The Outcasts has a unique take on the vampire story and follows Larna as she relates a tale woven in history, family secrets, and bloodlust. What was your inspiration for this novel and the overarching history behind Larna?
When I first started writing The Outcasts, it was during the Twilight vampire craze. Even though I still enjoy Stephanie Meyers’s series (I own every copy) – at the time, I still felt that we, as a society, could do better with female protags. I wanted a story that had a plot and didn’t just rely on the ‘girl’ getting the ‘boy’. I wanted a protagonist who wasn’t physically perfect and popular and had a long way to go to find her strength. It was extremely important for me to have a character that people could relate to… because in the end, none of us are perfect, we’re all outcasts and that’s okay.
What I liked most about Larna is that her character felt both fresh and relatable. Were you able to relate to your characters while writing them?
Oh my gosh, in every tortuous way possible… writing Larna was excruciatingly painful, but also freeing in the sense that I wanted her to be more than just a pretty face. It was important she be funny and witty and have an inner strength that she needed to find and tap into. I think her vulnerability was the hardest thing for me to get right.
I find that, while writing, you sometimes ask questions and have the characters answer them. Do you find that to be true? What questions did you ask yourself while writing this story?
This list could be irritatingly long! Ha! I still have questions I’m asking myself about this series, like: Is Larna relatable and not just annoying? Would people buy Corinth coming into the picture and then slowly fading away? Would people believe Alastair liked Larna? Did Alastair’s character shine through the way I wanted it to? Is Gabriel too cliché?
The Outcasts: The Blood Dagger is volume 1 in your series. When will volume 2 be available and what can fans expect in that novel?
Volume 2 is expected to be released December of this year! The book is already written, I am just working on polishing now. People can expect ACTION. The character development has been completed, now we find out what Larna, Corinth, and even Alastair are really capable of. Prepare yourselves for MORE of everything!
Larna Collins has never understood why her dad skipped out on her and her mother when she was twelve years old. Until then, he was a devoted and loving father.
But six years later, during a renovation of her childhood home, she unearths her father’s journal from under a dusty floorboard. According to his final entry before he left, he had recently visited a small parish in England.
The entries draw her to this seemingly quaint village, which Larna discovers isn’t as charming as its blood-craving inhabitants want her to believe, and she learns that she isn’t the only one trying to track her father down.
Could this explain her father’s disappearance? Or was placing her in the center of danger her dad’s master plan all along?
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The Literary Titan Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and we are proud to acknowledge the hard work, dedication, and imagination of these talented authors.
Gold Award Winners
Silver Award Winners
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The Birthday Club is a genre-crossing novel with elements of a thriller, suspense, and mystery as well. Did you start writing with this in mind, or did this happen organically as you were writing?
In my view, fiction is rarely of one genre or another but contain elements of many. I think it is the balance that counts. If a bit of suspense is needed at one point to drive home the plot of the mystery then why not? In fact, I’m not convinced that genres such as mystery and suspense can be separated. Does one not contain some of the other? As for how it happens, in my case it is my intent to write fiction from multiple points of view, to present as rounded a picture of the “operating” environment as possible, and to-most of all-keep it interesting. I’m not sure that I ever, while writing, classify what I am doing as being mysterious or suspenseful, or even thrilling. Even though it is my desire that my writing provides all three experiences to the reader.
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
That is a difficult question to answer. Getting at it in reverse fashion the characters who offered a more concise, non-emotional point of view were the most difficult simply because a lot of thought had to go into keeping the story line rational yet “humanly” interesting. I had a lot of fun with Sylvester Martin because rationality wasn’t among the most important of his characteristics, but I think the “favorite” title must be split between Chris and Angelina. They represent opposite poles in a sense: One closed and taciturn the other open and vulnerable.
There are a lot of great twists in this novel that I rarely saw coming. Did you plan your novel or did the twists come as you were writing?
I’ve tried writing to an outline on several occasions. The only successful attempt was writing my Master’s thesis in Geology; where not following an outline would have been a disaster. While writing fiction I once made it through a chapter and a half on my outline before I trashed the thing. Other attempts have not been nearly so successful. Yes writing without formal pre-planning (we all think of ideas at night that are incorporated in the next day’s effort) can lead to a quagmire–been there and sunk up to my nose–but it generally works for me. Even if it means I have to go back and totally revise three-quarters of a manuscript to incorporate a new idea.
