Crimson at Cape May finds Darrel between a battle for his reputation and a battle against paranormal forces. What were some sources of inspiration that influenced this novels development?
Having lost his job—and maybe his love—in Wilshire, Darrell heads to Cape May (New Jersey) to help coach a summer football camp. With being forced to resign, he needs the money and hopes it will give him the time and opportunity to restore his reputation. When he arrives in Cape May, he finds a town almost frozen in time, surrounded by incredible Victorian mansions everywhere. But he also discovers the old seacoast town is flush with spirits who pester and haunt him to help out one of their own. Darrell has to balance both his “gift” for seeing into the spirit world with his efforts to get his old job back. In the end, he commits to help another young student whose sister has gone missing, which ties to all his problems.
There have been several times in my life where reputation, job and livelihood was threatened and I drew on these experiences and the reserves I used to meet these very real challenges to help sketch Darrell’s predicament and his way of navigating out of it. Because of my experience, my hope is the reader will find Darrell’s journey credible and something they themselves can relate to.
I enjoyed Cassie’s character and found her relatable. What were some ideas you wanted to capture in Cassie and Darrel’s relationship?
My choice of Cassie as a POV character was deliberate and carefully thought out. First of all, she and Darrell are opposites, or appear to be. Darrell is a traditional, successful (kind of) teacher and coach, from a good family and good upbringing. Cassie is none of those things. She has been abused and denigrated and runs away from her family, such as it is. Instead, she has had to learn skills to survive on her own, in her teens. But Darrell’s first instinct is to reach out and protect children and young people in trouble. As a teacher, it’s part of his DNA—a characteristic I witnessed for real in my many of my teaching colleagues. When he encounters Cassie, Darrell recognizes the vulnerability of the young woman, even through her hard-shell, street-smart armor she has wrapped herself in. Then as “sensitives,” they begin to check each other out and eventually learn to trust each other. Erin proves to be critical in their evolving relationship as she stands in almost as an older sister for Cassie. Darrell never stops feeling responsible for the younger Cassie—especially as her life is threatened—but in the end, he realizes they have to work together to solve the murder of the Haunted Bride. This fictional relationship reflects the very real dilemma that parents and teachers face everyday with teenagers. Adults who care for kids have to find a way to take care of them and try to keep them from the greatest risks, while at the same time allowing the adolescents to begin to make some decisions themselves, even though some of those decisions are unwise and even dangerous. It’s a tightrope that is not easy to navigate. Darrell, like parents and teachers, has trouble knowing when to let go.
I enjoyed the compelling mystery behind this story. Was the arc planned or did it develop organically while writing?
My approach to my stories fall some where between the “plotter” and the “pantser” mindset. Before beginning a novel, I will have completed a general outline of the story arc, of essential characters, of the crime itself and, of course, of the thematic issue. In addition, since each entry of this series is set in a new resort location (BLOOD on the Eastern Shore, CRIMSON in Cape May), I do a considerable amount of local research to ensure my setting is accurate and thorough, which in turn requires a considerable deal of planning including how the setting snd plot will interact. Layering over all that is where the ghost elements will intrude, another planning aspect.
I realize that sounds pretty far in the plotter camp, but there is much more. Then as I begin the actual manuscript, I find myself “pantsing,” more writing by the seat of my pants. As characters develop, I find myself adjusting the trajectory of the narrative and writing accordingly. There are elements of the plot and storyline that I deliberately do not plan in advance. For example, I don’t make a final decision on who the actual antagonist will be until I am well into the narrative. That way I make sure that several suspects are viable and keep my inner reader guessing until the reveal—as I hope I do for the actual readers of the novel. I do make some slight adjustments to this plotter/pantser balance for different novels but find overall this approach works well for me.
What is the next book that you are working on and when will it be available?
