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The Frequency
Randall D. St. Claire’s The Frequency is a science-fiction conspiracy thriller with a rugged survival story at its center. Bronx Rousselle, a former professional hockey player and Marine who now owns a pawnshop in northern Minnesota, has built his life around keeping people at a safe distance. That changes when Heather Li asks him to help her brother escape and offers him a collection of inherited Inuit artifacts, maps, and writings as payment. Those documents point toward a petrified whale, a mysterious burst of light, and a secret hidden near the Arctic Circle for decades. What begins as a shady favor quickly grows into a chase involving assassins, corporate interests, wartime research, and a discovery with enormous implications.
Bronx gives the novel most of its personality. He’s abrasive, funny, impulsive, suspicious, and surprisingly tender when his usual defenses start breaking down. His running commentary, odd expressions, and instinct for bargaining make him feel more like a difficult guy you might actually meet than a polished action hero. The book’s intimate third-person narration stays close to his fears, appetites, regrets, and survival calculations, giving the violence and Arctic danger a personal edge. His evolving relationship with Malina also gives the adventure an emotional anchor, since his larger journey is about learning that loyalty and attachment are worth their risks.
The novel shifts confidently between small-town crime, historical mystery, corporate conspiracy, and wilderness survival. Its strongest passages take place in Greenland, where cold, hunger, isolation, wildlife, and failing equipment create threats as urgent as the armed men pursuing Bronx. St. Claire has a cinematic way of staging action, but he also makes room for unusual details, dark humor, and the eerie history behind the abandoned Nazi installation. The Inuit documents connect the modern plot to an older experience of the land, while the energy technology at the heart of the mystery raises questions about greed, ownership, and what powerful people will do when a discovery threatens the world they control.
Readers of Michael Crichton will recognize the combination of speculative science, corporate ambition, historical clues, and ordinary people confronting a discovery far beyond their understanding. Like Congo or Timeline, The Frequency turns research and scientific possibility into fuel for a physical adventure, though St. Claire’s voice is earthier and more irreverent. The novel is built for readers who enjoy big ideas delivered through chases, gunfights, bitter cold, and a hero who solves problems with equal parts planning, stubbornness, and nerve. At its heart, it’s a story about a guarded man discovering that survival means more when there’s someone waiting for him to come home.
Pages: 381 | ASIN : B0H72V8NGL
A Red Age
A Red Age by Sage Osterberg and Ulysses Kittilson is a sprawling piece of military science fiction, dystopian fiction, dark fantasy, and dinosaur fiction that treats its dinosaur civilization as a fully developed political and cultural world. The foreword makes that ambition explicit, presenting the novel as an attempt to expand what dinosaur stories can do, and the book follows through with governments, religions, propaganda, ancient histories, military bureaucracies, mass media, technology, class divisions, and generations of resentment. The opening assault on Juliobriga establishes the tone immediately: this is a violent, profane, frequently funny war story in which soldiers joke their way through sewage, gunfire, terrible decisions, and gruesome deaths. From there the story expands into a much larger conflict between the Coalition and the Alliance, with political leaders, soldiers, spies, royals, civilians, and prisoners all getting caught in the same machinery of war.
One of the strongest parts of this dystopian novel is its willingness to let the world feel messy. The Coalition and Alliance each have ideologies, grievances, heroes, monsters, competent people, fools, opportunists, and characters who genuinely believe they’re protecting civilization. Cartassius, in particular, gives the political side of the story some weight. His concern that victory achieved through atrocities will simply plant the seeds of the next war gets at one of the book’s central ideas: civilizations can become trapped inside the stories they tell about their enemies. Zamma approaches the same problem from another direction, questioning the endless cycle of violence while surrounded by a royal culture that treats warfare as inheritance. Meanwhile, characters such as Kuyucak, Thalsos, Botilda, Asgremis, Zorphax, Hassa, Akragos, Izmit, and others broaden the novel into something closer to an ensemble war epic. There’s a lot happening, but that density suits a world where political intrigue, religion, espionage, family loyalty, military ambition, and personal survival are constantly colliding.
