For the Devil Has Come with Great Wrath provides a glimpse of the havoc the Devil can wreak when he comes for the End of Days and in search of a young Office Manager. What served as your inspiration while you were writing this novel?
The very first inspiration was a sort of vision, about 10 years ago. I saw a woman standing in a room surrounded by old wood and stones. She was close to a canopy bed and she was carrying a big, heavy, woolen blanket towards a window. I felt her sorrow, she was sad about somebody, she tremendously missed a person. Ten years after I was sitting in my beautiful sunroom in Northern BC, sipping tea and staring at the dark woods outside, the trees turning red, brown and orange, the crab apples filling the air with their sweet smell. I stared for maybe 5 minutes, after which I felt an extreme urge to write. I took my laptop and hastily started recording the events that would lead to “For the Devil Has Come with Great Wrath”. I started writing in September. I had the entire story in my head, but I was busy with my daily activities, so I decided to set up a plan: I had to write at least 3,000 words a day, making up for those days in which I did not have time to write. That year the winter was particularly harsh, I felt I was held captive, and writing was the only escape from the daily -30°C, from the roads covered in ice and snow, from the long hours of darkness. I wrote almost every day, not having to think once about how the story would evolve: the adventures just flew out of me, in a sort of “channeling”. In February my first book was finished, but 6 more were already brewing in my head, including the sequels of this first book. It was only at that point that I decided to walk the next mile, and treat it as a professional work. I contacted the BC Editors Association and was smitten by their reactions to my little story. After contacting the BC Editors Association, I decided to go on a solo trip through British Columbia, Washington, Idaho, Montana and Alberta. Every evening I would check my emails and find those of authorities in the field that loved my work and were looking forward to read the entire story. This incredible experience spurred me to publish the novel.
My upbringing also definitely influenced my story-telling. Both my parents are attached to traditions, religion, legends and magic. My mother made sure that I would not forget about my roots, the Valley, the village “on top of the lake” (Summus Lacus), our religion. My father enhanced everything with magic and mystery.
This book is a genre-crossing novel with elements of fantasy, christian, and supernatural as well. Did you start writing with this in mind, or did this happen organically as you were writing?
The story was absolutely not planned. I just decided to start writing it without even knowing how it would evolve. I did not prepare an outline, I did not fill my walls with sticky notes, I did not have pages and pages of comments. I do have a little notebook, containing information regarding, for example, how old the characters are, if they are allergic to something, when their birthdays are, when they met each other. Nothing about the story itself. It was as if I was writing events that really happened, and the intention was just to make sure those occurrences could be remembered by future generations. My editor, Janet Southcott from Viridian Earth Contract, called my novel a “New Age fantasy”.
Your book has some fantastical creatures, but what I enjoyed was how your characters worked in harmony with one another. What were some themes you wanted to capture while creating your characters?
I didn’t necessarily plan to capture any theme related to collaboration and compassion, so it definitely happened naturally. I do like the idea of different beings cooperating and developing these strong emotions and this genuine attachment for one another. In the beginning, the characters happen to come together for a higher cause; they are sort of forced to cooperate. In fact, we sometimes read that Emma doesn’t really appreciate the sternness of Ella, but, like a daughter-mother relationship, she respects the opinions and directions of a more experienced female. If we consider the novel from this point of view, it seems that the characters always approach a new “companion” with reservation, doubts and distrust. Of course, this is also caused by the events happening in the Valley, but don’t we often all react like this during our first meeting with somebody? It’s only after a few shared experiences that we manage to open up to the person in front of us. This is exactly what happens to Emma, Ella, Abela, and all the characters in the book. It is more obvious for Emma, because she is the one recollecting the events, we don’t really know what the other characters think of her, their first impression on her, but we can figure it out by reading about their behaviours and interactions with Emma through her own words. At the same time we can see how the characters evolve within their experiences: their core is the same, but their values change. There are no emotional barriers anymore; there is no time for counterproductive drama. The transition to peasant life also intensifies these values, all of a sudden the reader realizes that without technology and commodities, the characters have to communicate more, they have to cooperate and develop skills they weren’t even aware they had. Also, it is clear that by being the fellowship so diverse, each of the characters bring a different set of assets, which is shared between the members, increasing their knowledge and understanding.
