The Enigma Broker is a genre-crossing novel with elements of a thriller, suspense, and cyber-crime as well. Did you start writing with this in mind, or did this happen organically as you were writing?
We actually set out to incorporate all those elements when we started sketching this book, yet we find our stories end up surprising us as they evolve. So, yes, the story did grow organically as we were writing. To be honest, we feel our stories are Techno-Thrillers, thus it makes sense to us that you find these elements within the stories. We struggle with many of the literary reviews as this category is not yet well-defined, yet your insight on this is appreciated.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
That is somewhat an unfair question. We like to spend time developing each character to the correct degree for the story, which helps to give us the tension we are looking for in that story. We are quite prejudice toward all of them. We have so much fun with all our characters. To put a fine point on it, for The Enigma Broker, our favorite would have to be Juan as we let him stretch in this tale to show his versatility as well as to find a stronger footing to go forward in the series.
When writing this novel together, how did you divide the work and decide on the finished product?
Our tendency has been to practice literary ping pong. For each story we start with the main premise and then rough out chapters typically ten at a time. Once we have the chapters assigned, each will work a chapter then serve it up to the other, in a back and forth exercise until the chapter is polished. We write to our strengths with the intention of making the stories sound like a single voice, and we submit that the back and forth helps achieve that for the reader. We review and criticize each portion and frequently add to each chapter as it progresses. The goal is to tell a relevant, contemporary story and have fun doing it. If it wasn’t fun we wouldn’t do it.
What is the next book that you are working on and when will it be published?
We are working on The Enigma Dragon, which focuses on how to conduct illegal activities without being observed digitally. It is difficult to keep your personal affairs private these days with social media and cell phones that can be easily monitored, because we have allowed technology so deep into our private space. It is hard not to use technology these days, and we incorporated that into Dragon. It has some tense segments where the characters are at risk and where others find out what they are really made of when things get tough. This one is focused on using the CATS team which was introduced in Book 7, The Enigma Gamers – A CATS Tale. This was a branch off the main series, but with a grittier core group. The Cyber Assassins Technology Services group is the new generation of detectives in the cyber space of the 21st century.
All around the world, commodity prices are plummeting, and nobody asks why.
The steep drop in the markets for oil, copper, coal, and other commodities threatens to destabilize nations and bring them to the verge of economic collapse. Amid fears that further drops in value could devastate civilization, the R-Group quietly engages.
The R-Group was formed during World War II. After delivering the Enigma machine to the British, they used their copy of the device to safeguard wealth and property from the Nazis. Today they use information-gathering and security capabilities to protect us from cyber-attack.
Jacob and Petra begin investigating the free fall in oil prices and soon discover disturbing clues that may implicate a “dark matter organization”—a shady organization that leaves no digital footprint behind. Meanwhile, ICABOD, the group’s supercomputer, teams up with government investigators to identify potential suspects. Quip and EZ also apply their special talents assiduously to the case but don’t let their work interfere with their blossoming relationship.
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Miss Sally is a portrait of a young girl growing up in Texas in the 1930’s. Why was this an important book for you to write?
Primarily because I was living in Texas when I wrote it and my three daughters, though not yet in their teens, faced the hazards of adolescence, the coming of age which always is difficult and which Sally Halm, the protagonist of his novel, confronted in exaggerated form. I spent my boyhood in a small predominantly Protestant rural community and felt it important to portray what rural life was like for a contemporary audience.
The 1930’s are one of my favorite eras because of how much was going on across the country. Why did you choose this as the time period for your story?
My parents were severely affected by the “Great Depression”: they lost everything and had to start life anew in very changed circumstances. Texas was one of the states most affected by migration and the social changes that the Great Depression triggered. Mere survival became the primary preoccupation of millions of people. These are basic ingredients for the making of a novel.
Sally is a simple minded girl, she is not beautiful, and her family treats her this way. How did you set about capturing the thoughts and emotions of a young girl in the 1930’s?
I had a clear impression of Sally, who she was and what she was like, before I began and in the process of writing became Sally, at least to the extent of feeling what she felt, seeing the world as she experienced it, incorporating my own background of growing up in a socially restricted rural community where failed crops and tent revivals were a reality.
What is the next book that you are writing and when will it be available?
