In Tokyo Traffic detective Hiroshi is once again called in, to solve a crime that involves human trafficking and crypto-currency scamming. Did you know what criminal themes you were going to use for this novel or did they develop while writing?
The theme was there from the beginning, but only in an abstract way. The concrete actions and decisions of the characters, along with the motivations and results, shaped the themes and made it something to see and touch and feel. The interesting part is how they develop inside the characters. As those broad themes became embodied in the characters, they came alive.
At first the theme of human trafficking threatened to swamp the whole story. It’s too big and too horrible. The more I thought about it, the more I wondered how can they get away with that? How can something so vicious and inhumane just keep going? And who’s “they”? Part of the answer is cryptocurrency. Follow the money to where theme meets characters. Some people will cast aside all human feeling for money, and cryptocurrency makes that easier. Its hidden, digital, clean. Of course, the way of the future will probably be all kinds of digital currencies, but the downside is how people use that illicitly, and for such terrible purposes.
This being book three in your series was there anything new you wanted to introduce into Hiroshi’s character?
He moves in with his girlfriend and works at being with her and not sleeping in his office on a pull-out futon. That’s hard work for him. Overall, Hiroshi gets a bit more of his footing in this novel. His skill set is limited, so he bumps against his own limitations, but he learns to pay attention to what he stumbles onto, what he suspects but isn’t sure of, and what others tell him. An intuitive accountant may sound like a contradiction, but aren’t we all some kind of contradiction? We all have that internal division between our different sides.
What were some challenges you set for yourself as a writer with this book?
This one took me a lot longer to finish than the second one. The tricky part was having three main characters. Before I’d always just focused on two. Adding that third one made the story exponentially harder to keep track of. Braiding the three threads of the bad guy, the victim and the detective, plus the people on their side, was tricky. It was like passing a point-of-view baton. The race kept going as each character carried it a bit further. But to me, that’s very Tokyo-like, different kinds of stories flung together.
It was also a challenge to have two young women as main characters. Sukanya doesn’t know Tokyo at all and Chiho knows Tokyo all too well. So, those two different young women and their different views of Tokyo were hard to get right. But I felt their point of view was important. They see the city so differently than I do, but that’s the interesting part. I’m not sure I set those as challenges for myself, writing is enough of a challenge in and of itself, but those became the challenges to tell the story the way I wanted to.
Does Tokyo Traffic end the story for detective Hiroshi or do you have other novels planned?
I have two more in the Hiroshi series already outlined. The one I’m working on right now is titled Tokyo Overtime. It’s about the pressures of the workplace. What other country in the world has a word, karoshi, for death from overwork? After that, I’m planning to write about the whole fish industry, which is very big business in Japan. Two years ago, one of the owners of a sushi chain restaurant paid the equivalent of three million dollars for a single six-hundred-pound bluefin tuna! After that, I have notes for a standalone with sumo wrestler-turned-detective Sakaguchi and Detective Takamatsu is ripe for a prequel about his early, rough days. So, I’ll see where those lead. I’m looking forward to finding out.
Running from a life she didn’t choose, in a city she doesn’t know Sukanya, a young Thai girl, loses herself in the vastness of Tokyo. With her Bangkok street smarts, and some stolen money, she stays ahead of her former captors who will do anything to recover the computer she took. After befriending Chiho, a Japanese girl living in an internet café, Sukanya makes plans to rid herself of her pursuers, and her past, forever.
In Tokyo, street smarts aren’t always enough
Meanwhile, Detective Hiroshi Shimizu leaves the safe confines of his office to investigate a porn studio where a brutal triple murder took place. The studio’s accounts point him in multiple directions at once. Together with ex-sumo wrestler Sakaguchi and old-school Takamatsu, Hiroshi tracks the killers through Tokyo’s music clubs and teen hangouts, bayside docks and byways, straight into the underbelly of the global economy.
As bodies wash up from Tokyo Bay, Hiroshi tries to find the Thai girl at the center of it all, whose name he doesn’t even know. He uncovers a human trafficking ring and cryptocurrency scammers whose connections extend to the highest levels of Tokyo’s power elite.
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When bodies start to pop up in Tokyo bay detective Hiroshi is one again called in to solve the horrible case and put together the pieces to a perplexing crime that involves the grim underworld of human trafficking and crypto-currency scamming.
