The Misadventures of Ka-Ron the Knight, written by Donald Allen Kirch, tells the tale of Ka-Ron- the bravest of all knights, a strong and charming man who has adoring women wherever he travels. He is famous, feared, handsome, heroic and destined for great things within his kingdom. However, a lustful night with a childhood friend changes his life when her mother seeks revenge and justice. Destined to live out his days now as a woman, Ka-Ron will now learn about life and love as a female.
Prepare to be launched into a weird and wonderful world of knights, Wiccan power, passion and magic when you read the story of The Misadventures of Ka-Ron the Knight.
The Misadventures of Ka-Ron the Knight has a taste of all genres, from fantasy to romance and action to comedy. The various themes keep the plot line exciting and enthralling, as you delve into a world of knights and magic. The book is easy to read but once you have concluded the book you realize the actual plot line was quite complex. As each character (who range from dwarfs to dragons, to elves and Xows, covens of vampires and more) enters the story, it adds a layer and element of truth and understanding to the complexity of the situation.
I enjoyed the banter between Echoheart the horse and Ka-Ron, as they ventured together throughout the kingdom, but my favorite duo was Jatel and Ka-Ron as the explored their new found “friendship”. At times their story could be a little confronting, however, the desires and encounters the duo felt were also comedic at times. Their dysfunctional but co-operative relationship develops over the story, portraying the epitome of character progression. One line sums up the new experiences when Ka-Ron realizes that “On the battlefield of desire, women were the better warriors”. It explores some interesting ideas about gender roles and how each gender is seen in the eyes of others in society. At times you really felt for Ka-Ron as he became a puppet to witchcraft, overcome with desire and seduction- and this time as a woman.
Donald Allen Kirch was able to weave the story together in a fun and engaging way. At no point was I bored with the story line, as there was always a lingering sense of adventure and excitement on every page. As a fair warning, there are sexual scenes throughout the novel which could sometimes be a little intense (graphical and sometimes non-consensual) and felt a little unnecessary at times. However, the story line moves forward from these scenes and instills a sense of adventure as they continue their quest. What I enjoyed most about The Misadventures of Ka-Ron is that the story was unpredictable- the characters made decisions you would least expect. With magic thrown into the mix, be prepared for a thickened plot line that is precarious, to say the least.
I would would recommend this to anyone looking for an easy to read knights and magic style story with a dash of humor, romance and adventure.
Pages: 572 | ASIN: B071JQJ2LP
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Songs from Richmond Avenue is a novel about characters that could be found in any town. The main character is a journalist that knows all the questionable characters that hang out on Richmond Avenue in Houston. Why was this an important book for you to write?
I felt like it was important that if I was going to write a book at some point in my life, I get on with it. Since the age of about 20 years old, back when I was a journalism student, I had always just assumed I’d get around to writing a book. I guess the older I got the more not writing a book bothered me.
Fortunately, a few years ago, I became unemployed for about eight months. I say fortunately because that’s when the book started taking shape. I was drawing unemployment after a publication I worked for went belly up. I looked for work online in the morning and when that got boring, which happened pretty quickly most days, I started writing a couple of short stories based loosely on some funny things I’d witnessed riding metro buses or walking through my neighborhood. One morning I stuck a couple of these short stories together and decided to have them come from the voice of a single, first-person narrator. Then I decided to have the narrator go to a bar. That is the essence of the book. While it didn’t take a long time to actually write, there was fairly long span of time between when I started and completed it, because I set it aside when I got another job. Maybe there’s a lesson in that, but I hope not.
What were the morals you were trying to capture while creating your characters?
That’s a tough one since I really didn’t approach Songs From Richmond Avenue with any thoughts of trying to espouse any particular point of view. This isn’t really a moralizing kind of book that takes sides among its characters or proclaims one vantage point in a conflict is right and the other one is wrong. I think the moral perspective might be not to be judgmental of others. There are no heroes or villains in the book, just people with strengths and weaknesses having good and bad moments. I think the book may share its basic moral underpinning with film noir. These characters live by their own loose moral codes and the protagonist, despite his many trials and close calls, doesn’t come away having learned much of anything from his ordeal.