What is the next book that you are working on and when will it be published?
Philippe, sequel to The Birthday Club, was finished earlier this year, and is available in both e-book and paperback formats on Amazon and as an e-book on Smashwords. I am now contemplating a third in the series, but have not yet made a start with a pen.
When you’re in high school nothing ever seems important about the far distant future. Like five years down the road. Who cares? You’ve got enough to worry about. So, should we add a new member to the group? Not a problem, even if he’s a little strange. See something bad happen in the neighborhood? So what? It happened to someone else’s dog.
After graduation, things change of course. Five years doesn’t seem so far down the road anymore. So you kind of get involved in your own stuff and your high school buddies have their own lives to live anyway. Most of those things that happened back in high school just aren’t important. Maybe.
Maybe not. Like that fender bender you witnessed with all your friends. The one that will turn out to be a whole lot more important than even Dee Dee’s owner thought at the time. Think about it, that little incident on Fuller Street might be just the thing to make your name in the Criminal Investigation Seminar this semester. Who would care if what really happened then became known? It’s ancient history, right?
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A dream. A memory. That’s all Brij remembers of her past – as well as the fact that she was abandoned by a dirt road at the age of three. After getting picked up by a passing stranger who seemed to know everything about her, she lives the next fourteen years of her life in an enormous nuclear power plant, performing high-intensity sports games inside the plant’s five-mile reactor for spectators – people who keep the plant operating. Most days, she doesn’t mind. Then again, she doesn’t have a choice – if she refuses to perform, she’s at risk of being abandoned all over again. When mysterious images start haunting Brij during the performances, she begins to wonder if her life in the plant is real. No matter how much she tries to ignore them, they keep coming back. A series of strange events start to unfold that ultimately leads her to make a choice – whether to live a lie, or face the truth of what she really is, and why she’s here.
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Misty Hayes, author of The Outcasts: The Blood Dagger Volume: 1, is handing readers a unique take on the vampire stories of late. Her main character and narrator, Larna Collins, relates a tale deeply woven in history, family secrets, and bloodlust. Larna, quite the social outcast in her high school, graduates and embarks immediately on a mission to find her estranged father in England. Using her father’s journals and her own burning desire to find answers to her endless string of questions about his sudden disappearance, she leaves Texas just as her lifelong friend, Corinth, reveals his desire to be more than a tried-and-true confidante.
The Outcasts: The Blood Dagger Volume: 1 is written to appeal to young adult readers, but is so exceptionally written and full of wit and wisdom it easily resonates with a much larger audience. The idea of the socially downtrodden heroine is not a new one, but Hayes manages, quite successfully, to fashion Larna Collins into character unlike any readers will encounter within other books in the same genre. Larna is thoughtful, and the reader is privy to all of her emotions, anxiety, and, ultimately, her pride and power.
Character development appears to be Hayes’s forte. Dropping little hints throughout the plot, the author draws robust images of each character from Paul the Volkswagen/taxicab-driving vampiric sidekick to Gabriel–the devil incarnate. Each of Hayes’s characters adds a rich element to the story, and she masters the plot twist with the best of the action/adventure writers out there.
Hayes provides a captivating mixture of budding romance and action sequences. In addition, she takes literary risks with her characters’ fates. She, by no means, sticks with what the reader expects. At every turn, Hayes delivers something new and unexpected, but more than appreciated. The tension between Corinth and Larna and the ever-present question of romance between Larna and Alastair keep the reader guessing from beginning to end.
Hayes offers an originality with her presentation of the vampire tale. She successfully juxtaposes the deteriorating architecture of old England with present-day Texas and tosses in a healthy amount of technology and modern references–all easily within the schema of the young adult audience. Those expecting to find the vampires of the Twilight series will be pleasantly surprised to find a quite different vamp sketched before them as Hayes offers up a down-to-earth creature with far-reaching abilities and deep-rooted emotions.
