It’s important to share messages of acceptance with children, but it can be difficult if you don’t take into consideration their level of understanding. What a child can understand is vastly different than an adult. The One Eyed Pug by Deborah Hunt is a cute little story about a pug puppy that has a slightly difficult life waiting for her. She has to go through the anxiety of being separated from her birth parents and then living with a stranger. While she does her best to adapt to her new life, change is right around the corner as her ‘mother’ ends up being unable to care for her and gives her to another family. Our little pug now has to deal with the uncertainty of a new home with new people without understanding why she was given up in the first place. Things seem to start going better for our pug until the introduction of a new friend and the terrible accident that follows close behind.
Using animals as a way to deliver important messages and teach important lessons to children is something that is not easily done, but delivered well in this story. Children seem to be able to listen carefully and understand difficult lessons when taught through an animal that can speak. Hunt uses the story of the pug to show children that change is not always bad. She also teaches them that while bad things may happen, there are good outcomes as well. Our pug has only lived for a short time yet she’s met with various changes and has to face the anxiety of the unknown each time. This story can also teach children compassion. Compassion for those who are different than us and compassion for those who are struggling.
There are several drawings throughout the book which can give the readers a nice interruption to the waves of text. It is important to keep children engaged as well as entertained. The drawings give more information on what the characters look like which helps the readers connect more to the story. The language in the story is very easy for new readers to understand. While this isn’t a first step book, it is definitely suitable for a child who has experience reading books with little pictures. The language might be too young for older readers, even though the message it sends is positive.
Deborah Hunt takes us on a trip to learn compassion and acceptance with The One Eyed Pug. This tale allows children to connect their own feelings of anxiety and uncertainty with things like change to the life of the protagonist, the little pug. It also allows children to see that dogs and other pets have feelings as well, even if we can’t always understand what they’re trying to tell us. Even when our little pug goes through a life changing situation, she comes out strong because she has the support of those who love her around her. This is an important thing for children to understand as well: we are all stronger thanks to the people who support us. This would be a great book for any avid young reader.
Pages: 80 | ISBN: 1945175788
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Fractured details your revelations and strides toward bettering yourself both mentally and physically. What was the inspiration that made you want to capture your experiences in a book?
I originally started writing the book as a form of therapy, a way to help get the trauma, events and details of the accident out of my body and mind. Then around my 30th birthday, I had a breakdown. I felt like a failure, I thought I should have been at a different place in my life, I thought I should have accomplished more. After many therapy sessions and allowing myself to cry, be mad, and feel all the feelings – I realized I had so much more to share than just the details of the accident. I took a step back and saw how hard I had fought to be healthy and have a successful life. I knew at that point that my book was supposed to be about that. I wanted to share my struggles and adversity in hopes of helping others going through something similar.
I greatly appreciated your candor in detailing the obstacles you faced and I could truly feel the tragedies as well as the victories. What was the hardest thing for you to write about?
The hardest thing, hands down, to write about was the rape when I was a freshman in college. It was something only my therapist really knew about. I hadn’t even told my parents at the time I was writing it in the book. It brought back all sorts of memories, feelings, and shame. As I was writing it I had to take many breaks, remember that I was not the same person nor in the same place, and keep telling myself I was enough. THEN came the hard part of having to tell my parents about the event. I had hid it from them for 12 years but I knew I needed to tell them before the book came out. Again, all the fears, shame, embarrassment, and emotions came rushing in. But I knew it was something I had to do before I let them read the book – that was probably the only thing they didn’t know about that was in the book. I also knew it was something that I absolutely needed to include in the book since the book is all about finding my voice and sharing my truth. This was a huge part of losing both of those things. I am so thankful to have such supportive, encouraging and loving parents. It was extremely hard for them to hear, but I know it ultimately brought us closer and deepened our relationship.
In Fractured you reveal a past with issues like body dysmorphia and a struggle to find your own voice. What is the message you hope readers take away from your book?
