WORDS TO THINK. OR TO SING. is a collection of poetic meditations delivered in short verses, reflections, and fragments resembling journal entries. What inspired you to write this particular collection of poems?

Words to Think. Or to Sing. was created to connect pop music lovers, curious minds, thoughtful people, and poetic souls through sonorous art, right from its earliest stage. Music artists usually keep their process mostly private while creating, maybe occasionally sharing some behind-the-scenes after everything is ready and available to stream. I wanted to offer a glimpse into my mind and soul from the beginning of the story in an original, special manner instead, and thought that poetic parts of my pop songs in progress, paired with little insights about their meanings, would be a great way to introduce myself.

What was the biggest challenge you faced in putting together this poetry collection?

This publication actually consists of lyric excerpts from pop songs I plan to release one at a time, so it can’t be considered a traditional, classic poetry collection. Modern poetry felt like the closest category to classify it. The biggest challenge lay exactly in this multifaceted nature. Although my songwriting style in general could be described as minimalistic, poetic, and relatable, I had to choose which passages worked well as stand-alone excerpts that could best support this concept of teasing songs while inspiring self-reflection and conversations through selected snippets.

How do you approach writing about deeply personal or emotional topics?

When something catches my attention longer than usual, whether positive or not, I often start to play with words to describe what the situation means to me. It feels like processing or closure, which then, when explored further, can become tuneful. From there, some of these ideas might turn into song concepts, lyric excerpts, and one day, songs to stream. In doing so, I like to use deep but accessible metaphors which come from living life with an open heart and mind. That is my biggest inspiration. For instance, in the excerpt called VANISH, which is about unfulfilled, fading written promises, you can find a delicate interplay between light and rain symbolizing the alternating moments of healing or relief and the recurring storm inside. While both sunlight and tempests consume that piece of paper keeping those promises present and alive, time passes and the words fade as the mind finds its peace. I don’t want to spoil too much, but I hope you will get the chance to read it and maybe one day, even sing some of your favorite lines together with me at the top of our lungs. I think it’s a pretty cool perspective to know that the book is not the end, but just the beginning. Other authors write sequels. I do songs and artistic multimedia concepts from the shared fragments of this work.

How has this collection changed you as a writer, or what did you learn about yourself through writing it?

Deciding to curate and publish this book first, instead of following the usual song-release model, is another testament that I’m not the type for those rushed rides the industry is used to, nor to support a fast-food art approach. That’s why I’m inviting everyone interested to join me in this unique evolving music journey instead. Words are powerful, and if set to music, they become even more memorable and emotional. I want them to linger a little longer and deeply connect with those resonating with all this. Music has always been profoundly meaningful and empowering to me. I would be more than glad and truly honored to become a long-time companion to the readers.

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