The World’s Greatest Mousetrap follows Reginald as he tries his best to rid his shop of a pesky mouse. How did you come up with the idea behind this book?
It really began with the text on the first page. When I began writing the book, I had intended on having the bookstore as a small library. The only idea I had at the time was that I wanted to contrast the small, quiet and familiar world of a building (and the person within it) that had managed to keep out the expanding and fast paced world growing up about them.
After the first page, I knew I could take the story in a number of directions, but I decided that I really wanted to focus on that idea of our small worlds being challenged – not from the outside, but from within.
The elaborate mousetrap that Reginald builds was cute, and I ended up staring at the image for a few minutes just to take it all in. What served as your inspiration when creating the mousetrap?
I’m happy to hear that you lingered on that page – that was exactly what I hoped readers might do. I’ve always loved books that invite you to spend time looking over them in detail.
I think perhaps what served as my inspiration for the elaborate mousetrap, were the strange inventions and Rube Goldberg machines in the classic film ‘Chitty Chitty Bang Bang’. I enjoyed the over-the-top attempts to solve a problem and I wanted to inject that humour into the book.
That page was actually one of the more difficult ones I think for me to describe to Fanny Liem (the book’s illustrator). I hope I didn’t frustrate her too much, but I think we went through three revisions. Each time, I asked her to make it bigger and more complex. In my mind, I had levers and tubes and gears crowding the shop so much that they were invading the street. In the end, I think she rightfully restrained the idea to something that someone of Reginald’s age could manage. She did a fantastic job I think with not only the mousetrap, but with all the illustrations.
I think, in the end, this book is about unlikely friendships. What was a guiding theme for you when writing this book?
I really wanted to create a fun and accessible story about prejudice and the worlds that we create around ourselves that can often hinder our capacity to see the similarities in others.
Reginald’s world is safe. He knows who he is and he knows what he likes. The mouse ends up invading that world and obviously setting into motion a series of events that leads to Reginald confronting his own prejudgements.
What is the next book that you are working on and when will it be available?
The next book is called Don’t Drink the Pink and is about a young girl and the magical relationship she has with her Grandfather. Like all my other books, there are a number of layers that I hope will appeal to a wide age group. It will be available August 1, 2019.
When Reginald finds a mouse in his bookstore, he will stop at nothing to catch the pesky critter. Even if it means building the world’s greatest mousetrap. Unfortunately for Reginald, the mouse always seems to be one step ahead.
Oink and Gobble and the Men in Black brings two strange men to the farm and peaks the curiosity of the two farm friends. What was the inspiration behind the idea for this kids book?
All the Oink and Gobble books are are short reads and meant to be humorous and fun and to put a smile on everyone’s face! The Men in Black are popular and familiar to kids and adults alike, but are still are a mystery to be solved!
This is book two in the Oink and Gobble series. What were some new themes you wanted to introduce in this book and what were some ideas you wanted to continue from the first book?
Oink is adventurous and interested in all the strange mysteries of the world, yet has a tendency to jump to conclusions with few facts. Gobble is focused on facts first and tries to bring logic to the investigations the two inevitably start. Though they look at things quite differently, they are best of friends!
What kind of mischief will Oink and Gobble get into in book three and when will it be available?
Without saying too much, Oink once again will jump to conclusions about a mystery of the world, and Gobble will try to bring reason to Oink’s thinking. I hope everyone will enjoy it! Should be out by July 2019.
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Charlas Con Dios En Calzoncillos contains discussions with religious representatives of different faiths. Why was this an important book for you to write?
Most people are seriously and justifiably concerned about their thoughts on God and religion. Fears prevail and limit humans’ ability and disposition to express their feelings on the subject.
Asking questions to representatives of different creeds exposed some crucial differences among them. However, I tried to convey the message that mutual understanding can be achieved EVEN when individuals have opposite points of view.
My motivation in writing this book was based on a life-long struggle to deal with this issue and showing how important it is to express your ideas to GOD, even when you don’t know (as it happens in the book), He’s speaking to you.
This book contains some fictional stories to get a larger point across. What were some themes you wanted to capture in these stories?
Life without humor is a pathetic experience. Those who believe in God and his extraordinary goodness will notice his great sense of humor and of course, his capacity to do miracles.
Another very important point I made in the book is the suggestion that God is not directly responsible for human beings cruelty, and that He is extremely frustrated about humans’ highly dysfunctional behavior. That becomes even more pronounced when He recognizes that He’s unable to correct it. God’s attitude is humble and compassionate and he admits that the creation process of the world and human beings, regrettably, and to his deep regret, suffered from “infrastructure failures”.
