Beguiled is about every person who ever had dreams that were interrupted by cultural mores, by discrimination, or by their own shortcomings. Miriam Levine, born in 1900, dreamed of going on stage, until an almost fatal mis-step forced her to postpone her “real life.” A serendipitous offer compelled her to confront her inner demons and society’s expectations. As Glinda, the Good Witch of the South in the Wizard of Oz, she recites at age 16: “You’ve always had the power, my dear, you just had to learn it for yourself.”
The story is inspirational for young people and their parents who dearly wish to access the American dream. The historical context of the decades before the Great Depression, the role of immigrants and women’s suffrage parallels tough political dilemmas that the US faces today.
Will Miriam have the gumption to follow her dreams? Will those dreams yield her the happiness she seeks? Or will she find that her childhood fantasies “beguile” her to seek ‘fool’s gold?’
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Liberating Inner Eve tackles the many perspectives Christians have on the story of Eve. What was your inspiration that made you want to write this book?
What inspired, or more accurately, “compelled” me to write “Liberating Inner Eve” were a couple of influences that crossed their paths during my life’s journey.
One was my ongoing professional dedication to nurturing high levels of confidence and self-love in my clients. Part of this calling always involved being aware of the many factors that restrict their experience of high self-worth, including those less obvious such as layers of historic conditioning (for example those relating to women being less encouraged to pursue self-development outside of their caring roles (than men)).
Another influence that inspired me to write “Liberating Inner Eve” was my journey as a mother. When introducing my son to characters from Bible stories, I found myself being very mindful of the messages that society’s common interpretations of popular Bible stories (like the account of Adam and Eve) continue to send to our future generations. For example, the popular depiction of Eve as Adam’s helper in many of today’s children’s Bibles often falls short of placing enough emphasis on Adam and Eve’s calling towards a complementary, mutually supportive union, as interpreted by JPII.
In every chapter of “Liberating Inner Eve” I decided to explore a theme that I frequently address as a counselor, presenting it as a holistic marriage between cultural, historic, and psychological influences. And pair it with those strategies that I found to be most effective in helping to transform it, so it resonates with the Gospel’s message of inclusion and empowerment.
I wanted to write “Liberating Inner Eve” from the heart, sharing my own journey of transformation with my readers, as well as the lessons I’ve learned from having the privilege to listen to so many female voices.
What do you find is a common misconception people have about the Genesis account of Adam and Eve?
As a counselor I appreciate the power that visualization has in stimulating the various sensory pathways and emotional patterns within our brains. There is much written about the power of visualization and metaphors in influencing our subconscious mind.
What I love about the Bible is the way it abounds in metaphors and analogies that describe not only the nature of the Kingdom of Heaven but also the many aspects of our humanity.
What I find most concerning about the common interpretations of the account of Adam and Eve, that is the ones that imply in some way that Eve is the more inferior of the original pair, is how this emphasis has been represented in art throughout history, as well as how influential it was in the forming of subsequent theological reflections and practices.
I feel that Adam and Eve’s calling towards a complementary, mutually supportive union (as interpreted by JPII) and her release from blame for mankind’s downfall (which I address in “Liberating Inner Eve”) needs a lot of reinforcement. So that in the midst of today’s “movement of equality” we can prevent many women from turning away from the depth and beauty of Christian spirituality, because of these and many other historic/social misconceptions.
I found this to be a soothing book that also serves as a guide to self reflection. What do you hope readers take away from your book?
My aim for “Liberating Inner Eve” is to raise awareness in relation to the many historical/social pressures and restrictions that impact on women’s experience today (as awareness is the first step towards transformation). I would also like to offer tools that empower women to manifest Christian values of equality, freedom, and mutual care in their life’s unique circumstances.
What is the next book that you are working on and when will it be available?
My next book, on which I am working on with much excitement and enthusiasm, will be another “Reflective Journey for Women, within Christian values” book, about the importance of deepening the experience of our “connection” with ourselves. I hope to make it available within 6 months 🙂
I wrote “Liberating Inner Eve” as a result of my encounters with female clients from a Christian background who struggle to find a sense of personal strength, high self-worth, love, and acceptance.
