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The New Holy Warriors

The New Holy Warriors by [Sandoval, Alice ]

The world as he knows it is crumbling around him. Marc Bravo has just seen the twin towers in New York City fall and terrorism is on the minds of every American and dominates conversations across the globe. September 11, 2001 marks the beginning of a string of events that will change Marc’s life in a way he could never have predicted. When his parents go missing from their volunteer work with Doctors Without Borders, Marc drops everything to find them and bring them home safely. What Marc can never predict is what he will learn about their kidnappers, their true intentions, and how the entire world may ultimately be affected.

Alice Sandoval’s The New Holy Warriors is a timely piece detailing the events following the September 11th attack on the United States. Sandoval takes the story beyond the accounts that we have all seen and heard and breaks down the symbolism of the event itself. In addition, the author lays out for readers a story like no other as she follows Marc Bravo on a quest to find his missing parents who are assumed to have been kidnapped. Marc’s story and his journey for answers is based on true events and is stunning in every way.

One of the most striking elements included in Sandoval’s work is the way in which Islamophobia is addressed. In a very straightforward manner, the author reminds us all of the horrific treatment of anyone appearing to be of Middle Eastern descent. Via her main character, Marc, she drives home the fact that stereotyping immediately following September 11th was rampant and a danger to countless numbers of innocent people.

Another aspect of Sandoval’s story, which might go unnoticed by many, is the description she gives of the strange incidents in the skies above Mexico. Marc is treated to an elaborate explanation of the event and is informed that UFO sightings above Mexico are fairly commonplace. As this book reads as primarily nonfiction, it is almost chilling to listen in on the characters’ conversation about these “cigar-shaped” ships. As an added bonus to the already curious events, Sandoval includes the story of a suspected relationship between the Mayans, the pyramids, and Martians. The casual conversation included in this story inspired by real events is not in the least out of place, but it is truly fascinating.

Sandoval does not shy away from sharing the abject horror involved in terrorism and the groups involved. With color photographs and blatant captions, Sandoval openly shows readers the brutality carried out by organizations like Al Qaeda. If there was ever any doubt in the reader’s mind about the capabilities and intentions of terrorist organizations, Sandoval wipes it completely away with one swift stroke of the pen.

The New Holy Warriors is a fascinating and eye-opening account of terrorism as viewed through the lives of ordinary citizens. Marc, his brother, and best friend are the vessels by which Sandoval delivers an amazing story readers will wish was just that–simply a story.

Pages: 373 | ASIN: B0784QR76B

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What Choices We Make

Samrat Mitra Author Interview

Samrat Mitra Author Interview

The Incidental Jihadi follows Len as he begins to realize there is a complicated game being played between the communist and the west. What was the inspiration for the idea behind this thrilling novel?

Back in 2012 the coverage on the Syrian crisis was quite rampant on the news with the images of high profile Caucasian victims in orange being executed by the vanguard in black. Around that time after a few freak clicks on the web I came across the recorded brutalities against Syrian civilians on what was surely an underground website. There lay cataloged in various categories the shootings, be-headings and post bomb blast videos taken in Aleppo, Idlib and a few remote unnamed Syrian villages.After confirming the authenticity of the videos and their location a few times(which was probably the most shocking and challenging research I had ever done) those unknown victims begged to be heard. I realised that no one was truly reporting the situation on the ground and ‘the news’ is not just about facts like the body count! The news broadcasters were just screening out the details to reduce this ongoing tragedy to a mere topic for the fortnight. No one wants to see a beheading while shoveling food in their mouths and I get that. But we must make room in people’s minds on the actual impact of any war for that matter and that needs to be done with realism which is on the ground and preferably not censored. This formed an idea to read beyond the news and perceive it’s reality and the inspiration stayed throughout till I completed the novel.

Len is an interesting character that is motivated by his family and their safety. What were some themes you wanted to explore with his character?

