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Challenging Myself and Readers
Disconnected is a genre-blending collection of speculative stories, surreal sketches, poems, and philosophical reflections exploring identity, loneliness, belief, technology, political power, and the search for belonging. What inspired you to create this collection?
There were two main sources of inspiration. Firstly, I had just joined a band with a couple of mates. I wanted to write lyrics for songs; taking most of my inspiration from John Lennon’s Plastic Ono Band and Imagine Album’s. This is the main reason for the more political poems and some of the more intimate poems. Why I wanted to write lyrics, I’m still not sure. It was a compulsion of sorts. Some unknown force was driving me to write. Secondly, Kafka and Pessoa. When I first discovered Franz Kafka and Fernando Pessoa as writers, they blew my mind. These two persons were effectively nobodies in their time but they had such great insight into society through social observation. I found instant relatability and attraction in their work; I wanted to emulate it. From these two sources of inspiration, I set out to challenge myself into exploring society through various angles, asking questions about everything and allowing the reader to think for themselves about the answers.
Why is loneliness such a persistent concern throughout the collection?
I don’t think It was ever the intention to write about Loneliness, it just happened as a result of what I was trying to achieve. I wanted to question society from various angles. This often meant writing characters as outsiders who were able to question the society they were placed in. Although it can also be said, I am a lonely individual. I am sad and lonely, Like Kafka and Like Pessoa, this came through in my work whether I intended it or not.
How important are recurring characters and ideas to the architecture of Disconnected?
I would argue they make up the backbone of Disconnected. It might be a collection of fragmented stories, poems and dreams but I do feel It is one book. Disconnected not unconnected. That is there is a wholeness to it. Like most of the characters being Disconnected from the worlds around them as outsiders. The book is itself disconnected from itself. This is first established in From Emit to Time, which sets up the idea that things might not necessarily be in order. I wanted to use this broken/disconnected structure to emphasize the broken nature of the characters’ minds and their disconnect from society in a more unique manner.
What are you working on now, and how might it build on the ideas explored in this collection?
Since writing Disconnected, I have completed a sequel, Heads & Tales, which will also be published with Atmosphere Press on October 20th, 2026. The Sequel explores the same themes as Disconnected but in a more grounded manner. It’s darker and explores the political systems and stages that cause the very disconnect in Disconnected through the life of Charlie Braeburn.
Author Links: GoodReads | Instagram | Facebook
This anthology of short stories, nonsense poetry, and surreal social critiques explores isolation, identity, and the tyranny of time in worlds both magical and unsettling. Meet Chronos, the dictator of time, whose rigid ideology is challenged only by the imagination. Follow Mr. Preston, a man who literally becomes mist; Connor, a musician driven to madness by forces beyond control; and Charlie Braeburn, whose desperate search for connection transforms him forever.
From a dystopian collective consciousness to a city of discarded elders, these tales skew reality with biting humor, melancholy, and uncanny twists. Disconnected is a celebration of dreams, rebellion, and the strange poetry of human existence—a collection that reminds us that sometimes the only escape from the circus of life is through stories themselves.
Disconnected
Vivian Herkes’s Disconnected brings together speculative stories, surreal sketches, poems, and philosophical reflections about people trying to find a place in the world. Time, identity, loneliness, belief, technology, and political power recur throughout the book, giving its varied pieces a common center. Images of mist, clouds, masks, mirrors, and driftwood turn disconnection into something almost physical. The result feels like a tour through one restless imagination, with ideas and characters resurfacing in unexpected forms.
The short fiction contains the collection’s most developed ideas. “The Old Skoolgie” imagines a future collective consciousness that offers companionship at the cost of individuality, while “The Ghettold” follows a young man into a city where elderly people have been segregated and abandoned. “Faceless” is especially important because it connects Charlie Braeburn to the mysterious Mr. Preston from an earlier story, revealing how a desire to understand everyone can erode a person’s own identity. Herkes often builds these stories like fables, using grotesque twists, dark jokes, and literalized metaphors to examine isolation and institutional cruelty.
The poems give the book a more intimate feel. Pieces such as “For My Friend with Depression,” “Ghost,” and “Uncertainty” speak openly about affection, grief, insecurity, and the fear of losing oneself. Others, including “The Notion of I, in the Nation of We” and “Hell Is a Circus,” turn toward class, nationalism, violence, and political manipulation. The language is energetic and deliberately repetitive, with rhymes and recurring images creating the sensation of thoughts circling inside an anxious mind. Herkes’s hand-drawn illustrations complement that personal, homemade quality, while the self-satirizing “A Critical Review” shows an author willing to place his own doubts inside the collection.
