Songs from Richmond Avenue by Michael Reed is a dark novel about characters that could be found in any town. The main character is a journalist that seems to know all the questionable characters that hang out on Richmond Avenue in Houston. He meets a beautiful woman named Michelle that he becomes infatuated with from the start. Michelle could change things for the journalist, but not before he gets caught up in some seriously crazy shenanigans that include kidnapping, booze and roommates. Among everything else, you get to know some barflies who have very interesting stories and a love for alcohol and bets.
This story isn’t long, but packs quite a bit into such a small package. I can imagine this story set in any small local dive bar. There would be those regulars that have extremely colorful stories that are darkly humorous. The writing is unique and paints a descriptive image of all the characters in the book. Each one has personality and detail that many authors gloss over. His descriptions made it easy to visualize and even smell each and every one.
There will be a number of readers who will identify with the different characters and most likely sympathize with them as well. I felt as though I was getting a glimpse into someone’s real life experiences, not the work of fiction. The journalist doesn’t even have a name, yet throughout the story I didn’t even notice. I made it pretty far in before thinking, “Hey, what the heck is this guys name?”
“Songs from Richmond Avenue” could almost be called a drunks love story, as the journalist finds himself wishing for a future with Michelle. He may not exactly be a romantic character, it’s love just the same. Throw in some depressing thoughts while mixing in some humorous parts and that sums up this story.
It took me some time to really get into the story. Michael Reed has a unique way of developing his characters that takes a bit of adjusting to. Once I got farther into the story and got use to the craziness, I was in for the long haul and wasn’t bothered in the slightest. This is definitely not a light and airy read, but I think that is part of the appeal. I had to read slower than I usually would have with any other book which made me connect with the locations and situations. I honestly don’t want to tell you too much, so that you can have the same experience as I did. The antics that take place are so off the wall I wouldn’t want to ruin the fun for the next reader!
While it did pick up later, it was a bit hard to get into at first. Many readers I know would put down a book they weren’t drawn into from the beginning. While I know that a slow beginning doesn’t mean anything, that doesn’t make you not feel a bit frustrated. I would suggest anyone who enjoys dark humor and crazy drunken stories to give this book a shot.
Pages: 185 | ASIN: B01N039ZM7
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Dave Matthes’s irreverent, profanity-laced, often hilarious novel, Sleepeth Not, the Bastard, is a fascinating work of writing. It’s half sex, drugs, and rock n’ roll, and half a thoughtful and thought-provoking look at suicide and how it affects family and friends around the incident. Sleepeth Not, the Bastard follows two separate but surprisingly intertwined characters: Lew Ferranna, a deadbeat dad, drunkard, and generally unsavory character, and Sarah Fox, a famous drummer and rockstar from the all-female rock band, The Bastards. Matthes reveals in the opening pages of the story that Lew’s son committed suicide at the age of seventeen, and spends the rest of the novel’s tumultuous pages examining how that incident affected not only Lew and his family, but also how Sarah’s hardcore band, The Bastards, and their wild, rough-living producer, Wolfgang Stephanopolis fits into the mysterious puzzle of life.
I have had the privilege of reading several of Matthes’s works, and he has a skill that I have only seen before in Kurt Vonnegut. He is able to create completely unlikable, frustrating, and obnoxious characters, and turn them into protagonists that, for some unknown reason, you find yourself pulling for. The two stars of Sleepeth Not, the Bastard are superficially very unlikable: Lew has abandoned his daughter and wife after their son’s suicide; Sarah is standoffish, erratic, and crude. But perhaps what’s appealing about Matthes’s characters is the fact that they are so relatable. Though hopefully few of us know people who would commit some of the frankly horrible acts that Matthes’s characters perform, it’s a fact of life that everyone has flaws. It is refreshing to see characters dealing with problems that we, as readers, have likely seen or experienced ourselves: the demise of relationships, parental-child fights, addiction, depression, and death.
Fortunately, though, Sleepeth Not, the Bastard is not all doom and gloom. In his solid novel, Matthes manages to create humor (albeit dark) in the absurd situations he places his characters in. Whether it’s a tiger outside of Vegas, a minivan driving through the garage door, or the insanely gaudy (and proud of it) producer Wolfgang Stephanopolis, Sleepeth Not, the Bastard manages to bring a smile to readers’ faces in the most surprising moments. The story lacks only in a few small facets that irritated me personally, specifically the lack of double L’s in all of Lew’s parts of the story (meaning “walls” would be written as “wal s”).
