A brave knight is wrongfully cursed, turning him into the most beautiful woman on the planet. To reverse this curse, “she” must form a quest to seek out the Wicca Master who cast the spell, hopefully changing her mind.
Along the way, the knight falls in love with her squire, battles vampires, helps aid an Elf revolution, and even becomes pregnant. Ultimately, her squire must make the hard choice: does he complete his master’s quest, or does he try to keep his one true love?
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Sixteen-year-old Eva is a witch who lived in Spain, in the year 1230. She met a boy named Jonathan who would become her whole world. Everything was normal until she was faced with challenges that will change her life forever.
As a healer, her job is to help people, but there are forces that will try to prevent that. There is a war coming and Eva and her friends must do everything they can to survive.
Can they fight their way against the dark forces that are surrounding them? Her wits and inner strength helped everyone who encircled her to survive but will she be able to survive herself?
Supernatural creatures, royal backstabbing and many more await you in this thrilling novel that will take your breath away.
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In The Guardians of Eastgate 2nd edition you had the chance to go back and rewrite some things that you felt needed to improve. What were the areas you focused on and how did you overcome the challenges?
The areas I focused on the most were dialogue and action – showing versus telling. I also took the opportunity to develop the characters and the seer people a little more. As the author, I already knew my characters, but I thought it would be good to reveal a little more about them to the readers as well.
It didn’t really feel like a challenge, exactly, to write more dialogue and action, and to develop the characters more. I think it was more of getting past an internal block on my part, rather than whether or not I could write that way. Once I started doing it, I really enjoyed fleshing out the story action and characters.
What I needed to do was to slow down and be patient, and to be confident in my story and my characters. What I mean by that is, I needed to allow the characters to live out the story in their own words and actions, instead of wanting to just hand it to the readers from a narrator’s perspective. I think there was a little nagging voice of self-doubt when I was writing the first edition that I needed to get past in order to put my story out there more fully.
Looking at the novel a second time, what were some things that changed for you while writing?
I think I rushed too much with the first edition. I had this idea in my head for over twenty years, and I wanted to get it out there to the world. There was a fear or an urgency where I think I worried that if I didn’t get it out there asap, I wouldn’t follow through and the story would never make it out into the world.
With the second edition, I had to take more time. I had hired a cover artist to do the covers for the rest of the series and I decided to re-do the cover of the first as well, so that the series would be uniform. Then we decided this would be a great time to work on the series and brand logos as well.
At this point in the game, I was also doing a lot of reading on the writing craft itself, such as on self-editing, outlining and structuring novels, and so on. Since the cover art, brand and logos would take a while anyway, and I would be putting out a second edition because of the new cover, I decided this would be a great opportunity to work on some of the elements in the first edition that I wasn’t happy with.
I think the overarching change for me here was that I realized I needed, and wanted, to slow down and enjoy the process. I read a lot and practiced, and I started to become more confident in my work and my capabilities. So, I feel more comfortable in putting more into the stories, which is essentially putting myself out there. I also believe I can better prioritize the story itself over getting it out there quickly. After all, a good, well-written story trumps getting it out there fast.
I understand that you have a third dan black belt in Taekwondo. What made you pursue Taekwondo and do you feel it helped you in writing fight scenes?
I have been a student of martial arts since I was 15 or 16 years old. I started in high school with Kenpo Karate. I’m from a small town in Newfoundland, and there were no other choices in martial arts around to consider at that time. You could say that my sensei had the market cornered in our area. But I really enjoyed it.
When I went to university, I switched to Aikido, mostly because I was a poor student, I lived on campus, and I didn’t have a car. So, I studied the martial art that was available to me on campus. It is a completely different style of martial art than karate or Taekwondo, teaching more about “moving off the line,” which I reference in my books, and using an opponent’s body weight and momentum against him or her. So, I am glad I practiced Aikido for those years because it gave me a different point of view and helped me to understand movement and defense better.