Pronko’s characters are always something I look forward to. This being the third book in the Detective Hiroshi Tokyo series I found detective Hiroshi to be a well established character but Hiroshi Shimizu continues to hold an allure that is subtle yet ever present. While the investigation seems to go off in many directions I was always impressed with Hiroshi’s detective skills, which were always believable, which allowed me to follow an otherwise circuitous story easily.
Sukanya is the story of a girl lost in a big city. She’s being chased by thugs but luckily for her her cunning and intelligence keeps her one step ahead of the villains. It’s always nice to see strong female leads and with Sukanya and Chiho we’re treated to a nuanced view of women contending with a dense city that cares little for them by using their own wits.
The way in which these two genuinely intriguing characters riveting story lines come together is something that I rarely see and makes Tokyo Traffic the most thrilling book I’ve read this year. We’re treated to modern versions of Japanese culture that have evolved in the shadow of Tokyo. Michael Pronko creates the backdrop to this story as if it is a character all on its own and invites readers into this colorful world in an easy yet striking way.
If you’re looking for a thrilling crime fiction set in an exotic location then Tokyo Traffic is a prime choice. The enigmatic mystery at the heart of this intriguing novel was something I swiftly gave up in trying to solve as I realized that the chaotic and dramatic journey was the fun part. Tokyo Traffic is an exceptional ending to an extraordinary series from a mystery writer that knows how to entertain.
Pages: 341 | ASIN: B087QVRXZB
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The Moving Blade follows detective Hiroshi as he navigates street level politics to solve the murder of an American diplomat. What was the direction that you wanted to take book two in the series that was different from book one?
The direction I wanted to take it is not the direction it ended up going. So, I headed more into the characters, who became more and more interesting. I focused on the roiling tumble of conflicts inside them, and what that might reflect of social, political and historical conflicts outside. I think that’s similar to book one, but because the characters are embedded into a larger framework of political pressures and international relations, their actions resonate differently. The canvas is broader in this second book, and I go deeper into Tokyo, to see the background of the characters and their choices, good and bad.
I enjoyed the mix of interesting characters throughout the novel. Who was your favorite character to write for?
I like all of them. Well, I don’t like the bad guys, but I like hating them. My favorites were maybe the bookstore owner twins and the radical leftist. They were fun to write and to put in scenes together, the twins steady and demure and the leftist stridently angry. Sakaguchi, the ex-sumo wrestler, is always fun to write for. He has this core set of values that is rock solid Japanese. When he explodes, he really explodes. And of course, Hiroshi developed and grew as a person and as a detective, in perhaps meandering ways, but human ways. The women characters are great to write for, too, as they pull the story in their direction.
It quickly unfolds that the missing manuscript was the driving factor behind the diplomat’s death. How do you balance storytelling with mystery and action to ensure readers are engaged to the very last page?
Among all the different types of mysteries, whodunnits, whydunnits, I-dunnits, I didn’t-do-its, I tend towards the why. Maybe because I was a philosophy major? Not-knowing who creates a different kind of curiosity than not-knowing why. Withholding certain pieces of information is essential. As Alfred Hitchcock pointed out, if you know there’s a bomb under the table, but the characters don’t…well, that’s suspense. And if you don’t know why the bomb is under the table in the first place, it’s really intriguing. As jazz musicians often say, and I think Mozart said it originally, the music is not in the notes, but in the silence between. I think writing should be aware of what’s not spoken, what’s not known. The unknowns make you lean in and pay attention.
Where will book three in the Detective Hiroshi series take readers?
Book three is called Tokyo Traffic. The story revolves around a young Thai girl who gets lost in Tokyo, after running away from some horrible people. She is rescued by a young Japanese woman who lives in an internet café and plays in a rock band. Most of the story takes place in the nighttime youth hangouts in Shibuya and Shimokitazawa, another side of Tokyo. The detectives are the same, though Hiroshi has moved in with his college girlfriend and Takamatsu is off suspension. It goes deeper into the characters and deeper into Tokyo.
When the top American diplomat in Tokyo, Bernard Mattson, is killed, he leaves more than a lifetime of successful Japan-American negotiations. He leaves a missing manuscript, boxes of research, a lost keynote speech and a tangled web of relations.
When his alluring daughter, Jamie, returns from America wanting answers, finding only threats, Detective Hiroshi Shimizu is dragged from the safe confines of his office into the street-level realities of Pacific Rim politics.