This is book one in a trilogy. Where will book three pick up and when will it be available?
Book #2 and #3 are already in the process of being created, I just need the time to sit down and write them both. Book #2 will start with the main characters leaving the witch’s house and migrating to a more secure place: the gnomes’ kingdom beyond the mountains. The rest of the novel will bring more adventures and many unexpected twists. The common threads will still be the millennial fight between good and evil, love, friendship, occult, strength and hope with the Apocalypse permeating and hanging over everything like Damocles’ sword. Book #3 will incorporate also the final countdown until the last battle between good and evil, the one that will decide on the faith of humanity and Earth.
When the Devil puts his price tag on your head, you know you have to call upon some very special friends to help you stay alive. Welcome to the world of Emma. Thrown from relative obscurity into a time of being hunted, our young protagonist must transition from modern day to peasant life with difficult choices and a need to adapt. Life on the run takes trust and belief in the power of others, on a vastly changing stage. Emma Plant’s first novel throws the reader into a place where reality is no longer three dimensional. Descriptions of fairies, witches, gnomes and demons paint a picture for anyone who may wish a glimpse beyond the veil. Her characters live in the reader’s imagination beyond the final page, with the promise of a sequel, and potential trilogy in the offing. This new-age fantasy story will appeal to young adults through to senior years and is a page-turner from start to finish.
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Man on Ice follows Rake Ozenna of the elite Eskimo Scouts as he struggles to protect his family on the brink of World War 3. What was the inspiration for the setup to this thrilling novel?
When I visited Little Diomede island in the Bering Strait in Alaska I was amazed at how close it was to Russia. Every morning, we stepped out and saw the Russian island of Big Diomede barely two miles away and occasionally a Russian military helicopter circling to land at the small base out of sight on the other side. It was time when US-Russian relations were taking a big dip. Many thrillers are written about Russia in Europe, but rarely on this real, live border where American and Russian territory meet. It is an incredible place because there are no border lines, no customs sheds, no marker buoys in the sea water or on the ice in winter – just wind, skies, birds, and emptiness. I just had to set a thriller there. The Russian island is run by the military. The American island is an Eskimo village with no government protection. What would there be to stop the Russians from just taking it? Why would they want to? What would be the reaction in Washington?
This book was able to take a rare look at the Eskimo people and culture. Why did you want to include them in this story and what aspects were important for you to portray?
The Bering Strait setting of Little and Big Diomede islands is native land. Before the Cold War Eskimos travelled back and forth between the islands barely recognizing Russia and America as two separate nations. The border was open to them. When it was suddenly closed during Cold War hostilities, families were separated, and still are today. The American Eskimo villagers of Little Diomede are some of the most rugged and determined people I have met. By God, are they isolated! Their environment is totally unforgiving. But they love it and have lived the land, sea and ice for generations. To make credible the stakes of a Russian incursion onto Little Diomede, I had to show this village as it really was, portraying the challenges of environment and community as well as the ingenuity the villagers use with the terrain, weather and local knowledge to win. At the end of the day, even if you’re the president of Russia or the United States, you do not mess with the Eskimos of Little Diomede.
Rake is an intriguing character that continued to develop as the story progressed. What did you model his character on and how did he change as you were writing the story?
