Mall Hair Maladies by Kristy Jo Volchko is a delightful throwback story that will take 80’s kids down memory lane. The book follows Tanya, the new kid in school, Randi, and their single parents. The two meet and quickly become inseparable best friends. Volchko describes a year in the life of two 13 year old girls in 1980’s America. Volchko delves into “a day in the life” right down to big, crimped, hair-sprayed hair, fingerless gloves, and arms lined with multi-colored jelly bracelets. The biggest obstacle in the girls’ lives is finding a way to go to the local Madonna concert. She’s their idol, and they will do just about anything to hear her belting her songs in person.
Volchko writing feels like a genuine first-hand account of crazy events told across a dinner table. Grammar and spelling are impeccable. Everything flows perfectly. Characters were well developed, with each one having enough background story for readers to get a good grip on who they are. The setting and different scenarios were described well. Volchko has a way of making you feel like you are right there with the characters mixing up things in the kitchen, having an awkward dinner with an uptight relative, or smoking in the girls room. I felt invested in her characters and their lives.
I loved the throwbacks to the 1980’s. I lived them, and the essence of that era was captured perfectly. Readers from that time will relate to the characters. They will see themselves and reminisce over their own 80’s stories. I love the real references to the music and fashion of the time. It was a simpler time in many ways, but pop culture, music, and fashion were anything but simple.
The story is a nice throwback to a safer time for kids. They could hop on a bus unattended and go all over town and return relatively unscathed. They had little fear of anything bad happening to them at all. Bad things happened, of course, but they didn’t seem so frequent. Volchko conveys that time of simplicity and relative safety very well. I’m not so sure the story would have played out the same if it was set in today’s world. It was nice to escape back to that time for a little while.
I love how easily the girls become best friends. I think we sometimes forget how simple that was as children. Two strangers implicitly trusted and loved each other without the bat of a fake eyelash, just because they did. They met. They liked each other. Simple.
Without getting too heavy, Volchko exposes some problems that commonly arise in families. These aren’t 80’s problems, but timeless problems. Tanya has an absent father, and Randi has an absent mother. Tanya’s grandmother is judgmental, hateful, and a huge source of stress for the family. Volchko shows how the characters deal with those issues. She gives examples of difficult family dynamics and how the characters navigate those storms. She also gives some hope with the introduction of a less dysfunctional family toward the end.
I’d recommend this book to anyone in middle school and up, though 80’s kids may appreciate it the most. I couldn’t have asked for more out of this book. Volchko has made me a fan. I loved the story. I loved the characters. I loved the writing. I would love to read more of her work.
Pages: 265 | ASIN: B079SQYLRZ
Tags: 80s, alibris, america, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, childrens books, coming of age, ebook, family, fashion, friends, goodreads, ilovebooks, indiebooks, kindle, kobo, Kristy Jo Volchko, literature, Madonna, Mall Hair Maladies, music, nook, novel, pop culture, publishing, read, reader, reading, shelfari, smashwords, story, teen fantasy, teen fiction, womens fiction, writer, writer community, writing
Charles Bone and Stan Loren are two FBI agents with quite the special set of skills. The least of which is their ability to communicate without vocalizing their thoughts. As two men with psychic abilities, they have been given the job of heading up a recruitment drive unlike any other in history. Charles and Stan, in the early 1970s, manage to pinpoint over 3,000 individuals exhibiting the qualities making them the perfect candidates for the job. Little do the recruits know the mission for which they have been chosen is one that could change the course of human history.
Terry Tumbler’s Future World Rolls (We Are Family) Book 2 in the Carousels of Life series has one of the most unique settings of its genre. Spanning centuries and with locations varying from Winter Park Florida in the 70s to vessels in space including the Voyager 6, Tumbler carries the reader on quite the raucous ride through time and space via Charles and Stan and the plethora of alien life forms peppered throughout this second in a series.
There is a Men in Black feel about the novel that gives the book a light, fun air. Fans of this type of science fiction will appreciate Tumbler’s alien beings, their idiosyncrasies, and the banter between the main characters as they go about the task set before them.