I am giving The Outcasts: The Blood Dagger Volume: 1 a solid 5 out of 5 stars. Hayes offers a well-written, smooth read which mesmerizes readers from the first paragraphs. The relatable struggles of its main character, Larna, take an unexpected turn early on and pull readers in for a ride like no other. Hayes will soon find herself with a growing fan base yearning for more from Larna and her crew. By giving her audience the story they want with a cast of characters far-removed from those of the typical vampire tales, Hayes has succeeded in paving the way for her band of outcasts.
Pages: 356 | ASIN: B077XL9WHH
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The Life and Times of Tommy Kaos: Raising Hell, by T.L. Henry, is the first-person account of the main character’s life from his earliest memory to his incarceration as a teenager. Tommy, a boy raised in the worst of circumstances, sustains abuse, exposure to alcoholism and drug use, and endures the most unstable of upbringings, From a tender age and following the loss of his best friend–his grandfather–Tommy learns to fend for himself and does his best to protect and shield his sister, May from his mother’s drunken tirades and efforts to exploit them both.
From the first paragraph, I was sure I was reading a journal–a true account of the author’s own life. I found myself checking more than once to make sure I had read the introduction correctly. This book–purely fictitious–transports the reader into a completely different mindset. I didn’t feel as though I was reading; I felt as though I were listening to a boy relating his life story while sitting beside me on park bench–Forrest Gump style. The conversational style of writing makes for a smooth read and is actually quite fascinating.
I quickly lost count of the number of times Tommy and his family were forced to move from one ramshackle home to another in North Carolina within a handful of years. With absolutely no stability and no father figure for most of his life until his incarceration, Tommy is quickly schooled in the ways of the street. Early on, Tommy learns to steer clear of his own mother and the endless string of men she brings home. Both of these aspects of Tommy’s life are incredibly sad and only seem to magnify as the story progresses.
Tommy’s life, as horrifying as it is, is believable. From his earliest encounter with abuse, he takes a turn for the worse and, admittedly, becomes everything to which he was exposed as a child. This unique, memoir-type writing style helps to drive home the sad truth about abused, neglected, and exploited children. As he endures and participates in dangerous and self-deprecating behaviors, he begins to find advantages in them. Several chapters in, I began to realize that I could actually be reading this from the antagonist’s point of view. What began as the tale of a tragic childhood, turned, all too easily, into the life story of a career criminal.
The main character’s cries for help falling on deaf ears were the most painful aspect of the plot. The author has managed to create a storyline that illuminates the tragedy perpetuated by abuse early in life. As much as the reader wants to feel sorry for young Tommy, he/she will feel an overwhelming desire to scream at teenaged Tommy to remember where these same behaviors got his mother. It is a frustrating and heart-wrenching read, but a necessary one.
While the writing style is unique and the conversational tone appealing, I felt the concentration on young Tommy’s sexual obsessions were a bit overstated and became uncomfortable to read after a while. The author does, however, do an excellent job of revealing the impact of abuse and neglect early in a child’s life.
Pages: 132 | ASIN: B01F6ET17C
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Once Upon a Time Slip, written by Lisa Nicell Treanor, is about a nineteen-year-old woman by the name of China Winter. China must escape the rise of the supernatural and the demands of a potential war by travelling with her grandfather to Liverpool to start a new life. But there are new dangers that lurk within the streets of Liverpool with threats of time slips and repercussions from the government on the forefront of every mind. Time wars develop, throwing China’s plans to find her missing brother out the window as she battles a world where being erased from existence is just a matter of being in the wrong place at the wrong time.
China is an orphan and was raised by her inventor and toy maker grandfather, Clarence Winter. The story is set in 2258 so prepare for a whirlwind of futuristic scenarios- from mechanical hearts to humanoids to rewiring of the human soul. The future is here, and so is the potential for time travel. However, some problems can cause irreversible results. With real-life inventors like Nikola Tesla being incorporated into the plot line, be prepared for a magnitude of exciting inventions, creations and scientific discoveries.
Even though the story is set in the future, there are still elements of present/past issues. For example, with a war looming there are whispers of conscription with continuous pressure being pushed by the government. Some of the characters have mechanical body parts which still leaves them wondering who they are, how do they fit in, and what is the meaning of their life. I enjoyed the aspects of the past intertwined into the future as it gave the novel a sense of realism and was a reminder that our past mistakes tend to be repeated in society.
