A Monk’s Tail follows a monster hunting fox that must protect his friend from a fiendish warlord. What was your inspiration for the setup to this thrilling novel?
There really was no ‘inspiration’, per se. Writing for me started out (and still is) something I do to center myself after a long or stressful day. I would have a bunch of what-if situations and flesh them out a bit. The characters in the what-if that eventually became A Monk’s Tail really stuck with me, so I rolled with it.
The characters are all anthropomorphic animals that are multilayered characters. What choices went into what character would be which animal?
Basically the decision-making process was, “What animals do I like?” Red Pandas are my favorite so I just went with them for the main character. Although I did want Susi to be more diminutive to showcase her spunky, firecracker personality, so having her be a mouse was a more intentional decision.
I loved the dialogue throughout the story. What were some themes you wanted to capture in their conversations and relationships?
The main theme for my book is “fun”; if you’re entertained, I did my job. So the dialogue is injected with lots of humor that gives each character their own quirks. I also love languages (although I’m not the best at learning them), so I wanted to incorporate different languages and accents to give my world more depth.
What is the next book that you are working on and when will it be available?
I’ve got a few irons in the fire, but the most immediate work is a direct sequel to A Monk’s Tail. It’s a love letter to Japan that introduces a lot of folklore, monsters, and historical figures. Anyone who’s interested in the Sengoku period of Japan, yokai, or the culture in general will enjoy this book, which will be available during the second quarter of 2019.
For Bow, a gun-toting, hard-drinking, foul-mouthed firefox monk, life as a monster-hunter is pretty straightforward. Until, that is, he runs afoul of a power-hungry warlord and gets himself imprisoned. There he helps a young maus named Susi escape, but in doing so unleashed nightmarish forces hellbent on capturing his new ward. Now, with the help of a giant bear alchemist and a violent nun, Bow must stay one step ahead of his perusers and certain death. But Susi is harboring a dark secret, one that could spell doom for them all.
Posted in Interviews
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Future World Rolls follows two FBI agents with psychic abilities as they start recruiting for a mission that will change human history. What was the inspiration behind the setup to this fascinating story?
Research into the 19-year-long career of one individual, a remote seer for the US government. He reported on the existence of ‘buck naked’ green men on the moon and its irregular placement as a protective screen against the solar flares of the sun. By whom? One may well ask.
As always, your characters are unique and fun to read. What is your process like to create such lively characters?
I always loosely base them on real, memorable people like Stan Laurel and the Big Bopper. Disparate? Maybe.
You masterfully imbue your work with music throughout the story. What were some key themes in your choice of music for this book?
Pure relevance to the storyline, plus hefty research into the ways in which these series of songs originated. I used this method to carry on the themes they might have used if they’d stayed on course, like Buddy Holly staying with The Crickets. In some instances, I began writing original tunes as imaginary offshoots. A classic example is the 2190 Overture, which could be sung by the likes of Queen in the same vein as Bohemian Rhapsody.
What is the next book that you are working on and when will it be available?
I am well into the first few chapters of book 3 of the Carousels of Life, Simply Spiffin’, Future Criminologist. It is all in my mind, to keep on track.
It starts in the mid-20th century with two talented FBI Special Agents being tasked with recruiting people to undertake a really unusual mission. In the process, they are themselves abducted to take a leading role in that mission, which is intended to save the human race from alien conquest.
It involves time travel into the future, as they lead their hostile hunters on a merry chase across the centuries. They have the full support of other sympathetic races in their imaginative survival techniques, allowing them to go on the offensive.
The characters within embark on a series of adventures that are truly moving in their significance. Based initially on our own Planet Earth, the story employs reported alien sightings and events.
Future World ROLLS to its very core!
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Arisawe Hampton takes the reader into the fantastical land of Roan. A land with many modern and typical occurrences but a land so not typical! In the opening chapter we meet the somewhat reluctant hero of our tale, the hermit Pyrus. The gods have spoken, however, and he must enter a quest that will save the land of Roan. Along the way we are introduced to many interesting characters, the soldier with magically produced “amnesia”, Hazel the maid, the spoiled Lady, Leo the wolf-dog, and more!
This story is full of adventure, magic, fantasy, and even some romance! The author paints absolutely beautiful scenery with her words. I felt transported to the world of Roan. It is clear that this world is very detailed in her mind. She writes with passion and conviction for her story. Although there were times I wanted the story line to progress more rapidly, I loved how this book flowed. The story archs for these characters were connected very well.