With help from ex-sumo wrestler Sakaguchi, Hiroshi searches for the killer from back alley bars to government offices, through anti-nuke protests to military conspiracies. When two more bodies turn up, Hiroshi must choose between desire and duty, violence or procedure, before the killer silences his next victim.
THE MOVING BLADE is the second in the Tokyo-based Detective Hiroshi series by award-winning author Michael Pronko.
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This book made it to my favorites list before I even finished reading it. I am a sucker for a good mystery and The Moving Blade provides suspense and intrigue from the very first chapter. In fact, the first chapter is what kept me going through the next several chapters which do get a bit dry as far as action goes. However, I love the authors style of writing which is very descriptive without being overly wordy and this keeps the reader interested even when nothing spectacularly interesting is happening.
The characters are effortlessly interesting which I think is pretty hard to accomplish, so kudos to the author there as well. I particularly enjoyed the scenes with Shibata, who was an old friend of Jamie’s recently deceased father. Shibata is eager to meet with Jamie after her father’s (Bernard Mattson) funeral and while his demeanor is calm and kind and heartwarming you can tell there is something more to him than he lets on to. It’s also clear early on that Jamie is in for more than she bargained for and that staying in Tokyo to settle her father’s affairs will not be as simple as expected.
The main intrigue of the story surrounds Bernard Mattson’s writings, which are unpublished but well sought after at the time of his death. In fact, Jamie immediately finds herself bombarded by those who wish to obtain them. The detectives on the case of Mattson’s murder are unsure that his death was politically motivated, but it quickly unfolds that the missing manuscript was probably the driving factor behind his death.
The book is a good mix of drama between its many likeable characters and the action that can be expected from a murder mystery. I love the imagery that the author invokes with his good use of descriptions. For instance, reading about the book shop owned by the Endo brothers (maybe because I love books!) gave me such a great image of the shop. I find that in a lot of newer books that I pick up these types of small details are left out and they really make or break a book in my opinion. I also loved the description of Shibata’s home. When Jamie mentioned that she somewhat remembered his house, he told her that it was actually a completely different house and only looked the same on the inside. These little details are a great addition to the literary quality of the book and I found them throughout the story.
These are the types of things that really stand out to me and give the author distinction as a great writer. Some books you read because they’re quick and fun, but like I said, this one ended up on my favorite’s list because of the great writing.
Pages: 339 | ASIN: B07GCYRY61
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The Last Train revolves around Michiko Suzuki and the team of detectives that are investigating the train murders. What was the inspiration to the setup to this thrilling novel?
For quite a few years I was writing about jazz every week, so I was always going to Roppongi and Shinjuku and Shibuya, nightlife parts of the city. I’d see the hostesses who work in all the clubs there, and they would often be in the jazz clubs. They were almost always strikingly attractive, but underneath that seemed some sadness. Whatever one thinks of their work, the women seemed smart. What impressed me most, though, was the great personal dignity with which they carried themselves. So, I started wondering what kind of life those women lived, and what if they turned the tables. What if one of those people-savvy women took things into her own hands to do things men usually do? And what was this odd dynamic between men and women that seemed so unfair to women, but then again, was something else, too. Many Japanese women might not even say Japanese society is unfair exactly, perhaps because Tokyo is home to a vibrant urban culture where women are incredibly free to do what they want and live how they like. But, what would that freedom turn into if taken to an extreme? Michiko is that extreme. The men struggle to catch up.
Michiko is the daughter of a factory owner whose mother died when she was young. Her character continues to get deeper as the story progresses. What did you use as a starting point for the character and what was your guidance as you built the character?
I think the way Michiko grew as a character was based on my observation of women, and men, in Tokyo, but all kinds of women, not just hostesses. There’s a lot of people TO observe in Tokyo, for one thing, but I like to talk and interact with people as much as I can. Michiko is a “typical” character in that her experience parallels the shift in Japan from a manufacturing society, which is where Michiko grew up, to an information and service society, which is how she makes money. I wondered how that shift affected women? Is it easier for women to adapt to economic changes than men, or harder? Michiko is working class in origin, growing up above a factory, but she turns herself into something else altogether through her own efforts. She’s tough and resilient, which is how I see most Japanese women, and yet still very feminine in traditional ways. She has no hesitation to compete in a man’s world, and to do it on her own terms. Like many characters, once she was created, everything followed from that.