As with Tumbler’s first book in the series, Future World Rolls is laden with song lyrics, references to artists’ best-known works, and well-timed and perfectly-placed excerpts of the world’s best (my own humble opinion) music. Tumbler’s characters are more than capable of standing on their own, but these song references help to add another light note to the text. I thoroughly enjoy the opportunity to hum along to the tunes Tumbler sets as pleasant little earworms from the beginning to the end of the book. I mean who doesn’t love to be reminded of George Harrison’s “Here Comes the Sun” and “All Day and All of the Night” by the Kinks? Tumbler doesn’t just incorporate music from the 1960s. He takes readers on a nostalgic journey through music history, hitting all the right notes–so to speak.
To say Future World Rolls is fast-paced would be a gross understatement. Tumbler keeps the reader engaged from one jam-packed chapter to the next. Billed as a space opera, this book hops, skips, and jumps from one scene to the next introducing new and engaging characters while building on the already well-developed Charles, Stan, and the just-short-of-amazing green giants.
Science fiction fans who enjoy lively plots and bigger-than-life characters will find Tumbler’s works meet all of their expectations and more. Tumbler writes beautifully and manages to pull off humor in the most eloquent of ways possible. Some science fiction books are fraught with terminology and processes that overwhelm the reader. Tumbler combats all of that with his stunning cast of characters and an upbeat tone that is set from the first chapter.
Pages: 314 | ASIN: B07H4QQR8K
Posted in Book Reviews
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American River: Tributaries follows three immigrant families struggling to pursue their dreams during the turbulent 1960’s. What served as your inspiration while writing this book?
My love of Northern California, the place where I grew up, and the wonderful history of the area. I was also inspired by my love of art and music and my passion for social justice issues. Immigration and ethnic diversity are the cornerstones of the story.
This book has so many fascinating characters that are well developed. What were some themes you wanted to capture in your characters?
Basically, the story focuses on the creative search for meaning, knowledge, compassion and understanding in a tumultuous world filled with prejudice, obstacles, jealousy, and betrayal. As my characters encounter these obstacles, they discover their own strengths and weaknesses and grow beyond their self-centered ambitions.
I thoroughly enjoyed the historical backdrop to the story and how well researched it was. What historical milestones were important for you to highlight in this book?
The Gold Rush had a tremendous impact on the population and culture of California. Before the Gold Rush, the population consisted mainly of Native Californians and Californios (settlers and landowners of mixed Spanish, Native Californian, and African descent). But gold fever brought people to California from all over the country and the world. The Anglo Americans (of English, Irish, or Scots descent), other Europeans (including Italians, Russians, Greeks and East Europeans), Chinese, Japanese, African Americans, and many more who came and stayed. This changed the makeup of the state’s population making it one of the most ethnically diverse in the country. So, this cultural diversity sets the scene for later entanglements.
Most of the story takes place in the 1960s, that decade that Time Magazine recently termed “The decade that changed a generation.” So, I take the reader down memory lane as my characters encounter the major issues of the time: immigration, racial prejudice, migrant workers, gay rights, women’s rights and the Vietnam War.
This is book one in the American River Trilogy. What can readers expect in book two, American River: Currents?
In Book Two, American River: Currents, a cavalcade of disasters—both personal and public—threatens to overwhelm the scattered members of the McPhalan, Ashida, and Morales clans. Alliances fray, relationships dissolve, divisive secrets are revealed, and promises are broken as the members of three California families struggle to salvage their shattered dreams. The story follows the character’s journeys to places as distant as Cleveland, Ohio, Venice, Italy, and Kyoto, Japan. From the concert halls of Europe to the artist’s lofts of Manhattan, American River: Currents is filled with passionate and resolute characters who refuse to let go of their unique visions of success—even as life’s tumultuous currents threaten to sweep them all away.
Owen McPhalans Mockingbird Valley Ranch is still a thriving family business in 1959. But when his wife, Marian, leaves Mockingbird to follow her dream of becoming a successful artist, she ignites a firestorm that impacts the descendants of all three families. As artists, musicians, writers, and politicians inherit their immigrant parents hopes, they are torn apart by ambition, prejudice, and deception while struggling through the turbulent 1960s. From the concert halls of Europe to Kyotos ancient avenues, and Manhattans artists lofts to San Franciscos North Beach, they each learn the price they must pay in order to realize their dreams. But just as the river is drawn to the sea, they eventually find themselves pulled back to the place that forged the original link between their destiniesa place called Mockingbird.