I hope readers can take away the lesson I learned after my 14+ year struggle with diet pills, anorexia, and body dysmorphia… YOU ARE ENOUGH. Beauty comes in all shapes and sizes. The image society portrays that you have to be skin and bones to be beautiful is so distorted. I hope readers, especially young girls can read this and have an “aha moment” before they enter into a self-destructive path. It also my hope that men and women learn that it is ok to be vulnerable, to speak, share, and use your authentic voice, live in their authentic skin, and follow their own rules. Don’t shrink yourself to make others like you. It is not worth it. It is so much more fun to live life celebrating your bigness.
You are the founding director of the nonprofit company Step Up Chicago Playwrights. How did that start and where do you see it going in the future?
I founded what was then Step Up Productions in 2009 with the mission to share truth onstage and inspire the audience to embrace their own personal truths (haha see a pattern?) We had 3 successful seasons of shows in which we chose a social service organization – whose mission matched the theme of the show we were producing- in Chicago to partner with and donate a portion of our proceeds to. In 2015, funding was low and we were struggling to be able to fund our next production. I took a step back and cancelled the remainder of our season. I talked with a mentor, friend, and phenomenal artist in Chicago, Brad Akin, and together we came up with Step Up Chicago Playwrights as it is now. A company that pairs Chicago Communities with local playwrights who will write a play based off that community. Our hope is to make theater sound and look more like Chicago, All of Chicago! I have since taken on an advisory role since I moved to California with my fiancé who was relocated for work and Brad has taken on the Executive Director role. I know the model we have sets us up for success. We are in the process of choosing our first playwright and community to kick off the inaugural year with Step Up Chicago Playwrights.
Fractured is about your journey of self discovery, but it’s also about your family. Was there anything about your family that you only learned through this journey?
In talking with my therapist about different patterns I was trying to break and learn the history of where they started (me always being good, my need to please, not using my voice) I learned a lot about my family. I brought different topics up to my mom and asked her a lot of questions about my young childhood that helped me figure out why I embedded certain thoughts, behaviors and patterns into my system. I have to say, even though it was not always pleasant to learn and a lot of hard work, it was a lot of fun putting all the pieces together and learning why I did and thought certain things.
From the outside looking in, Elizabeth had the perfect life. She had a family who loved her, numerous friends, and a successful career. No one knew the hurt, pain, and angst she hid inside, struggling to keep herself small so that those around her would still like her.
It all came to a head on October 23, 2007, when her parents received a call that she was lying lifeless in the ICU in a hospital in Utah — “You better get out here, your daughter is not going to make it.” Fractured: My Journey Back From Death and the Lessons I’ve Learned Along the Way is the memoir of Elizabeth’s recovery, spiritually, physically, mentally, and emotionally. It is about her deliberate decision to begin the hard work finding and using her voice and the struggle to break out of the box that society tried to keep her in.
This is the story of what happens when one woman stared death in the face and decided to make a conscious choice not to go back to sleep, but to wake up and live the life she knew she was meant to live.
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In Typhoon of Fire we follow Ace Mcdagger who teams up with Captain Loxwell of November squad to rescue her teammates scattered in the forests of Malaysia. What was the inspiration for the setup to this thrilling novel?
During Call of the Conjurer, when the characters were new recruits to the hidden world of modern, magical combat; they spent a lot of time in a regulated, clean environments. The characters were usually safe. I wanted to go the opposite way in Typhoon of Fire. I wanted the situation throughout to be very rough, challenging and dangerous. My very first thought, visually, was of Vietnam era war films like “Platoon” and “Apocalypse Now”.
The jungle is wild and hostile, and Malaysia is a location brimming with different environments which greatly inspired the events throughout. The characters explore flat, arid plains and damp rainforests, a rundown laboratory overrun by plants, an abandoned mine, a floating fortress above the clouds… I had a great time using colour schemes to set the mood. The use of natural environments also helped me to emphasise major themes in the book. Subjects such as ‘corruption of life’, ‘man versus nature’ and ‘Hell on Earth’.
I felt that the novel was very well paced and kept me engaged throughout. Did you plan the novel as you wrote or did it all happen organically?
