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Minority And Female Action Characters
Address follows three sharp, secretive investigators as a campus murder tied to nanotechnology spirals into a geopolitical conspiracy threatening the President’s State of the Union. What was the inspiration for the setup of your story?
My inspiration was a negative inspiration. I noticed the lack of minority and female action characters in the literature who are also intellectuals (I am a Brown Belt in Taekwondo and fancy myself a developing scholar). I also noticed in the literature the marginalizing and trivializing of minority and female voices and achievements. I therefore set out to create larger than life minority and female characters who would in the end, save America.
Henry, Braum, and Camilla have very different voices and temperaments. Which character came to you first, and which was the hardest to write?
Camilla came to me first because I am a young African-American woman, fluent in Spanish and a student of Hispanic culture. Braum was the hardest voice to write simply because I am not a male Navy Seal law professor in his mid to late 30’s.
The novel balances grief, banter, violence, and political danger. How did you approach tone in a story that moves between personal loss and geopolitical stakes?
That is a wonderful question. I didn’t think about it as I was doing it. It seems that the following process happens for a lot of the writing that I have done. I simply put myself in the moment (inside the head of the character, the physical location of the character etc) and then the writing happens. The next time I write finds me in a different moment. The tone is therefore defined by the moment in the book that I happen to be writing about at that time. Once I’m done with Moment A, the next time I write, I will be in Moment B. I have never found myself trying to write in Moments A and B simultaneously.
The book has a very cinematic sense of escalation. Were there particular thriller writers, films, or real-world events that influenced its structure?
The most important real world event that is relevant to the book is the political tension that exists between the US and Russia/China. That tension drives the novel. “A Few Good Men” is one of my favorite movies and I feature it in the book. Other than that, I wrote the book against a mental backdrop of a lifetime of watching the standard action thrillers (e.g., James Bond, The Avengers etc). I wrote the book in the hopes that it will be adapted into a movie.
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Address
In Address, author Sosena Audain starts with the apparently local mystery of Professor Patrick Shelby, a nanotechnology scholar found dead at Clymer University, his organs inexplicably necrosed, and then keeps widening the aperture until the case pulls in campus politics, military backgrounds, false identities, Russian operatives, and finally a threat tied to the President’s State of the Union. The novel moves through alternating first-person voices, especially Henry Chu, Braum Madaki, and Camilla Rivera, so the investigation feels less like a straight procedural than a relay race of temperament, wit, and concealed histories. By the end, what begins as a murder puzzle has become a full-blooded national-security thriller.
This book doesn’t think small. I felt that almost immediately in Henry’s opening chapters, where grief, comedy, and suspicion all jostle in the same paragraph, and again when Braum and Camilla enter with their almost mythic résumés and clipped self-possession. That could have turned pompous, but Audain often saves it by letting personality cut against polish: Henry is impulsive and oddly charming, Camilla is serrated and funny, Braum is so controlled he becomes entertaining by sheer force of restraint. I enjoyed the friction among the trio more than any single clue. Their banter gives the novel voltage, and the first-person rotation keeps the story from settling into one flavor for too long.
I also admired the book’s willingness to be a little extravagant. Address is not shy about melodrama, high competence, or sudden escalations, and I think it works best when it embraces that rather than apologizing for it. The shift from campus homicide to geopolitical plot is audacious. It’s sometimes baroque, but never dull. The prose and characterization sometimes announce themselves so emphatically that subtlety gets elbowed aside. Still, I would rather read a thriller that lunges than one that sleepwalks. This one lunges. It has the logic of a fever dream wrapped around the chassis of a procedural, and that combination kept me reading even when I could feel the gears grinding.
I’d hand this to readers who enjoy political thrillers, espionage thrillers, mystery, and conspiracy fiction, especially people who like their suspense brisk, high-stakes, and unabashedly cinematic. It will likely appeal more to fans of Brad Thor or Vince Flynn than to readers looking for the hush and exactitude of a classic puzzle mystery, though there is a bit of Dan Brown-style momentum in the way one revelation kicks open the next door. Address is a thriller that keeps widening the room until the walls are basically the nation.
Pages: 179 | ASIN: B0H19QG12P