Rake Ozenna is a blend of real life people whom I have met throughout my career as a journalist. Rake’s motivation compares to any character determined to make the best of his life and give himself a wider world than his small, isolated island community. He enrolls in the Alaska National Guard, taking every opportunity he can, eventually breaking the ceiling, making officer and captain. He serves in Iraq and Afghanistan where he meets Carrie Walker, a trauma surgeon, Brooklyn, white, middle class, professional. They both have a wild, independent streak, but their backgrounds couldn’t be more different. Rake adores Carrie and can’t believe his luck. As the action gathers pace, and Rake finds himself more and more alone and hunted down on the island, then on the ice, we see his characteristics of ruthless leadership develop. He needs to win, but is never sure if his skills and natural ability to carry them out are compatible with loving Carrie and whether the two of them could ever make the kids, nice house and white picket fence thing ever work. Interviewing many heroes over the years, I have found there are always two strands of motivation. One is the bigger cause of the country and the mission. The other is the lover, the child, the home community. Sometimes they run in parallel. Often, they clash.
What is the next book that you are working on and when will it be available?
I deliver the second Rake Ozenna political thriller at the end of May 2019 for publication later in the year. Many of the same characters, Rake, Carrie and Stephanie Lucas will be there and the location will be a wild, inhospitable place in the European Arctic.
An incident in the snows of Alaska could trigger the outbreak of World War III in this tense and twisting thriller.
When Rake Ozenna of the elite Eskimo Scouts brings his fiancée, trauma surgeon Carrie Walker, to his remote home island in the Bering Strait, they are faced immediately with a medical crisis. Then Russian helicopters swarm in.
America is on the eve of an acrimonious presidential transition and inauguration. As news breaks of a possible Russian invasion, Stephanie Lucas, British ambassador to Washington DC, is hosting a dinner for the president-elect.
Ozenna’s small Alaskan island community is suddenly caught in the crosshairs of sabre-rattling big powers. The only way to save his people is to undertake a perilous mission across the ice. Can he survive long enough to prevent a new world war breaking out?
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William Bowie a slave and skilled carpenter along with his family were freed by the will of Roderick McGregor of Prince George County Maryland in the year 1858. Fifty- Five years later in 1913, his grandson William Augus Bowie and John Whitelaw Lewis co-founded the Industrial Savings Bank in Washington DC and together they would make important and lasting contributions to the African-American community of Washington. Thomas and John Vreeland Jackson were manumitted by Richard Vreeland in 1828 in Bergen County NJ. Oystermen by trade they would go on to become two of the first black property owners in Bergen County and conductors of the Underground Railroad who helped thousands of slaves to escape to freedom. In 1823, Joseph VanArsdale was freed by the will of Abraham VanArsdalen in Somerset County, New Jersey. Joseph would become one of the earliest black property owners in Princeton, New Jersey. This is their story in Slavery and Freedom.
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I Spy with My Little Eye analyses and discusses our changing behaviours as a society. Why was this an important book for you to write?
This book was important for me to write for three different reasons. First, on a personal level, researching and writing this book has helped me think through a number of concerns that have been in the back of my mind for a while about the direction in which our society is heading. As a result of this process, I’m more convinced than ever that I, as a parent, need to make active choices that go against some of today’s societal trends if I’m to provide my children with a sensible worldview and a solid starting point in life.
Second, I find it worrying that there isn’t greater debate about the values and norms underpinning our society. I think we need to acknowledge and perhaps rethink many of our behaviours if we wish to solve some of the symptoms of ill-health that are plaguing our societies, such as stress and anxiety, financial indebtedness and shallow aspirations. It’s difficult to change course if we don’t know where we’re heading. Acknowledging the problems is therefore a good start. I raise a lot of issues for discussion in this book and it’s my hope that it will be used for spurring debates in schools, book clubs and other places.
Finally, as I see it, questions around morality have too often been outsourced to, and monopolized by, organized religion. What I want to show by using the seven deadly sins and seven heavenly virtues is that being religious is not a precondition for being concerned about, and engaging in discussions around, morality.
This book uses a combination of statistics, quotes and recent topics to illustrate various points. I thought the research was outstanding. What was one thing that surprised you while you were researching this book?