American River: Tributaries follows three California families as the descendants of Irish, Japanese, and Mexican immigrants embark on unique journeys to pursue their dreams amid an unsettled 1960s world.
Posted in Interviews
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The book starts with a little history of the Congo under Belgium rule during the colonial days. This gives the reader an insight into how things were in Belgian Congo, and how ‘La Territoriale’ was made to get rid of King Leopold’s cruelty and brutality in the CFS regime. The first chapter gives a lot of information about Belgian Congo and all that happened. I had the impression that I was attending a history class, as the author wrote about events I had never heard of. It was agonizing to read about King Leopold, as his inhuman acts against the Congo people led to a lot of loss.
Politics in Congo, the formation of political parties, King Leopold’s atrocities and the influence of Rumba are all covered in the book. Reading about natives who were killed as directed by King Leopold in the harvest of red rubber in the era of CFS regime was one of the moments I almost broke down. Natives’ hands were chopped and others left with permanent wounds and under the CFS regime. Just how cruel could one man be? The worst thing was that even as he committed all these crimes, King Leopold received backing from his country, and even had support from his followers.
The author covered a number of themes in the book. Politics, music, law, human rights violation, business, and trade were all covered. This book highlights the use and impact of Congo music in Africa and other continents like America and Europe. Thierry Antha extensively writes about the brand associated with Congo Rumba and Rumba Lingala, Congo music that is known by just a few, how the Flemish administrators took Rumba, the industrialization of Congo music during the colonial days and much more.
Thierry Antha extensively writes about the brand associated with Congo Rumba and Rumba Lingala, Congo music that is known by just a few, how the Flemish administrators protected Congo music’s exceptionalism, while Walloons industrialized it with the addition of the legal diversity of South American music for export in the late 1950s and much more. And mostly how Fonior, the Belgian company, misused its monopoly to commit fraud and defraud Congolese musicians’ copyrights and consumers’ human rights in America, first, after the colony’s independence.
Rumba music, as allegedly sold in the West, is beautiful to the Soul. When played in clubs, the radio, and other public media, one can feel how passionately the artists feel the music they create. As you enjoy “Rumba” music, do you know a little history about Fonior’s fake-outs and how the genres were born? Do you know the challenges they faced and how the music they made affected them and the people around? If not, then you need to read this book. It has all the good, bad, fantastic and ugly stories about Belgian Congo, the natives, Congolese musicians and the exploitation of Congo music.
Pages: 598 | ASIN: B07CH9M9BR
Posted in Book Reviews
Tags: africa, alibris, artist, author, author life, authors, barnes and noble, belgian, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, business, colonial, colony, congo, Crimes of Rumba, ebook, goodreads, history, human rights, ilovebooks, indiebooks, kindle, king, king leopold, kobo, law, literature, music, nonfiction, nook, novel, politics, publishing, read, reader, reading, shelfari, smashwords, story, Thierry Antha, Volume I Congo Music, writer, writer community, writing
Second chances are not easy to come by, but when they roll around, you grab them and hold on for dear life. No family quite knows the truth of this old adage as well as the McPhalan clan. Kate, Alex, and their mother, Marian, share a bond that unites them in more ways than one. All three women have had a relationship with Carl, and all three of them have found ways to discover love once more. When Kate decides to breathe new life into Mockingbird Valley Ranch, the home in which they all lived as a young family, mother and both daughters are presented with an amazing and unforeseen opportunity to renew themselves and their relationships with one another as adults.
Mallory M. O’Connor’s American River Trilogy focuses on several different storylines surrounding the McPhalan family. These parallel plots play nicely against one another as the book progresses. Readers are treated to thorough descriptions of Kate and Alex’s backgrounds as well as a clear look at Marian’s history. O’Connor includes a lengthy list of secondary characters with their own storylines and this, at times, can be a little difficult to follow.