Though it covers potentially disheartening topics, Sleepeth Not, the Bastard will not dishearten readers. Similar to Matthes’s other works, it manages to address the most unpleasant topics of life while also instilling a positive and motivating force in readers. It often feels as if Matthes’s charactesr are saying to readers what we all know but sometimes want to forget: Life can be ugly, hard, and miserable; but life can also be beautiful, surprising, and wonderful. As a reader whose family has experienced the pain and loss of unexpected death by suicide, I found this novel to be painful, at times, but overall uplifting and a reminder to appreciate the beautiful moments in life.
Pages: 453 | ASIN: B00N53IMWW
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The Secrets of all Secrets follows Zane who receives a USB from a stranger that contains a message that promises the Secret of All Secrets. What was the inspiration for the setup to this fun novel?
I wanted the premise of the story to be wacky and like a fairy tale with epistemological overtones. Many of us grew up with fairy tales of one sort or another, so the concept is recognizable. The USB is Jack’s bean stalk. Once it’s there, he has to climb it. The USB idea occurred to me because I use them in my work as a college professor. I wondered what would happen if all knowledge, the meaning of life, etc. were on one? The next question: What parties would want to pursue The Secrets and to what lengths will they go to get them?
In this story you combine irony with wry humor and manage to keep it all topical. What themes did you want to explore when you started this book?
The overarching theme is illustrated by Shakespeare’s line from The Tempest: “The stuff that dreams are made on,” which is what The Secrets represent. What would be the government’s dream for getting The Secrets? Probably something to do with gaining ultimate power. Corporate America’s dream? Wasn’t there someone who said there’s no such thing as making too much money? The two crazy extremists’ dream is to create an Anti-Amerika, “Amerika with a k.” That the representatives of these entities are comical bunglers illustrates the way in which human beings can wreck any mission. As for the two main characters, Zane and Dali—Everyman and Everywoman—the dream is more about self discovery. It’s a classic conflict: individuals versus institutions and malevolent factions. Jack versus the Giant.
Zane and Dali are both enthralling characters. How did you set about creating their dynamic relationship?
What’s kind of funny is that when I started the novel, there was no Dali. Once I got to the point in the story where Zane begins his quest, I knew he needed a partner, someone equally smart, resilient, and resourceful but with a different sensibility. Zane is an intellectual. Dali is more pragmatic. There is tension between them, but there’s also balance. “Two peas in a pod,” as is stated ironically early in the book. It doesn’t hurt that they are attracted to each from the start without admitting it to themselves.
What is the next book that you are working on and when will it be available?
I’m working on a satire of political correctness. I’m hoping to finish it and have it published in a year or two. Some of this is dictated by my teaching schedule, but if you know any publishers willing to give me a triple figure advance, I think I could work a little faster.
Zane, a seminary and grad school dropout, obtains a USB drive left by a cloaked figure on a bridge in the middle of the night. The drive’s content offers Zane “The Secrets of All Secrets”—a tantalizing proposal for someone who has nothing left to lose.
Following the drive’s directions, Zane heads to Florida where he encounters Dali, a poor waitress who received an identical USB. Initially clashing, they band together, taking a chance that The Secrets are genuine as they receive more instructions from their USBs.
Four conflicted government operatives; an extremely tall corporate executive with an extremely short, scholarly hit man in tow; and two crackbrained, fringe-element, anti-government separatists are after The Secrets—and are all willing to kill to get them.
Zane, Dali, and their pursuers encounter an armadillo festival, visit a nudist resort, and hang out with a presumed dead ’60s rocker. Pandemonium occurs at each venue with Zane and Dali one step ahead of everyone… that is, until all parties convene for a climactic confrontation over The Secrets.
Posted in Interviews
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Lockless Doors weaves a brutally honest and incredibly unique story of a family in all its ugly and painful moments. What was the initial idea behind this story and how did that transform as you were writing the novel?
Initially, the entirety of the story was just going to revolve around one demented family Christmas, but as it always seems to happen… the plot thickened and I couldn’t exactly control what happened. And then, while exploring the backstory of Jean, I saw an opportunity to expand upon a favorite character of mine from another older book I wrote back in 2013-2014. And now I’ve pretty much got 2 to 3 books in the making to continue with the chaos that is the Ponces.
Lockless Doors subtly examines complicated relationships and skillfully reveals insights into the siblings’ connection to each other. What were the driving ideals behind the characters development throughout the story?