On the whole, the data I used in the various chapters supported the hunches I already had about the issues I raise. In that sense I wasn’t particularly surprised by what the data showed. That said, I was still horrified to have my suspicions confirmed, especially when it came to statistics concerning children, such as the large amount of time they, on average, spend in front of screens, and the little time they spend outdoors.
This book looks at some of the problems affecting Britain s society today. Is there a problem that is unique to Britain? What is a problem that is shares with the world?
Although I’m drawing on material mainly from the British context, the issues I’m discussing are applicable to many more countries than the UK. I would argue that much of what I write about are trends found across the Western world. For example, in the first chapter titled Pride I discuss how today’s ‘celebritisation’ – the increased celebration of celebrities – affects the aspirations of young people towards careers that come with fame and glamour. This trend is far from unique to Britain. Seeing, for example, that the reality TV series Keeping Up with the Kardashians is apparently aired in 167 countries, I would say this issue is rather widespread.
Also, the role of the West as a predominant exporter of popular culture and information means that the norms and values we experience today in Britain may well be the norms and values experienced across the developing world in the years to come, if they aren’t already.
I think it would be a worth-while exercise to organize cross-cultural debates around the issues I raise in this book. For example, it would be interesting to set up panel debates at universities for students from different countries to discuss commonalities and differences in how they perceive values and norms playing out in their respective societies.
I understand that you currently live in London, but you’ve also lived in various other countries. How has this affected you as a citizen?
I was born and raised in the Northern Swedish countryside and I have moved many times as an adult, both within countries and across countries and continents. For over a decade now I’ve called England my home; starting off in London, moving out to the Essex commuter belt, and more recently setting up shop in rural Devon.
These moves have naturally altered the mirrors in which I see myself in relation to other people and cultures. Each time these contextual mirrors have changed I have had to step out of autopilot mode and take stock. In that sense, I think the many moves have made me wiser and more understanding as a person. They have also added a comparative perspective to my societal observations. For example, I think I have a better grasp of American politics because I’ve lived in both Montana and Washington D.C. And, I think I understand European geopolitics better because I’ve called Sweden, France, Spain and the UK my home.
On the other hand, I would probably have exercised a louder societal and political voice if I had stayed in my home country. Being an immigrant comes with a natural wish to blend in, and to be accepted. Especially after Brexit, I have sadly found myself adding things like ‘my husband is British’ or ‘I’ve been in England for many years’ when I meet new people simply to justify my existence in this country. I must also admit that I’ve had a fear when writing this book that people will think ‘who are you to come here and judge us?’ I sincerely hope the book won’t evoke such feelings.
What is the next book that you are writing and when will it be available?
In my next book I highlight the Western world’s evaporated trust in politics, business, and international institutions and argue that we need to tackle this lack of trust through greater focus on integrity and honesty in public life. I shed light on a number of the mechanisms believed to induce integrity through interesting (and hopefully amusing) cases from around the world, including whether Donald Trump’s fibbing can be stopped by naming and shaming, and if FIFA’s culture of corruption is finally an issue of the past. My intention with the book is to re-package academic research into an approachable format and let interesting cases bring the theories to life.
The book is only in its research phase so it won’t be ready for publishing for quite a while still.
Which direction is our society heading in? Does it provide a good enough nurturing ground for the next generation to flourish? Is it time we took a good look at our values and behaviour and changed course? Dr Linnea Mills offers a frank discussion about the prevailing norms and values in today’s Britain, interpreted through the seven deadly sins and seven heavenly virtues. She tackles head-on topics as diverse as celebrity culture, work-life balance, immigration politics and economic divisions. This is a book for anyone with a keen interest in society, philosophy and politics. Get inspired and join the debate.
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LT: The Voynich Gambit follows Special Police Officer Blalock as he is put to the test when D.C.’s most infamous artifact dealers set their sights on a mysterious treasure. What was your inspiration for this novel and how did it develop as you wrote?
