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We Have Agency
Time and Space follows a woman on the verge of turning forty who, on the way to work, is kidnapped by three university-aged young men from the future and is taken forward in time to a society built on patriarchal dominance. What was the inspiration for the setup of your story?
I remember becoming angrier and angrier at the objectification of women and the failed promise of equality.
Women’s Liberation hit the news when I was in school. I also grew up with a Zoroastrian father who taught us, in accordance with his religion, that men and women are equal. I didn’t understand the need for Women’s Lib until my later university/early working years, when I saw how women were treated in the workplace. Decades on, and except for Federal and provincial Canadian laws, nothing had changed. Women who felt they were liberated because of issues around sex having been loosened were wrong. It seemed like only the older generation understood that changing laws and mores didn’t translate to women being treated and perceived as equal to men. Whether women were virtually unclothed in one culture or covered up to the eyeballs in another, they were still being treated as objects for men to control. They still had less value.
I was also getting fed up with how Toronto and Ontario treat Toronto’s public transit and the commodification of every aspect of life.
On a personal note, I had little control over any part of my life because of my brain injury. I guess I was telling myself through Time’s story that we may not see it, but we have agency.
What are some things that you find interesting about the human condition that you think make for great fiction?
Our weaknesses. And the forces that both exploit them and force us to grow. That often surprises us when they lead us to fulfilling our own potential.
What were some themes that were important for you to explore in this book?
Sexism:
- The objectification of women and how they’re perceived as either baby bearers or sex fulfillers for men.
- What equality truly looks like when men and women perceive women as having inherent worth.
- Women recognizing their own intelligence, both to receive help and to problem-solve their own challenges.
Classism:
- Through the neglect of public transit.
- In the commercial arena or public spaces.
Racism:
- I’ll leave this to the reader to ponder the way I presented it and its meaning.
Ageism:
- I made Time an older woman.
- Since then, I began writing a trilogy (The Q’Zam’Ta Trilogy) featuring a woman in her 60s. Book one, The Soul’s Awakening, is out now.
- With such an emphasis on stories with younger people and the whole mindset that the youth will “save us,” we need to hear stories about older people also able to “save us,” especially older women in nondescript jobs.
What is the next book that you are working on, and when can your fans expect it to be out?
I’ll be publishing The Soul’s Reckoning, book 2 of The Q’Zam’Ta Trilogy, in December 2025 and am currently writing book 3, The Soul’s Turning, which I hope will come out at the end of 2026.
I’m particularly excited about The Soul’s Turning because it’s set in far, far future Toronto, London, and Mumbai, and expands on some of the technology and themes I first explored in Time and Space. However, I’ll be making climate change an essential background to the character development and plot settings. And unlike Time and Space, it delves into the latter aspects of Revelation — what would a world without Satan and the beasts of “the elite” actually look like?
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Time is turning forty, but her ordinary morning walk to work shatters when three university-aged boys from the future snatch her into a shimmering white cube. Their destination: a technologically advanced, male-dominated future where girls are tightly controlled, kept cosmetically perfect, and denied knowledge and autonomy.
When their professor discovers the abduction, he’s furious. The boys had promised never to interfere with the past again. Now he orders them to dump Time in a desolate era few dare visit, The Nasty Time. It’s 2411. The world is stripped of equality, connection, and choice. Time is abandoned and left stranded.
But someone unexpected intervenes, offering Time a sliver of hope—and knowledge she never asked for. Now, survival may depend on learning more than she ever imagined.
Smart, satirical, and deeply unsettling, Time and Space is a genre-defying journey across centuries and systems of control. Shireen Jeejeebhoy blends speculative science, biting social commentary, and sharp humour in a story that asks: “What happens when the powerless are forced to reclaim their life—or be erased from their future?”
Time is waiting. Don’t delay.
Time and Space
Time and Space is a science fiction story wrapped in a very human struggle. It follows Time, a woman on the cusp of turning forty, who is suddenly pulled out of her ordinary Toronto life and thrown into a future where time travel is not just possible but exploited. She encounters arrogant young men from a society built on patriarchal dominance, where women’s roles are reduced and history has been rewritten in chilling ways. The narrative shifts between the claustrophobic experience of being kidnapped, the surreal awe of futuristic landscapes, and the stark reality of oppression disguised as order. It’s a mix of adventure, social critique, and personal awakening, all told through the voice of someone caught completely off guard by forces far bigger than herself.
I enjoyed how raw this book felt. The writing is vivid and sometimes almost abrasive in the way it pulls you into the protagonist’s fear and confusion. I often felt a knot in my stomach while reading, especially in the early chapters where she’s mocked, manipulated, and treated as less than human. The banter of the boys who kidnap her is infuriatingly smug, and Jeejeebhoy captures that dynamic with unsettling accuracy. At the same time, the details of the future world are fascinating, almost cinematic. I could see the gleaming white roads, the seamless suits, the eerie efficiency of a society that values power over compassion. That contrast between wonder and dread kept me turning the pages.
On a personal level, the ideas behind the story really resonated with me. The future Jeejeebhoy imagines is not some far-fetched dystopia, it’s a mirror held up to our present choices and blind spots. The way women’s rights are slowly eroded in the book feels uncomfortably plausible, like a warning wrapped in fiction. I found myself angry at times, and then strangely hopeful, because even in her fear, the protagonist resists in small ways. There’s something incredibly relatable about her longing for home, her disbelief at the world around her, and her stubborn spark of individuality. The writing isn’t polished in a traditional sense, but it has grit, heart, and honesty, and I think that’s what makes it stick.
Time and Space is both a thrilling time travel tale and a sharp commentary on power, gender, and history. I’d recommend it to readers who like their science fiction with a social edge, and to anyone who enjoys stories that make them think uncomfortably about the world we live in. If you enjoyed the unsettling social critique of The Handmaid’s Tale or the time-bending thrills of The Time Traveler’s Wife, then Time and Space will be right up your alley.
Pages: 331 | ASIN : B0FPDQ8FGL
LITERARY TITAN 