Len could be anyone of us who is physically able and a well educated immigrant living in a country where his efforts pay him excellent results. However none of us are actually ever prepared for what the future holds for us and what choices we make if we are faced with distressing situations beyond our control mould us as a human being. Far from being perfect and having a slightly sycophantic bend
he will do what his superior asks him to do even if it seemed ethically wrong and this trait is quite human especially in ambitious individuals. Len is reckless in his ambition and he makes the mistake
of involving his wife Sara in a project that had a warning light beeping on it from the word ‘go’. He descends into rage anger and depression as they are marooned in the remote city of Qatmah, this is
again a denial in his own mind of the rash choices he had made to appease his superior and endangered the one person he loved. Wave after wave of shocking transformation in Len(his acceptance of a life in Qatmah, the change in his identity, his family’s abduction) and how he chose to accept it as a man shows how his character metamorphosed from someone in denial to someone who takes responsibility and acts appropriately and this is where Naim seems to be his alter ego but they are really the same person. I was hoping to show that come whatever a situation in life, the man who survives the longest is the one who does not live in denial of the responsibility of his actions. I wanted to explore his ability to keep doing the right thing even in the face of inevitable catastrophe.

The story is vivid and detailed in it’s account of people and places. What research did you undertake for this novel?

Besides the research into the distressing underground video material on the executions, I started reading up on the Middle Eastern conflict to understand it’s origins starting right after the end of the Second World war particularly around the time when the United States started exerting it’s political clout over Britain and France back in the fifties. That was just for historical perspective though as my perception changed after I met a few of the Syrians who had come to London to take refuge( we would never call them refugees, it just seemed a derogatory term to use). Their stories told in straight english sentences was as heartbreaking as it could be and the videos, the history and their accounts all tied together with the information I gathered from Arabic and African news journals. This was a point of view that people seldom saw and that is what I brought into the novel. In terms of geographical locations, names and places mentioned throughout the novel, they are all actual places and the actual novel gets more gripping when you lookup the places on, say, google maps and find that every bit of the descriptions including terrain, the people and even the castle. They are wonderful examples of actual places that are existing on the edge of the war and peace that keeps waxing and waning over the region.

What is the next book that you are working on and when will it be available?

I don’t believe I have completed Len’s development yet and there was a huge though entirely unintentional open end in this book: that of the fate of his wife. Len and Sara have a way of staying in my head, so there will be a final conclusion on their fate in my next book. I learnt a few lessons from my first novel, The Incidental Jihadi and this time I want to do justice to Sara and Len and the people they
have known and cared about. For this reason this is going to take at least a year in development and a year in editing. I just want it to be perfect.

Author Links: GoodReadsFacebookWebsite

The Incidental Jihadi: An alternative point of view by [Mitra, Samrat]Twenty-nine year old geologist/surveyor, Len Berkowicz has everything to live for: a wonderful companion and a successful career working for a major oil exploration company when his career mentor and friend, Eric decides to send him to a risk prone oil exploration project in the Golan Heights.

In his journey he assimilates the true nature of the ‘holy war’ through the eyes of his comrades, realising that a far more complicated and subtle ‘game’ played between the communist and capitalist powers on the ground.

Will Len succeed in his mission that seemed doomed right from its inception?

Can those of us living in the West be able to keep the dust at bay on our home turf when we decimate every Arabian state to rubble?

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Whatever He Wants: The Pleasures and Perils of Power

Whatever He Wants: The Pleasures and Perils of Power by [Afman, Joan Conning]

Whatever He Wants: The Pleasures and Perils of Power By Joan Conning Afman is a contemporary story set in West Palm Beach, Florida. The books starts with Mel Martinelli and Sam Abrams, two unethical businessmen, looking for an up-and-coming politician to groom for state senate. They want a man they can control, who will serve their own interests. They decide that David Shepherd, a young, handsome lawyer is the ideal candidate. David insists that he will not be a party to anything illegal, and with their insincere assurance that they would never ask him to do anything like that, he agrees to their proposal to fund his campaign. Mel goes so far in his machinations as to encourage a romantic relationship between his daughter, Michelle, and David, which eventually leads to marriage. Will David’s ambitions cause him to act contrary to his beliefs? Or will he stand firm against others’ attempts to compromise his determination to do what is right?

Michelle Martinelli is a controversial character that had me shaking my head at the beginning of the story. She was entitled and snobbish, with no ambition and was supported by her rich father. She was a character perfectly created to be hated. She was drawn to a man based on his looks alone, without any thought for what kind of person he was. What I really enjoy about the characters in this book is how they evolve over time. Michelle starts to develop some redeeming qualities as time passes, although still unlikable, I was impressed with how well developed here character was.