Once I began teaching, moved to a larger city, and had my own vehicle, I suddenly had more options available to me. I found a school that taught Taekwondo, and I really enjoyed it.
At one point, I decided to use my degree to work and travel, and I went to South Korea to teach English. For any who don’t know, Taekwondo is the South Korean national sport, and most young people study it at some point. I found out that a student’s father, who didn’t speak English, was a Taekwondo master with his own school. So, I asked my supervisor, a Korean man who spoke English, to ask if I could join his school, and he agreed.
Considering that the students in that Taekwondo school had one hour of lessons/practice FIVE days a week, and six days a week in every month leading to a test, I was able to progress quickly in the two years I was there. And I continued with it when I returned to Canada. After living in South Korea for two years, I now feel a connection to this particular martial art because I have a better understanding of the historical and cultural significance of it.
I do think it helped me with my fight scenes. I know what is possible and not possible, how to move to attack, defend or counter attack, and so on. Of course, I write fantasy, so my characters can be faster, stronger and more agile than real humans (although, you might be surprised at what some Taekwondo students can do), but I believe my training helps me to keep it fairly realistic.
Of course, I love martial arts, and I love sparring. There is a part in the book when Maelona tells her friends that she loves fighting more than she should, and her trainer used to get mad at her for smiling when she sparred. That was me in my Korean Taekwondo school. My instructor didn’t speak much English, but he spoke enough to tell me, “No smile! Serious!”
I don’t really like people fighting in real life when it’s not for sport, but put it in a sport setting, or in an action movie (I love action movies), and I think it’s pretty exciting. I don’t know that everyone who reads my fantasy novels enjoy that same kind of thing, but I think that having this training enables me to better convey the anticipation, the skills, the subtleties, and the back and forth between opponents in a clear and exciting way.
Have you begun writing book two in the series? When will it be available?
The rough draft of Book 2 is about 85% complete. Progress lately has been slow, with working to get this first book out there, my full-time job and my family.
I am really enjoying the story and I’m looking forward to getting it out there. Most days, I wish I could devote more time to it, but there are other things that take priority at the moment. For example, I am looking into having this book, The Guardians of Eastgate, made into an audiobook. I have had a few readers ask about that prospect, and I think it is a good idea, so I want to try and make that happen.
My original goal was to have Book 2 ready to publish in mid to late spring. Now that I am looking into making an audiobook of Book 1, however, it will likely be published in the summer.
I will be posting updates on my website and social media, so stay tuned!
The magical realm of Sterrenvar is a world filled with fantasy creatures, swords, sorcery, action, adventure, seers, shifters and sorcerers. It is a realm divided by differences, where the inhabitants keep mostly to their own species or race. When a group of seers are warned through visions of an evil, dark sorcerer intent on ruling the realm, seer champion Maelona Sima must set out for Eastgate to defend a magical keystone that can help protect the realm. Along the way, she must gain allies and convince the differing peoples of the realm to stand together as one to save their world from its biggest threat in three-thousand years. This new, expanded and revised Second Edition of the Guardians of Eastgate (Seers Book I) includes an extra 12000+ words worth of added dialogue and extended scenes.
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Sam’s Theory follows a young teen named Sam as she escapes from an abusive home and finds a caring old lady in the woods. What was the initial inspiration behind this story and how did that develop as you were writing?
Sam’s Theory came from a blend of my own experiences and the experiences of the children I have worked with in a mental health setting. Children are, hands down, the most resilient creatures in existence. They are starving for knowledge, attention, and coping tools. Unfortunately, for various reasons, many of them are lacking the healthy adults to provide them with such. Children want to heal after they are hurt, but it is rare they are met with the care and competency to do so. I worked with too many foster youth, children in Protective Services, and runaways that didn’t have access to substantial, supportive advice. They ended up hurting themselves to be heard, and that is inexcusable to me. My mission became clear in that I needed to create a resource that was safe, immediate, magical, easy to access, and compassionate for these kiddos and young people to grow through. This is also why I have evolved into offering free “book clubs”/”empowerment groups” for at-risk youth near me. This book assures that kids and adults know that they are cared for, if even by only these characters or the author that created them.