I’m currently completing the third book in the Haunted Shores Mysteries Series no title determined as yet), a Christmas ghost mystery set in Crystal River, Florida. I thought the idea of setting a holiday mystery in the warm climes of Florida’s Gulf coast to be an interesting challenge and decided to take Darrell and his new wife, Erin, on their honeymoon there. And number three will have a very different ghost twist—the ghosts are those of two young Hispanic children who have mysteriously disappeared. An added plus is this gave me an opportunity to explore another serious issue the nation is grappling with, the life of migrant workers and the fate of illegal immigrants. I hope I’ve come up with a mix that will make number three another interesting entry in the series. This third installment is scheduled for release for October 2021—in time for Christmas, of course.
Devil’s Days in Deadwood by Ann Charles is a fun supernatural thriller. The story delves into the life of Violet Lynn Parker a seemingly normal human being who works as a real estate agent but is involved in the supernatural as a ghost hunter. The protagonist is part of an agency that is tasked with defending Earth from the evils unseen by normal human beings. The compelling heroine of the story faces a formidable foe but she requires help from and engaging cast of characters in order to overcome the exact definition of evil incarnate. The story is set in the alluring town of Deadwood, a town plagued by mysterious happenings since time in memorial ranging from ghosts to haunted houses.
Ann Charles has invoked various stylistic devices that highlight her writing skill and made this novel stand out in the paranormal genre. Although this is book eleven in Ann Charles’s Deadwood Humorous Mystery series, I think new readers will be able to jump right in as I have. What I particularly liked about this novel, and Ann Charles’s view of the supernatural, is the satirical lens that it is all viewed through. It’s a stimulating blend of humor, mystery, and paranormal that all come together to make the reader alternate between gasps, laughter and furiously flipping pages. It reminded me of the writing style of Douglas Adams or A. Lee Martinez.
Violet is an exceptionally well defined character, someone we can relate to as a mother who works hard to provide for, and protect, her children. But in the same vein of Buffy the Vampire Slayer, she’s a demon executioner who risks her life to defeat some truly vile, other worldly, beings. While I understood Violet’s motivations, and her emotions, I did want a little more backstory. The world created here is interesting and I wanted to explore it more, though I suppose I could by reading the other novels in the series.
I was excited about this novel from the very beginning, based on the short synopsis of the book. I was thoroughly entertained and may have found a new series to while away the time in quarantine. Fans of supernatural thrillers will find an exceptional piece of literature that offers a unique voice to this genre.
Pages: 393 | ASIN: B0884DJ4MP
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Time Framed follows two family members battling across generations to avoid the consequences of a family curse. What was the inspiration for the setup to this intriguing novel?
In 2002 I published the novel Mean Spirits which introduced the Pennfield family curse. The story follows the curse from the Mayflower through several generations and then ends with the downfall of Prof. Christopher Pennfield, once a highly respected professor of Philosophy, but now shamed for causing the suicide of his research assistant, a student with whom he was having an affair (and was the contemporary agent of the curse). The Epilogue of the book, takes place in 2052 when another descendant of the Pennfield family, Jimmy Mashimoto-Pennfield, an industrialist-genius, is contemplating how he, himself, can avoid the curse. He figures that if he can change the past a bit, he can throw off the timing of the curse so that he avoids it in the 2050s. So, in effect, Time Framed begins where Mean Spirits left off (but don’t worry, you don’t have to read Mean Spirits before Time Framed; the back story is thoroughly covered!)
Your characters are compelling and well developed. What were some themes you wanted to capture while creating them?