While the books started with me loathing Michelle, I had the opposite feeling of David Shepherd. He seemed to be an ethical man who refused to comprise his principles for others. But as the story progressed, he abandons his scruples and becomes corrupted by power. This slow decline into the very worst sort of politician reveals how someone can change, and the contrast is stark and revealing–accepting bribes, having an adulterous affair, fathering a child with a woman who was not his wife, contemplating and condoning murder to further his own ends.

I enjoyed the author’s writing style, it flowed easily and was frank and to the point with only a few editing issues. The story was well paced but there were a few sections where I would have enjoyed a little bit more information before the story moved on. The story follows the development of the characters over the course of more than twenty years so there were points where there are large time jumps leaving me with a few questions in an otherwise well written story.

This is a fascinating story that examines how people change over time. This is a character driven story that I highly recommend to anyone who likes stories that put humanity to the test. 

Pages: 190 | ASIN: B0793QKWYF

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Comrade Netai and the Chronology of His UG Days

Comrade Netai and the Chronology  of His UG Days : An Inside Story of Naxalite Movement from Nineties by [Sanjay Lahiri]

Activism is high on Netai’s list of priorities, or at least he thinks as much. As a member of the working class and a young man who is loyal and determined, Netai finds himself deep in the throes of the Naxalite during the decades of the eighties and nineties. While his involvement in the ever-increasing political movement increases, so does the tension within his parents’ household. His mother, afflicted with cataracts, struggles day in and day out while his hard-working father faces his own inner turmoil at being asked by his son to host the members of the resistance. Nowhere is the battle for emancipation so strongly felt as in Netai’s own household.

Sanjay Lahiri’s Comrade Netai and the Chronology of His UG Days traces Netai’s battle with his own participation in the resistance. As he goes about work in the mines, he is privy to a firsthand look at the suffering of the men and women employed there, the reality of back-breaking work, and the hardships of the working class. Lahiri paints painfully clear pictures of the desperation of the mine workers’ struggles in day-to-day living. The bulk of Lahiri’s effectiveness is nestled neatly in his main character’s own horror at the atrocities he witnesses. The author leaves nothing to the imagination as he describes the most shocking scenes of life as a mine worker. When Netai finds himself in awe of the scenes he witnesses, the reader is pulled along as an unwilling participant. Lahiri’s writing is vivid and exceptionally effective.

Details are Lahiri’s strong suit. On every level and in every way, Comrade Netai and the Chronology of His UG Days exists as a portrait of life in activism. A work of political fiction, Lahiri’s book provides a unique peek into the intense consideration given to decisions, elections, and organization of a revolution. Readers see the true rigors of rallying around a cause.

For me, nowhere was Netai’s struggle as clear as when it is pointed out to him that he has not had a change of underclothes and has exposed himself to infestation by chillars, insects growing in hay. Netai’s lack of hygiene is but one of the signs of the way in which his dedication to the cause is wreaking havoc on his psyche.

Lahiri’s key character, Netai, demonstrates an endearing eagerness despite the hardships he endures. He is an inspiring character filled with bright-eyed optimism and a strong desire to learn the ins and outs of the political processes involved in making change possible. As he is offered the opportunity to represent the state, his enthusiasm is positively contagious.

Comrade Netai features well-drawn characters and a relatable main character who wears his heart on his sleeve and exhibits humanitarianism along with a certain level of blind innocence. The subplot surrounding Netai’s parents is engaging and powerful. Comrade Netai is a must-read for any fan of political fiction and activists across causes and continents. Lahiri unites readers in a common bond–justice.

Pages: 506 | ASIN: B07JP3F1W6

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A Soldier’s Thoughts: A Collection of Poems

A Soldier’s Thoughts: A Collection of Poems by Duke Sherman is an interesting, decent sized assemblage of poetry. Each poem captures different parts of his life. In doing so, Sherman shares intimate thoughts, feelings, and aspects of his life with the reader. His poems run the gamut of his experiences as a soldier, PTSD, depression, and about his love life and other life experiences. Intertwined through these poems are also spiritual and religious messages and beliefs along with some political beliefs. Sherman is honest in sharing his life with the reader and does not hold back any of his thoughts.