Sam has a tragic story and the book does a great job of conveying her emotions. What were some obstacles you felt were important in defining her character?
It was important to me that Sam be relatable and experience the emotions that I believe we all, as humans, feel, but rarely discuss out loud with one another. There is something about the desperation and gravity of loneliness, sadness, and shame that can make us isolate from one other. I needed Sam to be all of these things, but without being a victim. Victims struggle to genuinely recover, while survivors summon the grit to find a way out of themselves. It’s difficult to do that on your own, so Theory offers an opportunity to do so. Recovery from scary experiences isn’t the survivor’s fault, but it does become their responsibility (as annoying as that might be). Sam needed to have just enough perspective, self-awareness, and hope in her environment to rise to the call of change when it finally beckoned. The reader hurts with Sam, risks with Sam, and eventually heals with Sam. It is a realistic portrait of what it is to grow as a human through adversity.
The relationship that develops between Sam and Theory is something I admired. What was your inspiration for their relationship?
Thank for the kind words and recognition of how special their relationship is. Sam and Theory’s relationship was loosely based on both my relationship with my own therapist, and the relationship I developed with the kiddos on the inpatient psychiatric unit I used to work on. What astounded me when I first met my therapist is how firm and intentional her boundaries were. She took her time in allowing me to emerge from my shell, then nurtured each step without judgement. I then modeled the same compassion and safety for the kiddos I worked with and watched them blossom because of the same type of competent care. I think the therapeutic relationship is so deeply vital to our journeys towards authenticity and potential. Mental health still has, unfortunately, a stigma against it that needs to be eradicated in order for people, generations, and the world to become a healthier whole. Now more than ever,mental health is critical. Finding the right therapist takes time and sometimes several tries. Once that connection happens though, it can be so magical it becomes worthy of a novel. I hope more people can find sanctuary in Theory’s character, and then have the courage to find her in their own lives.
What do you hope readers take away from your story?
It is my deepest wish for readers that they close this book and feel as if they have a connection to something more meaningful than what they’ve been experiencing in their normal everyday. One of the most common responses I’ve received to this book is that it’s made someone cry. Every account of that type of movement is a gift to me, because it means this book is achieving exactly what I set out to do- to create a safe space where people could be vulnerable just long enough to consider an empowered “what if.” I wanted readers to have a sense of family in these characters and have their deepest, darkest emotions normalized. This story is meant to be a visceral experience, and I hope that people walk away from it with just enough hope in their heart to consider what a healthier, happier existence could look like. Everything can be okay, they just need to stay forward-facing and a little bit brave.
After a final act of horrendous abuse threatens her life, fifteen-year-old Sam runs away from home and into the Olympic Mountains of Washington State. Physically and emotionally exhausted, she happens upon a mysterious tree house in the woods which shelters an old woman named Theory. Through elements of magic and sage advice, Theory takes Sam on an unforgettable healing journey. Sam begins to discover that she, too, has powers. But her process is interrupted by the nervous reality that her abusers will soon go after her younger sister, Nova, unless she can get to her first.
With the help of Sam’s friend, Dodger, and two other spirited kids from foster care, the group sets up a hidden camp in the wilderness and forms “The Orphan’s Collective.” While struggling to create their own concept of “family,” Dodger and Sam also work to navigate their budding feelings for one another. As the group formulates a plan to reach the masses of kids left behind by adults who never wanted them, they naturally begin to rewrite the fate that has seemingly already been decided for them.
Sam’s Theory is a story of immeasurable grit and re-empowerment after trauma. With embedded real-world advice, it is the recognition of our tremendous capacity as human beings to withstand darkness and summon resiliency, simply by learning how to use our voices and reconnect with those around us.