I wanted to establish a sense of foundation for the three main characters, so that the reader could sense that there was in fact a very complicated past. Little by little, I offered little tidbits as to just what that past entails, and each of which would (at least for this book) center around the death of their mother. Their own childhood, while growing up, was riddled with seeds that would eventually force them all to spiral out of control. And so the death of their mother, at least according to their mother, would hopefully begin to bring them back together again. If I could narrow it all down to one single word, I’d say this book is about forgiveness, and not just the simple “on-the-surface” kind. Self-forgiveness is probably the most important type out there.
Lockless Doors is both hilarious and heartbreaking, soul-searching and sarcastic. Was there anything from yourself that you put into the novel, and did you have fun writing it?
Honestly, I can’t think of anything I really took from real life experiences that would inspire the book. I just started writing it one day and it just kind of became what it is. As I’ve said to others who’ve asked, I never really plan out a novel’s plot, at least I can’t think of a time during which I actually sat down and outlined a story. Maybe dabble a few ideas here and there, jot down some quotes for characters to use at some point in the story. The Ponce siblings, Edgar, Jean, and Charlotte are far and beyond my favorite characters I’ve thus far shat out out my brain. And yes, I can say I had the most fun writing this book compared to my others, and I am currently having loads more fun writing the second book.
What is the next novel that you are working on and when will it be available?
I’m actually working on the sequel to “Lockless Doors…” at the moment and have written about two to three chapters. I wouldn’t expect it to be finished until next year sometime, but I can say that the story and the characters will explode in a way that makes “Lockless Doors…” seem like an ABC Family special. If all goes according to how it feels it’s going, “Lockless Doors…” may end up being the first in a long and chaotic series that may or may not have a definitive ending.
It’s Christmas time, again. Family gatherings. Company parties. Yule logs. Screaming fits of dysfunctional requiem. But for the three Ponce siblings, they’ll be burying their mother. Edgar Ponce, the family exile. His brother Jean, the west coast porn star. And their younger sister Charlotte, mother to four kids and wife to the richest orthopedic surgeon in Western Pennsylvania. Reuniting them for the first time in over a decade, the funeral of their mother will only serve as the mere whisper that starts the avalanche of the next month, entangling them in their own webs of insanity for a holiday season none of them will ever forget. ‘Lockless Doors in the Land of Harsh Angels’, a crossover/sequel to 2014’s ‘Sleepeth Not, the Bastard’, is at its core a story about family. Beyond that, it’s an examination on forgiveness, the relationship between Christmas trees and caskets; bliss with a little bit of chaos thrown in for good measure, and learning the importance of one of the holiday’s most heartfelt lessons: appreciating those loved ones around you while doing one’s utmost best at tolerating the rest of the family without murdering them.
Posted in Interviews
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Dave Matthes’ vision of the holiday season is a beautiful thing: estranged and dying (or already dead) relatives, a Baby Jesus/eggplant switcheroo, and alarm clocks blasting out “Feliz Navidad” at ungodly hours of the morning. Lockless Doors in the Land of Harsh Angels spans just a few weeks in the lives of the Ponce siblings, primarily focusing on the black sheep, oldest brother Edgar, but, in reality, it covers a lifetime. Brought together by their mother’s not-completely-unexpected and not-really-saddening death, Edgar, porn-star celebrity brother Jean, and foulmouthed but well-intentioned little sister Charlotte learn to embrace what it means to be a family. As Matthes himself puts it, family is just “[being] together, through the shit and the worse shit.”
A worthy five-star examination of a truly modern family (though the Ponces and Matthes would likely chime in that they are not a modern family in the ABC Family sense), Lockless Doors is both hilarious and heartbreaking, soul-searching and sarcastic. The plot summary could read as clichéd: alienated brother is forced to reunite with his estranged family and ends up enjoying it. But Lockless Doors is far subtler and more complicated in its examination of relationships. Matthes skillfully reveals insights into the siblings’ relationships with each other, their parents, and significant others gradually, enabling highly interesting and thoughtful character development of all the main characters. Though it spans just one eventful holiday season, Lockless Doors examines life in all its stages, from open-eyed youth to rebellious teens, from mid-life crises to acceptance of death.