Quintin Peterson: The Folger Shakespeare Library was the inspiration for The Voynich Gambit, like its prequel, Guarding Shakespeare. I worked there as a special police officer with its Department of Safety and Security following my retirement from the Metropolitan Police Department of Washington, DC on April 23, 2010. (http://tinyurl.com/jppths4)
LT: The novel is set in modern day D.C., where you describe polished skyscrapers, historic landmarks, and endless traffic. Why did you choose this as the setting for you book?
Quintin Peterson: I wanted to write a noir mystery thriller using the Folger Shakespeare Library as the backdrop. The Folger Library is located in my hometown, Washington, DC. (http://www.folger.edu/)
LT: Lieutenant Norman Blalock works at the Folger Shakespeare Library as a security guard protecting its treasures for over two decades. What themes did you want to capture as you developed Norman’s character throughout the novel?
Quintin Peterson: I just wanted to write an entertaining and enlightening good old fashioned heist story. I had the same goal for the first in the Norman Blalock Mystery Series, Guarding Shakespeare, and I have the same goal for the third installment, The Shakespeare Redemption.
LT: What is the next book that you are working on and when will it be available?
Quintin Peterson: Right now I am working on the second installment of my Private Eye Luther Kane Series, The Last Goodbye. Afterward, I will working on The Shakespeare Redemption. Like all of my books, The Last Goodbye will be available at Amazon, Barnes & Noble, Books-A-Million, Indie Bound, et al.
Special Police Officer Lt. Norman Blalock, who has been guarding the treasures of the Folger Shakespeare Library for 25 years, has been coerced into a plot to heist from the Folger Museum “the most mysterious book in the world,” the Voynich Manuscript, on loan from Yale University. Under threat of suffering the consequences of their involvement in the botched plot to heist another priceless artifact from the Folger underground bank vault several months earlier, Blalock and his partner-in-crime Kavitha Netram are once again under the thumb of nefarious businessman Rupert Whyte, and have no choice but to play along.
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Einstein’s Fiddle begins with a man abandoning his child on a doorstep of a stranger’s home; the rest of the novel seeks to reveal and understand this man. What was the inspiration for the setup to this emotional novel?
Like my first novel (A History of the World), Einstein’s Fiddle began as a short story. The story form was abandoned quickly – perforce, as soon as Davy abandoned Mitchell. The inspiration for the setup was a simple disturbing question that presented itself: What if someone – no, not just someone – a dad – left his baby boy on a doorstep? The image that first came to mind was of the proverbial unwed mother from earlier decades in this country – desperate, ashamed, alone, afraid, and apparently out of options. The obvious second question followed hard upon the first: why would any person – at least any loving father – do such a thing? And these were questions that led quickly to others – questions of personality, motivation and experience – and my poor powers certainly could not answer them, or sufficiently illuminate the depths of such a father (Davy Calhoun), in a short story.
Davy Calhoun is a multilayered character that is deftly developed. What were the driving ideals behind the characters development throughout the story?
The relationship between fathers and sons has been at the heart of my writing from the beginning. It was there in my early stories and my first novel, and it is at the center of Einstein’s Fiddle. The desire for his (or her) father’s love, approval, guidance and acceptance is deep in every child’s heart from the first breath. It is a ‘natural’ yearning and part of each one of us because God put it there. I wanted Davy Calhoun to be a character with whom we all (if we are honest about it) share common ground; and of course – like each of us – he has his own story, his own unique experience and narrative, which I hope makes the book singular and engaging. There are a number of fathers in the novel, all of them flawed and fallen in his own ways – and one particularly outstanding in his degree of fallenness; but my ‘ideal’ father in Davy’s story is the dad in Jesus’ story about The Prodigal Son, a parable which one of the characters in the book’s third section relates to Davy. Perhaps the one ‘driving ideal’ behind Davy’s development is best summed up by something a friend of mine has said more than once: “Love is the most powerful force in the universe – just largely untried.”
It’s hard to not get emotional when reading Einstein’s Fiddle. Did you pull anything from real life or personal experience to use in this novel?