The book’s personality comes from how readily it mixes horror with absurdity. Horrific combat can sit beside bureaucratic incompetence, vulgar arguments, terrible advertising, propaganda broadcasts, religious references, and jokes that arrive at the least dignified possible moment. That combination gives this dark sci-fi novel a distinctly satirical streak. Even when the stakes reach an almost apocalyptic scale, everyday stupidity keeps intruding. The effect is especially sharp near the climax, when the Nemesis weapon transforms military victory into catastrophe. A single strike wipes out a fleet and then produces consequences far beyond the triumphant moment its users imagined, turning soldiers from both armies into equally terrified creatures running from the resulting destruction. That sequence captures the novel’s larger view of war beautifully: technology, nationalism, faith, revenge, and ambition can dress violence in grand language, but eventually the violence becomes bigger than everyone who thought they controlled it.
By the end, A Red Age feels like the opening movement of a much larger dinosaur science fiction saga, and its cliffhanger embraces that serialized quality. Kuyucak’s final blood-pit sequence folds together several of the novel’s recurring interests: spectacle, propaganda, captivity, exhaustion, violence as entertainment, and the strange possibility of finding agency inside brutality. That sequence turns the gladiatorial spectacle into something unexpectedly bleak, giving Kuyucak’s storyline a darker emotional edge before the novel closes on a chaotic final note and the promise of Part 2: A Poisoned Sky. It’s a fitting ending for a book that keeps escalating its world while maintaining a rough, conversational sense of humor. Readers drawn to military science fiction, dystopian fantasy, and dinosaur fiction will find a strange and remarkably committed world here, one where prehistoric bodies carry rifles, argue about politics, worship gods, watch trashy entertainment, make catastrophic choices, and inherit the same old problems of power and violence.
Pages: 518 | ASIN : B0FVRXDNJ8
There Is An Unseen World
Shadow Walkers follows a married couple who are pulled into a spiritual war in which gifted women and their paladin partners answer to an old sacred order. What was the inspiration for the setup of your story?
There is an unseen world, not just something whispered about in sermons, but something real, organized, and ancient. This unseen world does have rules, hierarchy, and even strategy. So, to counterbalance this I came up with the concept of gifted women and their paladins. Theirs was a blend of faith, responsibility, and partnership.
And then I asked the more personal question: what would that kind of calling do to a marriage? Because at its core, Shadow Walkers isn’t just about demons. It’s about two people who love each other deeply, trying to navigate a life that keeps asking more of them than feels fair. That tension—that “we didn’t sign up for this, but we’re here anyway”—was really the spark.
Lisa is portrayed as capable but also uncertain and burdened. What drew you to writing a leader who wrestles with doubt?
Because everyone has flaws and strengths. Lisa’s strength isn’t that she’s fearless—it’s that she feels the weight of every decision and keeps going anyway. She knows people can get hurt based on what she chooses. She knows she doesn’t have all the answers. And yet… she still steps forward. It mirrors faith in a way. You don’t always feel certain, but you move forward because you believe you’re being called to.
The story shifts between intense action and moments of humor and tenderness. How do you approach balancing those tones?
I’ve been in combat, in Vietnam. Conflicts don’t happen in one tone. Even in the middle of something terrifying, someone cracks a joke. Someone reaches for a hand. Someone says something completely ridiculous just to break the tension.
Jason, especially, became my anchor for that balance, and then the quieter moments—the tenderness, the marriage, the little bits of normal life—they’re not breaks from the story. They are the reason the story matters. If you don’t care about the relationship, the stakes don’t land.
Who do you most hope connects with this book—fans of fantasy, readers of Christian fiction, or both?
I wrote Shadow Walkers for readers who want action, mystery, supernatural tension, and a little pinch of romance. But they also want meaning underneath it. Readers who enjoy a good battle scene and a conversation about purpose. Readers who laugh at a well-timed joke and then sit quietly with something deeper a page later. And maybe, most of all, I wrote it for people who just want a story about love that holds steady, even when everything else gets a little apocalyptic.
Author Links: Website | Amazon
But the rules have changed.
When the team’s spiritual gifts refuse to go dormant after a routine mission, Lisa knows a “great evil upheaval” is coming. The summons arrives from the regal Dorinda Fletcher: the team must deploy to Haiti. A powerful bokor named Alqadim has risen, commanding an army of the possessed, ancient demons, and a relentless horde of the undead.
To fight a physical war in a spiritual realm, the Gifted are joined by their Paladins—husbands and protectors armed with high-tech, non-lethal weaponry designed to incapacitate the possessed without taking innocent lives.