How did you decide on the title of this novel?
Initially, I thought the book would be more a series of individual character vignettes, loosely held together by the fact that they all frequented a fictional dive bar called the Relix Club on Houston’s Richmond Avenue.
There was originally going to be more of a secondary plot involving a down-and-out musician who occasionally hung out at the bar. There were also bands and singers who appeared there, so I came up with Songs From Richmond Avenue, using “song” as a metaphor for each of the character’s lives. When I changed courses a bit, the book remained Songs From Richmond Avenue, primarily because I liked how it sounded and couldn’t come up with anything better.
What is the next story that you are writing and when will it be available?
It’s a book that, hopefully, will be available in about year. This will be largely dependent upon whether I write a little more frequently once baseball season is over. I’m about halfway through a story that bears some similarities to Songs From Richmond Avenue – hapless characters, drunken debauchery, bad company, worse decisions. The setting will be far less urban, but what isn’t less urban than Houston? There won’t be a first-person narration this time either. It’s had a couple of working titles, both of which are terrible, so I won’t mention them.
If the adage “nothing civilized ever resulted from the drinking of beer” requires further proof, one needs look no farther than down Houston’s pothole-infested Richmond Avenue. There, the blurry-eyed denizens of the Relix Club wile away the hours engaged in their two favorite activities – drinking and betting.
Until recently that was good enough for our storyteller, a journalist of questionable work ethic, who undergoes an epiphany following a bus stop meeting with pretty Michelle, a woman he declares has “skin so perfect I doubted she even had pores.”
Could she be his redemption? Maybe, but first he’d better contend with her baseball bat-wielding former beau, her nihilistic stripper roommate and the suspicious death of a friend, who fancies himself the father of Brute Generation poetry.
Mostly satire, often wildly unpredictable, the only real long shot in Songs From Richmond Avenue would be for its protagonist to put down his beer long enough to learn anything of true value.
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Sleepeth Not, the Bastard is a fascinating and thought-provoking look at suicide and how it affects the people around the tragedy. Why was this an important book for you to write?
While I myself have had no direct experiences with suicide, I’ve been around many people who have, and have also been stuck in situations surrounded by people who literally teetered on the edge of themselves with staying alive being on one side of that edge, and ending it all being on the other. It’s a sticky subject to talk about because so many people have a fixed concept in their minds that suicide is always, always, ALWAYS a bad thing. I’ve often questioned it myself, the idea of what it would be like to kill myself (albeit not seriously, just what the scenario would be and why and what would happen after the fact). I suppose it may be strange to think that yes, there can be reasons for one to want to end themselves. After all, we aren’t asked to be born, why can’t we have the freedom to decide when enough is enough? Then again, that’s not exactly the motive behind the suicide factor in this book. It’s become a wonder to me why so many people see victims of suicide as being selfish or even cowardly when it feels as though those left behind couldn’t possibly make that call themselves. To end one’s own life, depending on the circumstances of course, may be the most brave thing someone can do. I wanted to explore that with this book, because when Josh does take the leap, he puts into motion a train wreck that can’t, but also SHOULDN’T be stopped.
Your characters are always well thought out and often go through dramatic transformations throughout the story. What is your writing process like in developing your characters?
Generally, especially as of late, I can’t plan out from the start where my characters will end up by the end of the story. Most of the time I just start writing, and sometimes something in the background or from my memories will inspire me to expand upon said idea. The characters, as with all if not most writers out there, all have a little part of me in them. Sometimes characters turn into what I wish I could be. Sometimes they exist in a world in which I wish I existed, and so on. With “Sleepeth Not, the Bastard”, the characters just sort of came out of me; the dialogue, the exposition, the plot surrounding their actions and influencing their motives. I can’t describe it as well as I’d like. Maybe, if anything, I take the worst of me and put it into the story hoping the characters can figure out for themselves what would be the best course of action.
I understand that you work in the service industry and often travel from state to state. How has your work helped you write your books?