In addition to its fascinating story line and characters, Lockless Doors is impeccably well-written. Matthes fills the novel to the brim with clever plays on words and puns that could be overlooked by some readers, but are greatly appreciated by attentive ones. Admittedly, he also fills the novel with a plethora of creative curse words that may offend some neophyte eyes, but the obscenities fit naturally within the world of the Ponces that Matthes has created, and once you get past the first few hundred F-bombs, you hardly notice them. In Lockless Doors, Matthes also takes the time to create intriguing and frequently hilarious supporting characters and events. From the smirking funeral director in his bright pink tie or the super fit and hyper healthy dad in his skin-tight bike shorts, Lockless Doors creates a rollercoaster of emotions for readers, being at one moment laugh-out-loud and in the next a tearjerker.
But what readers will enjoy the most about Lockless Doors is just how fun it is to read. As you explore the world that Matthes had created, it’s both easy and amusing to see your own friends and family in the characters he creates (though hopefully your family is not quite as dysfunctional as that of the Ponce’s). Taken at a first glance, none of the characters seems like anyone you’d want to spend your Christmas with; but by the end, you’re cheering for their success in the New Year. Self-aware and self-deprecating, Lockless Doors weaves a brutally honest and incredibly unique story of a family, in all its ugly and painful moments as well as beautiful and loving ones.
Pages: 169 | ASIN: B073MP2QJ8
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Douglas Wells’, debut novel, The Secrets of all Secrets begins with a mysterious stranger, who issues a fateful quest. The reader follows Zane, a graduate school and seminary drop-out, who receives a USB from the stranger. The USB contains a message that promises the Secret of All Secrets and he is pressed to go find out how far the rabbit hole goes. He soon meets a waitress at a diner, named Dali, who received a similar USB. They initially butt heads, but they soon come together to figure out the mystery. They are dogged at every step by four conflicted government agents, who pursue them to the very end.
Wells combines smart, informed prose with fun, engaging dialogue to create an interesting story that hails the modern quest narrative, but also the old-fashioned road narrative calling to mind Jack Kerouac and others of that generation. There are plenty of moments where Zane calls back to his graduate school education with references to Pascal and Tolstoy, which do become a bit pandering to a point, but soon get lost in the action that ensues.
Zane and Dali are both enthralling characters, where Wells’ skill shines through and even shows up among the government agents who serve as the bulk of antagonism in the novel. The decent character portrayal also smoothes over the often-sparse description and scene setting that would normally keep the reader engaged, but the characters are able to do this on their own. The ideological lines that all the characters have seem to be commentary on our day to day lives, from government drones to Zane’s cynicism.
The setting of Northern Florida was an interesting choice and provides a unique setting rich in regional idiosyncrasies as well as clashing rural and coastal tendencies. Zane and Dali adventures are increasingly crazy and fit in with this setting choice. They venture into an armadillo festival, nudist resort and even find a presumed dead 60’s rocker. All of this combines to be a sort of satire of American politics and greed.
All in all, The Secrets of all Secrets will keep the reader’s attention until the very end with its light-hearted prose and topical social commentary. Wells blends the ironic with wry humor and never misses a point to push the absurdity of his tale a little farther, as if encouraging the reader to do the same.
Pages: 224 | ASIN: B07147R17F
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Remember To Recycle explores a twisted state of dystopian society run rampant with political tension and censorship, as experienced through the eyes of a sordid slew of characters, each crafted to be as unique as they are controversial. Author Tantra Bensko unapologetically invites readers into the thick and gritty atmosphere of this nefarious nation on the brink of war. As seedy government organizations work through mass media to manipulate the opinions of the general public, three oddball outcasts must struggle to uncover their own personal truths, regardless of how dark and uncomfortable that truth may be.
There is an oddity and nuance to the style in which Bensko develops the story, weaving the intricate and disharmonious lives of the ragtag crew together. The characters are so individually strange, perplexing me at times to debate whose personal version of the truth I should put my stock into. What they lack in relatability, they more than make up for in personality. For instance, there is little for me to relate to in a neurotic homeless man suffering from a multiple personality disorder, but nevertheless, I found myself rushing to reach his chapters, drinking in the off-the-cuff humor and casual profanity of his perspective. Each character in the disjointed trio is unique and realized to the point of feeling authentic, boasting a well-rounded checklist of endearing qualities as well as anxieties and vices – certainly enough to make you love or hate them, respectively.
Although the modern literature lover in me appreciates the quirky and informal tone of Bensko’s writing, I do have to admit that I struggled a bit with the sporadic pace. The narrative voices are wildly different between each character, and on occasion, the sudden shift felt so abrupt that it confused me for just a moment. Bensko lovingly lingers in the details of certain interactions for quite some time, while briskly splicing other important moments into the middle of a quick paragraph. The revolving narrative among the trio is certainly a testament to Bensko’s strength in voices, but it didn’t make for the quickest read. Still a charming one though!