It happened organically, for the most part. From my perspective, Typhoon of Fire is a prequel to another book I have written – but I decided it would be better to publish them chronologically. Certain events had to happen in Typhoon of Fire, and with that in mind I just had fun writing what I wanted: a creepy science-gone-wrong scenario!
Developing the supporting cast and their stories happened organically as well. They were new characters, who would not necessarily be seen again; so their personalities, roles and fates were all blank slates. I enjoyed unravelling these characters, adding little twists to their personalities to surprise the reader. A lot of the characters are very different people by the end of the story, for better or for worse. I suppose in essence, the main plot of Typhoon of Fire was an after thought for me. The subplots, however; the individual character arcs which pave the way for future instalments, are the real meat and bones of the book. Away from all the magic and sci-fi, this is a book about humanity and frailty.
Ace, Shimon, Tiffany, and Loxwell have brilliant dialogue and they feel like living characters. What things did you focus your character development on to bring your characters to life?
I absolutely adore writing flawed characters. I like my characters fumble their dialogue, on occasion, or misunderstand information given to them. It makes them more human, to be far from perfect. I enjoy the concept of the “unreliable protagonist” and bear that in mind when I write. Sometimes the characters make mistakes, and sometimes they lie, even to themselves. They are supposed to be human, despite any super human magical powers they possess. Careful dialogue keeps them grounded and relatable.
What is the next novel that you are working on and when will it be available?
Tricky one! I actually have two books in the proof reading stage now. One is a direct follow up to Typhoon of Fire, called Bloodfest, which was the book I had written before this one but decided to release later. The other book I’ve completed is a supplementary story called The Sardonyc, which focuses on the Science Department mentioned throughout Typhoon of Fire. The Sardonyc is a very different book to what I have written before, but it is still within the same self contained universe.
Bloodfest will be a straight up action horror / macabre comedy, continuing the adventures of Ace Mcdagger. He is more grown up and world weary by now, and is deployed to a mysterious island to dispatch a rising army of the undead. Definitely one for zombie fans!
The Sardonyc is more of a psychological thriller, about a troubled new character named Sidney. He is part of a research team stuck on a ship in the middle of the ocean, and everybody is slowly going mad. Sidney must figure out why it is happening before he succumbs as well, and there are plenty of twists along the way.
I hope the Literary Titan will review my next book soon – whichever one is out first!
Three years after training; learning about magic combat and of monsters that terrorise our world, soldier Ace Mcdagger and his allies join Captain Rafaella Loxwell of November Squad for a rescue mission. Her team mates have been scattered following a disastrous attempt to seek out a rogue scientist deep in the forests of Malaysia. Their path is mired by many obstacles; treachery, psychic warnings, scientific abominations, and an overwhelming storm – the Typhoon of Fire, slowly closing in on the region without a known cause.
Worst of all, Ace has to contend with a personal challenge – keeping his mad cousin out of trouble.
Can Captain Loxwell save her team mates and complete the mysterious mission? And will Ace and his friends survive out here in the midst of true, heated battle?
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STAINER follows Ben Steiner, a Jewish Columbia undergrad who is a decent person but wishes to be “in” with the “in crowd.” What was the initial idea behind this story and how did that transform as you were writing the novel?
Since I wrote the book forty years ago, I must confess that I cannot precisely recollect what the initial idea was. I just sat down and started scribbling (longhand, on legal yellow sheets) and eventually the novel emerged. However, as I explain in my Author’s Preface, the manuscript was an overwritten mess. I was a complete amateur, and made every mistake in the book… (okay, that was a truly cringe-worthy pun.) But now that I think of it, I did have a vague notion that I wanted to somehow skewer an acquaintance of mine, and decided that the cleverest way to accomplish that would be to turn them into a rotten character in a book. Which I did… and no, I won’t tell you which character, but suffice it to say that nowadays my intended skeweree is rich, fulfilled, aging much better than I am, and utterly unaware of my –or my novel’s– existence. Which, all things considered, is exactly as it should be.
Of course, at a distance of four decades, I am now able to perceive things in the novel that weren’t apparent to me at the time I wrote it; by which I mean that there’s more than a trace of autobiographical heartbreak in the story. And I think we’ll leave it at that.
