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Only Prince Charming Gets to Break the Rules
Fairy tales are a reflection of the social values of their time and often serve as vehicles for teaching moral lessons. However, a closer examination of these stories reveals that the actual behaviors and punishments do not always align with our expectations. Only Prince Charming Gets to Break the Rules, a meticulously researched analysis by Dr. Anne E. Beall sheds light on the disparities between male and female characters in both fairy tales and real life.
Beall’s study delves into the rule-breaking behavior of characters in fairy tales, comparing and contrasting the consequences and emotions conveyed. Through a comprehensive global perspective that includes stories from Africa, Asia, Europe, North America, and South America, the author demonstrates how fairy tales communicate societal values that have persisted over time.
The use of statistics and real-life examples helps Beall identify gender differences in rule-breaking patterns, revealing that women are more likely to engage in psychological and physical abuse. Despite the ample data presented, the author maintains an unbiased approach throughout. Although the writing style may at times feel overly factual due to the abundance of statistics, the book remains engaging and informative. In fact, the material presented is well-suited for classroom discussions and anyone interested in understanding societal norms and behaviors.
Overall, Only Prince Charming Gets to Break the Rules: Gender and Rule Violation in Fairy Tales and Life is a refreshing and illuminating read that challenges our preconceived notions of gender roles and expectations. This research into fairytales and mythology is an excellent addition to those studying the impact on literature and gender roles worldwide and through time.
Pages: 154 | ASIN : B0BH3KWH5D
No Names to Be Given
Spanning over fifty years, No Names To Be Given is a moving and heartbreaking historical novel about three different women from the 1960s who had to give up their children out of wedlock. Inspired by actual events, it takes the reader through the roller-coaster lives of Becca, Faith, and Sandy – from the day they met in the Magnolia Home Hospital to 25 years later, where their darkest secrets are threatened to be exposed.
This is author Julia Brewer Daily’s debut novel, but it feels like she’s been writing this story all her life. Perhaps that is the case, given that she was one of those babies adopted from a maternity home hospital during this period. While there were probably mountains of research to write this novel, it would be believable if Daily wrote this story purely from memory and family history.
Her tender prose shows that she’s writing from the heart. Despite that, she tells the story with some emotional distance. The journeys of the three women are told in alternating chapters that are so unflinching that the whole novel almost feels like a documentary. Additionally, this is based on very real traumas. Daily allows the story to shine on its own with the respect it deserves. She writes with an assured and confident voice and isn’t afraid to challenge the reader if it means telling the story the way it’s supposed to be.
It’s clear why Daily chose to alternate the story between chapters. It’s a complicated story, spanning generations, that would not have felt complete if done in a singular manner. The alternating chapters also emphasize the diversity of the characters’ situations. Becca falls in love with an African American man during the height of racism in America; Faith gets sexually assaulted by one of her father’s employees; Sandy becomes involved with a married mobster. If only one of these stories were told, it would not have done any justice for this disparaging historical truth.
No Names To Be Given is a through-provoking historical fiction novel. Readers will experience the heartbreak and fear these women live through, having their worst moments in life brought back to haunt them. A look into women’s history, adoption, and motherhood from the perspective of women in the 1960s.
Pages: 334 | ASIN : B09B157HLR
LITERARY TITAN 