Certainly, one of the main themes is about greed and privilege. On the surface, The Pennfields are a well-respected American family; however, their accomplishments have a dark underbelly of deception, cheating and cruelty. Some of the characters in the book, specifically Christopher, Jimmy Mashimoto-Pennfield and Izan Bonne-Saari, a world renowned financier who uses his control of world financial markets to reshape the world’s governmental order into a caste system heavily favoring the wealthy elite, represent humankind’s proclivity to ego-centrism and narcissism. In fact, Jimmy Mashimoto-Pennfield creates a holographic clone of himself, aptly named Narc, so he can have someone of equal intelligence to converse with. Despite these characters self-centered and greedy natures, Christopher Pennfield realizes he has done wrong is looking to redeem himself which, I think makes him an interesting character. Some of the other characters in the book, Shippy Pennfield, Ed Swann (ghost hunter), Julian Weisman (theoretical physicist) and Dr. Brenda Altieri (nun turned psychiatrist), Derek Fane and Robyn Viega represent the better aspects of humanity.
I thought you handled the use of time travel deftly in this book. Time travel usually comes with its own paradoxes. How did you avoid these in your book?
Yes, indeed, any story about time travel has to deal with what’s called the “grandfather paradox” — suppose you went back in time and killed your grandfather; then you would never exist in the future to be able to go back in time to commit that very act. The only resolution to that paradox is for the universe to split into two parallel universes, one where you exist in the present and the other where you do not. So, in effect, Time Framed becomes the story of two separate universes, one where a certain event happened and one where it didn’t and then how they finally resolve into one universe again. Interestingly, there is no physical time travel in Time Framed. It all centers around the Pennfields using their pre-existing psychic sensitivities to communicate psychically across time and influence the other time period, convincing someone in the past or future to perform an act which appears trivial to them in their time frame but one which causes a major disruption of history.
What is the next book that you are working on and when will it be available?
It’s not nearly as daunting as writing a book about two parallel universes across space and time, but currently my daughter and I are working on a screenplay that explores the relationship between fame and true talent.
Two periods of time clash with an alternative universe in Time Framed, a story that pits family members against each other across generations as they attempt to evade the dire consequences of a menacing family curse. Dating back to the Mayflower, the curse had its origin as family patriarch, Charles Pennfield, threatened a poor servant girl, causing her to leap to her death off the Cape Cod coast. Now, her unsettled spirit ebbs and flows, surfacing every sixty to eighty years to exact justice as she inhabits a living agent and forces them to crush the greatest ambitions of whatever unlucky Pennfield crosses her path.
Overall, the book has equal amounts of action and a story that is well balanced. It does a fantastic job of bringing together all its characters and tying their situations up in a satisfying way that is sure to appeal to any fan of paranormal fiction.
Pages: 272 | ASIN: B07NY31HNK
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Back in the 1600s, Charles Penfield drove a girl to her death. Since then, her soul roams the world seeking revenge through generations of the same family. She strikes every few decades to cause havoc. This had come to be known as the Pennfield curse.
Decades later in 2053, Jimmy Mashimnoto-Pennfield is well aware of the family curse and is looking for ways to get rid of it. He finds a solution in time travel, something that will not exactly get rid of the curse but will divert it from him. An alternate universe is created and Professor Pennfield catches wind of this. Jimmy’s intentions could make for a direr situation for Shippy so he has to be stopped. Now the Professor remains to fight Jimmy through the time-space continuum.
The characterization in this book is exceptional and sets up some remarkably vivid characters. Each character is bespoke and continues to develop as the story progresses adding layers that make the characters interesting and engaging. Understanding the characters is easy, being that this is a complex time travel sci-fi book, I appreciated this. Jimmy is quite obviously the villain, with his selfish motivations, his character is easy to dislike but still empathize with.
This book is long and complex, but it needs to be in order to dive completely into all the ramifications of meddling with the past. There is a lot going on in this book, time travel, curses, and multiple storylines. At times I got lost, but the author masterfully brings the story together in satisfying ways that kept me engaged. The moment of realization when events in the story comes together and makes sense, for me, was satisfying.
The way the professor and Jimmy try to outwit each other with intelligent and well thought out moves is an engaging experience. They’re each smart and cunning in their own ways and I was entranced watching them clash. This is the same feeling I get when I read Dan Brown’s Robert Langdon series; intelligence used as a blade to attack and parry.