This book is a hefty book of poetry. It deals with feelings and experiences of one man’s life. In the beginning, it offers an introduction where the writer speaks of the many different definitions of what makes a soldier. One can be a person who has fought in the military, while the other is someone who has fought hard in their life. Sherman is depicted as a soldier in both senses of the word.

Reading through Sherman’s poetry, you get a sense for the man himself. Not only do you get deep, intimate thoughts, but the reader also gets the author’s introspection and strong belief systems. A book of poetry in this sense is telling of the person’s character and a sense of who they are. Reading Sherman’s words was like an autobiography given in fragments. The poems are broken up in different formats, which flow nicely. The rhyming of the poems gives each one a nice rhythm as well.

I learned a lot reading the collection. Much of it was thought-provoking. Sherman is a veteran. Because of this, he wrote a series of flashbacks detailing the destruction he saw in war. As a result, there was a lot of patriotism mentioned. It really made you think about how soldiers were and are currently treated and what patriotism means to certain people.

One of the aspects of the book that was interesting was the disjointed way in which the poems were presented. There was no chronological time in which each poem was presented; it jumped around. At one point, there would be flashbacks as a soldier in Vietnam, and then at another point, it would be talking about one of his many loves or children. I felt that it was a good metaphor for how thoughts are often loose and disconnected, especially when recalling memories. The way it was written really made me feel as if I was in Sherman’s head.

I could also tell that the way he wrote was a way of healing, which is what poetry is about. It is an art form that some like to share with others. I could definitely feel the intensity of his feelings through his written word. I would recommend this book for anyone who may be interested in what it is like to be a veteran or to learn more about war as it is a deeply personal account.

Pages: 386 | ASIN: 1477146423

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Crimes of Rumba – Trailer

Crimes of Rumba is the hottest, epic combination of business, politics, music, and of course, crimes behind the predatory conduct culture that has glamorized the worst corporate malpractice in US cultural history. As a matter of law, order, and economy, the state administrations intolerance and crackdown on musicians dissent and opposition to the colonial music cash crops production is authoritarianism at best and without precedent in the worlds history of colonization and music. This legal truth and material facts-checkings operation is the blunt, exclusive disclosure of the sources and methods used for the cultivation and autocratic harvest of music cash crops in the Belgian Congo, which were economically engineered from and back to America for its consumption through misinformation, disinformation, deceit, and fraud. Not only is this the tale of the utmost scam that has been very fully funded to defraud the worlds collective memory of rumba, it is the hefty price that our humanity has dearly paid for without consent for Foniors crimes of rumba for decades. Silence has been complicity at worst from the people with knowledge of the case against rumba. Not only are the material facts and consumers rights violated and suppressed, along with musicians copyrights for decades, the morally repulsive glamorization of the fraud has brought creative freedom in the worlds music into disrepute. A lot of readers will discover Thierry Antha with the publication of Crimes of Rumba, Volume I of Congo Music. But this international journalist carried decades of excellence in covering the Congo and Haitis politics, business, and entertainment. His professional and personal ties with all the most famous Congolese musicians in advocacy, promotion, and production of their musical works have crowned him the best authority with respect to the Congo musics history. Contrary to all the spinning, posturing, and work of fiction for rumba, Thierry Anthas expertise and dedication to exposing the truth behind material facts and laws related to Congo music from the Belgian Congo to the Congo is second to none. Embark in this riveting literary journey to discover how Socit Gnrales authoritarian harvest of music cash crops has shattered and destroyed lives and careers for its economic gain in the Americas. Without censorship, Crimes of Rumba, Volume I of Congo Music exposes Foniors victims long overdue rebuttal, which is long way apart from the reality of its predatory conduct culture and its propaganda of rumbas fake-outs.

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Promises of Betrayals: The history that shaped the Iranian Shia clerics

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Fazle gives the reader an insight into Middle East history, world politics and the role the United States plays in global affairs. I love that the author started the book by introducing the reader to Islam, Prophet Muhammad, and religion in the Arab world. The author explained that the Prophet Muhammad’s death brought division among. The prophet’s followers were not sure on who could take the mantle and who was fit to be the leader in Islam. The birth of Shia and Sunni Muslims came during the quest to succeed Prophet Muhammad.