I’ve just completed a novella about how an incapacitating illness affects a marriage. It’s being considered by several editors. Also in the hands of editors is a recently compiled book of published short stories about Mexico. This fall I’m issuing as an ebook a nonfiction account of government repression of a teachers’ movement in Oaxaca, Mexico, which includes firsthand reporting. It’s to be called Kill the Teachers! And I’m beginning work on a freewheeling journalistic appraisal of the confused political and economic shenanigans involving the United States and Mexico.
This is the story of a young girl’s painful initiation into womanhood: the discovery of sex without hope of love, and grief without the release of tears. The setting is rural Texas in the 1930s, a rough and tumble environment in which the thirteen-year-old Sally Halm questions but tries to appease her authoritarian mother’s religiosity, appeasement that leads to misguided attempts to seek a salvation that her environment ruptures
Sally’s father has distanced himself not only from his wife but Sally and her two older brothers and two older sisters. The mother’s ally is the son who hopes to become an evangelical minister; the rebel is Sally’s oldest sister, who Sally and the middle sister Hill’ry discover in a lovemaking tryst with a neighbor boy. Hill’ry is the family’s child protégé who is given privileges that Sally is denied and who Sally both envies and admires, attributes which tumble her into misadventures than Hill’ry sidesteps.
As Sally struggles to reconcile the concepts of “sin” and “salvation” that seem to dominate her life she ricochets between hope and rejection. Inspired by the testimony of a woman evangelist who recounted rising from degradation to achieve happiness and prosperity thanks to accepting Jesus as her personal savior Sally tries to emulate her but realizes “everything I do I do backwards, I can’t even sin without people laughing at me.”
Sent to live with relatives in another part of central Texas, Sally becomes infatuated with an older cousin whom she helps to milk and to breed a mare. Though supportive he’s a man who seems to hate himself, a hard drinker who has no use for religion and prefers the company of prostitutes than that of “churchy people.” Again Sally does things backwards and alienates him as she’s alienated others. Her decision to run away from family, from the she’s leading and has led, thrusts her into even greater entanglements, entanglements that make her realize how difficult it is to have one’s immortal soul saved, even when that’s all that one has left.
A reviewer cautioned, “You’ll love Miss Sally, but she’ll break your heart.”
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The Nosferatu Chronicles: Origins is a science fiction novel detailing the origins of vampires with a mix of aliens and Vlad the Impaler. What was the initial idea behind this story and how did that transform as you were writing the novel?
As a kid, I loved science fiction movies about alien invaders and the Dracula films that starred Christopher Lee and Jack Palance. I kept waiting for a film to come out that would combine my two favorite genres, but it never happened. I finally decided to write down my own story that had been in my head for decades.
The alien VAMBIR were fascinating and I felt like you spent a lot of time thinking about these creatures to truly bring them to life. How do you capture the thoughts and emotions of an alien species?
I loved the movie ENEMY MINE and Louis Gossett Jr’s portrayal of the Drac alien was incredibly moving. In the beginning, it was easy to think of him as evil because of the hideous exterior, but you quickly see that the Drac had a parallel code of ethics to humans. I thought of the Vambir in the same way — a humanoid species that evolved separately with the same hopes and dreams and everyday struggles.
The story takes place on Earth during the 15th century. Why did you choose this as the backdrop to your story?
The character of Prince Vlad Dracula was essential to the story, and he lived in the 15th Century. Since the vampire legend began with Vlad the Impaler, it was a good place to start with an alien crash-landing that ‘explained’ just how the legend began.
I find a problem in well written stories, in that I always want there to be another book to keep the story going. Where does book two, The Aztec God, take readers?
The Aztec God will take readers from where Origins left off in the 15th Century to the present day. Kevak and his network of transformed humans have been secretly protecting mankind from the Vambir, but just when they think the threat has been obliterated, historical clues point to a Vambir presence among the Aztecs that is linked to a present day cult.
Book 1 of the series reveals how the vampire legend is the result of a secret alien invasion that began with a crash landing in Transylvania in the 15th Century.
The Vambir discover human blood is a nutrient, but it is also highly addictive. Ingesting blood brings about a physical transformation that enables them to pass as humans.
Impressed with their superior strength and vicious fighting skills, Prince Vlad Dracula welcomes them into his inner circle, where they attain power through him.