Ben goes through some strikingly personal conflicts throughout the book and his character is meticulously developed. How did you capture the thoughts and emotions of a 70’s Jewish teen?
Easy… I was a 70’s Jewish teen. Well, not technically… even though I was already in my mid-twenties when I wrote STAINER, my mindset remained that of an irresponsible teenage scamp, and I simply wrote prose in the same the way I spoke/ thought/lived; in other words, from the viewpoint of extremely arrested adolescence (ahem.) Luckily for me, it turned out that I had a knack for accurately capturing the mood and lingo of the times in my writing… who knew?
Ben meets P.T. Deighland, a wiseass from Princeton, who is clearly up to no good. What were the driving ideals behind the characters relationship throughout the story?
“Driving ideals”? Hmm… I have no clue, other than to suspect that the relationship between ‘bad-boy’ P.T. and ‘good-boy’ Ben somewhat reflected the two sides of my own slightly schizophrenic persona; which, in those days, remained more-or-less in a constant state of conflict. To all outward appearances I was definitely a good boy, but like many such young fellows, secretly wished that I had the nerve and coolness to behave like one of the bad boys. Because, after all, the bad boys always got the girls… didn’t they? But, like Ben, my efforts to attain bad-boy status were ultimately doomed to failure, and came at a heavy cost.
What is the next book that you are working on and when will it be available?
I have a new novel under way, and it’s as different from STAINER as STAINER is from SHE’S MY DAD. I can only write stand-alone novels; the mere thought of doing sequels or a series is a stupefying bore. For me, once a story is wrapped up, that’s the end of it, and then I’m off to build a new world, with new characters, new problems, new everything. It’s the only way I can stay interested enough to keep going.
As to when the new book will be available, who knows? All I can say is, stay tuned… I do believe it’s a pretty good yarn.
New York City, 1975: Decent-hearted but spoiled Jewish college kid Ben Steiner is naively possessed by an overwhelming desire to be cool. At a springtime party on the night of his twenty-first birthday, he meets two people: Rebecca Glaser, the longed-for sweet girl of his dreams, and P.T. Deighland, a beguilingly knavish wiseacre from Princeton. Seduced by Deighland’s bold irreverence while simultaneously succumbing to his own temptations, Ben makes a cascading series of unfortunate choices which not only threaten his budding relationship with Rebecca, but expose him to ruin at the hands of a ravishing but ruthless fashion model named Anthea Montague.
Against the background of a vanished period in American history, STAINER offers a bittersweet nostalgic trip back to a less complex world, during a time of incautious excesses that, while deceptively fun and carefree, in due course forced many unwary youngsters like Benjamin Steiner to learn some necessary –albeit painful– lessons about growing up.
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Detours in Time follows Professor Milton, who invented a time-traveling car, and his assistant turned traveling companion Tabitha on their adventures through time. What was your inspiration for the setup to this entertaining novel?
I’ve subscribed to several writing sites over the years that offer writing prompts. It simply started out as a response to a writing prompt. After a while, imagining this story became a great escape for me. The element of escape is what kept me going with this story. That, and the headlines we’ve been seeing in America during pre and post-election. They truly can get an imagination going.
Time travel is always filled with paradoxes. Are there any that you had to deal with when writing this novel?
Well, there is possibly an issue with going back in time and seeing yourself, or the possibility that you cannot physically inhabit a time in which your body is already inhabiting. I don’t think we truly know the answers to that question, so I mostly went with the “what-if” factor through a lot of my story. What if you could inhabit a time where you already exist, wouldn’t you want to avoid bumping into yourself? I would say, yes. So that factors in to one part of my novel. Then, there is the concern that you must not bring anything back from the future, which becomes an issue at another point in the story. It could mean that a different person discovers the formula for artificial sweetener, thereby ruining another person’s life, which means they may not produce the children they had, leaving a hole somewhere in the rhythm of the universe. I was a natural-born worrywart, so I’m used to thinking like this.