“Liberating Inner Eve” offers psychological insight around the impact of commonly found interpretations of the teachings of the Old Testament (in particular the Genesis account of Adam and Eve) and New Testament (the lifetime of Jesus), on various themes relevant to women’s daily lives, such as how they experience their identity, self-acceptance, and self-worth.
Every Chapter of this book includes simple exercises, encouraging readers to take time to review their thoughts and feelings, relating to a particular topic.
Through “Liberating Inner Eve” I long to share with others how empowering the Bible can be in helping women find self-love, self-acceptance, and personal strength.
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In the Shadow of the Hanging Tree takes place in the 1860s and follows the lives of three people trying to find their way in post-Civil War America. What was the inspiration for your characters; the Henry the ex-slave, Clara and lieutenant Elliot?
I have always been an omnivorous reader. From horror to historical and most genres in-between. The American western is genre that seems to have sort of faded into obscurity over the last thirty years or so. I suppose I can understand why. A lot (not all) of it had become dusty, formulaic, trope-worn, overly-romanticized, and historically inaccurate. I set out to write a story set somewhere between the gold rush and the turn-of-the-century. Something with a different kind of hero from the gunfighter or bank robber. Something that would dust off the genre, add some real humanity, and hopefully spark some renewed interest in this fascinating and sometimes troubling time period.
Henry as the main protagonist was an easy choice. I read a short once, about a man who was freed after the civil war and went on to become a well-known cowboy in Texas. The man had a remarkable way with horses. He was the inspiration for Henry. The challenges African Americans faced even after they were freed from slavery were monumental, and so many extraordinary men and women overcame this adversity and went on to live noteworthy lives.
With Clara I wanted to highlight challenges that women of the period faced. Their oppression can’t be compared equally to African American’s enslavement, but neither can it be marginalized. I also used her character to showcase the disconnect between wealthy easterners and the reality of what was going on in the rest of the country.
John Elliot’s inner conflict wasn’t that uncommon for soldiers both during the civil war and the years following. I have read truly heartbreaking letters sent home disillusioned soldiers from the period, particularly ones from soldier’s involved in what could arguably be called the Native American genocide.
This novel gave a good view of life in 1860s America for slaves and Native Americans. What were some themes you tried to highlight throughout this novel?
Henry and Clara’s relationship is touching but anchored with fear and a desire to find their way to the right side of things. What served as the basis for their relationship while you were writing?
Henry and Clara’s relationship is one of self-discovery for both of them. Henry begins to forgive himself, and finds that he is still capable of love. Clara discovers that her prejudices were misinformed. Her interactions with Henry, and his honesty, later affects how she later handles John’s disturbing revelations.
What is the next book that you are writing and when will it be available?
I have two novels in the works. One is a contemporary drama about a twelve-year-old whose parents both die tragically less than two years apart. He’s subsequently injected into the foster care system and eventually runs away hoping to find an estranged grandparent who lives off-the-grid in Montana. The second is about a man searching for his daughter years after a global catastrophe. Both novels should be released in 2019.
In 1865 a shadow hovers over the nation: the shadow lingers still…
Born into slavery, Henry’s young life is spent working in tobacco drying sheds on Missouri plantations. Freed at the onset of the Civil War, he’s alone, starving, and on the run from Confederate militiamen.
Five years later, Clara Hanfield, the daughter of a powerful New York shipping magnate, escapes her tyrannical father and travels west in pursuit of John Elliot, the man she loves. John, a U.S. Army lieutenant, was sent to the Dakota Territory where he discovers a government conspiracy to incite an all-out war with the Indians; a war meant to finally eliminate them as an obstacle to the westward expansion.
Henry finds himself caught in the middle.
Aided by Clara, John, and his native ally, Standing Elk, Henry must battle hatred, greed, and the ghosts of his past during this turbulent and troubling time in American history.
