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Provocative Works Of Art
“Goat Song” is a captivating poetry collection that explores a diverse array of themes and invites readers to embrace the unknown and traverse a vast landscape of linguistic styles. What inspired you to explore such a diverse range of themes in your poetry collection?
Most of my writing touches upon themes related to human or animal rights and the eco-systems that support us all. There is no end to the variety of ways that we compromise, abuse and exploit all living creatures and the planet that we call home. As a result, my creative passions are diverse. I think the linguistic styles that I use – from formal to experimental – reflect my core belief in creative freedom and the need I have, equally personal, to create unique, provocative works of art that both educate and entertain.
How did you develop your extensive linguistic repertoire, and what advice would you give to aspiring poets who are looking to improve their language skills?
I think my linguistic repertoire, such as it is, reflects my passion for language. We all have gifts and one of mine has always been to absorb and process and use language in original ways. This comes from listening and reading of all sorts. One caveat: the deep pool of reflection that produces my fiction and poetry is much different than the wading pool that informs my speaking style. In conversation, no one needs water wings to stay afloat.
Which poem from “Goat Song” resonates with you the most, and why?
I think “Eulogy for Empire” resonates with me the most. It is the longest poem I ever written and it certainly took me the longest time to write. While “Eulogy” chronicles the last few days of a dying soldier in hospital, it is really an allegorical journey through the last years of American empire and how that is visible in the natural world and in human culture. I was very happy when “Eulogy for Empire” won the Samuel Washington Allen Prize in Massachusetts for best long poem since I had invested so much on so many levels in this particular work.
Could you speak about the process of selecting and ordering the poems in your collection, and how you decided which themes and styles to focus on?
As I alluded to earlier, I chose poetry for this collection that reflects on some level the injustices suffered by those who have been marginalized, exploited or killed in the interests of the avarice and hubris of some. I am passionate about exposing inhumanity. The ordering of the poems, to be perfectly honest, had a lot to do with the readability or accessibility of each work. Often, my work is challenging. It’s who I am as a creator. If someone was brave enough to navigate a difficult piece, I wanted the next piece – in relative terms – to be somewhat more approachable. Overall, stylistically, I wanted to use the whole arsenal at my disposal as a poet. I always try to set for myself the highest possible goals and challenges. These keep me interested and motivated.
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Goat Song
In Dean Gessie’s captivating poetry collection, Goat Song, readers are treated to twenty-three thought-provoking poems spread across just over eighty pages. Each poem varies in length, with only a handful confined to a single page. The anthology explores a diverse array of themes, ranging from intimate personal experiences to pressing international political issues such as race, aging, mental health, environmental concerns, and the evaluation of poetry prizes.
Gessie’s work demonstrates an impressive breadth of reference, seamlessly juxtaposing elements from Ancient Greece with contemporary topics like the recent pandemic and the vernacular of social media. The acknowledgments section highlights an impressive array of accolades garnered by the poems in this collection.
Readers are advised to have a dictionary and search engine at the ready, as Gessie’s extensive linguistic repertoire introduces terms like “ectothermic” and “Apocrypha” alongside onomatopoeic expressions and colloquialisms. The experience of feeling lost in the text is not uncommon, and one might even feel a touch of illiteracy when confronted with the author’s superlative language. However, the glowing endorsements on the back cover serve as a reminder that the challenge is part of the journey, and readers are encouraged to embrace their role as intrepid explorers in the realm of this literary titan.
Gessie’s work may be described as postmodern, but it also possesses a unique quality that defies easy categorization. The collection contains poems that resonate deeply with readers, such as “A Mother Mulls Her Son’s Self-Injuries,” which presents a litany of personal traumas in search of a catalyst. The opening poem, “[sic]stemic,” implores readers to distinguish between the poet and the persona, as the line “I take my black skin out for a walk” comes from a Caucasian writer. The collection also offers moments of tongue-in-cheek irony, eliciting wry smiles as song lyrics intermingle with introspective prose lines that ponder the actions of the living after one’s demise.
Dean Gessie’s Goat Song is a rich and rewarding collection of poetry that invites readers to traverse a vast landscape of themes and linguistic styles. Embark on this journey with an open mind and a willingness to embrace the unknown, and you will surely be captivated by the powerful voice and keen insights that await within its pages.
Pages: 83 | ASIN: B0BV4CK6HN
LITERARY TITAN 