Travel has had a huge influence on my writing. Constantly being in a state of motion is more or less the cheapest drug I’ve ever been able to get my hands on, but with it also comes a slew of emotions. Being away from the people I love, not being able to feel the comfort of my own bed, things like that have a heavy effect on what goes on the page. Meeting people everywhere I go aids significantly in fueling the personalities and behaviors of my characters. As nasty as my job can get, even with the worst days I’ve had while on the clock, being on the road is more than enough to make up for it.
Your stories often cover a wide range of themes in many different genres. What is one genre or theme that you haven’t yet touched but want to write about?
I’ve dabbled in science fiction and fantasy in the way WAY past but don’t think I’ll ever go back, but that could change. I’ve considered tackling psychological horror, sort of in the vein of Edgar Allen Poe and Eli Roth, but there’s very little in the works in that department. Sometimes I’ll watch a horror movie and think, wow… I could definitely write something like that, and it’d be fun and terrifying. But then I get stuck on my other writing, my contemporary fiction kick that I’ve been on for a while. Who knows? After the book I’m currently working on, I might make a go at something completely different.
“The gravity of fate is nothing in comparison to the fleeting warmth of a loved one’s last kiss…”
….thus reads the final words of High School Senior Joshua Feranna.
Several years later, Lew, his father, currently working for a faceless loan shark, has dipped into a drug and lust-filled method of cope. Separated but not divorced, his wife Autumn finally tracks Lew down, begging him to come home to help take care of their identity-in-crisis daughter Zoey.
But when Lew’s friend from high school, Sarah Fox, having lived the life of a drummer in the all-but extinct rock band “The Bastards” returns to town stalked by a rumored “Resurrection Tour”, Lew’s world truly becomes a thing of legend….and doubt.
What transpires from then on is a continuing snowball effect that will inevitably lead to the cataclysmic destruction of one family and others as the world continues to busy itself around them in seamless melancholy.
“Sleepeth Not, the Bastard” is a story about people, each one steadily climbing towards a foreseeable yet undeniable end. Each person influencing the other in one massive string of events escalating and culminating at the end of their respective worlds whether those worlds be of mental, emotional, psychological, or delusional origin.
Part drama, part dark comedy, part rock ‘n roll epic, with a copious and perhaps endless helping of sex, drugs, and infamy… “Sleepeth Not, the Bastard” is a romp for this generation, an homage to those that came before, and a warning for those that follow.
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Songs from Richmond Avenue by Michael Reed is a dark novel about characters that could be found in any town. The main character is a journalist that seems to know all the questionable characters that hang out on Richmond Avenue in Houston. He meets a beautiful woman named Michelle that he becomes infatuated with from the start. Michelle could change things for the journalist, but not before he gets caught up in some seriously crazy shenanigans that include kidnapping, booze and roommates. Among everything else, you get to know some barflies who have very interesting stories and a love for alcohol and bets.
This story isn’t long, but packs quite a bit into such a small package. I can imagine this story set in any small local dive bar. There would be those regulars that have extremely colorful stories that are darkly humorous. The writing is unique and paints a descriptive image of all the characters in the book. Each one has personality and detail that many authors gloss over. His descriptions made it easy to visualize and even smell each and every one.
There will be a number of readers who will identify with the different characters and most likely sympathize with them as well. I felt as though I was getting a glimpse into someone’s real life experiences, not the work of fiction. The journalist doesn’t even have a name, yet throughout the story I didn’t even notice. I made it pretty far in before thinking, “Hey, what the heck is this guys name?”
“Songs from Richmond Avenue” could almost be called a drunks love story, as the journalist finds himself wishing for a future with Michelle. He may not exactly be a romantic character, it’s love just the same. Throw in some depressing thoughts while mixing in some humorous parts and that sums up this story.