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The Mystical Qigong Handbook for Good Health details one of the pillars of Traditional Chinese Medicine. Why was this an important book for you to write?
I believe that in our global society we are no longer restricted to one mode of medical care; that we can share and learn from each other. Further, Qigong is an ancient practice that offers incredulous insight into the human body and how it functions. I have utmost respect for tradition and the ancients.
It was nice to find a book that covered a variety of questions average people have about Qigong. What is one question you always get asked about this topic?
Can Qigong cure every disease?
What do you hope readers take away from your book?
That they should know the dynamics of the human body and how much we are connected to the universe; that we are inseparable.
What is the next book that you are working on and when will it be available?
I am working on 100 paths to God, a compilation of published articles that I have written for the Gleaner company, one of the oldest media houses in the western hemisphere.
Qigong is one of the pillars of Traditional Chinese Medicine (TCM). It involves gentle hand movements, postures, controlled breathing and some visualization. Qigong is widely known to successfully treat a number serious illnesses, promote muscular-skeletal strength, increase circulation and promote overall wellness. The Mystical Qigong Handbook For Good Health offers simple but very effective exercises for all age groups.
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Fractured details your revelations and strides toward bettering yourself both mentally and physically. What was the inspiration that made you want to capture your experiences in a book?
I originally started writing the book as a form of therapy, a way to help get the trauma, events and details of the accident out of my body and mind. Then around my 30th birthday, I had a breakdown. I felt like a failure, I thought I should have been at a different place in my life, I thought I should have accomplished more. After many therapy sessions and allowing myself to cry, be mad, and feel all the feelings – I realized I had so much more to share than just the details of the accident. I took a step back and saw how hard I had fought to be healthy and have a successful life. I knew at that point that my book was supposed to be about that. I wanted to share my struggles and adversity in hopes of helping others going through something similar.
I greatly appreciated your candor in detailing the obstacles you faced and I could truly feel the tragedies as well as the victories. What was the hardest thing for you to write about?
The hardest thing, hands down, to write about was the rape when I was a freshman in college. It was something only my therapist really knew about. I hadn’t even told my parents at the time I was writing it in the book. It brought back all sorts of memories, feelings, and shame. As I was writing it I had to take many breaks, remember that I was not the same person nor in the same place, and keep telling myself I was enough. THEN came the hard part of having to tell my parents about the event. I had hid it from them for 12 years but I knew I needed to tell them before the book came out. Again, all the fears, shame, embarrassment, and emotions came rushing in. But I knew it was something I had to do before I let them read the book – that was probably the only thing they didn’t know about that was in the book. I also knew it was something that I absolutely needed to include in the book since the book is all about finding my voice and sharing my truth. This was a huge part of losing both of those things. I am so thankful to have such supportive, encouraging and loving parents. It was extremely hard for them to hear, but I know it ultimately brought us closer and deepened our relationship.
In Fractured you reveal a past with issues like body dysmorphia and a struggle to find your own voice. What is the message you hope readers take away from your book?
I hope readers can take away the lesson I learned after my 14+ year struggle with diet pills, anorexia, and body dysmorphia… YOU ARE ENOUGH. Beauty comes in all shapes and sizes. The image society portrays that you have to be skin and bones to be beautiful is so distorted. I hope readers, especially young girls can read this and have an “aha moment” before they enter into a self-destructive path. It also my hope that men and women learn that it is ok to be vulnerable, to speak, share, and use your authentic voice, live in their authentic skin, and follow their own rules. Don’t shrink yourself to make others like you. It is not worth it. It is so much more fun to live life celebrating your bigness.
You are the founding director of the nonprofit company Step Up Chicago Playwrights. How did that start and where do you see it going in the future?
I founded what was then Step Up Productions in 2009 with the mission to share truth onstage and inspire the audience to embrace their own personal truths (haha see a pattern?) We had 3 successful seasons of shows in which we chose a social service organization – whose mission matched the theme of the show we were producing- in Chicago to partner with and donate a portion of our proceeds to. In 2015, funding was low and we were struggling to be able to fund our next production. I took a step back and cancelled the remainder of our season. I talked with a mentor, friend, and phenomenal artist in Chicago, Brad Akin, and together we came up with Step Up Chicago Playwrights as it is now. A company that pairs Chicago Communities with local playwrights who will write a play based off that community. Our hope is to make theater sound and look more like Chicago, All of Chicago! I have since taken on an advisory role since I moved to California with my fiancé who was relocated for work and Brad has taken on the Executive Director role. I know the model we have sets us up for success. We are in the process of choosing our first playwright and community to kick off the inaugural year with Step Up Chicago Playwrights.
