Ronald Raye’s The Mole Vol XIX is a poignant blend of poetry and reflection, diving into the chaotic, electric spirit of New York City while weaving in the dark realities of urban life. The book traverses the subway cars, bookstores, and streets of Manhattan, presenting the city as a living, breathing organism, teeming with aspirations, heartbreaks, and history. At its core, it captures the juxtaposition of dreams and despair, most notably through a harrowing retelling of the infamous 1984 subway shooting incident.

What struck me first was Raye’s vivid imagery. In poems like “Sketches of New York,” the city unfolds as both a muse and a menace. His portrayal of immigrant struggles and the pursuit of elusive dreams felt raw and personal. Raye’s strength lies in his ability to craft images that evoke emotions, whether it’s the chaos of subway commutes or the haunting stillness of Central Park.

Some poems flow like a rhythmic celebration of life’s grit. The recurring motif of being “a lost twenty-something” wandering Manhattan was relatable. That said, poems like “Under a New York Sky” reignite the emotional potency of his narrative, offering a striking balance of hope and melancholy.

The section on the subway shooting is where Raye shifts from introspection to reportage. His recounting of the event, combined with poetic interludes, makes for a chilling read. The description of Thornton’s actions and the subsequent fallout is gripping yet unsettling. Raye’s treatment of the subject raises moral questions, leaving readers to grapple with their own judgments.

The Mole Vol XIX is a heartfelt tribute to the struggles and stories of New York’s inhabitants. Its blend of poetry and prose captures the city’s heartbeat. This book is a compelling read for those who crave the grit of urban life, the nuance of moral dilemmas, and a narrative that doesn’t shy away from uncomfortable truths. If you’re a fan of poetry that challenges as much as it inspires, Raye’s work deserves a spot on your shelf.