. Both end up in the service of Count Guyver; and seem to fit well into their new rolls. But Rainer, an assassin from the prior novel, is still alive and determined to torment Callie. Even Rainer’s character development is well done, he is dark and calculating. His personality plays well against Sean’s more innocent and desire to be good personality. Callie falls in the middle always conflicted about if she wants to lead a life of good or descend into the underworld of crime again. This conflict makes her character so interesting and makes you want to keep reading to see how things will develop.
The world in which all this takes place is similar to Medieval times Europe. They have a strong religious belief in the life of Micah and the book of Micah. The principals are not all the different from our Bible and Jesus teachings. The difference is their religion includes magic and mages as part of the world of good. A lot of effort went into building the world Hubbard created and it shows in the details of the manor, the ways of the country men, and the secretes that the characters hold. This novel sets up things well for the next installment of the Three Roses and I look forward to seeing how this story line concludes.
Pages: 404 | ASIN: B07HHX5ZLP
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The reader is promised a whole exiting and action-packed adventure with the interesting characters in the book. I totally loved how the book started. What better way to grip the reader’s interest than to start off with a literary stylistic device? I found the author’s use of a quote at the beginning of the book, which also happens to be a simile, to be very creative of him. “The world is like a house; it can be as comforting or as cold as you make it and everyone who passes through leaves their mark.” reads the simile.
The writer is not shy to express himself as he uses curse words in some parts of the book. This may be too much for young readers, but the story stayed entertaining regardless. The main character, the monk, narrates the story in a phenomenal manner that I would pay to have him narrate his stories to me. I found Bow to be an interesting character. His mind was a little complex and he sometimes did things I did not like, but I still loved him. I can say I had a love-hate relationship with the character. I liked the part where our very interesting monk was captured by the leopard warlord. Not that I enjoy reading misery, but I knew what would follow would be fun to read.
Can we talk about the conversations in the book? I fancied how each character communicated. Leena and Bow’s dialogue when they were introducing themselves to each other was one of my favorite parts. I love how Leena tried to pronounce Bow’s name, and Bow chuckling a little bit as she did that. I pictured how she was saying the name and even tried to practically do it.
Readers of mystery novels will immensely enjoy reading about these adventures in the forest. The feeling when reading about this town is thrilling and I wished the writer could have added a few more chapters. Bow’s escape was also exciting to read. The fear, adventure, suspense and ambiguity of some scenes made the reading exhilarating. Unlike other animal stories which are sometimes monotonous to read because characters are given the same traits, A Monk’s Tail was far from that. The plot starts off in a stirring manner, and the story line keeps getting enthralling as one reads on.
The nun, the alchemist, Talia, the leopards, and every character made the plot worth reading. The author’s way of creating characters was genius, as one could see how each of them played their role. This is a thrilling book bursting at the seams with adventure and carried along by intriguing characters.
Pages: 311 | ASIN: B07D174GS3
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Dark Karma is a fascinating tale of vengeance and dark magic by author, Laura Simmons. Laura Simmons does a beautiful job in creating an epic tale that creates an array of whirlwind emotions. Simmons’ writing is flawless and thought-provoking, great for any avid reader of suspense and mystery novels. This is a book that provides everything you would expect from a novel that surrounds itself in magic, tension, mystery and revenge.
The narrative of Dark Karma is extremely captivating and strong. It has been written in such simplicity, but is highly effective for all readers. Luke Decker is introduced to the readers as the protagonist. He is banished by his evil enemy into a hell-like alternative dimension. Luke has to deal with the fact that his whole world has been turned upside down, and what is more, he is on trial for murdering his beloved Nina. However, the plot twists dramatically throughout the novel, and the reader is constantly left wanting more. I kept trying to guess what was going to happen next, but then just gave up and went along on this eventful and thrilling ride.
The plot throughout this book is strong, creative and imaginative. Laura Simmons structures her book beautifully and your imagination is left running wild. I think that the mystery elements in the book really kept me wanting more. Readers are able to dive into a world that is based on pure imagination. Simmons use of magic is embued with a dark energy throughout that is creepy, enticing, and begs you to keep reading. I think I read this whole book with a raised eyebrow. Dark Karma is a beautifully told story that, I think, is suitable for readers of any genre as it first focuses on telling a great story before delivering the unique qualities of it’s genre.
