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Profound Division and Change

Taylor Marquette Author Interview

Almost Free follows an enslaved young woman during the Civil War era whose life takes a turn when the master’s nephew arrives, bringing a very different set of values to the plantation. What draws you to the historical fiction genre? 

Historical fiction has always fascinated me because it allows us to step into the lives of people who lived through extraordinary circumstances. I love the challenge of blending historical research with emotional storytelling to create characters who feel authentic and relatable. When writing Almost Free, I was particularly drawn to the Civil War era because it was a time of profound division and change. 

Learning to read becomes a powerful turning point for Maggie. What does literacy symbolize in the novel?

Literacy not only symbolizes words on a page, but it represents hope for the future. During a time where knowledge was often deliberately withheld from enslaved people, learning to read became an act of courage and empowerment. As Maggie gains the ability to read, she also begins to see herself differently, she begins to envision a future beyond the limitations others have placed upon her. 

Harland arrives with values that set him apart from the household around him. What inspired his character?

Harland was inspired by the idea that even in the darkest periods of history, there were individuals who chose compassion, courage, and moral conviction over conformity. His character wrestles with the beliefs and expectations of his time, ultimately choosing the path that was frowned upon by many. While Harland is fictional, his values are not. 

What is the next book you are working on, and when will it be available?

I am currently writing a historical novel set during the Prohibition era, a time of jazz clubs, hidden secrets, and profound social change. Like Almost Free, the story explores the resilience of the human spirit and the power of redemption. While I don’t have a release date to announce yet, I’m eager to bring readers into this fascinating chapter of history. 

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Almost Free

Almost Free follows Maggie, an enslaved young woman whose life on a Civil War-era plantation begins to change when Harland Langford, the master’s nephew, arrives from Pennsylvania with a quieter conscience than the house is used to. What starts as guarded kindness becomes a dangerous bond shaped by literacy, secrecy, the Underground Railroad, and the fragile possibility of choosing a life beyond survival. As war presses closer, Maggie must decide what freedom means when love, loyalty, memory, and danger all ask something different from her.

I was most moved by the way the novel treats freedom as something more complicated than escape. Maggie’s first acts of resistance are not grand speeches or cinematic revolts; they are smaller, almost tremulous things: lifting her eyes, learning the shape of her own name, deciding when to stay silent and when not to. That progression gives the story its emotional torque. The romance with Harland works best when it is tied to Maggie’s awakening rather than placed above it, because the novel understands that being loved is not the same as being free, though love can sometimes help a person recognize the door.

The writing has a plainspoken intimacy that suits Maggie’s voice, especially in scenes where domestic spaces become charged with threat: kitchens, porches, bedrooms, barns, and that ever-slamming screen door. I appreciated how the book lingers on touch, sound, and ritual, letting ordinary objects gather symbolic weight. At times, the emotions arrive directly, and some readers may want more restraint in the most dramatic exchanges. Still, the sincerity is hard to dismiss. The novel’s best moments have a pulse of hard-earned tenderness, especially when Maggie’s fear begins to loosen into choice.

This book will appeal to readers of historical fiction, Civil War fiction, romance, inspirational fiction, and stories of Black resilience and self-possession. Readers who admired Sue Monk Kidd’s The Invention of Wings may find a similar interest here in the inner life of an enslaved woman reaching toward literacy, dignity, and self-definition, though Marquette’s novel leans more openly into romance and deliverance. Almost Free is a heartfelt historical romance novel about the perilous work of becoming one’s own person. It reminds us that freedom is not only a place reached, but a self reclaimed.

Pages: 228