I felt a bit sheepish upon realizing that Remember to Recycle is actually the second installment in the Agents of the Nevermind series. Whoops! I suppose that’s always one tell of a good book though – if it can stand alone within a larger collection. Without knowing any of the events from the previous title, readers are still able to quickly grasp the tone and plot of this work, even within the steep setting of an economic fallout. Benkso poured such a generous amount of attention into the thoughts and motives of the characters, which served well to support this work standing on its own.
Overall, this was an undeniably interesting read, although the density of the political theme felt a bit heavy to me at times. I’d recommend it to readers with interests in the dystopian and psychological horror tropes, that also have an appreciation for quirky writing styles.
Pages: 285 | ASIN: B06XY4CF1S
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With Zombie Mage Jonathan Drake has moved beyond the tiered story lines of your basic flesh eating zombies and brings a fresh take to the zombie genre. Zombie Mage is the story of Olligh, who is known as a Walker. He is a zombie that can travel the cosmos and transcend time and space. A group of cultists, called the Dark Cloaks, have trapped the Walkers claiming to be helping them find finial death and peace. They enlist Olligh to help them bring back five Walkers that have gone missing in exchange for his and his wife Laura’s final death together and an end to this life as zombies.
I found it difficult in the beginning to understand what was going on. There was a lot of shifting from one location to another as well as change in time periods. Going from ancient times to modern and then into the future. I was thrown off a bit at first because there is not much context given. But the story really starts to pick up after we are introduced to the characters and the order of the Dark Cloaks. This brings the story into focus and kept me flipping pages. I was fully invested in the story once we discover that Olligh is a mage and the possibility of magical zombies or, zombie mages, existed. This was unique to me and is a novel approach to the zombie genre.
Olligh’s one goal is to reunite with his wife Laura who is also a zombie. She wants nothing more than to be with Olligh as well and makes life difficult for the Dark Cloaks on several occasions in her insistence to be reunited with her love. I felt that this was similar to Romeo and Juliet where they want to be together but circumstances keep them apart. It is sweet that they were so dedicated to one another even in death.
Marvin is probably my favorite of the missing Walkers, all that remains of him is a skull, one disconnected eye, and his brain in a jar. This doesn’t stop him from having a great sense of humor and a love of playing practical jokes. His sarcasm adds much needed comic relief to the novel at a time when Olligh is so serious and focused. The novel does a famtastoc job showing Olligh’s internal emotional struggle. I felt that Olligh’s struggle was an example of humanities constant struggle to find balance a balance between good and bad while fulfilling ones own selfish desires. The love story that develops throughout the book is well developed and adds a another romantic layer to what is otherwise a bleak genre.
Zombie Mage by Jonathan Drake is a fresh twist on the zombie genre. It has all the ingredients of a great story and combines them into a tale that is consistently entertaining. Don’t worry, there isn’t too much gore; Drake often uses humor and sarcasm to accent the gruesome parts of the novel. Overall a fantastic new take on the zombie genre.
Pages: 220 | ASIN: B00A4HQM42
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Take a moment and remember what happened to you in high school. For some people, this was a den of depression, oppression and pain. As teenagers, we’re severely lacking in skill and experience, yet we need to navigate a world that expects us to act like grown ups. Many a poor decision has been made in high school that can go on to affect our lives for decades afterwards. In The Perfect Teresa by Ulises Silva we have an example of just that. Our protagonist is a jaded 43-year old woman working in corporate America. She surely hasn’t had it easy and while not everything can be blamed on her high school experience, what she clings to from that time is definitely ruling her life. Teresa can’t move forward and she’s trapped in this sad, drunken life where happiness eludes her. It’s not until she crashes hard into rock bottom that she is given a chance for a do-over, thanks to a talking coyote.
Our protagonist isn’t all quite there. It’s clear that she’s broken and she’d rather blame everyone else than accept any sort of responsibility for it. This tale is told in the first person and is showcased in such a way that it feels like the reader is Teresa herself. We’re privy to her thoughts, her neurosis and her desperate attempt at avoiding herself. She’s miserable and her life sucks. There is no denying that. Silva does an excellent job with the imagery and how the story jumps around Teresa’s mind. It’s hard to do that and keep the story on track. Silva is clearly talented in this realm.