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Liberating Inner Eve: A Reflective Journey for Women, is the brainchild of author Bozena Zawisz, counselor and Christian. Zawisz tackles the many perspectives Christians have had on the story of Eve over the years. She balances her examination of Eve by dissecting Eve’s famed weaknesses while shining a light on her strengths. Zawisz peppers the reading with opportunities for readers to journal, work out thoughts, and respond to introspective questions based on the reading. The author’s work as a counselor is evident throughout the book as she consistently provides helpful hints for women regarding regular reflections and ways to be mindful and find an inner peace.
Zawisz has a soothing way with words. Her writing, geared toward women who are questioning their own situations and facing obstacles within their lives, is a much-needed calm amidst the storm of everyday life. I felt a warmth and genuine concern from Zawisz as I read her descriptions of her own parenting and the way in which women tend to take blame upon themselves. The author’s empathy is clear and appreciated.
Christian readers will welcome Zawisz’s thoughts on women like Saint Faustina. The author’s admiration for Faustina is obvious as she shares the story of her perseverance and strength. In the face of opposition, and with a limited educational background, Faustina leans on her faith to succeed. She is just one of the women offered by Zawisz as a positive example.
I especially appreciated the numerous Bible verses and quotes presented by the author. My grandmother was a devout Christian, and Zawisz’s faith reminds me of her daily devotions. There is a definite peace that comes from reading the author’s favorite verses and the ways in which they have impacted her life. Among the many quotes she includes, readers will find inspiration and support during the most difficult of times.
I was rather taken with the beautiful poetry included in each chapter. Zawisz’s poetry is as eloquent as her narrative is comforting. She closes out each of her chapters with a unique bit of verse based on the topic at hand.
One of the most striking aspects of Liberating Inner Eve is the examination of the story of Adam and Eve. I found this to be most interesting. As a child, I was raised to believe the two were real people who started humanity down a path of sin away from righteousness. I had never been introduced to the many interpretations of the creation story. The notion that Adam and Eve might not have been real but a mere representation of humankind’s evolution was new to me. However, Zawisz emphasizes that the depiction of Eve as being, in many ways, inferior to Adam is woven into almost version of the story.
Zawisz’s work is for any woman seeking a book designed exclusively to uplift, empower, and encourage self-reflection. I would recommend this book to any Christian reader or any woman looking to explore Eve’s story and better understand her own struggles.
Pages: 173 | ASIN: B074HB5Q8Z
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Phoenix, written by Arti Chugpai, tells the story of Sonam Aggarwal and her trials and tribulations as she builds her life as a woman in India. Sonam is a complex character with beautiful soul, intelligence and integrity. Her presence demands authority, and as the Director of Publishing for a branch in India, she has certainly earned respect and accolades. However, there is a part of her that is broken by a moment in her life that she explicitly calls “The Betrayal”. Her family and friends judge her by her relationship failings rather than her career successes, leaving Sonam feeling lost and alone. Will Sonam be able to rise above the stereotypes and convictions of her family and friends to find true happiness?
Phoenix is a novel based on love, life and conforming to gender stereotypes. It’s the year 1998, and there’s a budding romance growing between a middle-aged business tycoon by the name of Kunal Vats and the main leading lady, Sonam Aggarwals. Set in India, Phoenix explores Sonan Aggarwal’s life through her ever-changing family, relationships, career aspirations and friendships.
The story then flits between two different eras of Sonam Aggarwal’s life, one part telling her life as it is in 2017 and the other turning back the clock to the year 1998. It’s here we learn about her life and the changing family dynamics and reoccurring expectations that seem to haunt Sonam, no matter how old her or her family members are.
It was refreshing to read a novel based on someone who is aged between their 40’s-60’s. Most modern love stories center around young adults in their twenties and Phoenix was a gentle reminder that age is no barrier when it comes to pursuing love and happiness. I enjoyed the sense of realism as the characters experienced a love that did not always result in happy endings. Instead, Phoenix dove deep into a raw and personal kind of love, where abuse, betrayal and forgiveness are all prominent players in the relationship game.