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Nahia follows the turbulent efforts of a faery princess as she tries to lure her human obsession into the faery realm to maintain her relationship with him. What was your inspiration for this book’s direction and plot?
When I finished writing Cradle Gift (book 2) I knew I’d have to tell Nahia’s story to explain in detail Maité’s discovery at the end of Cradle Gift—that the woman Anahí in her family tree was actually Nahia.
When we met her in Faery Sight, we learned she was a willful creature whose heart, thankfully, was in the right place. It seems that throughout her youth, the motto ‘better to ask for forgiveness than permission’ was the driving force behind her actions.
Nahia is my full-fledged faery and as such she embodies the whole gamut of faery traits; she’s selfish, she holds grudges, she steals human babies, she arranges things in her mind whichever way suits her best. But she is also passionate, determined, courageous and has a great capacity to learn and to love.
The books in this series span several generations and move through time very quickly. Was this a reflection of the faery’s life or was it necessary to tell the story you wanted?
I think Nahia fits in a philosophical fiction genre (is there such a thing?) and because of that it is geared toward a more mature audience (the other 2 books in the series are YA). I wanted to describe the evolution of Nahia’s heart and mind in detail, it was important to me to put her through the motions of going after her own desires, disregarding those around her, then realize that that kind of behavior only begets heartache or a passing satisfaction at best, so that in the end she considers and actually chooses to expand her heart and embrace a greater purpose, even if it involves sacrifice.
Your books are always highly imaginative and wonderfully descriptive. What is your writing process like?
From a procedural standpoint, here’s what I do:
Chapter Outline/Synopsis; this is where ideas fly through my brain—imagination is in high gear.
First Draft and First Round of Editing done by me; this is stage where characters usually crop up in my dreams to make suggestions and poke me with reminders or corrections. I make all kinds of sleepy notes that I have to decipher the next day.
Second Draft and 1-2 Rounds with Critique Group; this is where I bite my nails waiting to hear back from a handful of friends/family who’ve kindly offered to read my work.
Produce and send out Advance Review Copies;
Third Draft, Second Round of Editing done by me, Fourth Draft to Pro Editor; this is the most feverish portion of the process. I can feel the end is near so I apply flattening-strength pressure on myself.
Then comes the sigh of relief when the Final MSS finally leaves my hands.
Nahia is book three in the Faerie Legacy series. Do you plan to continue the series with book four or will you be writing a new book?
Nahia ends with a Summer Solstice Celebration during which the hybrid faery-human family is reunited. In that reunion, Maité’s daughter is not yet 2 years old, so I’m considering a book about the baby Aintza; she could only see her mother in dreams and in person once per year. This went on during the first 7 years of her life.
I’m also considering a series of picture books featuring the adventures of my hybrid faery-human family in the Faerie Realm.
As far as unrelated projects go, I have the 7 Ghostly Spins, a collection of seven paranormal tales based on true ghost legends and nightmares come true. Coming on All Souls Day, 2018.
Daughters of the Bride; is another philosophical fiction project I’m working on. After the death of their father, three women embark on a distressing journey of reflection; to know themselves and the mother they thought they knew. No publication date yet.
A rebellious faery princess struggles with satisfying her own desires over what’s best for her loved ones. Following her heart in pursuit of the human she loves, Nahia hides her faery identity in order to enter the human dimension.
After giving birth to a daughter, Nahia’s secret is revealed, as is the realization that she has forever altered the genetic human footprint. Faced with death, Nahia returns to the faerie realm only to have its dormant weight thrust upon her after the demise of its magical keeper.
To save her home and renew ties with both her human and faerie family, Nahia must find a way to reawaken the realm, become the new Faery Queen, and provide a royal descendant for the new Keeper of the Forest.