Even the time skip is well done. It’s hard to shift from present day to the past and keep in mind how things have changed: technology, manner of speech, what is and isn’t popular with teenagers. Silva either did some great research or potentially tapped into their own past in order to recreate what it was like in the late ‘80’s for teenagers. This isn’t easily done, and the book is better for it.
Using deities from various mythologies can be a bit messy, but Silva focuses on what would suit our protagonist. She is of Latin-American descent and the use of Quetzalcoatl and our friendly talking-coyote Piltzintecuhtli, or Pill for short, makes sense. For an Aztec deity, Pill dislikes the use of profanity and seems to have an attachment to Teresa. It is well known that the gods will favour a mortal here and there for their own amusement. Is Pill the same?
Combining a slice-of-life with a timeslip can bring about a unique experience. Instead of the washed-up twenty-something that usually happens in stories like this we have a woman who has really lived her life and come to regret it. The Perfect Teresa by Ulises Silva is a story about self-search, self-love and acceptance. What Teresa accomplishes through her foray through time is a lesson to be learned by all. This is a must read for anyone looking for excitement, adventure and even just that gentle reminder that things will be okay.
Pages: 421 | ASIN: B06XG2GT22
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The Time Slipsters spans science fiction, travelogue, historical fiction and comedy while showing a vibrant world of the future and the past. What is the funnest part about imagining and writing the future?
The fun is in seeing things that are commonly regarded as Sci-Fi beginning to happen. I believe that research on the web reveals what a wonderful world we live in. If you look for articles on medical research, the motor industry and technology in general, it also indicates where the human race is heading.
We are already seeing Nano robots being used for keyhole surgery, drugs being tailored to combat and kill cancer cells, and the early diagnosis of dementia, to name but a few. Plus the whiff of flying cars and free power is in the air!
Imagine a world where the health service does not feel overwhelmed by an aging population, because old people are no longer suffering the ‘ravages of old age’. Why would that be? The answer is: treatment of their various sufferings is being mastered, until death they do part! By the way, I come into the latter category.
Envisage a world where travel is from home to destination, in minutes. No airports, no connecting flights or trains or buses or taxis. No squandering of natural resources, no electricity costs, no power stations needed, no pylons or towering wind vanes blotting the landscape. Much of what I describe has been available for over a century, if it were not for intervention of vested interests.
The characters end up traveling through time, and like many stories, their actions in the past affect the future. What was the most interesting part about writing a time travel story?
Getting into the heads of the characters on both sides of the experience of time travel. Drawing word pictures of the experience and conveying mental images to readers was fun too. It challenges my imagination to run riot. By the way, unlike Professor Hawking I do not believe that the death of an ancestor caused by a time traveler would have any impact whatsoever on his or her descendants.
The threat to Earth is revealed by uncovering the mystery of the aliens who have been living under the auspices of the Sombrella Syndicate. What was the inspiration for the Sombrella Syndicate?
I once worked for a Lloyds of London group of insurance syndicates, so am familiar with the concept. The deserted brickworks near where I live in Spain was an ideal undercover location for an alien base, but not big enough to house it, on the surface. Who better to man it, underground, than dwarfs, who have a reputation for mining and gold!
Time Slipsters is book three in the Dreadnought collective. Where does book 4 take the characters?
Book 4 takes the characters in an entirely new direction that totally engrossed me for a while. I took great interest in the feasibility of psychic involvement in crime detection. This added another dimension to the evolution of the Dreadnought Collective. The various characters in all the books are intertwined in book 5, the Sightseers Agency, which is now run under the auspices of the U.S. government, as is the entire collective. The individual agencies in the collective instantly become more effective as the two genres are mixed.
A group of friends who have drifted apart decide to reunite and take a trip together. It is the near future, and their intention is to travel on the latest type of transport, in order to visit the ancient sites in Turkey.
They want to do this in luxury, and the travel company they selected has done its best to accommodate their desires. They are lost for words when they first cast their eyes on the spectacular, gleaming new vehicle waiting for them. It is in fact alien in technology, and far more of a futuristic craft than a mere ground-hugging coach.
Unwittingly, they are entering a world where time travel is a reality and machines can cater for individuals as well as the masses.
Soon, they embarking on a sightseeing tour like no other they could have imagined, and meeting a time-travelling stranger who takes them under his wing.
More than one person has a hidden agenda, as they realise when reach a highly protected secret location. It contains hybrid creatures on which the Gods of mythology are based.
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