This book demonstrates life in Muslim Arab, the culture, how different Muslim factions relate, governance and authority in the Middle East. The author did a great job explaining the Islamic terms used in the text. It made the reading easier, seeing that I was unfamiliar with some of the words and phrases. This book made me understand the difference between the Shia and Sunni Muslims and their separate practices and beliefs. It is amazing that despite the two groups being dissimilar in some ways, they both worship the same God. Even in disagreements, we could see that the Shia and Sunni Muslim acknowledged that Allah was great and that only he deserved to be worshipped. This shows how religion plays a part in bringing different people together. We may have opposing views, but our worship of the same God brings us together.

Among the things I enjoyed reading about in the book were the wars between the Safavids and Ottomans. The Safavids militia could have been great if not for the infighting and lack of discipline. My heart broke when I read about Ismail I’s death at age thirty-six due to depression and alcoholism. He was at his peak. 36 is such a young age for anyone to die. Operation Ajax was another interesting read. America’s CIA’s and Britain’s MI6 involvement what the Iranians called ‘28 Mordad coup d’état’ was crucial.

There are so many stories in “promises Of Betrayal” that one needs to dedicate special time to read and understand all the events mentioned. Some of the terms used are unfamiliar, but the reader eventually comes to understand the context.

The author not only tells a story in the book but also educates the reader on other matters like religion, economics, politics, war, and intelligence in governments. I loved that Fazle wrote this book targeting not just history lovers, but anyone who is interested in current and past affairs on a global scale.

Reading about past historical events in this book showed me how leaders deal with issues presented to them.  It is an enlightening read that anyone interested in world politics, or the middle east will enjoy.

Pages: 234 | ISBN: 978-1-4808-6988-2 (sc) ISBN: 978-1-4808-6989-9 (e)

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The War Zone

Jolene Grace Author Interview

Jolene Grace Author Interview

Going Dark follows Amelia as she tries to help journalists that have been kidnapped which has sparked an international incident. What was the inspiration for the setup to this thrilling novel?

The idea of ‘Going Dark’ started to form in my mind as I spent nights working on the foreign desk at CBS. Those nights, I was alone in the entire studio, watching incoming video feed from our military forces stationed in Iraq. In 2006-07, the war was in full swing and we received daily updates on the progress and struggle people were facing during the war. The war zone wasn’t too far off from our foreign correspondent team stationed in Iraq, reporting from there. As I was sitting at my desk, I envisioned Amelia Sinclair (a foreign liaison in Going Dark) how hard and challenging must be to be separated from your family when your job takes you away from them, especially if you have young children.

Amelia and Jets are dynamic characters that are enigmatic and empathetic. What were some themes you wanted to capture in their characters? 

Amelia had to sacrifice her career when she became a mother. Having children was not something she had planned on doing, but when it happened, she made the decision to stay back and take a desk job.

However, her thirst for adventure never fully went away. So, when her boss, Harold Fost, approached her with a proposition to oversee a covert assignment, she simply couldn’t resist. But Murphy’s Law tipped the scale against her and her friends and co-workers get kidnapped. I wanted ordinary people, the readers, who juggle work and family life to be able to relate to her and to the choices she makes along the way on this journey.

Jets is a complicated guy. He’d seen things most of us have not, working as a spy for the CIA. To me, he was interesting because, he believed in the cause set forth by the CIA, but he still had conscious and when he sees the wrong person is being blamed for crimes that she didn’t commit; he has to put aside his oath to the CIA and go with his guts, even if that decision could cost him his career.

This is an exciting novel on par with Robert Ludlum or Tom Clancy novels. Did you start writing with this in mind of did this happen organically? 

Tom Clancy was a master at setting up an engaging plot and building action in his novels. He is certainly an influencer in my writing. Another writer whom I admire is John Le Carre, unquestionably the undisputed father of spy thrillers. Both of these writers are exceptional.

What is the next book that you are working on and when will it be available?