The Phoenix CODEX: 138 Palindromic Mirror Edition Complete Phoenix Chronicles: Complete Phoenix Chronicles: A Trilogy of Trilogies
The Phoenix Codex: 138 Palindromic Mirror Edition is a speculative science-fiction thriller with strong elements of conspiracy fiction, metaphysical fantasy, horror, and mythic adventure. At its center is Dr. Natori Saira Evren, a synesthetic researcher drawn into a hidden pattern of Phoenix cycles, ancient Egyptian consciousness technology, alien hunters, simulation theory, and recurring resets every 138 years. The book presents itself not just as a story, but as a codex, a puzzle box, and a ritual object, with its mirrored structure, sacred numbers, and recurring symbols shaping the reading experience as much as the plot itself.
The book is committed to its own mythology. It doesn’t ease the reader in gently. It opens with pain, blood, classified files, impossible geometry, and a heroine who is already half legend before we really know her. That choice gives the novel a charged, feverish energy. Sometimes it works beautifully. The world feels huge, dangerous, and strangely magnetic, like every room has a hidden door and every number is whispering. The book wants to explain its patterns, prove them, dramatize them, and make the reader feel implicated in them all at once. That’s ambitious, but it can also be overwhelming at times.
The writing is at its best when it trusts atmosphere and image. Copper, burnt cinnamon, cold concrete, humming frequencies, jungle silence, blood on leaves: those details make the strange ideas feel physical. I could feel the book trying to turn paranoia into texture. The author’s biggest choice, though, is structural. The palindromic design, the 138-year cycle, the ascending and descending arcs, and the central mirror are not decorative. They’re the book’s engine. Even when I questioned some of the repeated exposition, I could see the purpose behind it. This is genre fiction that wants the form to become part of the spell. It’s a story about recursion.
I would recommend The Phoenix Codex most to readers who enjoy big, strange, high-concept speculative fiction, especially people drawn to ancient mysteries, secret histories, simulation ideas, cosmic horror, and books that blur the line between novel, artifact, and prophecy. Readers who like genre fiction that swings hard, builds its own symbolic language, and treats conspiracy, myth, and science fiction as parts of the same burning machine, this book has a fierce pull.
Pages: 501 | ASIN : B0GBVLRVXP
What Defines Us As Human
The Dark Side of Dreams follows a woman who resurrects her grandfather’s mind to expose a corrupted digital afterlife built on power, memory, and control. What was the inspiration for the setup of your story?
The Dark Side of Dreams is the stand-alone sequel to Babylon Dreams. Corporate greed and the influence of technology on government are central themes, but the most important questions are what defines us as human and how we see ourselves. The first book was a character study of Gunter Holden, who uploaded himself to his custom digital paradise, Bali Hai, only to face corporate erasure. Unlike Gunter, his granddaughter Mira never imagines a perfect world. When she learns Gunter made a copy of his mind before his deletion, she is determined to find it. Using a device that records and replays her dreams, she finds a clue leading to this hidden copy. When she uploads him to the desolate VR landscape of Shemathra’s Realm, they both risk terrible consequences. In exchange for his help, Mira promises to tell Gunter the truth about the past he never lived.
Mira is ambitious, driven, and morally complex. How did you shape her as the emotional center of the novel?
Both Gunter and Mira grew up without mothers, but while Gunter avoided those memories, Mira secretly hopes hers is still alive. Mira was a lonely child, rejected by her adopted family and neglected by her distant father, leading her to yearn for an identity based on family. Discovering her grandfather was Gunter Holden, the pioneer of the after-death industry, she becomes determined to reclaim his stolen company, VEI, from the corporation SEINI. Her relationship with Gunter is complex; she initially bullies and threatens him to get his cooperation, appearing to him as an AI through a high-tech garment. However, her love for her partner Henry and her deep yearning for connection eventually transform her relationship with her grandfather from one of threats to genuine care.
What first inspired the idea of a corporate-controlled digital afterlife, and how did you approach building a world where death is optional but still deeply unequal?
I was originally inspired by an article on mind-uploading by futurist Ray Kurzweil, which described uploading a mind copy to a VR world. Coming from a background in film production, I was already familiar with “manufactured reality”. I became intrigued by the aftermath of such technology—what happens when life (digital) goes on after the initial choices are made? In the novel, the digital afterlife is a lucrative industry with cutting-edge “paradise” add-ons for the wealthy and “economy plans” for others. This begets new laws and complications, creating a world where even death is subject to inequality.