Fractured is about your journey of self discovery, but it’s also about your family. Was there anything about your family that you only learned through this journey?
In talking with my therapist about different patterns I was trying to break and learn the history of where they started (me always being good, my need to please, not using my voice) I learned a lot about my family. I brought different topics up to my mom and asked her a lot of questions about my young childhood that helped me figure out why I embedded certain thoughts, behaviors and patterns into my system. I have to say, even though it was not always pleasant to learn and a lot of hard work, it was a lot of fun putting all the pieces together and learning why I did and thought certain things.
From the outside looking in, Elizabeth had the perfect life. She had a family who loved her, numerous friends, and a successful career. No one knew the hurt, pain, and angst she hid inside, struggling to keep herself small so that those around her would still like her.
It all came to a head on October 23, 2007, when her parents received a call that she was lying lifeless in the ICU in a hospital in Utah — “You better get out here, your daughter is not going to make it.” Fractured: My Journey Back From Death and the Lessons I’ve Learned Along the Way is the memoir of Elizabeth’s recovery, spiritually, physically, mentally, and emotionally. It is about her deliberate decision to begin the hard work finding and using her voice and the struggle to break out of the box that society tried to keep her in.
This is the story of what happens when one woman stared death in the face and decided to make a conscious choice not to go back to sleep, but to wake up and live the life she knew she was meant to live.
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Dear Emma, written by Kwen Griffeth, is a touching novel that revolves around the life of a family in the hospital waiting for a crucial moment that will equate to life or death. Their story is discovered by a caring man, Roger, who is the chaplain at the Price Hospital.
Lost in his own thoughts about his own personal life, Roger stumbles across Ben Talbet, an architect about to become a grandfather. But instead of it being a joyous occasion, Ben is convinced that he is about to lose everything he cares about- all because of a mysterious letter found on a hospital bedside table. What could this letter say that has Ben convinced he is about to lose it all?
Dear Emma is a heartfelt novel based on the significance of letters written to a woman by the name of Emma. The beginning of the novel walks you through the hospital in the eyes of a chaplain. It is here you meet nurses, doctors, patients and families all experiencing the ins and outs of hospital life. One family, in particular, has several lives on the line, and this is where you meet Ben- a loving father about to become a grandfather.
The story ventures into the past where we learn about Ben and Emma and what lead them to this important moment of their lives. Their past tragedies and losses will be shared and you will find yourself feeling a connection to the characters and their story. As the story progresses, the doubt and questions that are posed by Roger, all assist in creating a strong belief and understanding of things we may not understand.
There is a religious sentiment throughout the story and you feel as though you are involved in a special moment with Ben as he shares a personal story between the Father in Heaven and the chaplain. This interaction provoked thought between life after death and how our lives change after we lose a loved one. Dear Emma respectfully shows how love can be everlasting, and how a love between a mother and daughter is an irreplaceable bond.
The descriptive language used throughout the novel easily paints a picture of the hospital setting, with images such as the chapel, cafeteria and maternity ward easily envisioned. Kwen Griffeth’s language, however, does not take away from the importance of the story and instead compliments the plot line and the characters as they progress through the story. This novel tugged at the heart strings and will feel the reader’s heart with warmth and love. The storyline is always fast paced, and even though it isn’t a typical action novel, it kept me on my toes, eager to learn what happens to the family and the letters.
I would recommend this novel to anyone who enjoys a beautiful, feel good story with a little twist at the end! Dear Emma is a journey of love, life and grief and how love surpasses time, death and life.
Pages: 115 | ASIN: B00770I2HO
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In Typhoon of Fire we follow Ace Mcdagger who teams up with Captain Loxwell of November squad to rescue her teammates scattered in the forests of Malaysia. What was the inspiration for the setup to this thrilling novel?
During Call of the Conjurer, when the characters were new recruits to the hidden world of modern, magical combat; they spent a lot of time in a regulated, clean environments. The characters were usually safe. I wanted to go the opposite way in Typhoon of Fire. I wanted the situation throughout to be very rough, challenging and dangerous. My very first thought, visually, was of Vietnam era war films like “Platoon” and “Apocalypse Now”.