I recently finished writing the second book in the Gabriel Jets series, called Political Whispers. Jets is a castaway in Afghanistan, having accepted a covert position, offered to him by Robert McKaine. Jets is in charge of a secretive drone program, most on Capitol Hill don’t know it even exists. The second book has more military overture and is action packed. Political Whispers is slated for release in early 2019.

Author Links: GoodReadsTwitter | Website

Going Dark (Gabriel Jets Book 1) by [Grace, Jolene]Gabriel Jets is the CIA’s top agent, a man with a reputation of getting the job done, no matter the price. On a rare visit back to the States, Jets is dispatched to collect a video depicting the kidnapping of four U.S. journalists working undercover in Damascus, Syria. 

Meanwhile, the U.S. president and his chief of staff, Robert McKaine, are called to the Situation Room to receive a briefing. Damascus is rocked by a terrorist plot that killed twenty-five innocent people. 

A link between the two events is quickly discovered, with evidence pointing to the involvement of another U.S. journalist, Amelia Sinclair, a prominent foreign correspondent, with direct ties to the missing.

While Jets hunts for the video, he crosses paths with Amelia. In a blink of an eye, his mission is compromised as he believes she is being set up to be the fall guy. 

As the U.S. government closes in to arrest Sinclair, Jets alters his assignment to help clear her name and track down the powerful men behind the ploy to draw in the country into an international scandal. 

If Jets fails, the country he swore to protect, will go dark.

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American River: Confluence

American River: Confluence: Book Three of the American River Trilogy by [O'Connor, Mallory M.]

One type of story that captivates a large portion of readers is the story of humanity. The author, Mallory M. O’Connor, excels at capturing powerful moments of human interaction in her novel American River: Confluence. O’Connor’s work involves a host of social issues—sexuality, politics, race relations—all disguised in what seems to be a book about artists pursuing their passions.

This book follows three families of different cultures that manage to connect. They are all tied to the same area, and while the young adults have mostly wandered off to different regions of the U.S., this story is about them all finding a reason to come home to celebrate life, art, and diversity which gives the story a greater sense of symmetry. O’Connor filled this book with real-life problems such as racism, mental health issues, sickness, and political confrontations. Therefore, this book can be a guide for helping people navigate their way through similar tragedies in their own life.

The overall story arc is intricate and well thought out. It is a little unclear where the book is going at first and what the focal point will be, but there are exciting turns everywhere that keep the readers’ attention until the end. Several subplots play out to give the book a lot of depth. On the surface, it seems like the McPhalan family is working through their problems with the ultimate goal of setting up a musical festival on Mockingbird Valley Ranch, the family’s ancestral property. Underneath, O’Connor raises awareness of many social issues. These social issues are picked apart one by one to allow the reader to think through different perspectives regarding them. While set in the 1970’s, the problems the characters face are problems that are prevalent in our society today, potentially making this book a timeless classic.

If you did not read the previous books to get familiar with the intricacies of the story you would need to refer to the “Cast of Characters” page at the beginning. The book immerses readers from the start with drama and doesn’t let up until the end, so lacking thorough character introductions early in the story, even though its the last of the series, can detract from the impact of certain events. I highly suggest you read books one and two before confluence.

American society, as well as many others around the globe, could drastically benefit from reading this book. While many authors hide a political agenda in their work, it’s often obvious where they stand on controversial issues; O’Connor, on the other hand, hid her feelings on many of the topics, which requires distinct talent. Ultimately, she encourages discussion and introspection through the characters. If it weren’t for some minor language concerns, this book would be well suited in a high school reading curriculum to expose students to the complexity of the world they live in and the core of human nature.

Pages: 364 | ASIN: B07HL12C8T

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Sacrifice and Know-How

Thierry Antha Author Interview

Thierry Antha Author Interview

Crimes of Rumba discusses and dissects the crimes behind the worst corporate malpractice in US cultural history. Why was this an important book for you to write?

From 1983 to 1995, it took us almost fifteen years of commitment, sacrifice and know-how to build up awareness about the greatness of Congo music’s modernity in American pop culture. Credits should be given to promoters such as Victor Kibunja, Verna Gillis, Paul Trautman and my company’s tour with Tabu Ley Rochereau-Alive and Well in North-America in 1992, which made Congo music a runaway hit in North America until 1995.