Another part of the writing I enjoyed was the world that is created is part reality and part fantasy. For example, we see characters playing a game of poker, but we also see Pyrus communicating with animals. We see Pyrus the “therapist” and Pyrus the mage who can use spells for all sorts of fantastical things! I loved this juxtaposition of modernity with fantasy.
The word usage and descriptors are fun to read. I was truly transported into this world. She created realistic dialogue for her characters. There were a lot of scenes that I found humorous. Pyrus’s use of the Asher Zin as Hazel’s fiancé was hilarious. It had me thinking of the movie Overboard, where an amnesiac (although not spell induced!) is lead to believe she is married to someone she is not.
I recommend this book to lovers of epic fantasy fiction. The reader will immediately see that they are in good company because Hampton clearly has a passion for fantasy herself. There are moments of levity and moments of intensity that make this story very well-rounded. I’m looking forward to reading more books in this series!
Pages: 327 | ASIN: B07FD743HD
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Charles Bone and Stan Loren are two FBI agents with quite the special set of skills. The least of which is their ability to communicate without vocalizing their thoughts. As two men with psychic abilities, they have been given the job of heading up a recruitment drive unlike any other in history. Charles and Stan, in the early 1970s, manage to pinpoint over 3,000 individuals exhibiting the qualities making them the perfect candidates for the job. Little do the recruits know the mission for which they have been chosen is one that could change the course of human history.
Terry Tumbler’s Future World Rolls (We Are Family) Book 2 in the Carousels of Life series has one of the most unique settings of its genre. Spanning centuries and with locations varying from Winter Park Florida in the 70s to vessels in space including the Voyager 6, Tumbler carries the reader on quite the raucous ride through time and space via Charles and Stan and the plethora of alien life forms peppered throughout this second in a series.
There is a Men in Black feel about the novel that gives the book a light, fun air. Fans of this type of science fiction will appreciate Tumbler’s alien beings, their idiosyncrasies, and the banter between the main characters as they go about the task set before them.
As with Tumbler’s first book in the series, Future World Rolls is laden with song lyrics, references to artists’ best-known works, and well-timed and perfectly-placed excerpts of the world’s best (my own humble opinion) music. Tumbler’s characters are more than capable of standing on their own, but these song references help to add another light note to the text. I thoroughly enjoy the opportunity to hum along to the tunes Tumbler sets as pleasant little earworms from the beginning to the end of the book. I mean who doesn’t love to be reminded of George Harrison’s “Here Comes the Sun” and “All Day and All of the Night” by the Kinks? Tumbler doesn’t just incorporate music from the 1960s. He takes readers on a nostalgic journey through music history, hitting all the right notes–so to speak.
To say Future World Rolls is fast-paced would be a gross understatement. Tumbler keeps the reader engaged from one jam-packed chapter to the next. Billed as a space opera, this book hops, skips, and jumps from one scene to the next introducing new and engaging characters while building on the already well-developed Charles, Stan, and the just-short-of-amazing green giants.
Science fiction fans who enjoy lively plots and bigger-than-life characters will find Tumbler’s works meet all of their expectations and more. Tumbler writes beautifully and manages to pull off humor in the most eloquent of ways possible. Some science fiction books are fraught with terminology and processes that overwhelm the reader. Tumbler combats all of that with his stunning cast of characters and an upbeat tone that is set from the first chapter.
Pages: 314 | ASIN: B07H4QQR8K
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When the newspaperman shows up on the corner, looking every bit the part of a newsboy straight out of the 1930’s, Seth is intrigued. When the news in the papers he offers readers begins to take a turn for the bizarre, the grotesque, and the highly-sensationalized, his feelings are steeped more in disgust. Seth and his friends question, not only the newspaperman’s motives, but those of his employer. Seth’s world turns upside down following a visit from the newspaper’s owner, and he and his wife, Meghan, find themselves facing the offer of a lifetime only to see that their joy is short-lived.
I don’t often say this, but it’s incredibly difficult to refrain from busting out in a string of “awesomes” and “fantastics” to describe my utter fascination with The Newspaperman by Sal Nudo. I will try to contain my glee and use phrasing that is more in line with a standard review and less like a school girl gushing over a crush, but The Newspaperman is freaking awesome, folks!
