Disconnected is a genre-blending collection of speculative stories, surreal sketches, poems, and philosophical reflections exploring identity, loneliness, belief, technology, political power, and the search for belonging. What inspired you to create this collection?

There were two main sources of inspiration. Firstly, I had just joined a band with a couple of mates. I wanted to write lyrics for songs; taking most of my inspiration from John Lennon’s Plastic Ono Band and Imagine Album’s. This is the main reason for the more political poems and some of the more intimate poems. Why I wanted to write lyrics, I’m still not sure. It was a compulsion of sorts. Some unknown force was driving me to write. Secondly, Kafka and Pessoa. When I first discovered Franz Kafka and Fernando Pessoa as writers, they blew my mind. These two persons were effectively nobodies in their time but they had such great insight into society through social observation. I found instant relatability and attraction in their work; I wanted to emulate it. From these two sources of inspiration, I set out to challenge myself into exploring society through various angles, asking questions about everything and allowing the reader to think for themselves about the answers.    

Why is loneliness such a persistent concern throughout the collection?

I don’t think It was ever the intention to write about Loneliness, it just happened as a result of what I was trying to achieve. I wanted to question society from various angles. This often meant writing characters as outsiders who were able to question the society they were placed in. Although it can also be said, I am a lonely individual. I am sad and lonely, Like Kafka and Like Pessoa, this came through in my work whether I intended it or not.    

How important are recurring characters and ideas to the architecture of Disconnected?

I would argue they make up the backbone of Disconnected. It might be a collection of fragmented stories, poems and dreams but I do feel It is one book. Disconnected not unconnected. That is there is a wholeness to it. Like most of the characters being Disconnected from the worlds around them as outsiders. The book is itself disconnected from itself. This is first established in From Emit to Time, which sets up the idea that things might not necessarily be in order. I wanted to use this broken/disconnected structure to emphasize the broken nature of the characters’ minds and their disconnect from society in a more unique manner.  

What are you working on now, and how might it build on the ideas explored in this collection?

Since writing Disconnected, I have completed a sequel, Heads & Tales, which will also be published with Atmosphere Press on October 20th, 2026. The Sequel explores the same themes as Disconnected but in a more grounded manner. It’s darker and explores the political systems and stages that cause the very disconnect in Disconnected through the life of Charlie Braeburn.    

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