Lisa Nicell Treanor paints beautiful word pictures that gives readers an easy glimpse into the fantastical world of China Winter. I really enjoyed the level of detail in this story. There were so many suspenseful and even fun moments that were really brought to life by the vivid imagery. All of this lends to an intriguing and magical plot line that is punctuated with wild and creative inventions.
Abductions, soldiers and poltergeists come together to create an action-packed plot, all creating a sense of urgency and suspense throughout the story. Once upon a Time Slip is a unique time travel story that will open your mind to strange possibilities. If you’re looking for an exciting novel with a strong sense of adventure, then look no further.
Pages: 369 | ASIN: B077BRTDF3
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Choose: Snakes or Ladders follows Mitty who comes up against sexism and classism and must challenge others’ prejudices while fighting her inner demons. What was your inspiration for this provocative novel?
I didn’t have any articulated inspiration for the novel. It started as a short piece and grew seemingly by itself. I thought it was about an innocent young girl in the 50’s. I actually didn’t know that I felt so strongly about class issues and sexism. Nor about sexual safety of young people. My main conscious focus was on her struggle to find a way through the internal and external restrictions. As a former therapist, it has always saddened me that many women, particularly in the 50’s, were denied natural pleasures because of a culture of ignorance and shame around female sexual activity. As well of course, of career advancement.
What I really enjoyed about Mitty’s character is how well developed she was but continued to transform throughout the novel. What were some obstacles you felt were important for Mitty’s character development?
Her main obstacle was the extreme shaming and ignorance of the fictional sect in the novel. Another strong obstacle was Mitty’s lack of anyone who could help her come to some knowledge and understanding. I loved Violet’s attempts to inform her. The struggle is linked to the development, through ups and downs, of her self-worth – another essential ingredient in a life of achievement, pleasure and love.
I think you did a great job of illustrating that female beauty and sexuality can often be a poisoned chalice. Why do you think this is an important, especially with today’s #metoo movement?
I was amused by Mitty’s character as a woman who was beautiful and sexually arousing without her knowing it. And heartened by her innate sensuality. Perhaps if young women were educated properly and allowed to have awareness and acceptance of these factors, they would be less vulnerable in the face of male assertion of power in all ways. A lot of work needs to be done to educate men, particularly in self-awareness.
In the sequel all these themes continue to build strong plot threads, together with some surprising twists in Mitty’s life path.
What life experiences of your own did you put into the novel, if any?
That’s a tricky question. A life experience of teacher and counselor helps to build a wide understanding. Personally, none of the events as depicted happened to me, although fragments of similar occurrences have been combined to build a different fictional history. For example, my much loved grandmother had overcome a restrictive religious background, while still quoting many homilies to me, with a wry smile. Otherwise, sometimes just a few words overheard will trigger a scene. So there is a basic truth in it all.
This is “a well-plotted tale of human growth, sexuality, and self-discovery which will be enjoyed by readers of women’s fiction and literary fiction alike.”
Mitty is a young girl brought up in a punitive sect who escapes to a typist job in the city – a step to fulfilling her dreams of being a lady. She is hampered by deep fears of hell and punishment, and utter ignorance of the facts of life.
The 1950’s – sex, drugs and rock and roll, but not in the small towns of Australia. There were lots of jobs, clothes and wealth in the cities but this threatened the values of the past – a culture where men desire and decide, while women love and serve.
Miss Mitty Bedford knew the outside world through Hollywood movies at the local Pictures, only to find in real life that there can be nasties behind smiling, beautiful faces.
A stalker’s attack clashes with her newfound joy in sensual self-discovery inspired by a crush on her boss, and her love for decent, loving, traditional Col. She writhes between shame, repentance and joy.
Mitty wants a career and respect, but what path must she choose? She needs love, but does she want freedom more?
This emotional and dramatic journey to win trust, love and independence, will keep readers turning the pages, as well as provoking questions that still apply today.
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Follow Me Down is a thrilling novel that follows Lucas as he seeks justice for his family while uncovering corruption in the city’s largest real estate development company. What was your inspiration for this novel and the setup to the story?
The never-used subway beneath Cincinnati is real—built during the Depression but abandoned and sealed up. I lived for years near Cincinnati, both scared and intrigued by ghosts beneath my feet. When I later learned about the “urban explorer” subculture, I HAD to write the story.