I am not sure what I expected going into the first paragraph, but I do know that Sal Nudo grabbed me, dipped me in a splendid little mixture of visuals, and sat me down in the most fascinating story line I have come across in a long time. His description of the main character, Seth’s, initial encounter with the newspaperman is simply brilliant. Nudo sets up for readers a scenario that will keep them guessing as to, not only the intentions of the highly suspect character, but to the genre itself. By about the second chapter, I had convinced myself that Seth was the only person able to see the newspaperman and was experiencing some type of vision. Nudo, though, weaves such an intriguing tale of mystery that he is able to shift readers from believing they are settling into one genre while he gently places them safely within the arms of another.
The commentary on current events Nudo makes with The Newspaperman is spot-on. Without taking a politically-charged stance, Nudo gives readers something to chew on regarding the state of the U.S. and the fate of journalism as we know it. Again, I hesitate to use common and overused phrasing–but I absolutely loved Seth’s letter and the fervor with which he attacks the C-U Journal.
The Newspaperman is a quick read. By quick read I mean I was enthralled from the mention of Cedrick, the absurdly out of place yet perfectly fitting newsboy, and couldn’t put the book down. It was a read-in-one-sitting, literally-can’t-put-it-down page turner.
That ending, though! Here’s my appeal to Sal Nudo’s sensibilities. I must have resolution. I absolutely, beyond the shadow of a doubt, have to have closure. To say I am bitter about the way Nudo leaves things would be only a slight exaggeration. However, I am ecstatic at the mere notion of a sequel.
I am, with a ridiculous and overzealous amount of enthusiasm, giving The Newspaperman by Sal Nudo 5 out of 5 stars. There is truly nothing else being written right now that blends genres and makes reading about the current state of affairs in our world interesting while driving home the importance of protecting our journalists and the part they play in keeping us all safe and informed like The Newspaperman. I recommend this outstanding piece by Sal Nudo to fans of all genres–it’s simply a must-read.
Pages: 166 | ASIN: B078RGKZJF
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Su Lin and Andy have everything they want on their farm–solitude, livestock to occupy them, and one another. Most importantly, Su Lin is worlds away from her old life. However, Su Lin and Andy are not as free from Su Lin’s past endeavors as they would like to believe. She is a genius in her own right, and that, in and of itself, may just be the downfall of her family and the entire team. As digital currencies begin to lurk behind the world’s financial curtain, Su Lin rises as one of the most desired faces on the planet as she possesses the unbreakable code that can help turn the world’s currency system upside down.
The Enigma Source, by Charles V. Breakfield and Roxanne E. Burkey, features the dynamic team from Breakfield and Burkey’s long list of Enigma books and is every bit as engaging and brimming with technological advancements as each of the pair’s previous installments in the series. The Enigma Source takes readers on a journey eighty years into the past as events in Poland are related via a set of books discovered by Jacob. Throughout the book, the authors have juxtaposed Jacob’s reading of said books with the events endured by Su Lin, Andy, and the rest of the team as they fight to stop Su Lin’s nemesis, Guano.
I am never disappointed in the strength and depth of the relationships between Breakfield and Burkey’s characters. Su Lin and Andy are the focus of The Enigma Source. Their love is intense, endures each and every test thrown their way, and is to be envied. They are among the most vivid of the authors’ couples–second only to Juan and Julie.
I didn’t want to be, but I was struck by Mathias’s sense of loss over Dutch. Breakfield and Burkey have a way of making the reader see the humanity in their antagonists. A sense of pity and sorrow overwhelmed me as I read of Mathias’s grief and his tragic revelation with regards to his own staggering lack of true friendships.
ICABOD, the ever-present supercomputer, remains one of the most fascinating aspects of the Enigma series. ICABOD is a unique blend of technology and humor. Throughout the book, the team of experts turns to ICABOD for intelligence and briefings and are able to obtain the needed information almost instantly–always amazing. In addition, there exists a friendly banter between the team members and the supercomputer that lends a welcome level of levity to rather serious and many times, dark situations.
ICABOD is only the beginning of the advancements peppering Breakfield and Burkey’s work. I was fascinated by the capsule used to track Su Lin’s movements. As she prepares to fly to China, her ingestion of the tiny encapsulated tracker mesmerized me. As with each of the other Enigma books, the authors’ storylines are rich with technology that will wow readers from the first page.
I am giving The Enigma Source, by Breakfield and Burkey, an enthusiastic 5 out of 5 stars. Rich characters and spellbinding storylines permeate The Enigma Source. Readers looking to take a leap into the depths of the digital age will find everything they want within the covers of Breakfield and Burkey’s The Enigma Source.
Pages: 351 | ASIN: B07GD6S9SP
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Surrender to You follows the passionate relationship of Mellie and Morris as someone goes to dangerous ends to keep them apart. What was the inspiration for the setup to this thrilling novel?
