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Love and Tolerance
In The Artifact, a young man acquires a technologically advanced artifact that allows him to glimpse the future and finds himself fighting to keep it out of the hands of forces seeking to control the world. What was the inspiration for the setup of your story?
The story was born when it occurred to me how two ideas I’ve long been fascinated with–the artifact that foretells the future, and the disrespect shown to the dead and Egyptian heritage by Westerners raiding the Pyramids–could be related. What if an artifact that had never been publicized offered its possessor powers of prophecy? I knew the main character should be a young adult because people in that age range are interested in the future in such a unique way–first realizing how so many possibilities exist, and how choices affect their futures, but in ways that can be difficult to predict.
What was your favorite character to write for and why?
The main character, Linc, was the most fun to write–and the most challenging because he is not like me–my mother was not an attorney, my father was not killed in Afghanistan (and was not a soldier), and I never wanted to be an architect. So I had to let Linc teach me what it was like to live that life–and I had to remember what, in general, it was like to be 17 years old. But the adventure Linc lives–and the challenges he survives–these were the thrill of a lifetime, for him and for me and, I hope, for the reader.
What were some themes that were important for you to explore in this book?
In addition to themes of wondering about the future and having respect for other cultures, the need to respect other people and the differences we encounter every day was paramount. So as a young person with friends who are just figuring out who they are and coming to terms with questions of gender roles and orientation, Linc knows an attitude of tolerance is essential. When he asks his mother why she married a soldier even though she hates war, she tells him things are not always simple: “You love who you love.” Love and tolerance are easy virtues to lose, but we must have them to survive.
Another theme was how history creates the present. From the turbulence of the Watergate years in the US and the realities of Project MKUltra Delta to the terror of September 11, 2001, Linc learns the history that made the world he has to live in. Everything in the present has roots in the past.
Can readers look forward to seeing more work from you soon?
Yes! My new novel, The Delphi, has just hit the shelves (both real and virtual ones). It’s about politics, money, mythology, the need for safe elections, and–you guessed it–history! How did we get to wherever this strange place called the present is? Who is this Cleo person who has so much mystery and power surrounding her? It all started a long time ago . . .
Author Links: Bluesky | Facebook | The Artifact | Website | Amazon
fiction story set in the mostly real world of Louisville, Kentucky, and
surrounding areas. Seventeen-year-old Linc is a fan of old movies,
Egyptology, and pyramids. Raised by a single mom who works as an
environmental lawyer, he spends a lot of time watching old movies with
his very close friends Lonnie and Julie. Linc is unwittingly drafted to take
possession of a mysterious artifact, a high-tech electronic device
with connections to ancient Egypt. The artifact allows the possessor
to have visions of the future, but, Linc and his friends soon discover, at a
high cost.
The main character, Linc, and his friends are young people dealing with
issues that speak to readers of diverse ages and backgrounds. Books
with similarities include Jennifer Egan’s The Keep, Jodi Picoult’s
Where There’s Smoke, Harry Potter and the Sorceror’s Stone, Mindwalker
by A. J. Steiger, and Stephen King’s Later.
David Rogers was a reader before he became a writer, so he
learned to appreciate Elmore Leonard’s rule to leave out the parts
readers skip anyway. The Artifact is all story, all the time, and is
intended to accomplish two tasks above all else–allow the reader to
identify with the characters, and keep the reader curious about what
happens next.
Scorn as a Shield
Wings of Death follows an embittered woman who, after being gifted a scarab beetle broach, is inflicted with the curse of the pharaoh and must find a cure. What was the inspiration for the setup of your story?
I’ve always loved mythology and ancient legends.
It was in my teens I first read of Howard Carter’s expedition in 1923 to find King Tutankhamun’s tomb. Funded by Lord Carnarvon, many of the artifacts found are on display at the present Earl’s home, which many people will know as the magnificent house used in Downton Abbey.
I was fascinated by the events that followed. Many of the people in the expedition took ill and died after either entering the tombs or handling the artifacts. This caused many people to jump to the conclusion that King Tutankhamun’s tomb was cursed.
However, this wasn’t a new idea. Many ghost stories about a mummy’s curse had been written as far back as the 17th Century.
This was the inspiration for my story.
I enjoyed the depth of the main character, Cassandra Bain. What was your process to bring that character to life?
Cassandra Bain was the most challenging character I’ve written. My idea was for Leigh to give her the scarab to replace her heart, the same as the Ancient Egyptians did when mummifying a body. The story revolved around her heartlessness and her disdain for everyone. She had to be heartless, otherwise, the main theme of the story didn’t work. However, she actually used her scorn as a shield. Her character is complex. Self-assured and disdainful to the world but, in private, crumbling inside. Her miscarriages and her failing marriage had destroyed her more than she was willing to admit.
What kind of research did you do for this novel to ensure you captured the essence of the story’s theme?
This book involved quite a lot of varied research, firstly on Howard Carter’s expedition in 1923 to find King Tutankhamun’s tomb.
Also on various poisons, bacteria, and mold.
Scarab beetles held as much importance in Egyptian religion as the cross is in Christianity. Researching this subject was vital. It was believed the scarab was born spontaneously and so became the representation of the sun. At death, when a body was mummified, the internal organs had to be removed. They were stored separately in jars, as the heart, in particular, had to be weighed by Osiris, the verdict recorded by Thoth on the Day of Judgement. In place of the heart in the mummified body, they placed a scarab.
The scarab Leigh gives Cassandra was supposed to come from the tomb of Imhotep, who was a great doctor and magician and revered as the god of healing. In the 3rd Dynasty, Imhotep was a sage to King Djoser, and a god of healing in his own lifetime. Educated by the Sumerians, he was a man of great medical knowledge and was thought to be a great magician.
Cassandra is a fashion designer, and I enjoyed researching the fashions of the 1950s. I also bring music and other factors such as movies, books, and flowers into my stories.
Wings of Death travels from Melbourne, Australia to London, Paris, Rome, and Cairo. Research had to be done about those cities in the 1950s.
What is the next book that you are working on and when will it be available?
My next book to be released on 10th September 2023 is another cosy ghost story. In fact, although the story has two ghosts in it, it isn’t scary. One ghost is a main character. It’s more of a mystery and a second-chance love story. It’s set in Australia, in Queensland, in the outback town of Charters Towers. Its title is The Cook, the Ghost, and Her Sister.
Following this, my first three books in The Thornton Mysteries are being re-released this year, all with new covers. Books four and five will follow early next year.
I have started research for another thriller, following Wings of Death. It will hopefully be ready for release in the latter half of 2024.
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Then Leigh introduces her to Peter Trembath, a professor of Egyptology, who tells her about a pharaoh’s curse. Cassandra wonders if her scarab beetle is cursed, given that it was found in the tomb of Imhotep, a revered doctor and magician, who became known as the god of healing.
Soon afterward, Cassandra reads a headline in a London newspaper announcing the death of an Egyptologist, claiming that the curse of the pharaohs has struck again. From this moment forward, Cassandra is led through a maze of betrayal and murder.
LITERARY TITAN 