The jungle is wild and hostile, and Malaysia is a location brimming with different environments which greatly inspired the events throughout. The characters explore flat, arid plains and damp rainforests, a rundown laboratory overrun by plants, an abandoned mine, a floating fortress above the clouds… I had a great time using colour schemes to set the mood. The use of natural environments also helped me to emphasise major themes in the book. Subjects such as ‘corruption of life’, ‘man versus nature’ and ‘Hell on Earth’.
I felt that the novel was very well paced and kept me engaged throughout. Did you plan the novel as you wrote or did it all happen organically?
It happened organically, for the most part. From my perspective, Typhoon of Fire is a prequel to another book I have written – but I decided it would be better to publish them chronologically. Certain events had to happen in Typhoon of Fire, and with that in mind I just had fun writing what I wanted: a creepy science-gone-wrong scenario!
Developing the supporting cast and their stories happened organically as well. They were new characters, who would not necessarily be seen again; so their personalities, roles and fates were all blank slates. I enjoyed unravelling these characters, adding little twists to their personalities to surprise the reader. A lot of the characters are very different people by the end of the story, for better or for worse. I suppose in essence, the main plot of Typhoon of Fire was an after thought for me. The subplots, however; the individual character arcs which pave the way for future instalments, are the real meat and bones of the book. Away from all the magic and sci-fi, this is a book about humanity and frailty.
Ace, Shimon, Tiffany, and Loxwell have brilliant dialogue and they feel like living characters. What things did you focus your character development on to bring your characters to life?
I absolutely adore writing flawed characters. I like my characters fumble their dialogue, on occasion, or misunderstand information given to them. It makes them more human, to be far from perfect. I enjoy the concept of the “unreliable protagonist” and bear that in mind when I write. Sometimes the characters make mistakes, and sometimes they lie, even to themselves. They are supposed to be human, despite any super human magical powers they possess. Careful dialogue keeps them grounded and relatable.
What is the next novel that you are working on and when will it be available?
Tricky one! I actually have two books in the proof reading stage now. One is a direct follow up to Typhoon of Fire, called Bloodfest, which was the book I had written before this one but decided to release later. The other book I’ve completed is a supplementary story called The Sardonyc, which focuses on the Science Department mentioned throughout Typhoon of Fire. The Sardonyc is a very different book to what I have written before, but it is still within the same self contained universe.
Bloodfest will be a straight up action horror / macabre comedy, continuing the adventures of Ace Mcdagger. He is more grown up and world weary by now, and is deployed to a mysterious island to dispatch a rising army of the undead. Definitely one for zombie fans!
The Sardonyc is more of a psychological thriller, about a troubled new character named Sidney. He is part of a research team stuck on a ship in the middle of the ocean, and everybody is slowly going mad. Sidney must figure out why it is happening before he succumbs as well, and there are plenty of twists along the way.
I hope the Literary Titan will review my next book soon – whichever one is out first!
Three years after training; learning about magic combat and of monsters that terrorise our world, soldier Ace Mcdagger and his allies join Captain Rafaella Loxwell of November Squad for a rescue mission. Her team mates have been scattered following a disastrous attempt to seek out a rogue scientist deep in the forests of Malaysia. Their path is mired by many obstacles; treachery, psychic warnings, scientific abominations, and an overwhelming storm – the Typhoon of Fire, slowly closing in on the region without a known cause.
Worst of all, Ace has to contend with a personal challenge – keeping his mad cousin out of trouble.
Can Captain Loxwell save her team mates and complete the mysterious mission? And will Ace and his friends survive out here in the midst of true, heated battle?
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STAINER follows Ben Steiner, a Jewish Columbia undergrad who is a decent person but wishes to be “in” with the “in crowd.” What was the initial idea behind this story and how did that transform as you were writing the novel?