What is the next book that you are working on, and when can your fans expect it to be out?
As I wrote Mira’s story, I wanted to know how mind-uploading technology changed the outside world. As her story resolved, I was intrigued by characters that waited quietly in the corners—androids with human mind-uploads. Will humanity stretch to meet and accept a new version of ourselves? Prejudices, fears, and conflict are inevitable, but I’m exploring what else might happen. I won’t know for sure until I’m closer to finishing Dream Voyagers, which I expect to be out in the Spring of 2027. I like to stop and look at the world I’m imagining.
Author Links: Website | Amazon
In the high-stakes business of after-death virtual reality, who protects the vulnerable? To escape a digital hellscape of his own making, Gunter Holden—a pioneer of the industry—once chose deletion. A century later, his descendant Mira discovers a preserved copy of his mind-upload.
Mira is convinced her grandfather’s empire was stolen and is determined to reclaim it. But Shemathra is no paradise; citizens must pay tribute to a ruthless Goddess or face agonizing deletion. To expose the systemic violations of VR law, Mira re-uploads Gunter into this blighted, privatized heaven. To earn his freedom, Gunter must witness and record the unspeakable crimes occurring within the system he helped create.
As he wanders a landscape of stolen memories and digital trauma, Gunter strives for a moral awakening. In a future that feels both unsettling and deeply human, will it be enough to save them both?
The Dark Side of Dreams
The Dark Side of Dreams is a big, idea-heavy science fiction novel that still knows how to move. It drops the reader into a future where after-death virtual reality has become its own battleground of corporate greed, surveillance, inheritance, and identity, and it does so through Mira Patel, a woman trying to outmaneuver a brutal system from the inside. What makes the book compelling is that it’s not built around a single gimmick. It’s a story about who gets to shape reality, who gets erased from it, and what happens when family legacy becomes both a weapon and a burden. The setup alone, with Mira uncovering a hidden copy of her grandfather Gunter Holden and using it to challenge the nightmare realm that grew out of his lost empire, gives the novel a strong pulse from the start.
What really gives the book its identity, though, is its world. Author Marjorie Noble doesn’t treat the future as sleek wallpaper. She fills it with clutter, relics, memory tech, corrupted paradise programs, and the unnerving logic of a digital afterlife run like bad infrastructure. That contrast is one of the book’s best qualities. A closet full of artifacts can matter as much as a virtual domain, and a line like “Not every search is an adventure. Some things want to be found.” lands because it captures the novel’s whole mood: discovery here is never clean, and the past is never truly past. The world feels layered rather than decorative, and that gives the story a lived-in strangeness that sticks.
Mira is also the right center for this book. She’s ambitious, wounded, stubborn, and often sharper than the people around her, but she’s not flattened into a stock rebel heroine. Her connection to Gunter Holden gives the novel one of its most interesting tensions. She wants justice, power, and restoration, but she’s also drawn to the same force of will that made him dangerous. That family resemblance gives the story real energy. Gunter’s presence as both ancestor and digital copy turns the novel into something more interesting than a standard fight against a villain. It becomes a conversation across generations about responsibility, ego, and reinvention.
The book’s style can be dense, but in a way that suits what it’s trying to do. Noble likes layering plot threads, histories, and invented systems, and the result is a novel that asks the reader to stay alert. Still, there’s an emotional thread running under all the tech and intrigue that keeps it human. Even in the middle of all the schemes, copies, and virtual punishments, the book keeps circling back to longing, grief, and the need to be seen clearly by someone else.
The Dark Side of Dreams is a thoughtful, dramatic, highly imaginative novel about power over memory and life after death. It’s a cybernetic family saga, a corporate dystopia, and a haunted inheritance story all at once. What I liked most is that it keeps its attention on what kind of world is being built and who gets trapped inside it. Noble clearly has a lot on her mind, but the book doesn’t feel abstract. It feels personal. That’s why the novel works. For all its virtual architecture and speculative machinery, it’s really about people trying to reclaim authorship over their lives, their dead, and their dreams.