It took me some time to really get into the story. Michael Reed has a unique way of developing his characters that takes a bit of adjusting to. Once I got farther into the story and got use to the craziness, I was in for the long haul and wasn’t bothered in the slightest. This is definitely not a light and airy read, but I think that is part of the appeal. I had to read slower than I usually would have with any other book which made me connect with the locations and situations. I honestly don’t want to tell you too much, so that you can have the same experience as I did. The antics that take place are so off the wall I wouldn’t want to ruin the fun for the next reader!
While it did pick up later, it was a bit hard to get into at first. Many readers I know would put down a book they weren’t drawn into from the beginning. While I know that a slow beginning doesn’t mean anything, that doesn’t make you not feel a bit frustrated. I would suggest anyone who enjoys dark humor and crazy drunken stories to give this book a shot.
Pages: 185 | ASIN: B01N039ZM7
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Alex and Ian return in the sequel to The Bug Boys, back to the town of Rossolington after the collapse of the mine. The boys still have the nanobots inside them and retain the ability to take on the different aspects of live bugs they swallow. They are still working with the Secti to bring new insects back to the Nest planet, but the Secti are impatient and want a better selection of insects so they start to create their own portal outside the boys. Meanwhile, bugs start showing up from a forth portal that no one knew existed. Professor Blake Blackhart, has also ingested nanobots and tapped into their abilities, as well as improved upon them. Professor Blake however, does not have good intentions and becomes the book’s super villain to the boy’s superhero personas. Add into the story a new student Linda and her mom, the new PE teacher that takes an unhealthy interest in Alex and Ian and things get very interesting in the declining mining town of Rossolington.
The Bug Boys vs Professor Blake Blackhart is an engaging and fun novel for young adult readers and adults alike. You have your classic good vs evil theme, and kids’ vs adults. A group of four kids taking on the super villain and his sidekick kitten. Yes, a kitten. A kitten that is also infected by nanobots and has been surgically altered to be a weapon. Hoffman uses humor that draws kids in, lots of detailed descriptions about farts, the noise, the smell, the way it makes them feel. All humor that appeals to typical young adult boys. Eating bugs, but needing to keep them alive, entertaining and gross. The awkward time of puberty where boys suddenly discover girls and those awkward moments are brought out in the interactions with Linda.
Hoffman also manages to address some serious topics through this adolescent humor. Alex has to come to terms with the fact his dad is not infallible. This realization, that his father has fears, is not perfect and can make poor choices is one that hits him hard. Alex must learn to accept his father and his short comings if he can. After almost losing his father in the mine to be dealt another blow is difficult. This is relatable to young readers as they are hitting the age where they might start seeing the childhood hearos for who they really are and realizing they are not the perfect examples of humans they originally thought them to be. These can be hard times for a young teen to experience, seeing characters in a book they like can help them come to terms with reality, and give them a laugh along the way.
While Alex and Ian want to be superhero’s, they learn there is more to being a superhero than just putting on a costume and having super powers. They learn limits, asking for help, working as a team and reaching out to others when they realize they can’t do it all on their own. There are a lot of good lessons for young adults packed into this short novel. There is enough action to keep kids interested and wanting to read more. Hoffman even at the end gives readers a cryptic scene that leads us to believe we can expect more from the Bug Boys.
Pages: 154 | ASIN: B076737HRN
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Dave Matthes’s irreverent, profanity-laced, often hilarious novel, Sleepeth Not, the Bastard, is a fascinating work of writing. It’s half sex, drugs, and rock n’ roll, and half a thoughtful and thought-provoking look at suicide and how it affects family and friends around the incident. Sleepeth Not, the Bastard follows two separate but surprisingly intertwined characters: Lew Ferranna, a deadbeat dad, drunkard, and generally unsavory character, and Sarah Fox, a famous drummer and rockstar from the all-female rock band, The Bastards. Matthes reveals in the opening pages of the story that Lew’s son committed suicide at the age of seventeen, and spends the rest of the novel’s tumultuous pages examining how that incident affected not only Lew and his family, but also how Sarah’s hardcore band, The Bastards, and their wild, rough-living producer, Wolfgang Stephanopolis fits into the mysterious puzzle of life.