Since I wrote the book forty years ago, I must confess that I cannot precisely recollect what the initial idea was. I just sat down and started scribbling (longhand, on legal yellow sheets) and eventually the novel emerged. However, as I explain in my Author’s Preface, the manuscript was an overwritten mess. I was a complete amateur, and made every mistake in the book… (okay, that was a truly cringe-worthy pun.) But now that I think of it, I did have a vague notion that I wanted to somehow skewer an acquaintance of mine, and decided that the cleverest way to accomplish that would be to turn them into a rotten character in a book. Which I did… and no, I won’t tell you which character, but suffice it to say that nowadays my intended skeweree is rich, fulfilled, aging much better than I am, and utterly unaware of my –or my novel’s– existence. Which, all things considered, is exactly as it should be.
Of course, at a distance of four decades, I am now able to perceive things in the novel that weren’t apparent to me at the time I wrote it; by which I mean that there’s more than a trace of autobiographical heartbreak in the story. And I think we’ll leave it at that.
Ben goes through some strikingly personal conflicts throughout the book and his character is meticulously developed. How did you capture the thoughts and emotions of a 70’s Jewish teen?
Easy… I was a 70’s Jewish teen. Well, not technically… even though I was already in my mid-twenties when I wrote STAINER, my mindset remained that of an irresponsible teenage scamp, and I simply wrote prose in the same the way I spoke/ thought/lived; in other words, from the viewpoint of extremely arrested adolescence (ahem.) Luckily for me, it turned out that I had a knack for accurately capturing the mood and lingo of the times in my writing… who knew?
Ben meets P.T. Deighland, a wiseass from Princeton, who is clearly up to no good. What were the driving ideals behind the characters relationship throughout the story?
“Driving ideals”? Hmm… I have no clue, other than to suspect that the relationship between ‘bad-boy’ P.T. and ‘good-boy’ Ben somewhat reflected the two sides of my own slightly schizophrenic persona; which, in those days, remained more-or-less in a constant state of conflict. To all outward appearances I was definitely a good boy, but like many such young fellows, secretly wished that I had the nerve and coolness to behave like one of the bad boys. Because, after all, the bad boys always got the girls… didn’t they? But, like Ben, my efforts to attain bad-boy status were ultimately doomed to failure, and came at a heavy cost.
What is the next book that you are working on and when will it be available?
I have a new novel under way, and it’s as different from STAINER as STAINER is from SHE’S MY DAD. I can only write stand-alone novels; the mere thought of doing sequels or a series is a stupefying bore. For me, once a story is wrapped up, that’s the end of it, and then I’m off to build a new world, with new characters, new problems, new everything. It’s the only way I can stay interested enough to keep going.
As to when the new book will be available, who knows? All I can say is, stay tuned… I do believe it’s a pretty good yarn.
New York City, 1975: Decent-hearted but spoiled Jewish college kid Ben Steiner is naively possessed by an overwhelming desire to be cool. At a springtime party on the night of his twenty-first birthday, he meets two people: Rebecca Glaser, the longed-for sweet girl of his dreams, and P.T. Deighland, a beguilingly knavish wiseacre from Princeton. Seduced by Deighland’s bold irreverence while simultaneously succumbing to his own temptations, Ben makes a cascading series of unfortunate choices which not only threaten his budding relationship with Rebecca, but expose him to ruin at the hands of a ravishing but ruthless fashion model named Anthea Montague.
Against the background of a vanished period in American history, STAINER offers a bittersweet nostalgic trip back to a less complex world, during a time of incautious excesses that, while deceptively fun and carefree, in due course forced many unwary youngsters like Benjamin Steiner to learn some necessary –albeit painful– lessons about growing up.
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Detours in Time follows Professor Milton, who invented a time-traveling car, and his assistant turned traveling companion Tabitha on their adventures through time. What was your inspiration for the setup to this entertaining novel?
I’ve subscribed to several writing sites over the years that offer writing prompts. It simply started out as a response to a writing prompt. After a while, imagining this story became a great escape for me. The element of escape is what kept me going with this story. That, and the headlines we’ve been seeing in America during pre and post-election. They truly can get an imagination going.
Time travel is always filled with paradoxes. Are there any that you had to deal with when writing this novel?
Well, there is possibly an issue with going back in time and seeing yourself, or the possibility that you cannot physically inhabit a time in which your body is already inhabiting. I don’t think we truly know the answers to that question, so I mostly went with the “what-if” factor through a lot of my story. What if you could inhabit a time where you already exist, wouldn’t you want to avoid bumping into yourself? I would say, yes. So that factors in to one part of my novel. Then, there is the concern that you must not bring anything back from the future, which becomes an issue at another point in the story. It could mean that a different person discovers the formula for artificial sweetener, thereby ruining another person’s life, which means they may not produce the children they had, leaving a hole somewhere in the rhythm of the universe. I was a natural-born worrywart, so I’m used to thinking like this.