Phoenix also explores the events of Sonam’s life so thoroughly that at times you feel as though you are almost reading a biography of a real person. The novel also went into depth to showcase some of India’s culture, including foods, family life and working conditions. Arti Chugpai’s style of writing is confident and expressive, using strong descriptive words and phrases to demonstrate their points within the plot line. Fitting, considering the main character Sonam is a publisher herself.
Phoenix also brings to light the society changes and gender differences in India, and how things change over a period of time. It shows the difference in expectations between men and women, especially when it comes to love and relationships. Women are considered to be successful if they maintain a healthy, happy family, with their career aspirations and achievements often shadowed by the relationship, falls they have had in their life.
I would recommend this for anyone looking for a novel about budding romance, rising above the gender stereotypes and Indian culture.
Pages: 232 | ISBN: 1543701043
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Like Peaches and Pickles follows Georgia as she fights to maintain her position in a work place that is quickly changing. Why was this an important book for you to write?
Throughout my long career in journalism and communication, I never worked anywhere that did not have politics. I never understood politics or learned to play the game. I was always horrified to see workers caught up in politics and crushed alive. I always thought that if I did the best job I could do, if I always tried to exceed my boss’s expectations, and if I stayed as far away from office politics as I could, then I would be fine. However, I soon learned that was not true. I wrote this book for all women who have ever been caught up in office politics, but especially for those women whose lives were forever scarred by despicable, ruthless bosses.
What I liked about Georgia’s character was that she continued to develop throughout the story. What was your inspiration for her character?
I was inspired by the strong women I met over the years whose lives became ensnared in office politics. Women who fought back against wage discrimination and sexual harassment. Women who were vilified for trying to bring about positive changes in the work place.
I really liked how I could relate to the office politics in the story. What experiences from your own life did you bring into the story?
Like all authors, I draw from my own experiences. It was my naivety when it came to back-stabbing office politics that often got me into trouble. I worked 10 years at a major Southern research university, so I definitely had experiences of my own to weave into LIKE PEACHES AND PICKLES, like political hires, wage discrimination, sexual harassment, fraternity hazing, arrested athletes, and campus scandals. I mixed my personal experiences with stories I heard from faculty and staff members at universities and colleges across the United States and Canada.
What is the next book that you are working on and when will it be available?
I am currently working on the third book in my “fruity” series–tentatively titled ROTTEN BANANAS. It is about a recently retired university professor who moves to a retirement complex for a safe, no-stress life full of Bridge games, yoga, water aerobics, music concerts, art classes, afternoon tea, and shopping trips to the Mall and Walmart. But one morning as she looks at her Bridge partner and counts up 40 points in her hand, she decides she wants more than that. So she signs up for a Caribbean cruise on the Emerald Dream, where she meets a stowaway, tangles with drug smugglers, gets kidnapped, and becomes involved with a “hottie” secret agent. What could be better than this?
The university’s selection committee nominates Georgia Davis to become their first woman vice president — a job she’s coveted for more than a quarter century. But the university’s new president, Paul Van Horne, sours her plans by ignoring the committee and hiring Carl Overstreet, his old college buddy instead. In spite of her outrage and better judgment, Georgia begins having romantic feelings for the despicable scoundrel who is now her boss — at least until he fires her. But Van Horne and Overstreet soon learn that a Southern peach like Georgia does not go quietly into the compost bin. And Georgia discovers that revenge can taste as sweet as romance. Like Peaches and Pickles — a deliciously wicked story — will make you laugh, love and cheer for one Southern peach with a pit of steel.
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Choose: Snakes or Ladders follows Mitty who comes up against sexism and classism and must challenge others’ prejudices while fighting her inner demons. What was your inspiration for this provocative novel?
