Charles Bone and Stan Loren are two FBI agents with quite the special set of skills. The least of which is their ability to communicate without vocalizing their thoughts. As two men with psychic abilities, they have been given the job of heading up a recruitment drive unlike any other in history. Charles and Stan, in the early 1970s, manage to pinpoint over 3,000 individuals exhibiting the qualities making them the perfect candidates for the job. Little do the recruits know the mission for which they have been chosen is one that could change the course of human history.
Terry Tumbler’s Future World Rolls (We Are Family) Book 2 in the Carousels of Life series has one of the most unique settings of its genre. Spanning centuries and with locations varying from Winter Park Florida in the 70s to vessels in space including the Voyager 6, Tumbler carries the reader on quite the raucous ride through time and space via Charles and Stan and the plethora of alien life forms peppered throughout this second in a series.
There is a Men in Black feel about the novel that gives the book a light, fun air. Fans of this type of science fiction will appreciate Tumbler’s alien beings, their idiosyncrasies, and the banter between the main characters as they go about the task set before them.
As with Tumbler’s first book in the series, Future World Rolls is laden with song lyrics, references to artists’ best-known works, and well-timed and perfectly-placed excerpts of the world’s best (my own humble opinion) music. Tumbler’s characters are more than capable of standing on their own, but these song references help to add another light note to the text. I thoroughly enjoy the opportunity to hum along to the tunes Tumbler sets as pleasant little earworms from the beginning to the end of the book. I mean who doesn’t love to be reminded of George Harrison’s “Here Comes the Sun” and “All Day and All of the Night” by the Kinks? Tumbler doesn’t just incorporate music from the 1960s. He takes readers on a nostalgic journey through music history, hitting all the right notes–so to speak.
To say Future World Rolls is fast-paced would be a gross understatement. Tumbler keeps the reader engaged from one jam-packed chapter to the next. Billed as a space opera, this book hops, skips, and jumps from one scene to the next introducing new and engaging characters while building on the already well-developed Charles, Stan, and the just-short-of-amazing green giants.
Science fiction fans who enjoy lively plots and bigger-than-life characters will find Tumbler’s works meet all of their expectations and more. Tumbler writes beautifully and manages to pull off humor in the most eloquent of ways possible. Some science fiction books are fraught with terminology and processes that overwhelm the reader. Tumbler combats all of that with his stunning cast of characters and an upbeat tone that is set from the first chapter.
Pages: 314 | ASIN: B07H4QQR8K
Posted in Book Reviews
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Su Lin and Andy have everything they want on their farm–solitude, livestock to occupy them, and one another. Most importantly, Su Lin is worlds away from her old life. However, Su Lin and Andy are not as free from Su Lin’s past endeavors as they would like to believe. She is a genius in her own right, and that, in and of itself, may just be the downfall of her family and the entire team. As digital currencies begin to lurk behind the world’s financial curtain, Su Lin rises as one of the most desired faces on the planet as she possesses the unbreakable code that can help turn the world’s currency system upside down.
The Enigma Source, by Charles V. Breakfield and Roxanne E. Burkey, features the dynamic team from Breakfield and Burkey’s long list of Enigma books and is every bit as engaging and brimming with technological advancements as each of the pair’s previous installments in the series. The Enigma Source takes readers on a journey eighty years into the past as events in Poland are related via a set of books discovered by Jacob. Throughout the book, the authors have juxtaposed Jacob’s reading of said books with the events endured by Su Lin, Andy, and the rest of the team as they fight to stop Su Lin’s nemesis, Guano.
I am never disappointed in the strength and depth of the relationships between Breakfield and Burkey’s characters. Su Lin and Andy are the focus of The Enigma Source. Their love is intense, endures each and every test thrown their way, and is to be envied. They are among the most vivid of the authors’ couples–second only to Juan and Julie.
I didn’t want to be, but I was struck by Mathias’s sense of loss over Dutch. Breakfield and Burkey have a way of making the reader see the humanity in their antagonists. A sense of pity and sorrow overwhelmed me as I read of Mathias’s grief and his tragic revelation with regards to his own staggering lack of true friendships.