Dark Kara does an amicable job at creating an evil magical dimension that is just detailed enough to allow your imagination to fill in the blanks. The characters and the plot are strong, and Laura Simmons shows that she is a writer to be reckoned with. Overall, I think the story, twists, and characters are great, and I really enjoyed reading this book.
A fantastic attempt at creating a novel that blends and transcends genres. An enjoyable read which really dives into a different dimension, making the reader want to know more as the story progresses.
Pages: 192 | ISBN: 1977201555
DR: How did you come up with Gina S. Miyoko?
MKB: I honestly don’t remember except that she arose from a dream I had, the plot of which (yes, my dreams often have plots) I don’t remember. I knew I wanted to write her as the protagonist of a mystery novel, and I knew I wanted her to be different from the female P.I.s I’d read. I love mystery and crime fiction but I noticed that all the female protagonists were alienated and broken and party to dysfunctional relationships. I wanted Gina to be flawed and have enough pain in her life to be relatable, but I also wanted her to be part of a very functional, if quirky family and support network. Among the Japanese names I was considering, Gina Suzu Miyoko meant ”Silver Bell Temple”; Tinkerbell became an inevitable nickname. And her personality just grew out of that.
DR: And Russian Orthodox witches?
MKB: Around the time I was developing Gina and the characters that would surround her, I was reading a book entitled THE BATHHOUSE AT MIDNIGHT: An Historical Survey of Magic and Divination in Russia (WF Ryan). I was reading it because the novel I was working on at the time (MAGIC TIME: ANGELFIRE, from Harper-Voyager) had a Russian ex-pat as one of the central characters. Okay, and also I’m Russian-Polish on my father’s side and have been fascinated with the folklore and history of slavic culture since I was a child. Probably more so because my grandmother was so adamant that I not be taught anything about the Old Country but be brought up thoroughly American. In any event, the book sparked the idea that I wanted Gina’s mother to be Russian and fascinated by arcana. She was originally going to be a psychologist, but by the time I started writing the book that became THE ANTIQUITIES HUNTER, she had morphed into a cultural anthropologist and folklorist.
As tends to happen with these things, as I began to write the characters, they essentially told me who they were. I’m sure you know the feeling—as if the character is inside your head whispering sweet somethings to your Muse.
DR: Can you talk about Tinkerbell on Walkabout—the novelette that describes how Gina became a detective?
MKB: I wanted to document Gina’s genesis as a PI, but the plot actually came about as a weird synthesis of several real-life moments. I lived in Grass Valley for about 35 years and set it there in part because of an experience I had being a founding member of Nevada County Citizens for Racial Unity, a group that formed after a black man who’d just moved to the area was beaten up by a bunch of white teenagers in a local park. That caused us to consult with the California Highway Patrol about the forces of racism in the area. What our CHP liaison told us about gangs from Colusa and Yuba counties trying to gain a foothold in Nevada County gave me most of the plot elements I wanted for the story. A visit to Charlotte, North Carolina one Christmas occasioned me seeing the mostly scrupulously tidy wrecking yard I have ever laid eyes on and that gave me a key element in Gina solving the crime that lies at the heart of the story.
DR: Did you research PI procedures like the post-it notes and Who/What/When etc?
MKB: I have to laugh. The post-it note method is something I’ve used to plot novels for years. It seemed to me that my post-it process would be as ideal for working out the nuances of a real world mystery as it is for plotting a novel. My editor suggested editing the scene in which you first see Gina use the post-its so that she just wrote on the white board. I declined and explained the beauty of post-its to her by having Gina demonstrate it for the reader.
DR: How did you become interested in the problem of looting of antiquities? Why the Southwest?
