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Wondering At Big Things
The Last Ghost follows a man raised by his grandparents after his parents’ tragic death, who has a passion for technology and an understanding of business, leading him to live a successful but solitary life. What was the inspiration for the setup of your story?
That’s an interesting question. When I was a boy, my brother and I were sometimes left for extended periods with my paternal grandparents. The life they led was not all like the lives of our parents – they had different values and very different ways of viewing the world.
I loved being part of their world for even a short while – it was like stepping back in time and living a slower life. In its pace there was time for savouring small things and wondering at big things.
After my grandparents died that world was closed to me, but I never forgot its lessons. But what if I had? Worse, what if I had never been lucky enough to learn them in the first place? The realities of contemporary life – virtual connections in particular – can erode a sense of community, of belonging, of the responsibility to be considerate.
The idea of a full life as a true measure of a successful life appealed to me. I guess that was the inspiration for The Last Ghost.
Were you able to achieve everything you wanted with the character of Joshua Stewart in the novel?
What I wanted was to give the reader a picture of how Joshua developed and changed over nearly three decades of living. What I tried to do was to suggest the reasons for his actions – his ways of thinking, of applying both reason and desire to his actions.
My work is just the start, though. The reader’s imagination puts the real flesh on the bones. For sure, you need to give readers enough to go on, but its important to leave them room to think, to imagine, and to draw conclusions. If you fill in all the blanks, you preclude that from happening. Readers are like the audience of a play – indispensable to the story-telling.
What were some themes that were important for you to explore in this book?
First and foremost, our disconnected world. What happens to a person when the value and importance of the next person is lost through lack of human contact?
How does that disconnectedness wear away our ethics? How easy does it become to commit a small evil when you can’t begin to understand the human consequences?
How does one small evil lead to larger ones? And what is the cost to a person’s being?
What is the next book that you are working on, and when can your fans expect it to be out?
I am working on the fourth book in The Scandalous Memoirs of General John Torrance series of historical fiction adventures. The working title is Jack and Will and I’m hoping that it will be published in late December.
Author Links: GoodReads | Facebook | Website
Josh’s family dwindles away and his real friends become his employees. His social life becomes nocturnal and empty of real meaning. He an otherwise solitary life, making more money than he needs, and facilitated by every modern convenience.
But there comes an unexpected occurrence, one that radically changes Josh’s needs and purpose.
The Last Ghost
The Last Ghost tells the story of Joshua Stewart, a boy who loses his parents in a tragic fire in Thailand and is raised by his aging grandparents in Toronto. What begins as a quiet, tender domestic story about loss and love evolves into a moving reflection on family, morality, and the strange intersection between faith and logic. It’s a coming-of-age story shaped by grief, education, and a world that seems to change faster than anyone can understand. The book carries Joshua from childhood through adolescence, from the safety of his grandfather’s theological certainty to the uncertainty of global chaos and financial collapse. In the background are ghosts, literal and figurative, the memories and moral lessons that cling to life long after the living are gone.
The prose is elegant but warm, never showy. Author D.E. Ring writes dialogue that feels alive, filled with pauses and silences that say more than the words themselves. The pacing is slow in the best way. I found myself caring deeply for Caleb and Marianne, those kind, weary grandparents trying to raise a boy while the modern world races past them. Joshua’s curiosity, his moral sense, and his grief are rendered so gently that when emotion hits, it hits hard. I caught myself tearing up more than once. The way Ring balances tragedy with moments of simple beauty, a walk by the lake, a child’s question about God, is fantastic. It’s literary without being pretentious, and it touches something primal about family and forgiveness.
That said, this isn’t a light read. The novel asks you to think. Some chapters stretch with patient detail about conversation or setting. The story builds a world that feels lived in. So much so that when the supernatural edges in, it feels believable. Ring doesn’t write jump-scares or gothic gloom. His ghosts come through in memory, regret, and the quiet ways people haunt one another. I loved that restraint. It’s the kind of ghost story that leaves you thinking rather than trembling. Still, I found myself haunted anyway, not by spirits, but by love, loss, and how time slips away no matter how much we hold on.
I’d recommend The Last Ghost to readers who love literary fiction with heart, people who appreciate family sagas, subtle hauntings, and moral reflection. It’s for those who like their ghost stories human, not horrific. I’d hand it to anyone who believes that real hauntings come from memory, conscience, and the ache of unfinished love.
Pages: 291 | ASIN : B0FS1W4T5Q
LITERARY TITAN 