The novel takes place in Tokyo. Why did you choose a train station in Japan as the setting to your novel?
Trains are one of the things I love most about Tokyo, but they are also these huge masses of steel shooting through a very densely populated city. Just as America is built around the car, Tokyo is built around trains. Suicides on the train lines, sadly, happen all too often.
I came upon the clean-up after a suicide one time years ago, and the image stayed with me.
Like every other commuter, I have been stuck waiting on a train or a platform when a suicide shuts down the entire train system. It’s so shocking because usually everything runs on time. So, I guess, if you transplant the American car chase to Tokyo, it becomes a train chase, or a chase on a train. I also like that as a setting because trains and train stations are great levelers. Everyone takes the train, together, equally. I also love trains and train stations because I can completely indulge in people-watching. It’s startling how many people you see in a day. Still, it’s never so lonely as in a crowd, and there’s always a crowd in Tokyo.
What is the next story that you are working on and when will it be available?
The next novel is called Japan Hand and Detective Hiroshi is again in the lead, together with Sakaguchi. They investigate the death of a long-time Japan specialist who helped negotiate the complicated relations between Japan and America, including the US military bases in Japan. That novel should be out by December of this year or early 2018. The next one after that is called Thai Girl in Tokyo and will be out in spring of 2018. I’ve finished writing those both, so they’re now being edited and polished.
Pages: 348 | ASIN: B071DPXP7M
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Michael Pronko is a scholar and an on Japanese culture. He is also an excellent story teller that captivates readers and takes them on an adventure through his words. The Last Train is set in Tokyo, and even if you have never been to Tokyo, don’t worry, Pronko draws you into the life there. His attention to detail is not limited to the scenery, but the customs and mannerisms that make up the Japanese’s culture. There is extensive time devoted explaining the life and world revolving around the hostess clubs, not sex clubs, rather clubs where men go to find a woman to entertain them for a period of time, while drinking and getting their ego stroked. It is within this society of hostess clubs that murder mystery is flushed out. A killer, targeting foreign investors is using the trains as her weapon of choice.
The story revolves around Michiko Suzuki and the team of detectives that are investigating the train murders. Michiko is the daughter of a factory owner whose mother died when she was young. She was raised by her father and his workers. She learned early that business is not always neat and clean, and that sometimes getting their hands dirty and making backdoor deals is the norm there. As Pronko tells Suzuki’s story he alternates between current events and her memories of the past, telling how she got to where she is, and how she has picked her victims. The main detectives investigating are Hiroshi and Takamatsu. Hiroshi is an accountant that due to spending part of his life in America is fluent in English so he works white collar crimes for the police. Takamatsu is a homicide detective that pulls together his own dream team to work on this case. Their case takes a high profile turn and soon they’re dodging politics as well the cultural need to keep everything neat and tidy. Michiko tries to keep her activities low key but when several of her victims survive her plot, things get messy for her and the police.
One of the most fascinating things about this novel is not the mystery aspect. The murder is not a secret from the beginning. What is a mystery is why she is killing people, figuring out what drove her to this life. Hiroshi is a complex character as well, and his dynamic interactions throughout the investigations add to the plot as well as provide an unique look at the culture. Even though he is from Tokyo, spending time in America gave him a different perspective on the way things are done; whereas Takamatsu comes off as the typical Japanese man. They make an interesting and effective partnership. Having the diverse views interacting with witnesses and other characters makes for a dynamic story line, it is diverse and provides multiple views from different cultural perspectives. Much of the story takes place in Roppongi, here you see all the varieties of hostess clubs, the basic lounge style, mud wrestling, nude women, and the high-end invite only David’s Lounge. Each club gives readers a different taste of the culture.
Overall The Last Train by Michael Pronko is a well written and enticing look into the culture of Tokyo. The story behind Michiko Suzuki is compelling and engaging, you can’t help flipping the pages to see what she is going to do next and find out why her victims were chosen. Hiroshi connects well with everyone he interacts with so there is an emotional response from the reader. Pronko uses emotion, mystery and attention to detail to keep the reader engaged and wanting more. I look forward to seeing more from Pronko and hope he has more stories to tell with Hiroshi.
Pages: 348 | ASIN: B071DPXP7M
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