ICABOD, the ever-present supercomputer, remains one of the most fascinating aspects of the Enigma series. ICABOD is a unique blend of technology and humor. Throughout the book, the team of experts turns to ICABOD for intelligence and briefings and are able to obtain the needed information almost instantly–always amazing. In addition, there exists a friendly banter between the team members and the supercomputer that lends a welcome level of levity to rather serious and many times, dark situations.
ICABOD is only the beginning of the advancements peppering Breakfield and Burkey’s work. I was fascinated by the capsule used to track Su Lin’s movements. As she prepares to fly to China, her ingestion of the tiny encapsulated tracker mesmerized me. As with each of the other Enigma books, the authors’ storylines are rich with technology that will wow readers from the first page.
I am giving The Enigma Source, by Breakfield and Burkey, an enthusiastic 5 out of 5 stars. Rich characters and spellbinding storylines permeate The Enigma Source. Readers looking to take a leap into the depths of the digital age will find everything they want within the covers of Breakfield and Burkey’s The Enigma Source.
Pages: 351 | ASIN: B07GD6S9SP
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If you ever wanted an inside look into what it’s like to be a police officer in America, then Dark Nights by Robert L. Bryan is exactly what you’re looking for. This book is a collection of short stories that span Bryan’s career in the police and security forces. Twenty years is a long time to spend in such a dynamic field and Bryan shares his experiences with readers. Told in a fashion that makes it easy for those unfamiliar with police work to read, this book is a rare insight into the world of police officers. The way in which he writes shows that officers are human too, no matter what they face.
Reading a genre like crime can be intimidating: there is vocabulary to learn, culture to absorb and processes to understand. This can be a lot for someone who is reading in this genre for the first time. The reason why this book stands out is because it’s a prime example of non-fiction in the genre and it’s reader-friendly. There is no complicated vernacular that the layman would have a hard time understanding. The stories flow nicely and aren’t too jarring when we jump from location to location. The central character, the author himself, has a clearly defined role in each story that he tells. This might not seem like a big deal, but oftentimes autobiographical works, no matter how loose they are, can get away from the author. This is not the case in this collection. It is clear that Bryan’s paid attention to how he wanted to share his experiences with the rest of the world.
There is the right mix of macabre intrigue and humorousness in the stories that are shared. It goes a long way in showing that police officers are human beings like the rest of us. The fact that this is a non-fiction collection might tug at the heartstrings of readers because this means that the people we meet, the things that happen in these stories, all happened to real people. While we might understand that on a fundamental level, it’s another thing to read the accounts of such reality. It helps bridge the divide between a civilian and an officer. Showing the humanity, the slight ridiculousness and the sometimes inappropriate interactions makes the stories come alive and shows how real they are.
Police officers and everything they stand for seem so far removed from the regular civilian. Yes, we appreciate their presence and the work they do to keep our communities safe. But we generally don’t see them as ‘normal’ people like the rest of us. They are special, different, because they hold this position of power and trust. Robert L. Bryan takes his experience working in the force for twenty years and shares bits of it with his readers in Dark Nights. This collection of short stories told from his perspective is a clever way to break down those barriers between ‘us’ and ‘them’. He shows the humanity of officers and gives readers a taste of what they deal with every day. These short stories are fun to read and are worth picking up.
Pages: 345 | ASIN: B0711CB8K2
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Jagdlied is a genre-crossing novel with elements of a satire, drama, and erotica as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I began this project in 1991 with no intention other than to sketch out a salacious five- or six-page short story as a brief diversion from other more ambitious musical projects I was engaged in at the time. It grew into a twenty-page story, at which point I decided to set it aside as a “completed” work, even going so far as to affix an opus number to it in my otherwise (mostly) musical oeuvre. I moved on to other projects. When I returned to the story about eleven years later, I was dissatisfied with what I had written. I felt the characterizations were flat and the use of language too bland and conventional to suit my tastes, so I performed some deeper edits and revisions until the piece transmogrified into a novella of approximately 60 pages. Vaguely satisfied with what I had done, I set the text aside for another eight years or so and when I returned to it I thought it might need a few additional minor edits. Little did I know then that I would be embarking upon the creation of a 230,000-word magnum opus containing 290 graphic scores, an elaborate system by which musicians could extemporize against the text while it’s being narrated, as well as 108 Youtube links to performances of my musical compositions to enrich the piece even more. To answer your question: I never know in advance exactly how a work (whether literary or musical) will turn out. It happens, as you say, organically while it’s being created. I learn more and more about the characters of a novel as the situations and dialogues are interpolated into its structure. My own life experiences inform the transformation of a work’s gestalt to a certain degree. There are many creative people who plan their pieces meticulously in advance of writing anything down. Such an approach has seldom (if ever) been my mode of operation.