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Alterni follows Esme who finds herself in a world with different paranormal races and a secret order; all under the reign of a King. As an Alterni, Esme must join the King and use her powers to fight the Malevolenci demons from other worlds. Can Esme learn to wield her powers in time to save the world?
Alterni by Sunshine Somerville creates a situation where you’ll find yourself deeply connected to the characters because of how real the characters react to the ever present danger to their world. If you love thrilling adventures with beautiful depictions of an interesting world, this is the story for you. Especially if you want to be on the edge of your seat.
When I sat down to read this book, I was quite surprised. It’s not often that you love the experience of reading a book. With this beautifully descriptive world and intriguing cast of characters, it was hard to resist being sucked into the world. I found myself staying up way past my bed time to finish this story.
The characters were all multilayered and continued to develop as the story progressed. Complicated backgrounds allowed me to connect with the characters. Sunshine Somerville is able to create characters with the kind of depth it takes other authors a whole series to achieve. This book explores themes such as family, leadership, responsibility and loss; experienced through not only Esme, but also King Owen.
This book does not rely on big plot twists to keep you interested; although there is a big one that creeps up on you. The book is constantly engaging it’s characters in some rousing bit of mystery, suspense, or action involving one of many paranormal races inhabiting this strange world that Esme finds herself in. I always look for books that make me want to see what the characters do next. And when the world is invaded by inter-dimensional demons from another space and time, there is no shortage of nail biting action. One thing that makes me suspend disbelief when it comes to magical powers, is the authors ability to ground it in reality. I enjoyed watching Esme learn, understand, and use her Alterni powers.
This is book 1 in the Alt-World Chronicles and when I finished this book, I found that I was so glad there was a second book to continue this story. I enjoyed reading about the subtle differences that might exist in other realities. Overall, I loved this read, it was entertaining to say the least. I recommend you read this story if you’re looking for something innovative and gripping.
Pages: 282 | ASIN: B075MDGSPP
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Do you still believe in magic? Do you still believe in Santa and his elves up at the North Pole? Comet and Vixen have a new little fawn that unfortunately is very bored and lonely at the North Pole. There are no other children to play with or keep her company. Fawn secretly discovers how to leave Santa’s village and escape to the outside world. There she meets a Snowboy, and a bunny. They decide to become best friends ‘Til the last snowflake falls. What happens though is that they discover that animals are going missing out of nowhere. Baby animals are left parentless and afraid. There is a new human, Dr. Mary Weather, a veterinarian that has come to the artic to study and help animals. With the help of Dr. Weather the inhabitants of Santa’s village look to solve the mystery of the missing animals and reunite all the families.
The Adventures of Fawn ‘Til the Last Snowflake Falls by Al E. Boy is listed as a children’s book, however it is novel. The writing is easy to understand, not a lot of challenging words. The scenery descriptions are colorful and entertaining but kept short to appeal to childrens shorter attention spans. There is a lot of funny interaction between the animals that will have you laughing and rooting them on. The personalities are well written and appealing, they have a mischievous streak, not a “bad kid” one but just kids being kids exploring and playing pranks. One funny scene involves two elves, known as the Forgetful Twins, and a bunny scatters who straw behind the elves as they’re sweeping, and the elves can’t figure out what is going on. The book than goes into deeper plots and themes. The bad guys that are kidnapping animals are mean to both people and animals. While there isn’t a lot of violence, the hostilities are implied.
The constant theme of friendship and sticking together is weaved deeply into the plot. At every turn characters are bonding and helping each other. The concern for their fellow companions is heartwarming. It shows that despite all the differences, human, snowman, reindeer, elf, bunny, it doesn’t matter, they all bond together. This is a great lesson for children, and adults. It doesn’t matter how different we all are, we can come together to solve a problem and help each other in times of need.