Set in the 1970s, O’Connor masterfully integrates mentions of now historic events alongside the characters’ numerous dilemmas. She covers everything from the moon landing to the increasing focus on feminism. Each of the events and historical aspects gives the book a richer and more polished feel.
American River Trilogy touches on a variety of difficult topics including post-traumatic stress disorder and interracial relationships. O’Connor deals with each of these highly-charged topics with style and grace. Her characters are genuine and leave readers rooting for them every step of the way.
Alex’s particular story line is tragic and likely the most down-to-earth of any of the characters. The trauma of her past and the way it impacts her present life is a striking commentary on an all-too-common facet of the lives of many. O’Connor’s slow reveal of Alex’s damaged childhood is effective and powerful. As much as I found Carl’s inclination to move through the women in the McPhalan family to be somewhat disgusting in retrospect, I saw a whole new side of him when he came to Alex’s aid in her time of need.
O’Connor’s writing is, what I would consider, specialized. There exists a specific audience for this particular piece. Centered around the arts and focusing primarily on the world of music, there is a plethora of discipline-specific terms and ideas within American River Trilogy. I did not find myself able to relate easily to many of Kate and Alex’s experiences.
Readers who seek historical accuracy intermingled with their drama will appreciate O’Connor’s particular style. Classically-trained musicians and those who enjoy reading fiction with a peppering of music-specific terms will find American River Trilogy the perfect read.
Pages: 394 | ASIN: B079659RH5
Posted in Book Reviews
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Jagdlied is a genre-crossing novel with elements of a satire, drama, and erotica as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I began this project in 1991 with no intention other than to sketch out a salacious five- or six-page short story as a brief diversion from other more ambitious musical projects I was engaged in at the time. It grew into a twenty-page story, at which point I decided to set it aside as a “completed” work, even going so far as to affix an opus number to it in my otherwise (mostly) musical oeuvre. I moved on to other projects. When I returned to the story about eleven years later, I was dissatisfied with what I had written. I felt the characterizations were flat and the use of language too bland and conventional to suit my tastes, so I performed some deeper edits and revisions until the piece transmogrified into a novella of approximately 60 pages. Vaguely satisfied with what I had done, I set the text aside for another eight years or so and when I returned to it I thought it might need a few additional minor edits. Little did I know then that I would be embarking upon the creation of a 230,000-word magnum opus containing 290 graphic scores, an elaborate system by which musicians could extemporize against the text while it’s being narrated, as well as 108 Youtube links to performances of my musical compositions to enrich the piece even more. To answer your question: I never know in advance exactly how a work (whether literary or musical) will turn out. It happens, as you say, organically while it’s being created. I learn more and more about the characters of a novel as the situations and dialogues are interpolated into its structure. My own life experiences inform the transformation of a work’s gestalt to a certain degree. There are many creative people who plan their pieces meticulously in advance of writing anything down. Such an approach has seldom (if ever) been my mode of operation.
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
Thank you. My favorite, perhaps, is one of the more unmitigatedly evil characters in the novel: Chief Justice Dizzy O’Nance. He oversees a kangaroo court in the “Hall of Injustice,” where the questionable protagonist Melody is put on trial without any form of due process. He is a veritable Dr. Crucifer, Judge Holden, and Iago compounded into one.
This book was a collective effort between you, Dolly Gray Landon, and Lon Gaylord Dylan. What was the collaboration process like?
Were we actually three separate entities, the collaboration would have been a much happier one. I think your question tongue-in-cheekly references the anagrams I devised as the two separate pen names I employ for the author and illustrator (I go my own name as the composer). It is difficult to compartmentalize writing text, composing and performing music, drawing graphic scores, and even making original films of one-man performances of this piece. I am now very much in a temper to collaborate with other performers (perhaps a narrator other than yours truly) and a variety of instrumentalists. I enjoy participating as both narrator and pianist simultaneously but I don’t mind engaging (read: luxuriating) in only one of these roles. Pantomimists, dancers, and culinary artists are an extravagance that would require a massive budget. Intimate chamber groups of, say, three or four musicians, are far more practical.