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
Thank you. My favorite, perhaps, is one of the more unmitigatedly evil characters in the novel: Chief Justice Dizzy O’Nance. He oversees a kangaroo court in the “Hall of Injustice,” where the questionable protagonist Melody is put on trial without any form of due process. He is a veritable Dr. Crucifer, Judge Holden, and Iago compounded into one.
This book was a collective effort between you, Dolly Gray Landon, and Lon Gaylord Dylan. What was the collaboration process like?
Were we actually three separate entities, the collaboration would have been a much happier one. I think your question tongue-in-cheekly references the anagrams I devised as the two separate pen names I employ for the author and illustrator (I go my own name as the composer). It is difficult to compartmentalize writing text, composing and performing music, drawing graphic scores, and even making original films of one-man performances of this piece. I am now very much in a temper to collaborate with other performers (perhaps a narrator other than yours truly) and a variety of instrumentalists. I enjoy participating as both narrator and pianist simultaneously but I don’t mind engaging (read: luxuriating) in only one of these roles. Pantomimists, dancers, and culinary artists are an extravagance that would require a massive budget. Intimate chamber groups of, say, three or four musicians, are far more practical.
What is the next book that you are working on and when will it be published?
I have another magnum opus that has been on and off the burners for upwards of 24 years. It is entitled Venge Art, and is, in certain respects, even more megalomaniacal than Jagdlied insomuch as the improvisational cues are interpolated within—as opposed to being separated from—the text, as are the conventionally notated scores, some of which require super-virtuosic skill on the part of their executants. I am hoping to return to Venge Art to revise and round it off some more. It is a text piece of approximately 300,000 words and 500 pages of notated music (including a 2-hour long string quartet that was my Harvard dissertation back in 1989). A book on my idiosyncratic harmonic method is also in the works. At this point in time, however, I am more interested in tying up some loose ends: various chamber works awaiting completion, a couple of plays in verse, and numerous other projects. It is, unfortunately, impossible for me to give you a precise timeline.
Jagdlied officially goes on sale August 30th, 2018 and will become available in several printed versions. One should be able to pre-order it by August 15th, if not sooner.
This musically and graphically enriched chamber novel is an over-the-top black and blue comic extravaganza about the conspiratorial undoing of a teenage entitlement princess. The story throbs throughout with an undercurrent of apocalyptic motifs related to the extinction of art, fall of empire, and coming of the Antichrist. It is an epic farce that reads like an erotically supercharged psychological suspense thriller. The narrative takes the reader/audient on a veritable boomerang roller-coaster ride (with multiple inversions) through a reputational strip-and-whiptease of the novel’s malignantly artful (albeit ingenuously doe-eyed) protagonist: a wealthy young heiress and socialite who boasts an exclusive claim to her progenitors’ munificent estate. Her inheritance comprises an immense fortune amassed through shareholder investments in the world’s largest employment recruiter: the multi-national temp agency behemoth known as the Pleasant Peasant Corporation.
The character-driven narrative of Jagdlied explores themes of jilted love, misinterpreted motives, paranoid ideations, bombastic egos, ghoulish envy, smoldering jealousy, unconscionable revenge ploys, extravagant public humiliations, ruthless power games, insatiable greed, pernicious corruption, feigned moral outrage from all sides, and even (Heaven forfend!) coldblooded murder—all the type of stuff pre-calculated to magnetize your run-of-the-thrill-seeking bookworms and bibliophiles.