While the story takes place in the North Pole, it is not a Christmas story. It is a compelling story about friendship and overcoming adversity. Fawn is a loving character that is easy to relate to, and the magic of Santa’s Village and talking animals is sure to draw in readers of all ages. I loved being able to escape back to a childlike innocence and for the course of this book just believe in the magic of Santa and the North Pole again. It makes me happy and reminds me to appreciate the little things in life and share these moments with my own kids. This would make a great family reading novel with lots of topics for discussion.
Pages: 349 | ASIN: B00NRZO920
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Nahia, by Patricia Bossano, chronicles the turbulent efforts of the faery princess, Nahia, as she attempts to lure Calisto, her human obsession, into the faery realm and then maintain her relationship with him. This is the third installment of the Faerie Legacy Series and focuses on the tragically severed relationship between the human and faery realms–damage caused by Nahia herself. When she impulsively chooses to kidnap newborn Calisto, Nahia ultimately brings the wrath of his mother, Alaia, and a decision to ban Nahia from visiting the human descendants of her beloved companion, Celeste. Nahia’s swift and careless choice leave the faery realm in the tragic position of being cut completely from the lives of their human friends after an eighty-seven year connection with them.
Having read the first two Faerie Legacy books, I was most interested to see how Bossano would incorporate her characters into a book that solely focused on the faery, Nahia. As with the jump from Book One to Book Two, the author spans several generations and moves through time very quickly. Book Three takes many steps back into the 1900s to visit again with Celeste’s children even though Book Two was set primarily in the present. As confusing as the order of the books’ settings may sound, it totally works. Bossano is a master at providing clear explanations regarding her full line of characters, and readers are able to follow and appreciate the storyline without having read the series in order. The character are all standouts.
Quotes don’t often strike me in fantasy novels, but Bossano writes some truly beautiful lines. I could not help but be taken with the line she presents as a memory to Nahia as she begins to dwell and stress over what would have been and could be with her faery companion, Sendoa. As she frets away in the first moments of the new life she has concocted with Calisto, Nahia recalls her mother’s words, “Be done with the past and be present.” I truly love that line.
The ties between Nahia and Celeste, from Book One, are clear and present in this book. Nahia and Celeste–faery and human–were as close as two can be without being sisters. Nahia’s undying love for her human friend is evident and touching throughout Book Three. Nahia’s insistence that only a female descendant of Celeste and Etienne’s marriage should be the heir to their possession and estate further shows her love for Celeste and beautifully weaves Book Two into the plotline of Nahia.
Nahia was a favored character of mine from the first book in Bossano’s series, but in this installment, she truly shines. Her fickle ways and her, pardon the pun, flighty ways make her an incredibly enjoyable character to follow. Bossano has succeeded in creating and, more importantly, maintaining a rich and well-developed character in Nahia.
Nahia is easily my favorite of the three Faerie Legacy books. I recommend it to any fan of the fantasy genre and to any reader curious about breaking into the faery realm themselves. Bossano’s tales are highly readable, beyond imaginative, and wonderfully spun.
Pages: 296 | ASIN: B0767D6X5Q
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LoveQuest by Pamela Jean Horter-Moore is the story of Psyche, a mortal girl blessed by the goddess Aphrodite with great beauty. She is so lovely, that she receives admirers wherever she goes. When Psyche offends Aphrodite, by seeking the approval of her envious sisters and taking her beauty for granted, Aphrodite decides to take revenge. Using her son, Eros, she attempts to punish Psyche to a loveless life. But things backfire because Eros falls in love with Psyche. Both are torn between their families and their love for one another. They must decide what is most important in life.
I am fascinated by Greek mythology with its heroes, monsters and gods, so I knew I was going to love this book before I had even started! This is an epic love story based on an original Greek myth that we know and love, but it is fleshed out with a unique narrative and a fresh take on the characters. Although it is primarily a story of romance, there are obviously fantasy aspects in there–the author excels at writing both genres and combines them expertly. Through a great feat of imagination, Horter-Moore has put a really creative and refreshing twist on what could have been a stale story.