MKB: I have loved archaeology for as long as I can remember. I subscribed for years to Archeology magazine, and KMT (Kemet – which is the old Egyptian name for Egypt). I happened to read an article about a female undercover agent for the National Park Service and the sort of work she and her teammates did, chiefly in the Southwest where there are a lot of vulnerable caches of artifacts, mostly on First Nations land. But I’d also been following several international cases at the time—the Elgin Marbles that the British Museum had to return to Greece and the blackmarket cases that big US auction houses and museums alike had been implicated in. I was also following the rediscovery of the Rosalila (an utterly fantastic nested temple at Copán in the Honduras) and some amazing finds at Bonampak, which is in Chiapas, Mexico.
It was that last item that gave me the location for some of the action in the book. I sort of let all of that percolate and it seemed natural to have my protagonist have the experience I’d dreamed of having—seeing those antiquities first hand. More than that, I wanted her to have a hand in saving some of them. The lack of funding for preserving these sites is a real and persistent problem in the world of archaeology.
DR: These days cultural appropriation is a sensitive topic. How did you go about portraying Hispanic, Asian, and Native characters in a respectful manner?
MKB: I suppose every writer has their own approach; mine is to love the people I write about and to recognize that they’re people first, not representatives or symbols or archetypes of a particular culture. But, in writing them, I have to recognize that their cultural framework will condition their responses to things. So, to Rose Delgado, though she’s married to a non-Hopi, living in Sausalito and working all over the country, she’s still Hopi. That means that Hopi lands are still sacred to her and that she takes the theft of native artifacts personally. Her job is more than just a job because of her cultural background and her investment in it is different than the other members of her team.
To me, Gina’s tattoo is exemplary of the cultural intersectionality I’m portraying. It’s a Russian Orthodox True Believer cross with a Buddha seated at the nexus in a lotus blossom. The cross is for her mom, the Buddha for her dad. Gina calls herself a Russian Orthodox Buddhist, which is an echo of what I told people who asked about my religion before I became a Baha’i. I’d say I was a Hindu-Buddhist-Christian. So, what I was trying to capture in Gina was a character who was an intersection of three cultures—Japanese, Russian and American.
I’ve been privileged to have been surrounded by people from diverse cultures all my life and I think that if you approach characters of any culture with curiosity, love and an attitude of learning, you’ll strive to portray them as complete, three-dimensional human beings.
DR: Is there such a thing as SASH (Society for the Appreciation of Sherlock Holmes), and would you join?
MKB: There’s a Sherlock Holmes Society of London, but as far as I know, there’s none in the Bay Area—at least not like the one Gina’s dad, Edmund, is part of. I made it up. Or maybe Edmund did. I would totally join SASH if there was one around. I love Sherlock Holmes—in fact, I have a Sherlock Holmes pastiche idea I’d love to write.
DR: What have you written recently?
MKB: I’ve been doing a lot ghostwrites lately. And they have been diverse and interesting. I just finished up a YA set in Seattle, and am still working on one that also makes use of my deep love of archaeology. Beyond that, my dear agent is shopping a crazy range of novels I tossed at him, including an SF novel with a peculiar genesis that I’d love to see be the first of a trilogy, a YA paranormal/contemporary fantasy featuring a 14 year-old-protagonist who discovers she’s a witch from a long line of witches, a magical realism yarn that is my take on the old Russian fairytale, Frog Princess, and a paranormal romance that I collaborated on with a couple of show runners from LA.
DR: What lies ahead? What lies ahead for Gina Miyoko – are new novels in the works?
MKB: I’ve been working on what I hope will be the next book in the Gina Miyoko series—working title, THE FORGETFUL FOLKLORIST. I’ve got about eight or nine novels sketched out and more ideas popping into my head all the time. I’ve also been outlining a steampunk novel I’d like to write, involving yet more artifacts. (I got the idea from a book cover someone asked me to design, then didn’t want.)
DR: How does The Antiquities Hunter fit into your repertoire of published works?