With these types of time travel stories most people draw a comparison to Doctor Who or Back to the Future. I suppose the dividing line being familial involvement. What of these two fictions do you enjoy better and where do you think your novel falls between these two?
I would say it falls closer to Back to the Future, except the scientist is taking a young lady, Pinky, with him. That young lady might be comparable to Marty, except her personality is much different. I was such a fan of that series, and so was my son. It’s a happy memory for us both. I also had a dear friend who shared a love of this series with me who is no longer with us. It brings back memories there as well. I suppose that is why there is so much familial involvement in the storyline. Family is such an important thing to me, so it was part of the building of my characters, despite the fact that Pinky has been without her family and forced to be self-reliant for some time. You may say there’s a resemblance to Dr. Who because of the female companion, however, I don’t think there is much more that is similar. I have enjoyed Dr. Who but never was able to watch more than one season.
What is the next story that you are writing and when will it be available?
I have so many ideas spinning around! Most likely, what I will publish next is a book of paranormal stories, since I haven’t published in that genre yet. I have the stories and just need to edit, proofread, and polish. I also have 50,000 words done for the Detours in Time sequel, but I like to get good editing and beta reading before publishing a novel, so it won’t come out until next year. I plan to flesh that sequel out during NANOWRIMO, which really drives me to produce. I have the Made for Me series which takes place in the future, and plan to work on a book 3 to uncover secrets about the main character parental lineage which has been a mystery so far. I think that one will also come out next year.
On a whim, feisty Tabitha takes a trip to the future with her trusted friend Milt, an awkward Science professor. Wonders and curiosities abound. However, their amusing journey soon becomes a challenging maze of difficult decisions. When an unplanned detour occurs, the two set events into action that may save one life and yet destroy another. Can these friends of completely different mindsets agree on a course of action?
Amid the backdrop of a future that reveals great wonders and horrors, Detours in Time starts as a fantastic escape and grows to present many moral dilemmas and surprises that can either destroy the strongest friendship or bring two people closer.
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Fireflies of the Dead takes readers on a horrifying journey of blood seeking killers and revenge loving victims. What was the inspiration for this collection of short stories?
I’ve always been a fan of exploitation horror films, which I think really shows in the stories in this collection. I’ve been fascinated with rape revenge films such as Last House on the Left and I Spit on Your Grave for as long as I can remember. The boldness and grit of those films are what really drew me into them. I am a horror fan and as a horror fan I wrote stories that I myself would enjoy reading.
What was your favorite short story in the collection and why?
That is tough for me to answer because each story I like for different reasons. If I had to narrow it down, I would think my favorite is Watching Over Loved. I think it’s the darkest story in the collection. It contains no gore at all but packs a punch.
The stories are preceded by poems that help set the tone of the next story. What made you go with this format for your collection?
My previous books besides Burning Down Paradise were horror poetry collections dealing with extreme horror. As a reader, I’ve always loved reading short story collections. Especially when it’s a collection written by an author I’ve never heard or read before. I thought the poems would both serve as a way to set up the tone of each story as well as serve as stopping points for the reader.
I didn’t notice that any of the stories were connected, but they stood on their own well. Was there any overarching theme you tried to use in the collection?
Yes, some of the stories do share a common theme which might be hard to see through the violence and gore for some readers. In a lot of my work, I focus on themes of loss, loneliness and trying to find one’s place in the world.
Are you currently working on any full-length books? If so, when will the next book be published?
I’m working on a new draft a Novella I do not yet have a title for. It kind of serves as a sequel to my book Burning Down Paradise but yet is a stand alone story as well. I don’t want to give away much right now but I will say it takes place in a prison.
An alien from a distant world falls to earth with an insatiable craving for human flesh and something even more frightening, a desire to mate! Witness the tragic tale of a lonely man with an unhealthy affection toward the fire.
Seven short stories and poems that will take you on a blood-soaked thrill ride filled with mayhem and horrific images.
Fireflies of the Dead will chill your blood.
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