Horter-Moore’s prose is a joy to read, it is straightforward whilst being eloquent and descriptive. It flows beautifully throughout with quite a dream-like tone which captures the milieu perfectly. The narrative is based more on internal thoughts and feelings rather than dialogue, which gives us great insight and understanding of the characters motives and desires. When there is dialogue, it is actually quite modern, for instance, “Why do we have to spend every vacation here?” whined Tanna.“That oracle never has anything interesting to say…”Although this could have felt inauthentic, I actually thought that it was a great way of making the tale more accessible and up to date. The author particularly excels at writing place, and the setting of ancient Greece is magically conjured; it is a world full of gods, superstition, soothsayers, seers and magic. The prose is extremely evocative of scenery and I felt transported to the slopes of Mount Olympus.
The characters really come alive on the page, and they are portrayed with such sensitivity- -the author isn’t afraid of illustrating their flaws and complexities. The relationship between the sisters Medea, Tanna and Psyche are particularly well portrayed, illustrating all of the complicated feelings of jealousy and yearning for approval. The love between Eros, who is the perfect mate, and Psyche, who is deeply imperfect, feels very genuine, and I felt completely invested in their relationship.
Although this is a story of Gods and mortals living in a time unlike our own, the narrative reminds us that ultimately any human heart can suffer and love in universal ways. This is a great read for any lover of myth, fantasy or romance, and I look forward to more from this author!
Pages: 186 | ASIN: B06XTX3TFH
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Set in Jamaica in the 17th century, this is the story of Arose Du Mouchelle, a young woman who is the heir to a sugar plantation. When she receives an heirloom from an old gypsy, her life suddenly changes. The Gem of the Red Spirit has powers that others wish to possess, including the Voodoo Priestess, Morel. Chased down by Morel’s henchman, Arose must now protect the world from the dark creatures that Morel is threatening to unleash from the Astral Plane. Will Arose succeed by using her wits and courage along with the help of the dashing Captain St. James?
Nights Arose by Andrea Roche is part historical romance, part fantasy, and packed to the brim with fascinating and unlikely characters and concepts. We are thrown full throttle into a world unlike our own, full of astral planes, pirates and dragons. It makes for a fast- paced, exciting read, and I loved escaping to this fantastical universe for a few hours.
Because the story moves at a quick tempo, I felt immediately drawn into the narrative. Unfortunately, this pace also caused me to get lost occasionally, and I would have preferred a slightly slower introduction to Arose’s predicament. Despite this, Roche keeps the reader constantly intrigued and melds the genres of fantasy and romance together seamlessly, keeping both threads running through the narrative.
Although the book has fantasy aspects, the dialogue is actually naturalistic and punchy. All of the characters have unique voices which add richness and emotion; the dialogue expertly moves the plot along and never feels redundant. The style of the prose is quite flowery, but I actually enjoy this style of writing and it suits the lavishness of the story. Roche writes place particularly well and the setting of the story is one of my favourite aspects of the book. Tropical Jamaica is vividly conjured. Although I have never visited, I could almost feel the warm breeze and see the sights and sounds of this exotic place with its sugar cane fields and blue water.
We all know there aren’t enough strong female characters in fiction, so I fell head over heels for Arose! She is rebellious and brave and pushes boundaries, which makes her seem like a thoroughly modern woman. I loved the fact that she didn’t need a man to be a fully formed character and that the romance fell second to the action. The other characters in the book, such as the evil voodoo priestess, are really imaginative creations and the rest of the motley crew are excellently drawn. The relationships between the characters, especially Arose’s interactions with Captain St. James, feel truthful and authentic.
If you are a fan of fantasy then you will certainly enjoy this book. It is an epic tale that transports you to a magical world and enables you to suspend your disbelief. It left me breathless for the next installment in Arose’s adventures.
Pages: 220 | ASIN: B01N1G9MPC
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