With these types of time travel stories most people draw a comparison to Doctor Who or Back to the Future. I suppose the dividing line being familial involvement. What of these two fictions do you enjoy better and where do you think your novel falls between these two?
I would say it falls closer to Back to the Future, except the scientist is taking a young lady, Pinky, with him. That young lady might be comparable to Marty, except her personality is much different. I was such a fan of that series, and so was my son. It’s a happy memory for us both. I also had a dear friend who shared a love of this series with me who is no longer with us. It brings back memories there as well. I suppose that is why there is so much familial involvement in the storyline. Family is such an important thing to me, so it was part of the building of my characters, despite the fact that Pinky has been without her family and forced to be self-reliant for some time. You may say there’s a resemblance to Dr. Who because of the female companion, however, I don’t think there is much more that is similar. I have enjoyed Dr. Who but never was able to watch more than one season.
What is the next story that you are writing and when will it be available?
I have so many ideas spinning around! Most likely, what I will publish next is a book of paranormal stories, since I haven’t published in that genre yet. I have the stories and just need to edit, proofread, and polish. I also have 50,000 words done for the Detours in Time sequel, but I like to get good editing and beta reading before publishing a novel, so it won’t come out until next year. I plan to flesh that sequel out during NANOWRIMO, which really drives me to produce. I have the Made for Me series which takes place in the future, and plan to work on a book 3 to uncover secrets about the main character parental lineage which has been a mystery so far. I think that one will also come out next year.
On a whim, feisty Tabitha takes a trip to the future with her trusted friend Milt, an awkward Science professor. Wonders and curiosities abound. However, their amusing journey soon becomes a challenging maze of difficult decisions. When an unplanned detour occurs, the two set events into action that may save one life and yet destroy another. Can these friends of completely different mindsets agree on a course of action?
Amid the backdrop of a future that reveals great wonders and horrors, Detours in Time starts as a fantastic escape and grows to present many moral dilemmas and surprises that can either destroy the strongest friendship or bring two people closer.
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Fleeing the Shadows is a satisfying follow-up in the continuing Dangerous Loyalties series as our brave heroine flees with her family into the Kentucky frontier. What direction did you want to take this novel in that was different from the first book?
After the danger caused by Papa’s covert activities in book one, I wanted readers thrust headlong into survival mode with thirteen-year-old Mary and her family.
The family is always running from something and danger seems to lurk around every bend. Did you plan the plot twists before writing or did they develop organically?
I used a rough outline to keep the story moving but allowed surprises to happen naturally.
Mary continues to carry the bulk of the family’s worries as her Papa makes increasingly difficult decisions. What were some obstacles that you felt were important for her characters development?
Mary struggles with PTSD. She must deal with each fear and keep going. Mary rises to the task of taking charge of her siblings when Papa must care for Momma. When Mary shuts down in fear, she allows her family to care for her. Her ultimate challenge leads her to face real and imagined shadows to save her family.
Where will book three in the series take readers?
Mary hopes life at Fort Boonesborough will fulfill her dreams of a peaceful life with friends and suitors. She has her heart set on a certain someone and is determined to win him for her future husband, but Papa and the American Revolution say otherwise.
She blames herself for the bounty onPapa’s head.
Book Two in the Dangerous Loyalties series–a historical novel for teens–continues the riveting story of Daughters of the American Revolution patriot Mary Shirley McGuire.
It’s late summer in the Alleghany Highlands, 1775. Colonial Virginia has resolved to support the American Revolutionary cause for liberty. The British are determined to retain control of the fur trade and keep frontiersmen fighting Indians instead of joining the Continentals.
Thirteen-year-old Mary Shirley is still recovering from emotional wounds inflicted when she risked her life delivering traitorous dispatches. She trusted the wrong men, and now the family must flee Indian Creek to stay ahead of British Loyalist who seek her papa’s life.
But they can’t risk being captured by taking the main road to Daniel Boone’s trail that leads into Kentucky territory. They must endure the more dangerous and grueling hunter’s path that leads to rough frontier forts along the Clinch River.
Passions are ignited, friendships are formed, and shocking lessons are learned.