Unfortunately, with little to no precision, 22 years after the Congolese government and musicians’ outright rejection of Fonior’s crimes of rumba, handful writers went off the script and managed to inadvertently slip in Fonior’s fraud of Cuban music. It was disheartening to realize that even few colleagues in the media were still living in the clouds of Fonior’s crimes of rumba. As promoters, time was more of the essence to promoting tours than pressing the matter further why it was a horrific danger to associate Franco Luambo and Tabu Ley Rochereau with Fonior’s post-colonial fraud for America, in the lens of the Congo’s politics from the 1970s to 1990s.This brought up the above headliners’ urgency and request to me to educating their consumers with the absolute truth beyond the fraud of rumba.

Moreover, as journalist and promoter, this is book is mostly important because it connects the dots between King Leopold’s atrocities of red rubber to the crimes of rumba for America by his very own international conglomerate, Societe Generale. Simply put, the fraud of rumba music is the universal and everlasting legacy from King Leopold’s politics and economics in music for America, first, and the world later. It’s never been about the presence of Cuban music in the midst of the state administration’s classified South American music’s mandatory production. But it is all about how, wanton malice, Fonior abused and misused Cuban music to commit fraud and defraud Congolese musicians’ copyrights and consumers’ human rights in America.

You cover a number of topics in this book, but the one that stuck out to me was rumba music. How do you feel music affects the political landscape?

Human life is rhythm. Rhythm is music. And music also controls mankind’s political landscape from singing Nero setting Rome on fire, Herod decapitating John the Baptist in Israel to any election campaign chanting of USA, USA, USA.

In Belgian Congo, for instance, the rhythm of atrocity behind the harvest of red rubber to the germination and criminalization of the state administration’s legal diversity of South American music, in the late 1950s, was controlled by King Leopold’s politics for Societe Generale’s monopoly. The politics behind the abrogation of Copami’s mission to legalize the harvest of “music cash crops” for export created a super culture of dichotomy for the equal production of Congo music and South American music under the law. And this colonial autocracy paved the way for Congolese musicians’ resistance and sabotage, which empowered Patrice Lumumba to ascend to the highest sky of the Belgian Congo’s nascent political parties.

In 1948 president Rafael Trujillo made Merengue the official music of Dominican Republic, while in 1959, Fidel Castro nationalized Rumba as the official music of Cuba for all music of African descent. In 1965, after his coup d’etat, president Mobutu rode the wave of Congo music to install his dictatorship in the Congo DRC. Francois Duvalier used Kompa music to numb the mass’s brain for his dictatorship in Haiti. Bob Marley performed his One Love Concert to defuse the brutal turf war among political nemesis in Jamaica. Bill Clinton’s campaign in the 1990s banked on the success of Macarena to promote his progressive agenda for America’s cultural diversity. And that is the same spirit of music in the politics of King Leopold’s international conglomerate that still captures rumba operatives’ politics for Fonior’s crimes of rumba that have been debunked and rebuked in the Congo DRC and exposed in this book.

What kind of research did you undertake to ensure the book was accurate and detailed?

First, as American of Congolese origin, I have lived Congo music my entire life. As a professional journalist, I covered the Congo DRC’s national rebuke of Fonior’s crimes of rumba for the national radio and television until I migrated to the USA. As co-host of the most famous Congo music radio and television shows, I humbly confessed that my expertise in Congo music is second to none because of my personal and business ties with Congolese musicians. As a young record producer, I have also rubbed elbows with all the who’s who in the music industry. My coverage of Samuco and Umuza, Congolese musicians’ union, are the most inside information that the average journalist has never searched before. From 1983 to 2000, as a promoter and consultant, I have closely worked with all Congolese musicians who have come on tour in North America for others as well as for my own company.

Second, to ensure that the book was accurate and detailed, my documented evidence are based on Belgian Congo’s laws, policies, institutions and corroborated by Congolese musicians’ personal testimonies throughout colonialism and their outright rejection and class action lawsuit against Fonior. The restrictive provision and scope of laws and policies from Belgian Congo to the Congo DRC’s national rebuke of Fonior’s crimes of rumba certify the accuracy of the Royal Decree of 1925 behind the Copami’s mission and its related institutions, coupled with the Royal Decree of 1952 aborting the old mission and its institutions under Societe Generale’s mission. These irrefutable evidence within La Territoriale provide all material facts and detailed events. And this exclusivity makes Crimes of Rumba the best encyclopedia of Congo music ever in terms of chronology of specifics in laws, policies, institutions and events from 1925 to September 1960.