Time Framed is a suspenseful book with an absorbing story, an interesting villain, and a relatable underdog. Some parts of the book were hard to follow, but when you catch on, this book is simply addictive.
Pages: 748 | ASIN: B07DN3RNBC
Posted in Five Stars
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If anyone tells you hunting ghosts is less dangerous than chasing down real-life criminals, they’re wrong. Very, very wrong.
Case two takes us to a New Jersey Shore Inn. A beautiful, yet dead opera singer seems to be begging for help, but her pleas do nothing but terrorize the locals.
While trying to decipher the clues to her 1919 disappearance, uncovering hair-raising horrors, it becomes clear that Jason and I no longer see eye-to-eye.
Jason wants me to stop meddling with the supernatural. He wants me to stop risking my life by interacting with demons and spirits.
What he doesn’t understand is this is my life. These tortured souls need my help in order to move on. How do I walk away from that—from them?
But the better question is—how do I walk away from him?
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Detective Alex Hunter stumbles into darkness after a drunk driver careens into his wife and daughter, killing them instantly. Off the force, two years pass and he lands in private investigations and the edge of the underworld. When Arthur Garland offers him just the kind of job he can’t turn down, all hell breaks loose. Not only is Garland’s past unsettling, he is also the owner of a new property Alex is buying on Crystal Creek. He’d been turned on to the sale by a mysterious figure so now with every nerve firing and red flags flying, the wiry detective has a mystery to solve – one that he is already in too deep. Discovering how this all started with a detective not unlike himself over a century ago does little to soothe his soul. Then, and now, the answer to the mystery of Crystal Creek may lay with a phantom man wearing an old black hood.
CS Caspar’s novel, Hoodie Black, starts out with a tone not unlike an autobiography told in first person. The supernatural, however, has already come knocking within the first page. Deft descriptions of street trash mingle with demons from the start, I was taken with this dark view of the world. With a distinctive noire flair, the tale unfurls smooth as a red carpet making it easy to stroll on in to this tale and take a seat.
Harkening back to the best Twilight Zone or Creepshow stories, there are ghastly legacies, surreal paintings, tales regaled and of course much of that creeping darkness to be found. And not to say that lightly, Hoodie Black starts out with so many of the genres fairest delights like this so it easily hooks any fan of mystery and horror. On top of all the modern notes this story hits, there is an ancient foundation like something from the Brothers Grimm or older fables, the storytelling quickly becomes deeply layered, making any reader curious how it is all going to converge and when. Truly one of the more remarkable tricks is creating tension simply with that idea – how will this converge and when – CS Caspar has accomplished this tension in the first fifth of the novel.
For some, the tiptoe between a hard-boiled thriller and fairy tale or religious elements may be off putting. The tone may take a little to get used to once the book is at full speed since we are so accustomed to being in one state or genre instead of three at once. For those that enjoy genre-bending dark fiction, Hoodie Black is a very fun read. Culminating in battles between the very ideas of good and evil we are taken between first person narration and a more comfortable third-person point of view. The landscapes and surreal time-bending lend themselves to being wrenched from one mode of storytelling to the other and this should keep the most finicky of readers rapt with attention.
Pages: 219 | ASIN: B07M74MVB9
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My job? I hunt ghosts. Not to prove they exist—because I already know they do—but to figure out why they’re still here.
My first big case leads me to a mansion on the Chicago Gold Coast, the previous home of a wealthy socialite who lived there until she accidentally fell to her death in 1927.
I’ve never been this determined—and excited—to solve a case like this one before. Pity I’m forced to work alongside a man whose sole purpose is to debunk paranormal activity. But the worst part? He’s gorgeous, and the more we work together, the more I realize I might be falling for him.
Together we’re delving deeper and deeper into the spiritual world. But the more secrets we uncover, the more pissed off these ghosts become; and that’s when I start to realize…we might be in way over our heads.
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