I have had the privilege of reading several of Matthes’s works, and he has a skill that I have only seen before in Kurt Vonnegut. He is able to create completely unlikable, frustrating, and obnoxious characters, and turn them into protagonists that, for some unknown reason, you find yourself pulling for. The two stars of Sleepeth Not, the Bastard are superficially very unlikable: Lew has abandoned his daughter and wife after their son’s suicide; Sarah is standoffish, erratic, and crude. But perhaps what’s appealing about Matthes’s characters is the fact that they are so relatable. Though hopefully few of us know people who would commit some of the frankly horrible acts that Matthes’s characters perform, it’s a fact of life that everyone has flaws. It is refreshing to see characters dealing with problems that we, as readers, have likely seen or experienced ourselves: the demise of relationships, parental-child fights, addiction, depression, and death.
Fortunately, though, Sleepeth Not, the Bastard is not all doom and gloom. In his solid novel, Matthes manages to create humor (albeit dark) in the absurd situations he places his characters in. Whether it’s a tiger outside of Vegas, a minivan driving through the garage door, or the insanely gaudy (and proud of it) producer Wolfgang Stephanopolis, Sleepeth Not, the Bastard manages to bring a smile to readers’ faces in the most surprising moments. The story lacks only in a few small facets that irritated me personally, specifically the lack of double L’s in all of Lew’s parts of the story (meaning “walls” would be written as “wal s”).
Though it covers potentially disheartening topics, Sleepeth Not, the Bastard will not dishearten readers. Similar to Matthes’s other works, it manages to address the most unpleasant topics of life while also instilling a positive and motivating force in readers. It often feels as if Matthes’s charactesr are saying to readers what we all know but sometimes want to forget: Life can be ugly, hard, and miserable; but life can also be beautiful, surprising, and wonderful. As a reader whose family has experienced the pain and loss of unexpected death by suicide, I found this novel to be painful, at times, but overall uplifting and a reminder to appreciate the beautiful moments in life.
Pages: 453 | ASIN: B00N53IMWW
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In The Wagon Driver, Earth is overcrowded and Kyle’s job is to collect bodies for government disposal, but soon learns of a more nefarious reason why he’s employed. What was the initial idea behind this story and how did that transform as you were writing the novel?
I initially wrote this story in the mid-nineties, when I was working at AT&T in Lake Mary, Florida. Computers had already begun taking over, and the Y2K phenomenon was being considered globally. My imagination, as usual, went into overload, and I began having dreams about the Government using technology to move into the home, take over completely and systemically select who would be permitted to exist and who would not.
Kyle grows up an in orphanage and I instantly felt the isolation and loneliness that he felt. What were the driving ideals behind the characters development throughout the story?
Being an orphan as well as a loner, Kyle has never felt the bond of friendship before and frequently uses humor and sarcasm to disguise his shyness. When he meets Allie, he thinks he has developed his first true friendship, but when he realizes she has let herself become just another cog of the System, he feels betrayed. And when both Allie and the System turn against someone who could have truly become his one and only friend, he knows he can no longer stick around because he will eventually cease to exist as well.
Do you think over population is a serious concern today? What do you think are the causes and solutions?
I think it is a major concern, especially in many other countries. I don’t want to get political here, but in this country we could eliminate much of it ourselves, without Government intervention. However, I really can’t see it happening.
What is the next book that you are working on and when will it be available?
I am currently working on a Christmas novel entitled, Yesterday’s Journey. It is a fantasy, and should be ready to be published on Amazon and Kindle in early or mid November.
In the not-so-distant future, population control becomes a necessity. Turning eighteen, Kyle Sonnet leaves the State Orphanage and becomes an employee of the Department of Population Control. As a wagon driver, he follows the ambulance to emergency calls and collects bodies for Government disposal. However, it isn’t long before Kyle understands that, due to the collapse of the healthcare system and contrary to what he has seen on the news, euthanasia has become the universal solution. But when he suddenly witnesses a horror he cannot accept, Kyle is forced to decide whether to become another pawn of Society or risk escape, which will result in certain death.