I like the title of his book. Where did the inspiration for the title come from?
Perhaps, subconsciously I felt that those who believe in God would like to have chats with Him in a very personal and intimate way. Talking to God in underwear would be one way of doing that.
What do you hope readers take away from your book?
Believing in God is far better than not believing in God. Appreciate God’s incredibly smart and beautiful he created for our world but also understand his limitations, as mentioned in the book by Rabbi Isaac. Also, make an effort to tolerate the doubts of the agnostic, Dr. Terrin, and don’t hate him for his ideas.
Nobody’s is perfect and God appears to be the first one to recognize that. Don’t feel guilty for your doubts. God will be grateful to you for your candor, sincerity, and understanding. And remember that He’ll never be able to avoid tragedies in your life, but will give you the strenght and capacity to fight adversity.
Dios viene a la Tierra como hombre para comunicarse con seres humanos directamente. El libro contiene discusiones con representantes religiosos de distintos credos y tambien contiene capitulos humoristicos. Se cataloga como “ficción”.
No tengo conocimiento de que algo parecido se haya publicado anteriomente.
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The Silver Tabby by Rachael Higgins is a children’s short story about a family of four kittens. There are three boys with black fur just like their Mama, and the fourth kitten is a gray stripe named Silver. She is smaller than her brothers (Shadow, Sooty, and Smoky) and she tries hard to keep up, but the boys don’t let her play with them. Then Silver is playing by herself one day, chasing a butterfly, and she falls into a deep pit filled with black rocks. She meows for help, but no one comes. After she saves herself, she catches a glimpse of her reflection in a pond. Silver’s coat has been turned black by the rocks from the pit. Will the black kittens want to play with her now that she looks just like them?
This is a fantastic story that I simply enjoyed. I love cats and I enjoyed reading about Silver and her family. My favorite part of the book were the pictures which were watercolor illustrations by Grace Elliott. They depicted scenes from the story beautifully and elegantly. A couple of the drawings at the beginning of the book were humorous, showing only the black cats’ rear ends as they left poor little Silver behind.
This book provides a message of hope and encouragement to children who are feeling lonely and isolated. The moral of The Silver Tabby is that it is alright to be different from other people. I didn’t like that the boys only welcomed Silver when she looked like them, but such is life. This is a tough lessons for many children to learn today. The boys excluded her when she was different, but in the end the boys still wanted to play with her even after finding out that she was actually Silver.
This story contains life lessons told through beautiful illustrations that is perfect for a parent to read to a child so that they can discuss the difficulties that Silver faces.
Pages: 26 | ISBN: 1797694057
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Mice don’t grin. Mice certainly don’t chuckle. Or do they? For dear old Reginald, devoted reader and shopkeeper, a grinning mouse in his bookshop simply won’t do. Children and adults alike will delight in reading along as Reginald makes several hapless attempts to catch the cleverest mouse of all time in B.C.R Fegan’s The World’s Greatest Mousetrap. Will Reginald’s madcap quest to construct increasingly elaborate traps succeed in catching one tiny mouse, or, will he end up catching his customers instead!?
In this warm and humorous tale of determination and unlikely friendship, Fegan offers a look at what could happen if humans let go of preconceived notions and open their minds to new ideas. Fanny Liem’s illustrations are instantly engaging for children and, importantly, intriguing for adults. Readers’ will enjoy Liem’s drawings and Fegan’s writing of the distinctively bespectacled Reginald as a slightly zany and lovable bibliophile whose expressive eyes tell of excitement, resolve, and kindness. Fegan has a knack for turning a small story in a small setting into a laugh-out-loud epic battle between mouse and man. Can you guess who wins? This is a cozy, funny, and heart-warming tale for all ages.
Pages: 44 | ASIN: B07PB4NHBY
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Lessons from the Frogs I’ve Kissed is a heart-wrenching and personal story of love and loss. Why was this an important book for you to write?