MKB: It’s a real outlier among outliers. I started out writing science fiction. In fact, I’d published a bunch of stories in Analog before I shifted gears and wrote four epic fantasy novels all based on dreams. Then I discovered magical realism and fell madly in love with it. That caused my writing to take a weird turn that peaked with ”The White Dog” (Interzone). In moving over to crime fiction, I’m really pursuing something that’s fascinated me as a reader for years. I’ve been in love with mysteries and detective fiction forever. So, even though THE ANTIQUITIES HUNTER looks like a departure from the outside, from where I sit, I’m just writing what I’ve always read. I also realized, when I looked at the fiction I’ve written, that most of my stories have a mystery embedded at the core—sometimes blatantly, as in ”The Secret Life of Gods” and ”Distance” (Analog), or in a veiled way as in my novels THE SPIRIT GATE (originally from Baen, in reprint from Book View Cafe) and STAR WARS LEGENDS: SHADOW GAMES (Del Rey/Lucas Books).
DR: What authors have most influenced your writing? What about them do you find inspiring?
MKB: My greatest prose heroes are Ray Bradbury, W.P. Kinsella (whom I cast in DISTANCE with his permission), and Tim Powers. These are the writers whose use of language, storytelling chops, and sheer imagination made me hungry to write. Bradbury and Kinsella have written some of the most beautiful and evocative prose in the English language and Powers has given me epiphanies about the many ways reality can collide with the fantastic.
I admire Dean Koontz, JK Rowling and Sue Grafton as well, especially for their character development chops and the uncanny way they connect the reader to their characters from page one. I also have to credit Harry Turtledove (who’s written some of my favorite Analog stories) with making me stray into alternate history, with my novelette ”O, Pioneer” (Paradox) which takes an upside down and backwards look at Christopher Columbus’ ”discovery” of the Americas.
DR: Why do you write what you do, and how does your work differ from others in your genre?
MKB: I write what I do because either a character demands to be written about (Gina Miyoko being a case in point) or an idea demands to be explored. I thrive on exploration. It’s why I love road trips (What’s around that next curve?), research, archaeology (What is that thing I just dug up?), first contact stories, and mysteries of every kind. Writing is exploration I undertake to satisfy my insatiable curiosity about what if.
I’ve been told that I write fantasy with rivets, meaning that my fantasy work tends to take a very pragmatic approach to the fantastic. It works the other way, as well. My Gina Miyoko stories have an undercurrent of the supernatural to them if the reader chooses to read the pragmatic references to obereg (the good luck charms her mom is forever sneaking into her pockets), Holy Water, and spells as being more than just a concession to Nadia Miyoko’s avocation. This means that my fiction often falls through the cracks. When I sent ”The White Dog” to Interzone, the editor wrote back and said essentially, ”I loved it, but where’s the fantasy element?” I responded, ”In the eye of the reader.” He bought the story and it was a finalist for the British Science Fiction Award.
DR: How does your writing process work?
MKB: Mileage varies … a lot. With short fiction, I’ll sometimes scribble a handful of questions that become notes and when I see a beginning and end, I start writing. With novels, I sometimes get out the sticky notes. I had a great little flow chart app I used for a while, but they stopped making it. I use Evernote to toss bits and pieces into, as well. The sticky note brainstorming is still the best method I’ve found of plotting a novel because it allows me to visualize relationships between characters, their motivations and other plot elements.
Once I’ve charted something that way, I write a synopsis that becomes a living document that I can add to as I work. At some point the characters start yakking and doing things and I have to start writing. I used to have to write everything in #2 pencil on lined paper first, then edit as I committed it to the computer. Then I’d do that until roughly the last third of the book when the boulder started rolling downhill. But for some time now, while I still love writing notes long hand, I do all my writing at the keyboard. I’ve only ever had a laptop, because I feel the need to be portable. Sometimes a silent house is the best place to write, and sometimes a noisy coffee shop is best. I’ve also learned to give myself permission to do what I heard one writer refer to as ”moodling”. It looks (and feels) like I’m not doing anything, but my mind is hard at work looking for connections. And when enough connections are made between elements and characters, the writing happens.
Whenever I sit down to write, I always read back what I did previously. I tried Hemingway’s stopping in mid sentence and it only led to frustration.
DR: What advice would you give to an aspiring writer?
