The Art Collector’s Wife follows a grandmother and survivor of Auschwitz raising her seventeen-year-old granddaughter, who is desperate to know the truth about her parents, while her grandmother struggles to deal with her grief from the past.

What were some themes that were important for you to explore in this book?

One of the main themes I explored in my book was the idea of what it’s like for a family to survive a world-wide tragedy and somehow come out intact on the other side. What does that new normal look like and how does a young survivor find the old nearly-erased story of her family while writing a new story for herself at the same time? The theme of feeling “othered” as a minority living in a dominant culture was also an intrinsic theme and informed the main characters’ point of view throughout. This is the idea that as a minority you don’t quite fit into the dominant culture but you must strive to assimilate nonetheless, even as you feel the pull of your own culture and identity calling and often coming into conflict with the majority’s influence.

What were some goals you set for yourself as a writer in this book?

I wanted to construct the sound structure of a thriller, but one with a literary voice and a historical context in which the characters were lively and three dimensional, flawed but mostly lovable. I wanted the story to have high stakes and the tension to be palpable and taut with nothing extraneous to the central tension.

What is the next book that you are working on and when can your fans expect it to be out?

I am working on writing a reincarnation crime thriller with aspects of magical realism in four sections, each one of the four elements. It’s in the early rough draft stage and will take at least up to 12 months to finish.

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