Posted by Literary Titan
Einstein’s Fiddle begins with a man abandoning his child on a doorstep of a stranger’s home; the rest of the novel seeks to reveal and understand this man. What was the inspiration for the setup to this emotional novel?
Like my first novel (A History of the World), Einstein’s Fiddle began as a short story. The story form was abandoned quickly – perforce, as soon as Davy abandoned Mitchell. The inspiration for the setup was a simple disturbing question that presented itself: What if someone – no, not just someone – a dad – left his baby boy on a doorstep? The image that first came to mind was of the proverbial unwed mother from earlier decades in this country – desperate, ashamed, alone, afraid, and apparently out of options. The obvious second question followed hard upon the first: why would any person – at least any loving father – do such a thing? And these were questions that led quickly to others – questions of personality, motivation and experience – and my poor powers certainly could not answer them, or sufficiently illuminate the depths of such a father (Davy Calhoun), in a short story.
Davy Calhoun is a multilayered character that is deftly developed. What were the driving ideals behind the characters development throughout the story?
The relationship between fathers and sons has been at the heart of my writing from the beginning. It was there in my early stories and my first novel, and it is at the center of Einstein’s Fiddle. The desire for his (or her) father’s love, approval, guidance and acceptance is deep in every child’s heart from the first breath. It is a ‘natural’ yearning and part of each one of us because God put it there. I wanted Davy Calhoun to be a character with whom we all (if we are honest about it) share common ground; and of course – like each of us – he has his own story, his own unique experience and narrative, which I hope makes the book singular and engaging. There are a number of fathers in the novel, all of them flawed and fallen in his own ways – and one particularly outstanding in his degree of fallenness; but my ‘ideal’ father in Davy’s story is the dad in Jesus’ story about The Prodigal Son, a parable which one of the characters in the book’s third section relates to Davy. Perhaps the one ‘driving ideal’ behind Davy’s development is best summed up by something a friend of mine has said more than once: “Love is the most powerful force in the universe – just largely untried.”
It’s hard to not get emotional when reading Einstein’s Fiddle. Did you pull anything from real life or personal experience to use in this novel?
I spent time in all the places where the narrative unfolds – Charlottesville, Washington, D.C., Chicago and San Francisco – and I used a lot of my experiences of those places (and the places within those places) in the book. As I imagine any author does, I created whole characters with pieces of people I know or have known. Whenever it worked well in the narrative, I used – call it stole, if you like – real-life stories that friends have shared with me over the years. In the last section, when Davy is in San Francisco, there is a scene near Pier 39, which completely replicates something that happened to a good friend of mine in New Jersey. It was a wonderful gift to me, and I gave it joyfully to everyone who reads Einstein’s Fiddle.
What is the next book that you are working on and when will it be available?
The working title is Thomas, but that could change in an instant. I expect it to be much shorter than Fiddle…but that could change too. I don’t want to say much about it right now, except that it is about a life-changing relationship between a white doctor in Charleston, South Carolina, and the black man he hires to build a stable for his horses. You can safely bet that there will be fathers and sons in this book too…. I hope it will be available in a year or so. I’ve begun to work on it in my head, but I have yet to write the first word.
What kind of man leaves the infant son he loves on a doorstep in a strange town and drives away? With its present set in the summer of 1985 and its past reaching from 1950 to 1974, Einstein’s Fiddle is a dramatic examination of Davy Calhoun’s journey from home to the far country and back. The language and landscape of the novel vary between the existential and familial, tragic and comic, as the non-linear narrative – by turns realistic, lyrical, magical – focuses fearlessly on Davy’s fall, dishonor and redemption.
Posted in Interviews
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