The collection can be blunt, funny, tender, and disturbing, sometimes within the same piece. That emotional volatility suits a book concerned with minds that won’t remain comfortably settled. I’d recommend it most to readers who enjoy experimental small-press writing, speculative social satire, surreal fables, and poetry that values candor over polish. It’ll also speak to anyone interested in how loneliness shapes identity, or how the longing to belong can make individuals vulnerable to lovers, communities, ideologies, and technologies promising connection.
Pages: 101 | ASIN : B0HCT9VZNN
The Boy Who Cried Wolf! And Other Great Stories With Lessons
The Boy Who Cried Wolf!, by Dr. Uzma Farooq, Samir Ahmad, and Amani Ahmad, is a charming collection of thirteen timeless fables originally told by Aesop, retold here with fresh language and vibrant illustrations. Each story comes with a clear moral, from “The Tortoise and the Hare” to “The Wolf in Sheep’s Clothing.” The retellings stay true to the heart of the originals while making them more engaging for a modern audience. The lessons are simple and bold, making this book a go-to resource for both children and adults looking to reflect on honesty, patience, effort, and the consequences of one’s actions.
I found myself smiling often while reading. The writing is clean and energetic. It doesn’t try to be clever for the sake of it, and that’s what makes it feel real. There’s no fluff here, no over-explaining. Each fable gets right to the point, but it’s done with flair and warmth. I especially appreciated the playful rhythm and the subtle humor. The story of “The Fox and the Crow” made me laugh, while “The Ants and the Grasshopper” hit with a little sting of truth.
The heart behind the work is a standout feature of this collection. This wasn’t just a lazy rehash of old stories. You can feel that Dr. Farooq and her sons cared deeply about the messages in each tale. The dedication and acknowledgments give a window into that love for family, for storytelling, for teaching life’s harder truths without being preachy. And Kam Wing Lo and Lai Sun Ip’s illustrations are a delight. They give the book an extra layer of warmth and make it easy to imagine a parent and child reading together before bed.
I heartily enjoyed The Boy Who Cried Wolf! It’s funny, sharp, and full of heart. I’d recommend it to parents, teachers, or anyone who wants a sweet dose of old-school wisdom with a fresh coat of paint. Perfect for reading aloud, discussing over dinner, or just flipping through when you need a reminder of what really matters.
Pages: 38 | ASIN : B0F7S5YK3X
Twinchantment Tales: 30 Mystical Adventures From Tamilnadu
Twinchantment Tales is like stepping into a portal to the heart of Tamil Nadu, with every page dripping in folklore, culture, and the kind of magic that makes you feel like a kid again. Dr. Sridevi K. J. Sharmirajan’s writing effortlessly pulls you into the lives of twins Annapurani and Bhuminathan, who spend their summers soaking in enchanting stories from their grandparents. The twins, their doting grandparents, and the quaint village of Mithilapuram feel so real that you might find yourself wishing for an invitation to their next storytelling session under the stars.
First off, the writing is pure charm. The descriptions of the village life—lush jasmine fields, the hum of crickets, and the soulful voices of the grandparents—set such a cozy vibe. One of my favorite tales was “The Magic of Erode’s Turmeric.” It’s not just about a magical crop but a metaphor for intention and mindfulness. When Grandpa Vaidyanathan says, “Sometimes the greatest truths lie beyond the grasp of our skepticism,” I felt that. This isn’t just storytelling; it’s soul-nourishing wisdom wrapped in vivid imagery.
Another standout was “The Tale of Tanjore’s Dancing Dolls.” It’s the kind of whimsical story that makes you want to hold onto your heritage a little tighter. The way the dolls are described, almost alive with joy and grace, had me grinning. And the underlying message about navigating life’s ups and downs with dignity? Timeless.
While the magical adventures are fun, what hit me the hardest was the emotional core. Stories like “The Enchanted Temple Mirror of Kumbakonam” are not just fables but reflections on inner beauty and humility. The part where Queen Durga Devi confronts her own flaws through a mystical mirror. It’s the kind of scene that makes you pause and think about how we perceive ourselves versus who we truly are.
By the time I finished the book, I felt like I’d been on a journey—spiritual, cultural, and magical. Sure, some parts leaned heavily on the moral-of-the-story approach, which might feel a bit predictable if you’re not into life lessons wrapped in folklore. But for me, it worked. It felt like being told a bedtime story with just the right mix of wonder and wisdom.
If you love mythology, folktales, or stories that blend culture with magic, this one’s for you. Parents looking for meaningful stories to share with kids? Perfect choice. Or anyone who just wants to be reminded that the world is full of wonder if you look closely enough.
Pages: 167 | ASIN : B0DLJ62Q93