Pages: 341 | ASIN : B0FYR41ZTM
Adventures and Missions During Astral Projection
In Adventures and Missions During Astral Projection author Steve R. Fleming walks through a lifetime of strange nighttime experiences and turns them into a kind of spiritual sci-fi memoir. The book moves from a UFO encounter in 1977 to early out-of-body episodes in shifting bedrooms, then into structured “training,” missions, and finally a psychic war with entities named Red-1, Red-2, and Rage. We get scenes of life-implantation labs on prehistoric Earth, assassinations in an in-between world, and quieter vignettes where he drifts through cities, bars, and alien landscapes before snapping back to his bed with that recurring line, “I was back in bed.”
I enjoyed the way the book is written. The prose is clean and vivid, with lots of concrete detail. I could see the rural Montana highway, the insulation in the ceiling, the row houses with angry faces in the windows. The repeated pattern of build-up, wild experience, hard cut back to the bedroom gave the whole thing a nice rhythm. It felt like reading mission reports and dreams at the same time. The flip side is that the structure leans into episodes. Many chapters end right when things get juicy. The preface warns me about that and explains why, but I still caught myself wanting a bit more connective tissue, a bit more reflection right in the moment instead of after the fact. Sometimes the fight scenes with Rage and the various “terminations” started to blur together, even though each one has a different setting.
I liked the notion of an “in-between world” where actions echo back into people’s lives and twist their futures. The idea that Rage and the narrator do not kill people but burn out the evil in them is unsettling and oddly compassionate at the same time. I felt a real tug of tension there. Part of me was cheering when a serial killer’s path gets cut short, or a corrupt commander goes down. Another part of me sat with the ethical mess of it. Is this justice, redemption, or something closer to cosmic vigilantism. I also appreciated the sections where he separates OBEs from hypnagogic hallucinations and sleep paralysis and talks about fear, emotion-feeding entities, and how staying calm can dissolve them. Those parts felt grounded and oddly practical, and they gave some balance to the more operatic astral battles.
By the end I felt like I had taken a long, strange trip with someone who genuinely wrestles with what he experiences, not just someone chasing thrills. The tone stays sincere, even when the scenes get wild or pulpy. I would recommend this book to readers who enjoy metaphysical adventure, spiritual memoirs with a sci-fi flavor, or personal accounts of OBEs and sleep phenomena. If you are open to a mix of heartfelt testimony, moral wrestling, and cosmic action scenes, it is a fascinating ride.
Pages: 205| ASIN : B0GDPK1BKS
The Soul’s Reckoning
The Soul’s Reckoning follows Charlotte Elisabeth as she passes through the Barrier into a vivid, confusing, and emotional afterlife. She travels through stunning flower fields, meets a strange calico guide, and collides with old wounds that stretch from her family to the spiritual beings watching over her. The story shows her struggle to grasp her new form, face the truth of her first death, and confront relationships she thought she had left behind. The book blends cosmic mystery with raw memory and pushes Charlotte toward a reckoning she never expected.
Reading this felt like being pulled into someone’s dream and sitting there with my heart in my throat. The writing swings between soft, bright moments and sharp emotional punches. I found myself leaning in during scenes where Charlotte battles her own disbelief because the author captures that messy mix of fear, awe, and irritation so well. I loved the strange charm of the world-building. The cat who talks in feelings, the towering flowers, the people who know her before she knows herself. It all surprised me and made me grin even when the story turned heavy. The pacing sometimes jolted around, yet that uneven rhythm matched Charlotte’s inner chaos, so I rolled with it.
The book tackles death in such a personal way that I felt myself tensing up, then softening as Charlotte pushes through each truth she avoided in life. I was moved by the mix of grief, wonder, and unexpected humor. I also caught myself getting frustrated on her behalf when Heaven came across as bossy or confusing. That tension hooked me. I wanted her to find her footing, and I wanted the people around her to stop lecturing her. The author’s voice carries a lot of honesty, and that honesty hit hard.
I walked away feeling like I had watched someone peel back the layers of their own soul. The journey is strange in the best way. I would recommend The Soul’s Reckoning to readers who enjoy emotional fantasy, introspective stories about life after death, and character-driven narratives that sit close to the bone. If you like books that make you feel a little off balance, a little curious, and a lot reflective, this one is worth your time.
Pages: 369 | ASIN : B0G3DW3DH9