Papa ignores the warnings to wait for other travelers, causing Mary’s anxieties to worsen. Once they cross the Cumberland Gap, they’re at the mercy of God and the Chickamauga Cherokee to make it to Fort Boonesborough alive. Frontiersmen tell them the settlement of Fort Boonesborough isn’t defendable, and Mary doesn’t want to continue. Papa is confident that the Indians are too busy preparing for winter to raid.
A few days from the fort, Mary is feeling hopeful for the future. Then disaster strikes, leaving the family devastated and heartbroken. There is no other choice. Mary must lay aside paralyzing fear and excruciating pain to save her family before time runs out.
Fleeing the Shadows (Dangerous Loyalties Book Two) invites readers to experience traveling the dangerous wilderness trails with Mary and her family through thick wild forests of Southwest Virginia and into Kentucky territory that leads straight into a Native American hornet’s nest. Mary just wants to make it Fort Boonesborough and live in peace.
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Becoming Samantha Colt is book 4 in the Larkin and Colt series. What did you want to accomplish in this book that pushed the series into interesting places?
When I began this series, I developed a detailed backstory for the main characters of Larkin and Colt. It was just for myself, so I would know who these people were, where they came from, and how they got to be who they were. Over the course of the first three books, I made passing allusions to some of the things in their past, like Larkin mentioning that Colt grew up homeless, their team being wiped out on a botched mission, things like that. Larkin also occasionally mentions some of the missions they’d done, if it happened to relate to something that was happening in the present. I never intended to write a detailed account of their pasts, but eventually it became inevitable. I felt the need to tell Sam’s story from her point of view, in her own words, to more fully explore the character. It was also an opportunity to fill in some of the details of things that had been mentioned in passing.
What was the initial idea behind this story and how did that transform as you were writing the novel?
Through the process of writing the other books, the character of Colt became clearer in my mind as I found out more about her. In the end, she wanted to have her story told, and I just had to do it. Once I started, the story almost seemed to write itself, as if she was telling it to me and all I had to do was write it down. I had the starting point and I knew where she ended up, so what I had to do was fill in the details of how she got there. With this book the story comes full circle, as the final chapter is identical to an early chapter in the first book, but this time told from her perspective.
Samantha is a strong character that is meticulously developed. What were the driving ideals behind the characters development throughout the story?
Many people who have read the books have said they were intrigued by the Samantha Colt character. Some have even said she was their favorite and wanted to know more about her. I had deliberately kept her sort of in the background, to make her more mysterious, and to keep her personality somewhat ambiguous. She was the main hero’s partner and sidekick, but there was always the sense that you weren’t quite sure what she would do. I think it made her seem just a little bit dangerous.
What is the next book that you are working on and when will it be published?
I am currently working on a book entitled Intrepid. It’s a sequel to my previous book Pegasus, which is set about a hundred years in the future. In the previous book, the crew of Pegasus traveled to the moon and back. This time they’re going to Mars, and when they get there things go horribly wrong. Then they’ve got to figure out a way to get their crippled ship home before their food and air run out. It’s kind of a cross between The Martian and Apollo 13, and it should be out sometime in the Fall.
A nameless, homeless girl grows up on the streets of Baltimore. From a painfully young age she must learn to take care of herself, feed and clothe herself, and defend herself from those who would do her harm. When she’s arrested for shoplifting as a teenager she’s recruited by a mysterious organization, where she meets David Larkin and everything changes. He becomes her teacher, her mentor, her partner and eventually her best friend. This is the fourth book in the exciting Larkin and Colt adventure series, this time told from her perspective, in her own words, as she learns who she is, what she can do and who she can become.
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As the first book in the Tomorrow’s Edge trilogy, Day Moon is an outstanding contribution to the world of futuristic creation. The author, Brett Armstrong, provides a novel which allows any reader to question the “what ifs” of the world.
The story is set in 2039, where a seventeen-year-old boy, Elliott, is assigned to work on a project instigated by his deceased grandfather. After all forms of print are destroyed, Elliott must let go of his beloved book of the complete works of Shakespeare.