A rich repository of tongue-in-cheek nonce words, malapropisms, neologisms, archaisms, spoonerisms, slanguage, and whole swaths of unintelligible nonsense, the text of Jagdlied is also replete with irreverently lurid, salacious, and scatologic elements, which serve to set it in motion as a formidable contender for the distinctive cachet of being regarded (by cultivated aesthetes of omnifarious persuasions) as a momentously serious dirty book. It is targeted towards percipient readers and audients in possession of a well-seasoned sick and—dare it be said—cruel batch of funny bones inflected with a gallows-cum-smoking-room bent.
Whilst the plot of this story (grotesquely absurd as it will undoubtedly be esteemed) embraces reflexively cringeworthy sadomasochistic motifs, its author would hesitate to instyle it as porn, yet he would not be wholly disinclined to characterize it as a farcical parody thereof. And whilst at the same time its author is admittedly predisposed to eschew ascribing labels of any kind to this opus (especially seeing as what he has concocted is so rarefied in its formal structure that it cannot be facilely pigeonholed), it may not be altogether off the mark to view it as a form of literary neurotica (if, indeed, there is such a genre) as opposed to the more boilerplate literotica—or what in sex nazi circles is dysphemistically adverted to (in no uncertain squirms) as “filth.”
Whilst the text of Jagdlied may be read in silence as a novel in the traditional sense, it is ultimately written for the purpose of being recited by a skilled elocutionist to the accompaniment of extemporized music by ad hoc variable ensembles in relatively brief, self-contained or—depending on how one looks at it—semi self-contained episodes with the aid of a do-it-yourself improvisation kit provided in its appendix. This “kit” is likenable to a Baroque-style table of ornaments, albeit comprehending specific sets of chance operations for each and every participant involved in renditions of individual fascicles of this work. Aside from entailing a professional narrator and musical extemporizers, the score discretionarily calls for pantomime actors, dancers (hence choreographers), set designers, culinary artists, and even members of the audience itself.
Posted in Interviews
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Dr David Christopher Meenins finds himself haunted. Haunted and disturbed by his past. He needs to reconcile with that past in order to move forward to a new home world. On the journey to self-discovery and a somewhat clean conscience, he is accompanied by mysterious Linda Deemer and the fabulous Lady Drasher among others. These people will all grow closer as the journey progresses. They will help the good Doctor unravels his past and come to terms with it. They will grow to become good friends and their friendship will lead to finding a new home, one that they will all revere.
The relationship between the characters is especially heartwarming. It is a beautiful friendship between inherently different people. All with different patterns of thought but are similar in the quintessence of human nature. The characters are all loveable and relatable to the reader. Their warmth and personalities jump off the pages and wrap the reader in a halo of joy. Lady Drasher is a particularly outstanding character. Her strength and stance are inspiring and mesmerizing. The author has made the female characters into pillars. They are not merely damsels but strong women who rely on their own capabilities.
Stella Atrium executes the plot with lustrous expertise and flair. Her writing flows effortlessly. She effectively captures the attention of the reader and keeps it hostage until the very end. The book is colored with intrigue, adventure, and a splash of humor. Maybe a dollop of romance on the side. The plot is quite original. For a fiction fantasy book, this story is quite enthralling. Weaving in fantasy worlds can be quite tricky and most probably doomed to fail but the author has handled it very well. Her portrayal of the characters in their natural (or unnatural) forms is impressive and masterful. This book is evidence of the vast level of creativity the author holds.
Dr Meenins is a wonderful character. His disposition works to gain the allegiance of the reader. One will find themselves cheering him on as he escapes assassins and works hard at his mission. At the beginning, the reader will have a little trouble staying on track but that situation dissolves quickly. It may also be problematic to keep up with the characters. This does not influence the literary experience. The book still holds charm and just enough mystique to look past that issue.
You will experience a cornucopia of emotions with this book. This is not the book you idle about with by the pool. It is a book you take seriously. A book you read intentionally and with fervor. The author will display exactly how deep her well of vocabulary runs. Either you can enjoy that or let it daunt you. If you choose the former, a scintillating experience is in store. There is nothing like it. Take the trip with Dr Chris.
Pages: 290 | ASIN: B00ICTAIN0
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Sombristic, written by S.A. Sebastian follows a close group of culturally diverse friends who are all at different points in their lives and relationships – some are married and some are just trying to figure things out. But, they are joined by the bonds of friendship that keep them grounded in their search for the right person. The title, a word seemingly coined by the author, means to be optimistic in the face of romantic sadness. This being said at the beginning gives the text a positive opening tone – it makes you think that the characters are going to try and be optimistic even when the going gets tough, and hopefully things will work out for all of them.