What is the next book that you are working on and when will it be published?
I have another magnum opus that has been on and off the burners for upwards of 24 years. It is entitled Venge Art, and is, in certain respects, even more megalomaniacal than Jagdlied insomuch as the improvisational cues are interpolated within—as opposed to being separated from—the text, as are the conventionally notated scores, some of which require super-virtuosic skill on the part of their executants. I am hoping to return to Venge Art to revise and round it off some more. It is a text piece of approximately 300,000 words and 500 pages of notated music (including a 2-hour long string quartet that was my Harvard dissertation back in 1989). A book on my idiosyncratic harmonic method is also in the works. At this point in time, however, I am more interested in tying up some loose ends: various chamber works awaiting completion, a couple of plays in verse, and numerous other projects. It is, unfortunately, impossible for me to give you a precise timeline.
Jagdlied officially goes on sale August 30th, 2018 and will become available in several printed versions. One should be able to pre-order it by August 15th, if not sooner.
This musically and graphically enriched chamber novel is an over-the-top black and blue comic extravaganza about the conspiratorial undoing of a teenage entitlement princess. The story throbs throughout with an undercurrent of apocalyptic motifs related to the extinction of art, fall of empire, and coming of the Antichrist. It is an epic farce that reads like an erotically supercharged psychological suspense thriller. The narrative takes the reader/audient on a veritable boomerang roller-coaster ride (with multiple inversions) through a reputational strip-and-whiptease of the novel’s malignantly artful (albeit ingenuously doe-eyed) protagonist: a wealthy young heiress and socialite who boasts an exclusive claim to her progenitors’ munificent estate. Her inheritance comprises an immense fortune amassed through shareholder investments in the world’s largest employment recruiter: the multi-national temp agency behemoth known as the Pleasant Peasant Corporation.
The character-driven narrative of Jagdlied explores themes of jilted love, misinterpreted motives, paranoid ideations, bombastic egos, ghoulish envy, smoldering jealousy, unconscionable revenge ploys, extravagant public humiliations, ruthless power games, insatiable greed, pernicious corruption, feigned moral outrage from all sides, and even (Heaven forfend!) coldblooded murder—all the type of stuff pre-calculated to magnetize your run-of-the-thrill-seeking bookworms and bibliophiles.
A rich repository of tongue-in-cheek nonce words, malapropisms, neologisms, archaisms, spoonerisms, slanguage, and whole swaths of unintelligible nonsense, the text of Jagdlied is also replete with irreverently lurid, salacious, and scatologic elements, which serve to set it in motion as a formidable contender for the distinctive cachet of being regarded (by cultivated aesthetes of omnifarious persuasions) as a momentously serious dirty book. It is targeted towards percipient readers and audients in possession of a well-seasoned sick and—dare it be said—cruel batch of funny bones inflected with a gallows-cum-smoking-room bent.
Whilst the plot of this story (grotesquely absurd as it will undoubtedly be esteemed) embraces reflexively cringeworthy sadomasochistic motifs, its author would hesitate to instyle it as porn, yet he would not be wholly disinclined to characterize it as a farcical parody thereof. And whilst at the same time its author is admittedly predisposed to eschew ascribing labels of any kind to this opus (especially seeing as what he has concocted is so rarefied in its formal structure that it cannot be facilely pigeonholed), it may not be altogether off the mark to view it as a form of literary neurotica (if, indeed, there is such a genre) as opposed to the more boilerplate literotica—or what in sex nazi circles is dysphemistically adverted to (in no uncertain squirms) as “filth.”
Whilst the text of Jagdlied may be read in silence as a novel in the traditional sense, it is ultimately written for the purpose of being recited by a skilled elocutionist to the accompaniment of extemporized music by ad hoc variable ensembles in relatively brief, self-contained or—depending on how one looks at it—semi self-contained episodes with the aid of a do-it-yourself improvisation kit provided in its appendix. This “kit” is likenable to a Baroque-style table of ornaments, albeit comprehending specific sets of chance operations for each and every participant involved in renditions of individual fascicles of this work. Aside from entailing a professional narrator and musical extemporizers, the score discretionarily calls for pantomime actors, dancers (hence choreographers), set designers, culinary artists, and even members of the audience itself.
