Aren’t We All Some Kind of Contradiction?
Posted by Literary Titan
In Tokyo Traffic detective Hiroshi is once again called in, to solve a crime that involves human trafficking and crypto-currency scamming. Did you know what criminal themes you were going to use for this novel or did they develop while writing?
The theme was there from the beginning, but only in an abstract way. The concrete actions and decisions of the characters, along with the motivations and results, shaped the themes and made it something to see and touch and feel. The interesting part is how they develop inside the characters. As those broad themes became embodied in the characters, they came alive.
At first the theme of human trafficking threatened to swamp the whole story. It’s too big and too horrible. The more I thought about it, the more I wondered how can they get away with that? How can something so vicious and inhumane just keep going? And who’s “they”? Part of the answer is cryptocurrency. Follow the money to where theme meets characters. Some people will cast aside all human feeling for money, and cryptocurrency makes that easier. Its hidden, digital, clean. Of course, the way of the future will probably be all kinds of digital currencies, but the downside is how people use that illicitly, and for such terrible purposes.
This being book three in your series was there anything new you wanted to introduce into Hiroshi’s character?
He moves in with his girlfriend and works at being with her and not sleeping in his office on a pull-out futon. That’s hard work for him. Overall, Hiroshi gets a bit more of his footing in this novel. His skill set is limited, so he bumps against his own limitations, but he learns to pay attention to what he stumbles onto, what he suspects but isn’t sure of, and what others tell him. An intuitive accountant may sound like a contradiction, but aren’t we all some kind of contradiction? We all have that internal division between our different sides.
What were some challenges you set for yourself as a writer with this book?
This one took me a lot longer to finish than the second one. The tricky part was having three main characters. Before I’d always just focused on two. Adding that third one made the story exponentially harder to keep track of. Braiding the three threads of the bad guy, the victim and the detective, plus the people on their side, was tricky. It was like passing a point-of-view baton. The race kept going as each character carried it a bit further. But to me, that’s very Tokyo-like, different kinds of stories flung together.
It was also a challenge to have two young women as main characters. Sukanya doesn’t know Tokyo at all and Chiho knows Tokyo all too well. So, those two different young women and their different views of Tokyo were hard to get right. But I felt their point of view was important. They see the city so differently than I do, but that’s the interesting part. I’m not sure I set those as challenges for myself, writing is enough of a challenge in and of itself, but those became the challenges to tell the story the way I wanted to.
Does Tokyo Traffic end the story for detective Hiroshi or do you have other novels planned?
I have two more in the Hiroshi series already outlined. The one I’m working on right now is titled Tokyo Overtime. It’s about the pressures of the workplace. What other country in the world has a word, karoshi, for death from overwork? After that, I’m planning to write about the whole fish industry, which is very big business in Japan. Two years ago, one of the owners of a sushi chain restaurant paid the equivalent of three million dollars for a single six-hundred-pound bluefin tuna! After that, I have notes for a standalone with sumo wrestler-turned-detective Sakaguchi and Detective Takamatsu is ripe for a prequel about his early, rough days. So, I’ll see where those lead. I’m looking forward to finding out.
Running from a life she didn’t choose, in a city she doesn’t know Sukanya, a young Thai girl, loses herself in the vastness of Tokyo. With her Bangkok street smarts, and some stolen money, she stays ahead of her former captors who will do anything to recover the computer she took. After befriending Chiho, a Japanese girl living in an internet café, Sukanya makes plans to rid herself of her pursuers, and her past, forever.
In Tokyo, street smarts aren’t always enough
Meanwhile, Detective Hiroshi Shimizu leaves the safe confines of his office to investigate a porn studio where a brutal triple murder took place. The studio’s accounts point him in multiple directions at once. Together with ex-sumo wrestler Sakaguchi and old-school Takamatsu, Hiroshi tracks the killers through Tokyo’s music clubs and teen hangouts, bayside docks and byways, straight into the underbelly of the global economy.
As bodies wash up from Tokyo Bay, Hiroshi tries to find the Thai girl at the center of it all, whose name he doesn’t even know. He uncovers a human trafficking ring and cryptocurrency scammers whose connections extend to the highest levels of Tokyo’s power elite.
About Literary TitanThe Literary Titan is an organization of professional editors, writers, and professors that have a passion for the written word. We review fiction and non-fiction books in many different genres, as well as conduct author interviews, and recognize talented authors with our Literary Book Award. We are privileged to work with so many creative authors around the globe.
Posted on July 4, 2020, in Interviews and tagged author, author interview, book, book review, bookblogger, crime, crime fiction, crime thriller, cryptocurrency, ebook, fantasy, fiction, goodreads, international mystery, kindle, kobo, literature, michael pronko, mystery, nook, novel, read, reader, reading, story, suspense, thriller, Tokyo Traffic, writer, writing. Bookmark the permalink. Leave a comment.
This site uses Akismet to reduce spam. Learn how your comment data is processed.