There’s also a brief but helpful character list at the beginning of the text as the story dives into the deep end in an active scene between a father, son, and friends – so it helps to know who’s who. The list was particularly useful as there is little introductory context, which was initially a little difficult, but the characters come into focus as you continue reading.
This book is written in the form of a play, or a conversation-based work, the text is mostly dialogue and is written in a relaxed style, reflective of each character’s accent with each one being subtly different. The ‘acts’ are usually short, and they jump between different situations and have time lapses throughout, so it can be hard to keep up with all of the different goings on. However, the easy to read style helps the reader stay immersed when they come back around to a previously mentioned character.
The conversations between the characters, when split into male and female groups are very typical of the gender ideals. The men discuss sports and their level of sexual activity and the women discuss clothes and relationship gossip. Although this might be reflective of the groups general stereotypes, I though it made them one dimensional. I wanted to see the characters interested in things other than the overall theme of the book.
I thought that the story was a little hard to follow, as it moved from scene to scene so quickly, despite the relaxed and attractive writing style that kept me engaged with interesting writing. The book incorporates long descriptive passages that are interesting and well written, suggesting that the script would perhaps be more engaging if rewritten as a novel rather than a play.
What the text does do very well is highlight the varied types of relationships and dating that exist in modern society, and explores how hard these can be to navigate. There is also some pretty funny references in this book that made me laugh!
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The very fabric of her being is coming undone. She has always lived such a sheltered life, she is not ready for the massive shift that is about to take place in her life. The socialite is heiress to a fortune earned through investments and work at a multinational. She is faced with all sorts of questions about life and even touches on the possibility of a world without art. This princess will learn a few things the hard way. She will be bruised and knocked around a few times, but such is life.
The author has skillfully crafted a tale of sour love, questionable characters, jealousy and revenge. The story is told vividly and imaginatively. It is a thrilling literary ride through the protagonist’s experiences as a princess whose castle is falling apart by the brick. On one hand, you feel bad for her but on the other you would rather not bother. This quality leaves the reader so gloriously torn between the characters of the book. Not to mention glued to the pages as the story unfolds.
This story is told in an unusual tone. A tone that is quite indescribable but is quite fitting for the story and characters therein. The grammar is impeccable. The sentences are artfully crafted with relatively simple language. The reader will find themselves quite easily drawn into the story. The unusual tone and a touch of simplicity for the complex plot are welcoming and appealing. They beg the reader to read just one more page. To find out what happens next and then next. The term- page turner- was coined for this book.
The characters are well developed. Each has a quality that the reader will identify with. There is a certain intrinsic quality that just makes the characters quite lovely to dabble with. A certain ‘je ne sais quoi’ so to speak. This quality in the character development is consistent throughout the book, but makes it so hard when the book comes to an end. The trio really did a good job with this.
To the intrigued reader, beware, this book is quite a dirty sex crazed romp. Conservatives better brace themselves, keep a bible handy, and an open mind because you will hate how much you enjoy the erotic quality of this book. Rarely does a book possess so many winning qualities. Humor, drama, erotica, tragedy and much more. All delivered with expert craftsmanship and a generous dose of thrill. The erotica may be a little strong for some but if read with an open and relaxed mind, this is a very enjoyable and entertaining ride.
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Damaged Beyond All Recognition follows a man who is unwilling to accept an afterlife that provides nothing more than eternal self-awareness. What was the inspiration behind the idea for this novel?
I finally got around to reading The Sirens of Titan by Kurt Vonnegut just before I started my novel. I was blown away by Vonnegut’s masterful handling of such a complicated story. It was the type of book that I had always wanted to write. So, I thought I would give it a try and see what would happen. I had a short story idea about a fractured afterlife, and I took it from there.
I enjoyed reading about your unique take on God and how the Creator is dependent upon others. What were some themes you wanted to capture while writing about this topic?