Posted in Interviews
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YEGman is a thrilling crime novel taking place in the underworld of Edmonton, Canada. Why did you want to set your story in this location?
I had several reasons why I wanted to have the story take place in Edmonton. I prefer to write Canada-based stories and I’ve spent a lot more time in western Canada than I have out east, so can craft stories in these locations easier. A second reason is the name YEGman itself. YEG is the airport code and a common hashtag for the city. It is easier to say than – for example – YYCman for Calgary.
I also have grown up in Edmonton and have seen the city change over the decades. It is a pretty (no offence Edmonton!) bland city when it comes to major issues. So it is a good thing. That raises the question, how can you make a tame city feral and gritty? This was an interesting challenge to me.
This story takes a uniquely gritty look at the Edmonton crime scene. What were some ideas you wanted to capture when developing this underworld?
For YEGman’s version of Edmonton, I wanted to paint a crime-infested city that has some similarities seen in superhero comics. Daredevil/Hell’s Kitchen and Batman/Gotham are examples. A city that is in dire need of help. It becomes a motivator for someone to become a vigilante when they feel the city isn’t making any progress.
The details of the drugs and music scene I wanted to make real by showing there are good people that get caught up in these dark worlds of gangs and violence. Either they feel trapped or do not know any better to get out and just try to keep their friends safe.
Where did the idea for YEGman come from and what were some book titles you considered?
YEGman actually was birthed from the album that accompanies the launch – Sounds of Society. Both YEGman and the album tell a story of someone who can’t handle the constraints of society and go off the deep end. They also share similar content in the lyrics. Originally I was working on this album in 2012.
The plot and character of YEGman came to me in the summer of 2015 when I was at a book signing in a comic store. It was a quiet period and was daydreaming about super heroes because of the increase in popularity due to the Marvel movies, DC movies, comic expos and I was in a comic store at the time. Personally I am not a huge comic book far so I asked myself – what type of superhero story would someone who doesn’t like superheroes read?
From there I drafted out the concept of the superhero YEGman. Quite quickly I decided against super powers and made him very earth-bound. This helped map out the ending as well. If he was just an average person, and didn’t have any tech toys, money or ninja training, he’s going to have a pretty difficult time being a crime fighter. After writing out the outline for the ending I reverse engineered the story – a process I do not normally do with writing.
In November of 2015 I wrote the first draft during NaNoWriMo but shelved the concept because my horror novel, Seed Me, wasn’t fully edited yet. That took a higher priority and I didn’t revisit YEGman until 2017 after doing some heavy research into police procedures and psychology. These two points of study helped craft the inner thoughts of Michael.
So overall, comic books were the inspiration and I looked at comics such as the Punisher, Sin City, The Watchmen, and Hellboy to name some.
What is the next book that you are working on and when will it be available?
I really need to wrap up the dark fantasy series Mental Damnation. Book three is coming out in the fall of 2018 and the fourth is in the works. I also am working on a slasher novella but it is in the early plot outline stage.
In the darkest streets of Edmonton, crime is around every corner. The police have exhausted their resources. Citizens are in a constant state of fear. The city is in dire need of justice. Someone needs to give the felons what they deserve – skip the courts and deliver their verdict with a fist full of fury!
At least that is what Michael Bradford tells himself. He struggles with violent tendencies while personally investigating the Crystal Moths, Edmonton’s most notorious gang. His vigilante methods get caught on film and are uploaded to the web with the hashtag YEGman. These videos catch the attention of a rebellious journalism student whose aspires to cover the developing story on the city’s underground hero.
Posted in Interviews
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Kiera Blake is a girl running from her painful past in Damaged by C.K. Green. It has been eight years since she suffered an attack that left her paralyzed with fear and afraid to actually live her life. She survives by controlling her environment and not allowing many people to get too close. She basically has her job and one real friend, Anna. Her anxiety and panic attacks keep her from truly connecting with anyone though. Then, along comes Ethan Parker, someone she knows from the past. This unexpected turn of events sends Kiera spiraling out of control and frantically trying to suppress her feelings about the past.