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Lockless Doors weaves a brutally honest and incredibly unique story of a family in all its ugly and painful moments. What was the initial idea behind this story and how did that transform as you were writing the novel?
Initially, the entirety of the story was just going to revolve around one demented family Christmas, but as it always seems to happen… the plot thickened and I couldn’t exactly control what happened. And then, while exploring the backstory of Jean, I saw an opportunity to expand upon a favorite character of mine from another older book I wrote back in 2013-2014. And now I’ve pretty much got 2 to 3 books in the making to continue with the chaos that is the Ponces.
Lockless Doors subtly examines complicated relationships and skillfully reveals insights into the siblings’ connection to each other. What were the driving ideals behind the characters development throughout the story?
I wanted to establish a sense of foundation for the three main characters, so that the reader could sense that there was in fact a very complicated past. Little by little, I offered little tidbits as to just what that past entails, and each of which would (at least for this book) center around the death of their mother. Their own childhood, while growing up, was riddled with seeds that would eventually force them all to spiral out of control. And so the death of their mother, at least according to their mother, would hopefully begin to bring them back together again. If I could narrow it all down to one single word, I’d say this book is about forgiveness, and not just the simple “on-the-surface” kind. Self-forgiveness is probably the most important type out there.
Lockless Doors is both hilarious and heartbreaking, soul-searching and sarcastic. Was there anything from yourself that you put into the novel, and did you have fun writing it?
Honestly, I can’t think of anything I really took from real life experiences that would inspire the book. I just started writing it one day and it just kind of became what it is. As I’ve said to others who’ve asked, I never really plan out a novel’s plot, at least I can’t think of a time during which I actually sat down and outlined a story. Maybe dabble a few ideas here and there, jot down some quotes for characters to use at some point in the story. The Ponce siblings, Edgar, Jean, and Charlotte are far and beyond my favorite characters I’ve thus far shat out out my brain. And yes, I can say I had the most fun writing this book compared to my others, and I am currently having loads more fun writing the second book.
What is the next novel that you are working on and when will it be available?
I’m actually working on the sequel to “Lockless Doors…” at the moment and have written about two to three chapters. I wouldn’t expect it to be finished until next year sometime, but I can say that the story and the characters will explode in a way that makes “Lockless Doors…” seem like an ABC Family special. If all goes according to how it feels it’s going, “Lockless Doors…” may end up being the first in a long and chaotic series that may or may not have a definitive ending.
It’s Christmas time, again. Family gatherings. Company parties. Yule logs. Screaming fits of dysfunctional requiem. But for the three Ponce siblings, they’ll be burying their mother. Edgar Ponce, the family exile. His brother Jean, the west coast porn star. And their younger sister Charlotte, mother to four kids and wife to the richest orthopedic surgeon in Western Pennsylvania. Reuniting them for the first time in over a decade, the funeral of their mother will only serve as the mere whisper that starts the avalanche of the next month, entangling them in their own webs of insanity for a holiday season none of them will ever forget. ‘Lockless Doors in the Land of Harsh Angels’, a crossover/sequel to 2014’s ‘Sleepeth Not, the Bastard’, is at its core a story about family. Beyond that, it’s an examination on forgiveness, the relationship between Christmas trees and caskets; bliss with a little bit of chaos thrown in for good measure, and learning the importance of one of the holiday’s most heartfelt lessons: appreciating those loved ones around you while doing one’s utmost best at tolerating the rest of the family without murdering them.
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Dave Matthes’ vision of the holiday season is a beautiful thing: estranged and dying (or already dead) relatives, a Baby Jesus/eggplant switcheroo, and alarm clocks blasting out “Feliz Navidad” at ungodly hours of the morning. Lockless Doors in the Land of Harsh Angels spans just a few weeks in the lives of the Ponce siblings, primarily focusing on the black sheep, oldest brother Edgar, but, in reality, it covers a lifetime. Brought together by their mother’s not-completely-unexpected and not-really-saddening death, Edgar, porn-star celebrity brother Jean, and foulmouthed but well-intentioned little sister Charlotte learn to embrace what it means to be a family. As Matthes himself puts it, family is just “[being] together, through the shit and the worse shit.”