I always found it interesting that humans have such wide-ranging views about God. Some think that God controls our every action while others think He doesn’t even exist. We read about how God created man in His own image, but I haven’t run across too many who see him as another guy. What if He just has the necessary job experience that would come from living countless lives through the Planes of Existence?
I loved Paul and Maggie Mae’s relationship and admired their dedication to one another. Did their relationship develop organically while writing or was it planned?
That relationship is based on a college romance that I had with the real-life Maggie Mae. She is the subject of a chapter (“There’s A Little Black Spot On The Fun Today”) in my first book, Damaged Right Out Of The Box, a humorous and wistful autobiography of sorts. The description of how Paul and Maggie Mae met and how their relationship flowered tracks what really happened. And it was my girlfriend’s career drive that prompted me to walk away. I couldn’t see myself playing second fiddle at the time.
But now I regret what happened and how it happened. So, I thought I would extrapolate the what-if. What if Paul and Maggie Mae said goodbye, but not a forever goodbye? What if he would wait for her while she proved to herself that she could be all that she could be?
What is the next book that you are working on and when will it be available?
I’m working on the sequel to Damaged Beyond All Recognition. It’s entitled Damaged And No Longer Under Warranty, and it continues the story of whether the Paraverse was really the answer to preserving eternity. I hope to have it out in about 18 months or less.
Paul Tomenko is no stranger to the improbable. He became a magazine sweepstakes winner and celebrated counterculture writer by age 19. Now, after reaching for a can of Chef Boy-ar-dee spaghetti and meatballs, he’s traveling to and from God’s library somewhere outside the Universe to prevent the end of eternity.
Because of a DNA flaw, humanity no longer can ascend through the Planes of Existence after they die. They can’t access memories from countless past lives in previous versions of the Universe or acquire new recollections. That means no one will have the needed expertise to replace God when He dies. And, to complicate matters, Paul must enlist the help of his two lovers–Maggie Mae Monahan and Allie Briarsworth–because of their unique abilities. But the trio discovers the preservation of forevermore can turn someone’s soul inside out. Literally.
The novel chronicles the life of an ordinary man under extraordinary circumstances. Paul is unwilling to accept a broken Afterlife that provides nothing more than eternal self-awareness. He is also reluctant to choose between Maggie Mae, a brilliant geneticist who has the uncanny ability to “connect the dots,” and Allie, a novelist who inexplicably senses past and future events in the cosmos. The unexpected is to be expected from an unusual cast of supporting characters: Cher the Gatekeeper and Katharine Ross the Librarian, figments patterned after two celebrities for whom Paul has lusted; Gronk and Grita, two “resurrected” six-year-old neo-Neanderthals who are the most intelligent humans on Earth; Tsutomu Yamaguchi, an innovative bioengineer named after a Japanese man who survived nuclear bomb blasts in Hiroshima and Nagasaki; and Dr. Peter Lexington Townshend, the head of a genetics laboratory that already has prevented the Russians from stripping politicians in Washington, D.C., of all their memories.
Be prepared for a book that examines our metaphysical questions with a mixture of mind-bending possibilities, laughter, and tears.
Posted in Interviews
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The Ice Factory follows hurricane victims as one struggles to get the only ice factory working again. The premise seems simple, but what ensues is a fun and engaging story. What was your inspiration for this story?
They say fact is stranger than fiction, the book is actually inspired by a true story, which was cruel, ironic and hilarious. I started writing after watching a documentary about a caribbean hurricane, which seemed a perfect metaphor for personal upheaval and survival.
I loved reading the differences and similarities between the way Joy and Audrey viewed the world. What were some themes you wanted to capture when writing their characters?
Joy represented old fashioned decency & dignity (values which i remember from the caribbean, especially of my grandparent’s generation).
Audrey shared the same values at heart, but surrendered her heart to a husband who slowly eroded those values over thirty years. just when all seems lost, with a little encouragement from those who saw the best in her, in rebuilding the ice factory audrey was able to rebuild herself.
The Ice Factory is your debut novel. What were some things you wanted to accomplish as a writer in this book, and what were some lessons learned?
I really had no expectations other than bringing out all the colourful eccentricity of caribbean characters, and seeing where that would lead. My characters became so vivid that I couldn’t wait to see what they would do next, and all I had to do was type what they revealed. The publishing experience, however, was a steep learning curve, the biggest lesson… never submit a final draft until you’re absolutely certain it’s FINAL, and confident enough to let go completely. There’s nothing worse than discovering a mistake after the book is published.