MKB: First, write without editing. Ray Bradbury famously said of writing, ”Don’t think.” He advised hiding your editor hat and just getting the bones of a story or a scene down without worrying about whether you found the right word. THEN, put on your editor hat and edit. This can make the difference between a story ending up attached to an email on its way to an editor’s inbox or ending up in an obscure file folder.
Second, learn your tools—words. Know what they mean, what they imply, how they taste, how they sound. Read your prose out loud before you submit it. Here, I find Mark Twain’s advice sage: ”Use the right word, not its second cousin.”
Third, be flexible. The method you used to write one story may not work for the next one. That’s okay. It doesn’t mean you’re broken or that your process is broken. It just means it’s different this time. This was a hard-learned lesson for me. It took reading Lawrence Block’s learning experience with regard to flexibility (in one of this Writer’s Digest columns), to understand that I wasn’t losing ”it”; ”it” had just morphed a bit.
I’ve learned a lot from the experiences of other writers and from their prose. One of the most valuable learning experiences for me is to read other writers’ prose with an awareness of my own responses to it and analyze why it makes me feel how I feel. Then I try to apply that in my own work.
Oh, and when you’ve written that story and read it out loud, making sure that (as Twain said) you’ve used the right word, not its second cousin, send it to the magazine or agent or publisher you really want to see it with, not something less. When I sent my first story to Stan Schmidt at Analog, the wisdom in all the writing magazines I’d read was that I should send it to a small non-pro market first and work my way up. And I should send something short that stood a better chance of being accepted. I went against that advice and sent a 19,500 word novella to my favorite magazine and got accepted.
Short form: Always shoot for the moon.
This interview was provided by PrentisLiterary.com.
Gina “Tinkerbell” Miyoko is not your typical private eye. Armed with a baby blue Magnum, a Harley blessed with Holy Water by her dramatically disposed mother, and a Japanese mingei tucked in her pocket (a good luck charm from her Sherlock Holmes-obsessed father) Tink spends her time sniffing out delinquent dads in the San Francisco Bay area and honing her detective skills.
But when her best friend Rose, an undercover agent, discovers there’s a stalker on her tail, she hires Tink as a bodyguard. Someone must be trying to intimidate Rose and scare her out of testifying in an upcoming case on looted Anasazi artifacts. But when Tink tries to flush-out the stalker, things take a far more dangerous turn.
Now, with a dead black-market dealer and an injured Rose on her hands, Tink must take her best friend’s place and follow the looters’ trail towards a powerful and lucrative antiquities collector in Cancun, Mexico. Equipped with an ingenious disguise and a teasingly coy persona to match, Tink is determined to find out who is behind the attack on Rose and the illegal trafficking of these priceless artifacts. Along the way, she will find help in the most unlikely of partners…
Deep in the jungle and far from civilization, Tink must decide who she can trust as she tries to unearth the ones responsible behind the pilfering and bloodshed―and still make it out alive.
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Noah Thomas is a scrawny seventh grader who is bullied to the brink in his new town. Friendless, except for sassy tomboy Wendy Sherman, who seems to lend him the confidence he needs to stand up to his oppressors. Upon stumbling into a bookshop one afternoon while on the run from some teenaged tyrants, Noah is hurled into an unexplainable adventure. Noah learns that the bookshop does, in fact, lead to the Akashic Records – a place that holds all spirit lives recorded in tablets of light. With this new found knowledge, Noah begins to grow in wisdom and confidence to face his fears. His biggest challenge comes in the form of five demonic spirits that he accidentally lets loose from a lost tablet. Will Noah succeed with the help of his guardian angel cat he calls Keeper, or will all Hell’s henchman prevail?
Posted in book trailer
Tags: action, adventure, alibris, amazon, author, author life, authors, barnes and noble, book, book club, book geek, book lover, book trailer, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, bully, caleb smith, demon, ebook, fantasy, goodreads, ilovebooks, indiebooks, kindle, kobo, literature, Longevity The Wardens Of Time, magic, nook, novel, paranormal, publishing, read, reader, reading, science fiction, scifi, shelfari, smashwords, spirit, story, supernatural, teen fantasy, teen fiction, trailer, write, writer, writer community, writing, YA, young adult