A worthy five-star examination of a truly modern family (though the Ponces and Matthes would likely chime in that they are not a modern family in the ABC Family sense), Lockless Doors is both hilarious and heartbreaking, soul-searching and sarcastic. The plot summary could read as clichéd: alienated brother is forced to reunite with his estranged family and ends up enjoying it. But Lockless Doors is far subtler and more complicated in its examination of relationships. Matthes skillfully reveals insights into the siblings’ relationships with each other, their parents, and significant others gradually, enabling highly interesting and thoughtful character development of all the main characters. Though it spans just one eventful holiday season, Lockless Doors examines life in all its stages, from open-eyed youth to rebellious teens, from mid-life crises to acceptance of death.
In addition to its fascinating story line and characters, Lockless Doors is impeccably well-written. Matthes fills the novel to the brim with clever plays on words and puns that could be overlooked by some readers, but are greatly appreciated by attentive ones. Admittedly, he also fills the novel with a plethora of creative curse words that may offend some neophyte eyes, but the obscenities fit naturally within the world of the Ponces that Matthes has created, and once you get past the first few hundred F-bombs, you hardly notice them. In Lockless Doors, Matthes also takes the time to create intriguing and frequently hilarious supporting characters and events. From the smirking funeral director in his bright pink tie or the super fit and hyper healthy dad in his skin-tight bike shorts, Lockless Doors creates a rollercoaster of emotions for readers, being at one moment laugh-out-loud and in the next a tearjerker.
But what readers will enjoy the most about Lockless Doors is just how fun it is to read. As you explore the world that Matthes had created, it’s both easy and amusing to see your own friends and family in the characters he creates (though hopefully your family is not quite as dysfunctional as that of the Ponce’s). Taken at a first glance, none of the characters seems like anyone you’d want to spend your Christmas with; but by the end, you’re cheering for their success in the New Year. Self-aware and self-deprecating, Lockless Doors weaves a brutally honest and incredibly unique story of a family, in all its ugly and painful moments as well as beautiful and loving ones.
Pages: 169 | ASIN: B073MP2QJ8
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Douglas Wells’, debut novel, The Secrets of all Secrets begins with a mysterious stranger, who issues a fateful quest. The reader follows Zane, a graduate school and seminary drop-out, who receives a USB from the stranger. The USB contains a message that promises the Secret of All Secrets and he is pressed to go find out how far the rabbit hole goes. He soon meets a waitress at a diner, named Dali, who received a similar USB. They initially butt heads, but they soon come together to figure out the mystery. They are dogged at every step by four conflicted government agents, who pursue them to the very end.
Wells combines smart, informed prose with fun, engaging dialogue to create an interesting story that hails the modern quest narrative, but also the old-fashioned road narrative calling to mind Jack Kerouac and others of that generation. There are plenty of moments where Zane calls back to his graduate school education with references to Pascal and Tolstoy, which do become a bit pandering to a point, but soon get lost in the action that ensues.
Zane and Dali are both enthralling characters, where Wells’ skill shines through and even shows up among the government agents who serve as the bulk of antagonism in the novel. The decent character portrayal also smoothes over the often-sparse description and scene setting that would normally keep the reader engaged, but the characters are able to do this on their own. The ideological lines that all the characters have seem to be commentary on our day to day lives, from government drones to Zane’s cynicism.
The setting of Northern Florida was an interesting choice and provides a unique setting rich in regional idiosyncrasies as well as clashing rural and coastal tendencies. Zane and Dali adventures are increasingly crazy and fit in with this setting choice. They venture into an armadillo festival, nudist resort and even find a presumed dead 60’s rocker. All of this combines to be a sort of satire of American politics and greed.
All in all, The Secrets of all Secrets will keep the reader’s attention until the very end with its light-hearted prose and topical social commentary. Wells blends the ironic with wry humor and never misses a point to push the absurdity of his tale a little farther, as if encouraging the reader to do the same.
Pages: 224 | ASIN: B07147R17F
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