What is the next book that you are working on and when will it be available?
I am working on an Australian epic set in the nullarbor desert, again inspired by a true story. The working title is ‘terra nulla’, which I hope to publish in 2018… fingers crossed!
When Audrey woke up on the kitchen floor, she didn’t expect to find herself in the news. But there she was, for all the wrong reasons, and now it seemed all of Trinidad & Tobago was laughing at her. By divine intervention, her path leads to the neighbouring island of Grenada – once a jewel of the Caribbean, the tiny nation faces its darkest hour in the aftermath of Hurricane Edna. The natives are restless: having no electricity, no homes, plenty of heat and no ice for their grog. Audrey is about to face the biggest challenge of her life, as the new owner of the Ice Factory.
Posted in Interviews
Tags: alibris, australia, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, caribbean, ebook, fantasy, fiction, goodreads, grenada, humor, hurricane, ilovebooks, indiebooks, jason phillips, kindle, kobo, literature, nook, novel, publishing, read, reader, reading, satire, shelfari, smashwords, story, suspense, the ice factory, thriller, writer, writer community, writing
No one has seen God’s library–or have they? According to Paul Tomenko, actress Katharine Ross is hanging out there. When he is chosen by God to visit his heavenly library and, in essence, save humankind, Paul obliges. Following his brush with death as a result of a car accident, Paul is matched by fate with the woman who almost killed him thus changing the entire course of his life. Author Alan Felyk’s Damaged Beyond All Recognition details the exceptional journey of Paul, the two true loves of his life, and their combined impact upon the universe.
Paul Tomenko is a truly fascinating character. From the trials and tribulations of his youth to his eventual discovery of his love for Maggie Mae and his work for the Creator himself, Paul is strangely relatable. I found myself cheering him on as his writing career reached extraordinary heights and grieving with him through his numerous losses.
Allie, Paul’s second first love as it were, is likely my favorite of the three main characters in Felyk’s work. It is virtually impossible to imagine a young woman so innocent and simultaneously capable of unknowingly holding the answers to the world’s most pressing dilemma. As Allie begins her writing career in earnest and essentially outwrites and outsells Paul, she maintains her selflessness and an unwavering loyalty to Paul. Her devotion to a man she isn’t sure she will ever have is stunning.
Not being a fan of science fiction, I fully expected to lose interest in the most detailed sections of text. Felyk, however, is a master at communicating the most intricate and advanced concepts. I found myself as engrossed in Paul’s visits to God’s library as I was in his relationship with Maggie Mae which he fought so hard to maintain through decades of trials.
I was rather amazed at Felyk’s take on God. The Creator is ultimately dependent upon others, and this mystified me as I read. The notion that Paul is able to help God was a difficult one to get used to. Once I let the idea settle in, I became increasingly fascinated with God’s helplessness. Felyk brings a certain level of vulnerability to God–something virtually unheard of in books addressing Christianity in any sense.
The overarching plot line that kept me coming back for more revolves around Paul and Maggie Mae. To say that readers will envy their dedication to one another is a huge understatement. As years and miles separate them, they do not waver in their loyalty to one another. Felyk proves he is adept at fantasy and equally as skilled at writing heartbreaking romance.
I am giving Damaged Beyond All Recognition 5 out of 5 stars. I can’t imagine readers will find anything lacking in Felyk’s work. His characters have it all: humor, an undying loyalty in each other, a drive to save the world, and an appreciation for all things science. Paul, Maggie Mae, and Allie can hold their own against any characters in recent books of the same genre.
Pages: 367 | ASIN: B077VJGJCD
Tags: Alan Felyk, alibris, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, car accident, christianity, creator, Damaged Beyond All Recognition, death, douglas adams, ebook, engineering, faith, fantasy, fiction, genetic, god, goodreads, humor, ilovebooks, indiebooks, kindle, kobo, library, literature, love, nook, novel, publishing, read, reader, reading, religion, romance, satire, science fiction, scifi, shelfari, smashwords, story, writer, writer community, writing