I think that my inspiration came from watching too much Criminal Minds. Everytime I watch that show it gives me some many ideas. I feel like it is something that could actually happen since there are so many people with mental illnesses that go untreated.
Mellie and Morris have a fiery relationship and a deep bond. How did you develop their relationship, did any of it happen organically while writing?
I think that a lot of their relationship came organically while I was writing it. I knew that I wanted them to awkward in the beginning but after awhile they took on a life of their own. I don’t like to plan it out in took much detail. I kind of like to let the chips fall where they may.
There is a fantastic mystery at the heart of this romance book. What were some themes you wanted to capture around the stalkers motivations?
I wanted people to realize that this is something that could happen to anyone. Someone can fixate on you for the strangest reason. Half the time it could be a simple look. Mental illness has so many variations and left untreated can be dangerous to the person themselves, as well as those around them. Unfortunately, so many people go undiagnosed for years. I feel like more help should be available and that isn’t always the case.
What is the next book that you are working on and when will it be available?
The next book that I’m working on will be centralized around Michelle and Damon, titled Addicted to You. I’m hoping to have it out by the end of October.
Mellie: Mellie has been hypnotized by a pair of gorgeous green eyes, attached to a very yummy package for months now. Unfortunately for her, her brain goes on hiatus anytime Morris Jackson is around. Looking like a bobble head whenever he asks her anything isn’t the best way to go about getting a man like him interested. Not like ruggedly handsome men go for quirky, accident prone introverts like her. Plus, even if she did have a snowballs chance in hell with him, him being her brothers SWAT teammate doesn’t bode well for her. A girl can dream though!
Morris: Those blue eyes sucker punched him the minute he looked into them. It felt like the ground had literally gone out from under him. Mellie is everything that he could ever want and everything that he shouldn’t have. Even if he didn’t know that she’s too good for a guy like him, her brother would never be okay with it. He is over protective and proud of it. But at some point you have to say screw the consequences and go after what you know is meant to be yours.
Too bad someone wasn’t happy for them when the found their way to one another. Someone will make sure they don’t stay together by any means necessary. They’ll even kill to get what they want.
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If you ever wanted an inside look into what it’s like to be a police officer in America, then Dark Nights by Robert L. Bryan is exactly what you’re looking for. This book is a collection of short stories that span Bryan’s career in the police and security forces. Twenty years is a long time to spend in such a dynamic field and Bryan shares his experiences with readers. Told in a fashion that makes it easy for those unfamiliar with police work to read, this book is a rare insight into the world of police officers. The way in which he writes shows that officers are human too, no matter what they face.
Reading a genre like crime can be intimidating: there is vocabulary to learn, culture to absorb and processes to understand. This can be a lot for someone who is reading in this genre for the first time. The reason why this book stands out is because it’s a prime example of non-fiction in the genre and it’s reader-friendly. There is no complicated vernacular that the layman would have a hard time understanding. The stories flow nicely and aren’t too jarring when we jump from location to location. The central character, the author himself, has a clearly defined role in each story that he tells. This might not seem like a big deal, but oftentimes autobiographical works, no matter how loose they are, can get away from the author. This is not the case in this collection. It is clear that Bryan’s paid attention to how he wanted to share his experiences with the rest of the world.
There is the right mix of macabre intrigue and humorousness in the stories that are shared. It goes a long way in showing that police officers are human beings like the rest of us. The fact that this is a non-fiction collection might tug at the heartstrings of readers because this means that the people we meet, the things that happen in these stories, all happened to real people. While we might understand that on a fundamental level, it’s another thing to read the accounts of such reality. It helps bridge the divide between a civilian and an officer. Showing the humanity, the slight ridiculousness and the sometimes inappropriate interactions makes the stories come alive and shows how real they are.
Police officers and everything they stand for seem so far removed from the regular civilian. Yes, we appreciate their presence and the work they do to keep our communities safe. But we generally don’t see them as ‘normal’ people like the rest of us. They are special, different, because they hold this position of power and trust. Robert L. Bryan takes his experience working in the force for twenty years and shares bits of it with his readers in Dark Nights. This collection of short stories told from his perspective is a clever way to break down those barriers between ‘us’ and ‘them’. He shows the humanity of officers and gives readers a taste of what they deal with every day. These short stories are fun to read and are worth picking up.