“If there’s a book you want to read, but it hasn’t been written yet, then you must write it.” –Toni Morrison
The writing and sharing of my story became a significant journey of healing for me. I felt the universe was fully supporting my writing as the memories were downloaded and I was able to recall the most intricate detail and communicate my feelings and memories in relatable words. I realised then that not only was this book meant to be written as part of my own healing process, but that it also needed to be shared with others, as there are plenty of people out there who could benefit from the lessons I had learned. This truly was the book I wish I had when I was going through any one of my painful break-ups at any given time. During the process I realised the more honest, raw and authentic I was with myself, the more relatable my story would be. So I threw myself under the bus a few times, in order to make sure this is not a one sided, man hating tale, as there were always two people in the equation. It has been written with cringe-worthy honesty and dashes of humour to keep a somewhat heavy subject matter light and enjoyable.
I appreciated your willingness to share difficult moments in your life. What is one piece of advice you wish someone had given you?
One piece of advice that I wish someone had given me is that we tend to fall in love with our partners potential. We keep hoping and waiting for our situation to improve. What we don’t realise is that is just the kind of cake we bake with our partners, and that our relationships are unlikely to change into the fulfilling relationships we are hoping for. The dynamics between two people is set in the beginning. You will not magically be attracted to someone or earn their respect if it was not there from the onset.
You detail an abusive and destructive relationship, but I found the book to be ultimately uplifting. What do you hope readers take away from your story?
I really hope to give my readers perspective on their own relationships, whether they are good or bad ones, just something to compare them to. I also wish to give hope, hope that true love and happiness does exist. One of my big realisations was that in order to meet someone who could genuinely love me and I love them, I had to find self-love first, and I think this was one of my most valuable lessons.
One of my readers stopped me in the local shopping centre to let me know since reading my book she had the full realisation that she is married to a Pete, and she is now certain she needs to get out of her marriage, When I hear feedback like this I know my book is here for a reason.
What is the next book that you are writing and when will it be available?
I had to laugh when I was first asked this question. My book hadn’t been been out for three days after working on it for almost 5 years and people were already wanting to know when they could expect my next book. I had a rather sticky court case recently when I was sued for parental alienation. There is definitely a book there which I feel will help other women and men in similar situations. I guess I need to get my writing cap on soon.
I invite you to be a fly on the wall as I revisit all my significant adult relationships and share the invaluable life lessons I have learnt over the last 20 years. In my most desperate moments, whether dating or married, I searched for a book that could give me some much-needed perspective on my current circumstances. That book did not exist – until now.
Many of us have been in romantic relationships which feel incredible in the beginning but end up in trauma, regret and despair. How do we stop ourselves from becoming locked in cycles of abuse? What are the unconscious dating patterns that underlie our romantic interactions? How do we know what we are looking for in a partner ? And most importantly why do we need to learn to love ourselves first? Written with dashes of humour and cringe-worthy honesty, I am sure you will find Lessons From the Frogs I’ve Kissed to be an entertaining and powerful read, which should help you in your own personal journey in finding ever-lasting love and happiness.
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Plum Rains on Happy House follows an American who is trying to turn an Inn into a school but is thwarted by the house’s strange creatures. What was the inspiration behind this unique story?
I live in Japan, and it’s a place I know well. The book’s dedication probably says it all:
This book is for Japan. It’s the place I call home—though it may not want me to. For over 25 years I have grappled with the dos and don’t’s of my host country, destroying the language in conversation, giving up, resuming more study, eventually resigning myself to the boundless plateaus of almost-speech.
And Japan abides. Like a patient steward, it absorbs the frolics and the ribbing, while providing a solacing habitat in which to write and teach and parent and grow.
I came over to Japan in the 80’s and I’ve lived in some pretty seedy guesthouses—what we call gaijin houses. In creating the residents of Happy House, I just mingled the characteristics of a few of the unique people I’ve met over the decades in Tokyo and in Los Angeles. In some cases, I didn’t need to exaggerate at all.
On one level Plum Rains on Happy House is a detective story. A fellow named Harry Ballse invites the protagonist, nicknamed the Ichiban, to Japan. But the residents of Happy House all deny any knowledge of this mysterious Harry Ballse.
Some readers may pick up on the references to the 1973 film The Wicker Man, about a policeman who is lured to a Scottish island to investigate the report of a missing child. It’s a game of deception. The islanders are playing with him. The paganism and the sexual activity the sanctimonious policeman finds so objectionable are simply part of the selection process—to see if he possesses the characteristics to burn in their wicker effigy so that the village will have subsequent successful harvests.
In Plum Rains on Happy House, the Ichiban must undergo his own horrific sacrifice to appease the house. My novel is in many ways a tribute to that remarkable film, and it has the same foundational plot lines, but I’ve laid down a hearty layer of satire and lots of cross-cultural lunacy.