Elliott soon realises that in the complete works of Shakespeare, something unusual occurs. For some reason, an extra sonnet “Day Moon” had been inserted. This unusual event is the start of the unravelling journey of Project Alexandria; a journey which has no intentions of using the project for its original purpose. Can Elliott unravel the mystery and prevent Project Alexandria being launched?
A fantastic attempt to draw upon the unknown possibilities of the world. Armstrong creates a strong, imaginative plot line, with relatable characters and emotions; this is a remarkable read which creates a vibrant and thought-provoking storyline.
Based on the originality of his ideas, and Brett’s noble attempt to write in a world of pure creation, I could look beyond our everyday lives, and recognise a possibility of how the world could look in years to come.
What I thoroughly enjoyed about Day Moon was a mixture of themes including passion, distrust, uncertainty and suspense. What also sets this book apart from others in this genre, is the small quotes inserted at the beginning of each chapter. Each quote has been taken from a work of Shakespeare; which ties in beautifully with the underlying concept of the narrative. In that respect, I think Brett Armstrong demonstrates a huge amount of commitment and passion in regards to his ideas for his trilogy in Tomorrow’s Edge.
Whilst reading through this book, I recognised that the author had put a tremendous amount of attention to detail in regards to his layout, consistency, flow in writing and grammar, which all adds to the book’s qualities. Not only does the book contain a strong narrative full of suspense, drive, and futurist qualities, but it also blends our world of reality with a world that could be.
A fast-paced, diverse, intense piece of writing that falls under categories of Historical Fiction, Science Fiction and Futuristic genres. I highly recommend this book for anyone who shows an interest in the genres as mentioned. Although the narrative lagged at times, this does not detract from the quality of Brett Armstrong’s creative writing.
Packed full of inspiration, creation and innovation, this novel provides a great insight in to a world that is not real, but not impossible either. A fantastic read, and a great beginning to the Tomorrow’s Edge series.
Pages: 389 | ASIN: B06XWDM49Z
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Bitter Awakenings is the first book from an up and coming author Kester Finley. With fantastically creative writing right from the get go and a unique tone that is quickly set from the very first chapter. The book does a lot to show Kester’s enormous potential.
The plot follows Truddie Mae Watts, a woman with supernatural backing and purpose. Truddie is a ‘keeper’, a woman chosen to protect and guard the ‘veil’ between our world and what lies beyond it. Truddie is seemingly immortal, inhabiting the body of a young girl while she uses her supernatural powers to protect the veil. The story starts with her peacefully spending time at home without worry, until the veil, and all the keepers who protect it, come under threat from an occult force who hungers to see her and all keepers dead. Truddie is forced out of her peaceful existence and into a world ending scenario.
Kester Finley does a fantastic job of setting the scene and establishing expectations for the rest of the book from chapter one by setting up the books dark supernatural undertones from the moment you start reading.
The plot seemed to bounce around a bit, leaving me confused at times. On the other hand, the premise is rather unique and executed very well. Kester has a fantastic writing style that dives into deep detail and explains almost everything with incredible craftsmanship that serves as an example of the author’s skill and the vividness with which he has imagined his world.
This first installment sets a firm foundation from which should come a rich story with vibrant characters. Even with this book being paranormal all the characters felt human, with real personalities behind them and dialogue that felt natural, which is a skill even some bigger authors lose. The characters were my favorite, with the banter and inside jokes, I could easily relate.
Bitter Awakenings is a fantastic first installment that paints a vivid picture of a imaginative world. The writing is fluid and descriptive, and the characters are well constructed.
Pages: 504 | ASIN: B073YG2NQP
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Gravity Games follows Nathan and his sidekick as they venture through an international conspiracy full of super-humans and super-villains. What was your inspiration for a novel that turns a foodie into a detective?
About Food: I love food and became intrigued with foodie mysteries but the ones I’ve read seem to have a disconnect between the mystery and the food. Food just happens to be part of the journey. I wanted to write a novel that made food a driver of the plot and the MCs. Top Chefs always talk about tasting as you go. The sense of smell can sample with every breath so it makes sense that someone who could collect that information would have far greater control over the cooking process. The best cooks always buy their own fresh food products and allow their senses to guide their selection. No tool is better than the sense of smell.