Pages: 345 | ASIN: B0711CB8K2
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Jagdlied is a genre-crossing novel with elements of a satire, drama, and erotica as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I began this project in 1991 with no intention other than to sketch out a salacious five- or six-page short story as a brief diversion from other more ambitious musical projects I was engaged in at the time. It grew into a twenty-page story, at which point I decided to set it aside as a “completed” work, even going so far as to affix an opus number to it in my otherwise (mostly) musical oeuvre. I moved on to other projects. When I returned to the story about eleven years later, I was dissatisfied with what I had written. I felt the characterizations were flat and the use of language too bland and conventional to suit my tastes, so I performed some deeper edits and revisions until the piece transmogrified into a novella of approximately 60 pages. Vaguely satisfied with what I had done, I set the text aside for another eight years or so and when I returned to it I thought it might need a few additional minor edits. Little did I know then that I would be embarking upon the creation of a 230,000-word magnum opus containing 290 graphic scores, an elaborate system by which musicians could extemporize against the text while it’s being narrated, as well as 108 Youtube links to performances of my musical compositions to enrich the piece even more. To answer your question: I never know in advance exactly how a work (whether literary or musical) will turn out. It happens, as you say, organically while it’s being created. I learn more and more about the characters of a novel as the situations and dialogues are interpolated into its structure. My own life experiences inform the transformation of a work’s gestalt to a certain degree. There are many creative people who plan their pieces meticulously in advance of writing anything down. Such an approach has seldom (if ever) been my mode of operation.
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
Thank you. My favorite, perhaps, is one of the more unmitigatedly evil characters in the novel: Chief Justice Dizzy O’Nance. He oversees a kangaroo court in the “Hall of Injustice,” where the questionable protagonist Melody is put on trial without any form of due process. He is a veritable Dr. Crucifer, Judge Holden, and Iago compounded into one.
This book was a collective effort between you, Dolly Gray Landon, and Lon Gaylord Dylan. What was the collaboration process like?
Were we actually three separate entities, the collaboration would have been a much happier one. I think your question tongue-in-cheekly references the anagrams I devised as the two separate pen names I employ for the author and illustrator (I go my own name as the composer). It is difficult to compartmentalize writing text, composing and performing music, drawing graphic scores, and even making original films of one-man performances of this piece. I am now very much in a temper to collaborate with other performers (perhaps a narrator other than yours truly) and a variety of instrumentalists. I enjoy participating as both narrator and pianist simultaneously but I don’t mind engaging (read: luxuriating) in only one of these roles. Pantomimists, dancers, and culinary artists are an extravagance that would require a massive budget. Intimate chamber groups of, say, three or four musicians, are far more practical.
What is the next book that you are working on and when will it be published?
I have another magnum opus that has been on and off the burners for upwards of 24 years. It is entitled Venge Art, and is, in certain respects, even more megalomaniacal than Jagdlied insomuch as the improvisational cues are interpolated within—as opposed to being separated from—the text, as are the conventionally notated scores, some of which require super-virtuosic skill on the part of their executants. I am hoping to return to Venge Art to revise and round it off some more. It is a text piece of approximately 300,000 words and 500 pages of notated music (including a 2-hour long string quartet that was my Harvard dissertation back in 1989). A book on my idiosyncratic harmonic method is also in the works. At this point in time, however, I am more interested in tying up some loose ends: various chamber works awaiting completion, a couple of plays in verse, and numerous other projects. It is, unfortunately, impossible for me to give you a precise timeline.
Jagdlied officially goes on sale August 30th, 2018 and will become available in several printed versions. One should be able to pre-order it by August 15th, if not sooner.
This musically and graphically enriched chamber novel is an over-the-top black and blue comic extravaganza about the conspiratorial undoing of a teenage entitlement princess. The story throbs throughout with an undercurrent of apocalyptic motifs related to the extinction of art, fall of empire, and coming of the Antichrist. It is an epic farce that reads like an erotically supercharged psychological suspense thriller. The narrative takes the reader/audient on a veritable boomerang roller-coaster ride (with multiple inversions) through a reputational strip-and-whiptease of the novel’s malignantly artful (albeit ingenuously doe-eyed) protagonist: a wealthy young heiress and socialite who boasts an exclusive claim to her progenitors’ munificent estate. Her inheritance comprises an immense fortune amassed through shareholder investments in the world’s largest employment recruiter: the multi-national temp agency behemoth known as the Pleasant Peasant Corporation.