I thought this book was informative and engaging. What do you hope readers take away from this book?

Readers’ takeaway is to know that Fonior’s crimes of rumba are real. Consumers have the right to know that they have been defrauded for decades. Even though, this crime spree was launched from America, in September 1960, its universality has outreached the world. It is based on Fonior’s violation of Congolese musicians’ copyrights. That’s why, as early as 1970s, president Mobutu stood up shoulder to shoulder with them to nationally reject, debunk and rebuke Fonior’s fraud. Unfortunately, after 47 years, the coverage of the Congo DRC’s rebuke has been blocked by King Leopold’s rumba operatives through fake movies, books and theories, who have turned a blind eye to telling the truth for the sole purpose to monetize on it. Not only consumers have the right to be set free from the bondage of Fonior’s crimes of rumba, they have the right to know that rumba operatives still provide a fraudulent, safe home for re-litigation and revisionism of Belgian Congo’s laws, policies, institutions, and against the Congo DRC’s national rebuke of Fonior’s fraud.

This book simply certifies that one can’t explain the complexity of the state administration’s legal diversity and production of South American music under the law, in the Belgian Congo, in complicity with Fonior’s fraud and based on the simplicity of its crime of opportunity on Cuban music for America, first. The engraved musical evidence of South American music’s legal diversity in Fonior’s Congolese re-editions represent self-incriminating evidence, among many others, against its crimes of rumba. One can’t celebrate Congo Rumba’s illegality by hiding Congo Latino from the same Fonior’s fake-outs spree. This case is all about King Leopold’s international monopoly misused Cuban music to commit fraud. Simply put, the fraud of rumba music has been the universal and everlasting legacy from King Leopold’s politics and economics in music for America, first, and the world later. Thanks to Crimes of Rumba the era of defrauding musicians and consumers’ human rights is over now.

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Crimes of Rumba is the hottest, epic combination of business, politics, music, and of course, crimes behind the predatory conduct culture that has glamorized the worst corporate malpractice in US cultural history. As a matter of law, order, and economy, the state administrations intolerance and crackdown on musicians dissent and opposition to the colonial music cash crops production is authoritarianism at best and without precedent in the worlds history of colonization and music. This legal truth and material facts-checkings operation is the blunt, exclusive disclosure of the sources and methods used for the cultivation and autocratic harvest of music cash crops in the Belgian Congo, which were economically engineered from and back to America for its consumption through misinformation, disinformation, deceit, and fraud. Not only is this the tale of the utmost scam that has been very fully funded to defraud the worlds collective memory of rumba, it is the hefty price that our humanity has dearly paid for without consent for Foniors crimes of rumba for decades. Silence has been complicity at worst from the people with knowledge of the case against rumba. Not only are the material facts and consumers rights violated and suppressed, along with musicians copyrights for decades, the morally repulsive glamorization of the fraud has brought creative freedom in the worlds music into disrepute. A lot of readers will discover Thierry Antha with the publication of Crimes of Rumba, Volume I of Congo Music. But this international journalist carried decades of excellence in covering the Congo and Haitis politics, business, and entertainment. His professional and personal ties with all the most famous Congolese musicians in advocacy, promotion, and production of their musical works have crowned him the best authority with respect to the Congo musics history. Contrary to all the spinning, posturing, and work of fiction for rumba, Thierry Anthas expertise and dedication to exposing the truth behind material facts and laws related to Congo music from the Belgian Congo to the Congo is second to none. Embark in this riveting literary journey to discover how Socit Gnrales authoritarian harvest of music cash crops has shattered and destroyed lives and careers for its economic gain in the Americas. Without censorship, Crimes of Rumba, Volume I of Congo Music exposes Foniors victims long overdue rebuttal, which is long way apart from the reality of its predatory conduct culture and its propaganda of rumbas fake-outs.

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