One thing I really appreciated in this story was the authenticity of the relationships. What were some themes you wanted to capture while creating your characters?
Observant readers will notice one consistent theme for the four main characters: the plight of the underdog. Lucas, suppressed by corporate corruption. Alfred Blumenfeld, put down by cruel social mores, and Tricia Blumenfeld too, unwilling to play the part of the “good girl.” And Reuben, victimized for being short and Jewish. These characters deserved a voice and a shot at justice.
Lucas explores Cincinnati’s underground in this novel and the scenes were detailed and well developed. Why did you choose this setting for the novel?
In the story, protagonist Lucas reflects on a childhood experience descending voluntarily into a well on his grandfather’s farm. That scene resembles my own childhood “adventure.” What urban explorers do is just damn cool, risking capture and physical dangers in very cool places. Also, the noblest among these modern-day adventurers respect and revere the places they infiltrate. I admire them.
I find a problem in well-written novels, in that I always want there to be another book to keep the story going. Is there a second book planned?
Thank you! While I’m finished with Lucas for now, two new stories are underway. The first fictionalizes a true 1980’s battle between an auto manufacturer and an underdog labor union. The second, set in small-town USA, explores the plight of another underdog, a young woman unjustly blamed for a deadly accident.
Urban explorer Lucas Tremaine should buckle down and complete his Masters in Architecture, but the past torments him. Six years earlier, Drax Enterprises’ negligence killed his father and left his mother strung out on Valium. Lucas longs to punish the corrupt behemoth of Cincinnati real estate development, but what can one man do?
“Plenty,” says old Mr. Blumenfeld, Lucas’s boss and a former photojournalist with too many secrets. Evidence to bury Drax exists, he claims, but to find it, Lucas must breach the city’s welded-shut subway system. Lucas takes the plunge, aided by his best friend and moral compass, Reuben Klein.
The deeper the duo infiltrates the dangerous underground, the further back they turn the clock. They learn that Drax’s corruption intertwined with fascism’s rise in Germany. That campfire tales of a subway crypt were true. That no one can be trusted, not even Lucas’s boss.
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From Frights to Flaws, by Sunayna Prasad, is the first in the author’s Magical Missions series and follows the plight of Alyssa McCarthy as she discovers a magical world complete with a talking marble statue and fantastic creatures bent on saving her from a newly-discovered nemesis. Alyssa is a twelve-year-old girl living with her cousin and uncle–a man who cares for her but provides a highly regimented life of homeschooling, chores, and virtual seclusion from the outside world. When Alyssa begins to find peculiar notes around their home addressed to her, she strives to make herself noticed and validated by her uncle. Her life, and the lives of her family and friends, go from humdrum to fantastically frightening in a matter of moments.
As the first book in a series of fantasy stories, From Frights to Flaws has the potential to be a memorable read. However, as a teacher who often uses literature from all genres in my classroom, I can’t help but notice some issues with character and plot development. On several occasions throughout the reading, I felt that unique situations were brought to light too quickly without sufficient background and build-up. The author is aiming at an audience who is still developing a schema as they read, especially in the fantasy genre. It is important to be as descriptive as possible to draw in readers with elaborate explanations. I feel those explanations are missing as the setting moves from the everyday to the land of mythical creatures and magical beings. The author takes for granted that the reader is able to follow quickly and make assumptions.
I was struck early on in the reading with the similarities to the Harry Potter series by J.K. Rowling. Alyssa, a wonderfully written character, is thoroughly described in the initial chapters, but loses some of her uniqueness as the book progresses.
The setting of the book is one of its more appealing aspects. The author has chosen to set Alyssa’s adventures in present times with references to tablets, iPhones, iPods and GPS navigation. This alone will attract a younger audience. The fantasy element interwoven with this modern-day setting makes for an appealing read for preteen readers. I was impressed with the growing number of fantastic creatures as the story line progressed. From dermaidens to the centidile and from Regulus, the marshakeet, to the ash-breathing adder, the author has laid out a long list of beings who can easily compete with those in any fantasy novel for preteens.
Prasad has the base for a strong work of literature for young readers, but lacks some of the well-developed background and detail I would like to see in this particular genre. Sunayna Prasad has created a story that is enthralling in many ways.
Pages: 216 | ASIN: B00EO8U7O8
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