I spent time in all the places where the narrative unfolds – Charlottesville, Washington, D.C., Chicago and San Francisco – and I used a lot of my experiences of those places (and the places within those places) in the book. As I imagine any author does, I created whole characters with pieces of people I know or have known. Whenever it worked well in the narrative, I used – call it stole, if you like – real-life stories that friends have shared with me over the years. In the last section, when Davy is in San Francisco, there is a scene near Pier 39, which completely replicates something that happened to a good friend of mine in New Jersey. It was a wonderful gift to me, and I gave it joyfully to everyone who reads Einstein’s Fiddle.
What is the next book that you are working on and when will it be available?
The working title is Thomas, but that could change in an instant. I expect it to be much shorter than Fiddle…but that could change too. I don’t want to say much about it right now, except that it is about a life-changing relationship between a white doctor in Charleston, South Carolina, and the black man he hires to build a stable for his horses. You can safely bet that there will be fathers and sons in this book too…. I hope it will be available in a year or so. I’ve begun to work on it in my head, but I have yet to write the first word.
What kind of man leaves the infant son he loves on a doorstep in a strange town and drives away? With its present set in the summer of 1985 and its past reaching from 1950 to 1974, Einstein’s Fiddle is a dramatic examination of Davy Calhoun’s journey from home to the far country and back. The language and landscape of the novel vary between the existential and familial, tragic and comic, as the non-linear narrative – by turns realistic, lyrical, magical – focuses fearlessly on Davy’s fall, dishonor and redemption.
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The term “Paralian” comes from ancient Greek origins, and it has taken on the meaning of “people who live by the sea”. There could be no more apt title for Liam Klenk’s autobiography. In Paralian: Not Just Transgender, He recounts the sweeping and nomadic movements of his life via the lens of the rivers, lakes, and oceans by which he periodically makes a home. Water is the element of change and transition. It is also the element at the heart of so many human-nature entanglements; the resource that has always defined and guided the movements of our species. Fittingly for a tale of bodies, travels, transitions, and wandering, Klenk uses bodies of water to parse the sections of his life like chapters in a narrative.
The voice and experience of Liam Klenk is tender, vulnerable, and honest. It comes to the reader unassumingly and asks only for a patient ear. As the title would suggest, Paralian: Not Just Transgender tells a tale far wider in scope than Liam’s courageous journey through gender confirmation. If anything, the story is about the contexts that occur before, during, and afterwards. It tells the story of a human being finding his place in this world. It opens near the River Enz in Germany, with a young girl named Stefanie and illustrates how a complex and tumultuous family origin, vexes and feeds her inherent confusion over identity. At the end, the reader closes on a confident, middle-aged man named Liam who views the world through hopeful, optimistic eyes from an airplane above Hong Kong. In the intervening pages a transition obviously happens but—to the author’s point—so does a full life. As Stefanie becomes Liam, the reader is taken abroad from Germany to Seattle, from Zurich to Italy to Macao, and all points in between. What makes Klenk’s tale so necessary is that we get a story about a transgendered individual that articulates that while a singular aspect of his life was important, it by no means is the sole determinant of identity.
Regarding execution and readability, there are some pieces that could give readers trouble. As with many ESL authors, minor line-level similes and metaphors go overboard at times and actually distract the reader from the emotional intensity of scene and moment. The larger issue however is that Paralian: Not Just Transgender isn’t just a fascinating book, as it is several fascinating books mashed together. Because Life has no definitive plot, the best works of biography and creative nonfiction tend to follow an A-side/B-side construction in which real world chronologies and events are echoed and digested alongside another more metaphorical through line. Klenk’s book is framed around the metaphor of nomadic travels and bodies of water, but the device is often glanced over or abandoned entirely for lengthy sections. This leaves the prose, like it’s subject, to wander widely. Luckily for Klenk, his book is entertaining enough that its propensity to lose direction is easily forgiven.
Pages: 456 | ISBN: 1785891200
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