At the begging of the story Kiera seems a bit shallow. She struggles with the trauma from her past but she is still focused on her looks, clothing and makeup. She was a character I couldn’t relate to, but I could empathize with. The writing at the beginning of the book seemed a bit forced and awkward. I noticed several places where it seemed like the the wording was changed but the superfluous words remained. But as the story progressed the writing became much more relaxed which helped it flow better. The last half of the book was a much more fluid and enjoyable read.
Ethan Parker’s character was more relatable to me. He was the police officer who found Kiera after her attack and is still haunted by it. I felt like the connection these two had because of it was haunting but deep. He went to high school with her so they have history together, with each secretly having a crush on the other. He started his own security business and relocates to Nashville because of the music scene and the need for personal security there.
Kiera and Ethan reconnect while out dancing and their chemistry is natural and explosive. From there, a deep love story develops. Some of the wording seemed a little cliché to me. There was a lot of “staring deeply into souls.” Despite that, as the story develops, I started to root for them, empathize with them, and (here’s a twist) I was able to relate to Kiera. It is clear they fit together in a natural and easy way. It’s one of the stories that makes you want to shout at them, “But you belong together!”, before you realize you’re shouting at a book.
Considering that this is Green’s first book, I think the few grammatical issues are minor and could be fixed in subsequent books. Also, Kiera’s personality grew on me as the book progressed. Despite not liking her at first, I found myself looking forward to seeing what happens to her in the second book. Plus, the last half of the book really did have me flipping pages quickly to see what was going to happen. This book takes a few chapters to grow on you, but when it does it’s impossible to tear yourself away.
Pages: 298 | ASIN: B079LZW642
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Blowout Summer follows Dee Dee as she reflects on one memorable summer filled with surfing, drugs and experimentation. What served as your inspiration while writing this wild summer?
It was a different time. Everything about living in a small beach town was easy. California was changing right under the States noses. People and their crazy experiences during that time, led me to write about their antics.
Dee Dee is a character, I felt, continued to develop as the story progressed. What were some obstacles you felt were important to her characters development?
She was on the verge of becoming an adult and she still wanted to have fun making bad or detrimental choices. She needed to become independent instead of going with the crowd.
This novel takes place in the 70’s when a lot of experimentation was going on. What were some themes you wanted to capture while writing this book?
The world of surfing, clothing styles, and the music of that time.
What is the next story that you are working on and when will it be available?
It features the same characters. They can’t seem to stay out of trouble. It should be done this year.
Surf, party, and romance take center stage in the breezy novel Blow Out Summer, as a group of local surfers in Huntington Beach, California, enjoy a summertime of hanging out and having fun.
Their story takes place in the mid 1970s, when no one was paying much attention to the drugs being brought into California at an alarming rate. But Dee Dee’s eyes are about to be opened.
Dee Dee lives in a very well-to-do area and is introduced to social drug experimentation and drug trafficking while maintaining a normal family life. She and her friends enjoy the surf up and down the coast of California.
Her friends run the gamut from the very wealthy to beach bums she met at the pier. Dee Dee’s lazy summer is spent under beautiful sunny days with slow drifting clouds and perfect barrel waves. But the ups and downs in her relationships and the dangers of dabbling in drugs ultimately force her a decision that will change her life.
Posted in Interviews
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For talented twenty-year-old Remi, home is an abandoned hotel in San Diego. A foster child with a tragic past, her family has become the two boys she looks after like a mother: six-year-old Benny, who’s diabetic and in a wheelchair, and young teen Owen, an emotionally scarred foster-home runaway. The only adult around is Brock, an Irish army vet with PTSD who lives in the hotel lobby and is their protector.
Remi works in a diner by day, but sings on street corners and attracts the attention of Jude, a young music producer with his own troubled past. Mesmerized by her voice, he offers her a contract. Remi seems close to achieving her dream of opening a music academy for youth and keeping her little family together. But in this seedy, dangerous world where gang members rule the streets, nothing can stay the same for long.
Jane C. Brady’s latest novel is a bittersweet tale of what it means to be young, powerless, and want more out of life.
Posted in book trailer
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