There are some weird and fascinating things happening in this story. Was this an easy outlet for your creativity or was there some effort put into creating these things?
Nothing is easy. If women will forgive me the metaphor, creating Plum Rains on Happy House was like giving birth—it hurt a lot. There were points when I considered giving up because it was just too hard. I’m not a funny person, but I have little trouble dreaming up wacky stories and characters. The residents of Happy House had to be distinctively quirky. I didn’t know how bawdy things were going to become, or how much depravity would creep its way into the story. But once I had the characters they took charge, and I relegated myself to being, more or less, their stenographer.
Dialog was also something I paid close attention to. Of course, sharp dialog is vital in any story, but for this kind of back-and-forth humor to succeed, I felt it really had to have zip. Just like a comedian practices his delivery line, the dialog exchanges had to have real punch. As with most writing, dialog should say a lot , with very little. The communication isn’t in the words being said but in the subtext. Good dialog says it without saying it. One quick example from Chapter One has the resident of Room 3 (nicknamed The Goat) explaining to the new resident about his missing foot:
“I saw you looking at the bottom of my leg.”
The Goat scowled. “Obviously, you can see that no longer exists.”
“It’s in Cambodia.”
The Goat went into a cross-eyed fluster. “What is?”
Sometimes readers need to work a bit to understand the exchange, and I think they appreciate that. Dialog is an organic process. It’s the way characters talk in my head, and I think I know how to write them because they are all a part of me. It all works toward satisfying the element of what a good scene often comes down to: one person trying to get something from another.
Mix that in with the baffling idiosyncrasies of Japan and its language, and the vexing stages of culture shock, which frame the Ichiban’s adventure in Happy House, and readers have a lot to juggle, especially those uninitiated to living in other countries. I’m hoping this confusion is a part of the magnetism of the story. On top of that, one should remember the old guesthouse is haunted:
“Happy House is an amoeba everlasting, a floating world—capturing and sealing the self-indulgence of the red-light districts, the bordellos and the fleeting, delightful vulgarity of ancient Japan, an eternal time capsule of the flamboyant and the boorish.”
What do you find is a surprising reaction people have when they read your book?
The book has received mixed reviews. Of the five books I have up on Amazon, Plum Rains on Happy House was the first to receive a customer review of one star—perhaps rightfully so: the reader was “disgusted” by some of the more explicit scenes, and I think that was my fault; the earlier cover gave no indication of the sexual content within, and this poor woman was clearly ambushed. With the one star, I know I’m finally an author, and wear it as a badge of honor.
There are, however, cultural elements in the story that some will not understand: the usage of the various slipper customs inside a house, the daily beating of the futon, the laundry poles, the shockingly steep stairwells, the neighborhood garbage trucks that play cute tunes to let you know they’re coming, the confusion between the colors of blue and green.
The dichotomy of substance versus form also plays an important part in underscoring the tension—in the way one swings a tennis racket, or walks in a swimming pool, or plays baseball, or eats particular dishes: What should predominate—what you are doing or how you are doing it?
On another level, the story examines language acquisition and the role of structure within the learning process. The residents all have their various opinions: As teachers, should English be taught through some kind of lock-step formula, or would one be better off approaching it in a more hands off manner, rather like painting? Everyone seems to have an opinion.
The idea of structure comes to the forefront again when discussing what one character, Sensei, calls the hidden structure of the house, which, like the neighborhood (or any cityscape in Japan) appears as an amorphous sprawl. But look underneath this sprawl and one sees the organism. Sensei says that the randomness, or chaos, embraces a flexible, orderly structure, and he likens the house to an amoeba that has the ability to alter its shape. Similarly, this amoeba can be seen as a microcosm of Japan as a whole.
What are you currently working on and when will it be available?
I’ve finished the first few drafts of a story about Special Needs teens who discover time travel. But the adult teachers at the school find out what’s going on and abuse this ability to travel back into time for their own selfish needs. It turns out the ones with the Special Needs are not the teenagers—who are all somewhere on the Autism spectrum—but the supposed grownups, and it’s up to the teens to save the day. It should be out in autumn.
Thanks for having me!
The American in Room 1, however, is dead-set on turning the derelict Happy House into a burgeoning English school.
The house has other plans, and Room 1’s attempts are thwarted by a freakish creature that lives under the floorboards called “the Crat”.