About the Sense of Smell as a superpower: If the MC has a super sense of smell, why not put it to other uses. In Nate’s case, he didn’t have a choice because he could literally smell murder. As a youngster I bought every Batman comic and read every Sherlock Holmes story. Both detectives (that’s what Batman was known for in the beginning) sniffed every piece of evidence. Recently scientists have discovered that the sense of smell may be the most powerful if all if our senses. We can detect scents important to us as low as a couple parts per billion. Try to pick out two red grains of sand in a billion grains of multi-colored sand.
Gravity Games has a fascinating set of characters that could easily have their own novel. What was your favorite character to write for?
I have two characters that I liked best for different reasons. Bonnie and Big Ed.
Bonnie Nakagowa plays Watson to Nate’s Sherlock but rather than being merely the recorder of events Bonnie serves four key functions:
1. Guide post / moral centre: If you become a world celebrity, you can lose perspective. Bonnie grounds Nate. Bonnie humanizes Nate and the story. She does this as both his conscience and protector. I wanted a strong, non-powered female to protect a superpowered male in a credible way.
2. The best comedy in my mind comes from duos e.g. Abbott & Costello, Martin & Lewis, etc. Nate is the straight man for Bonnie’s cringe humour / attitude. Humour is important to me because it both balances and enhances the darkness.
3. Bonnie is key to advancing the plot. She has insight into Nate and can provide needed background and carry out secret missions. She can also be an unreliable narrator because she may not understand everything that’s happening in Nate’s head.
4. Bonnie, of course, is the love interest.
Big Ed is just plain nasty. I hoped everyone would hate him. My youngest daughter proofread an early draft of Gravity Games and called me one night at 11 p.m.
“Why are you calling me so late?” I asked.
“I hate Big Ed. I’m not going to sleep so I thought you shouldn’t sleep,” she said.
Was it your intention to write a fun and quirky novel that moves along quickly, or did this happen organically as you were writing?
I’m not sure that’s what I intended. It’s just the way I write. My first novel, Late Bite, features a vampirish character who has millions of social media followers and is host of the top-rated late night talk show, Late Bite. It has lots of quirky characters, laughs and lots of darkness. My projects all seem to fall in the same vein.
What is the next story that you are working on and when will it be available?
I’ve completed Lycanthrope Rising, a continuation of the saga of Dragul Mangorian, the MC in Late Bite. It will be on sale Sept. 15.
I’m well into a sequel, prequel, and spin-off of Gravity Games.
The Gravity Games prequel [working title: Where The Nose Goes] is intended to be a permanently free YA novella about secret 14-year-old crime solvers Bonnie and Nate, which I hope to release as an eBook before Christmas 2017.
The Gravity Games sequel [working title: Murder On The Menu] picks up where Gravity Games left off with a non-superpowered Nate facing the world’s top chefs. Nate faces the loss of reputation and his $10 million a year contract. One after another, his competitors are murdered. Fingers point to Nate as the key suspect. Expected release date early summer of 2018.
The Gravity Games spinoff [working title and series: The Revenants, Justice Inc. series] features quiet accountant Rick Summers who has an attack of conscience after he escapes the clutches of Big Ed. He embarks on a mission to right wrongs committed by Big Ed and others and is ably aided by Matches, a transgender teen. The expected launch date is fall 2018.
Gravity Games, a dark and delicious thriller. Nathan Sherlock is the world’s most renowned celebrity chef and wine expert. His fans know him as Nate the Nose, a culinary artist whose incredible sense of smell helps him create dining experiences that jolt the mojo transforming aged couples into hormone raging lovers. But Nathan has a dark secret. Best friend Bonnie has helped him hide the true extent of his olfactory powers. He can literally smell murder. U.S. Homeland Security and CSIS, the Canadian anti-terrorism agency, go into panic mode when a scientist disappears along with all traces of his anti-gravity research. The joint FBI-CSIS task force needs Nathan to sniff down the terrorists before they drop an iceberg the size of Manhattan on New York City.
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