The character-driven narrative of Jagdlied explores themes of jilted love, misinterpreted motives, paranoid ideations, bombastic egos, ghoulish envy, smoldering jealousy, unconscionable revenge ploys, extravagant public humiliations, ruthless power games, insatiable greed, pernicious corruption, feigned moral outrage from all sides, and even (Heaven forfend!) coldblooded murder—all the type of stuff pre-calculated to magnetize your run-of-the-thrill-seeking bookworms and bibliophiles.
A rich repository of tongue-in-cheek nonce words, malapropisms, neologisms, archaisms, spoonerisms, slanguage, and whole swaths of unintelligible nonsense, the text of Jagdlied is also replete with irreverently lurid, salacious, and scatologic elements, which serve to set it in motion as a formidable contender for the distinctive cachet of being regarded (by cultivated aesthetes of omnifarious persuasions) as a momentously serious dirty book. It is targeted towards percipient readers and audients in possession of a well-seasoned sick and—dare it be said—cruel batch of funny bones inflected with a gallows-cum-smoking-room bent.
Whilst the plot of this story (grotesquely absurd as it will undoubtedly be esteemed) embraces reflexively cringeworthy sadomasochistic motifs, its author would hesitate to instyle it as porn, yet he would not be wholly disinclined to characterize it as a farcical parody thereof. And whilst at the same time its author is admittedly predisposed to eschew ascribing labels of any kind to this opus (especially seeing as what he has concocted is so rarefied in its formal structure that it cannot be facilely pigeonholed), it may not be altogether off the mark to view it as a form of literary neurotica (if, indeed, there is such a genre) as opposed to the more boilerplate literotica—or what in sex nazi circles is dysphemistically adverted to (in no uncertain squirms) as “filth.”
Whilst the text of Jagdlied may be read in silence as a novel in the traditional sense, it is ultimately written for the purpose of being recited by a skilled elocutionist to the accompaniment of extemporized music by ad hoc variable ensembles in relatively brief, self-contained or—depending on how one looks at it—semi self-contained episodes with the aid of a do-it-yourself improvisation kit provided in its appendix. This “kit” is likenable to a Baroque-style table of ornaments, albeit comprehending specific sets of chance operations for each and every participant involved in renditions of individual fascicles of this work. Aside from entailing a professional narrator and musical extemporizers, the score discretionarily calls for pantomime actors, dancers (hence choreographers), set designers, culinary artists, and even members of the audience itself.
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Dr David Christopher Meenins finds himself haunted. Haunted and disturbed by his past. He needs to reconcile with that past in order to move forward to a new home world. On the journey to self-discovery and a somewhat clean conscience, he is accompanied by mysterious Linda Deemer and the fabulous Lady Drasher among others. These people will all grow closer as the journey progresses. They will help the good Doctor unravels his past and come to terms with it. They will grow to become good friends and their friendship will lead to finding a new home, one that they will all revere.
The relationship between the characters is especially heartwarming. It is a beautiful friendship between inherently different people. All with different patterns of thought but are similar in the quintessence of human nature. The characters are all loveable and relatable to the reader. Their warmth and personalities jump off the pages and wrap the reader in a halo of joy. Lady Drasher is a particularly outstanding character. Her strength and stance are inspiring and mesmerizing. The author has made the female characters into pillars. They are not merely damsels but strong women who rely on their own capabilities.
Stella Atrium executes the plot with lustrous expertise and flair. Her writing flows effortlessly. She effectively captures the attention of the reader and keeps it hostage until the very end. The book is colored with intrigue, adventure, and a splash of humor. Maybe a dollop of romance on the side. The plot is quite original. For a fiction fantasy book, this story is quite enthralling. Weaving in fantasy worlds can be quite tricky and most probably doomed to fail but the author has handled it very well. Her portrayal of the characters in their natural (or unnatural) forms is impressive and masterful. This book is evidence of the vast level of creativity the author holds.
Dr Meenins is a wonderful character. His disposition works to gain the allegiance of the reader. One will find themselves cheering him on as he escapes assassins and works hard at his mission. At the beginning, the reader will have a little trouble staying on track but that situation dissolves quickly. It may also be problematic to keep up with the characters. This does not influence the literary experience. The book still holds charm and just enough mystique to look past that issue.
You will experience a cornucopia of emotions with this book. This is not the book you idle about with by the pool. It is a book you take seriously. A book you read intentionally and with fervor. The author will display exactly how deep her well of vocabulary runs. Either you can enjoy that or let it daunt you. If you choose the former, a scintillating experience is in store. There is nothing like it. Take the trip with Dr Chris.
Pages: 290 | ASIN: B00ICTAIN0
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