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Dom is a computer engineering genius in her own right. Rose’s instincts when it comes to human behavior are fine-tuned. Layla has the gift of an incredible memory. All three women are true forces with which to be reckoned and phenomenally good at their jobs. When Dom, a virtual recluse, is approached for help in solving a violent death, the lives of the three women quickly become entangled. Dom, Rose, and Layla reiterate that we are all one quick internet search away from an interaction we may or may not want.
B.J. Cyprian, author of Shadow Resistance, has created a world effortlessly blends fantasy and realistic fiction. With the elements of advanced artificial intelligence looming large in Dom’s storyline, readers are treated to science fiction laced with humor and heavily layered with relevant current events. While I’m not a fan of most historical fiction novels, I more than appreciate the references Cyprian includes in her characters’ story lines. Especially effective is the way in which the author works in the black and white doll experiment into Rose’s subplot. Cyprian knows how to hit readers where it matters. This is just one of the aspects of her writing that helps make her book so worthy of praise.
The entire scenario involving SARA is quite amazing. I don’t want to call SARA a character as it were, but I would feel remiss if I didn’t mention how incredibly fascinating her contribution to the book actually is. At times, Dom almost plays second string to the artificial intelligence she herself created. The back-and-forth between the two is entertaining to say the least and simultaneously frightening. To think that SARA is Dom’s only connection with the outside world is, in many ways, sad. In introducing Dom as somewhat of a hermit, Cyprian has given a certain richness to Dom’s story line and made her views of injustice all the more fiery.
Cyprian does a beautiful job of weaving history into every aspect of her plot. Page after page, she seamlessly meshes mentions of countless historical figures into the dialogue between characters. From impromptu history lessons given by Rose to the background revealed by Rose and Robert’s visit to Larry’s apartment, the book feels less like a lesson in history than a conversation on the front stoop of an elderly neighbor.
This unique work of fiction is a must read for anyone seeking technologically-based crime dramas. In addition, Cyprian’s work holds a special appeal for those who appreciate historical accuracies and current events woven throughout their fiction. The more I read, the more I found Shadow Resistance qualifies as a mystery. It’s impossible to fit Cyprian’s work into one slot–and I’m not sure I want to. It deserves a category of its own. Kudos to Cyprian on an outstanding first novel.
PagesL 648 | ASIN: B07NQKYGVP
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The Literary Titan Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and we are proud to acknowledge the hard work, dedication, and imagination of these talented authors.
Gold Award Winners
Silver Award Winners
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Lawrence Thornberry thinks he is ready for his year in Japan. However, nothing could have ever prepared him for the experience he is about to have. An experience he can never truly understand but astonishingly accepts. He discovers new elements everyday. Some of these strange things would deter anyone but not the Ichiban. A nickname he got because of the room he was assigned, room number one. This American English teacher teaches at the Slop Bucket. When he is not there he encounters strange things at the Happy House. Strange things that are brought on by the rain. Just a good old Japanese experience.
One of the strange but weirdly comfortable things is that this story is told by crow. A tale that slides seamlessly from first to third person and back. The crow has strange characteristics of its own. Note the overuse of the word strange. It is a recurring theme in Plum Rains on Happy House. The crow though not exactly living in Happy House is one of the many eclectic characters in the book. Michael Greco has done a good job of building otherworldly characters but still maintain a light touch. Another grumpy but delightfully humorous character is the Goat.
Oh the words. The author has a special gift. He weaves words into a beautifully crocheted poncho. A poncho that envelopes the reader in pure literary induced ecstasy. An example is that bit where Titty is introduced. It is so funny and accurate, I imagine. The reader cannot help but picture it. Speaking of which, the character development in this book is quite good. Not in a way that one can relate to them but in a way that makes the reader comfortable. The reader feels at home in a house that requires a symbiotic relationship between it and the resident. It is uncanny how that can be possible.
It is truly wonderful that despite the Ichiban noticing some peculiarity as he was trekking up to the house. He kept going. He continued to see the crooked house but it was like he saw something completely different. Like all the strange things were supposed to be part of the experience. It is good to take things in stride like that.
There are two issues with this book. While the language is well utilized, it still requires a bit of polishing. The plot is unique, but the story is confusing at times. Bits that arise abruptly and disrupt the flow of everything. Some people may like this as it brings a little unpredictability to the story.
This is an entertaining book with interesting characters and an imaginative creative plot. All of that and a whole lot of quirk.
Pages: 248 | ASIN: B07DWQ3R68
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