I didn’t have any articulated inspiration for the novel. It started as a short piece and grew seemingly by itself. I thought it was about an innocent young girl in the 50’s. I actually didn’t know that I felt so strongly about class issues and sexism. Nor about sexual safety of young people. My main conscious focus was on her struggle to find a way through the internal and external restrictions. As a former therapist, it has always saddened me that many women, particularly in the 50’s, were denied natural pleasures because of a culture of ignorance and shame around female sexual activity. As well of course, of career advancement.
What I really enjoyed about Mitty’s character is how well developed she was but continued to transform throughout the novel. What were some obstacles you felt were important for Mitty’s character development?
Her main obstacle was the extreme shaming and ignorance of the fictional sect in the novel. Another strong obstacle was Mitty’s lack of anyone who could help her come to some knowledge and understanding. I loved Violet’s attempts to inform her. The struggle is linked to the development, through ups and downs, of her self-worth – another essential ingredient in a life of achievement, pleasure and love.
I think you did a great job of illustrating that female beauty and sexuality can often be a poisoned chalice. Why do you think this is an important, especially with today’s #metoo movement?
I was amused by Mitty’s character as a woman who was beautiful and sexually arousing without her knowing it. And heartened by her innate sensuality. Perhaps if young women were educated properly and allowed to have awareness and acceptance of these factors, they would be less vulnerable in the face of male assertion of power in all ways. A lot of work needs to be done to educate men, particularly in self-awareness.
In the sequel all these themes continue to build strong plot threads, together with some surprising twists in Mitty’s life path.
What life experiences of your own did you put into the novel, if any?
That’s a tricky question. A life experience of teacher and counselor helps to build a wide understanding. Personally, none of the events as depicted happened to me, although fragments of similar occurrences have been combined to build a different fictional history. For example, my much loved grandmother had overcome a restrictive religious background, while still quoting many homilies to me, with a wry smile. Otherwise, sometimes just a few words overheard will trigger a scene. So there is a basic truth in it all.
This is “a well-plotted tale of human growth, sexuality, and self-discovery which will be enjoyed by readers of women’s fiction and literary fiction alike.”
Mitty is a young girl brought up in a punitive sect who escapes to a typist job in the city – a step to fulfilling her dreams of being a lady. She is hampered by deep fears of hell and punishment, and utter ignorance of the facts of life.
The 1950’s – sex, drugs and rock and roll, but not in the small towns of Australia. There were lots of jobs, clothes and wealth in the cities but this threatened the values of the past – a culture where men desire and decide, while women love and serve.
Miss Mitty Bedford knew the outside world through Hollywood movies at the local Pictures, only to find in real life that there can be nasties behind smiling, beautiful faces.
A stalker’s attack clashes with her newfound joy in sensual self-discovery inspired by a crush on her boss, and her love for decent, loving, traditional Col. She writhes between shame, repentance and joy.
Mitty wants a career and respect, but what path must she choose? She needs love, but does she want freedom more?
This emotional and dramatic journey to win trust, love and independence, will keep readers turning the pages, as well as provoking questions that still apply today.
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Invasion follows a vampire, mage and a werewolf as they try to prevent an alien invasion. How did you come up with this unique and thrilling idea?
For that, we have to go back to The Underground, to which Invasion is the standalone sequel. I wanted to tell more of Melera’s story (the interstellar assassin) than what was depicted in that first book. So, I have an alien on the run from her nemesis, who is determined to recapture her and possess her battlefleet. When she returns to Earth, what are the high stakes? Does she just resume her existence on her hidden base, doing what she’s fated to do? No, because there’s no urgency. There has to be a clear and present danger from without. And what could be more of a clear and present danger than a potential alien invasion of Earth?
I really enjoyed that each character was unique and well developed, which led to some very interesting relationships. Did you plan these relationships or did they grow organically?
Again, we have to go back to The Underground. The Underground is where those relationships developed. I didn’t exactly plan them; they more or less grew organically. I mean, I had an idea about these relationships, but I didn’t map them out—I simply wrote and watched them unfold. That’s the way I write—I don’t plot anything out. I have an idea where to start—point A, if you will—and I know I have to get to point B and then to point C. How I get to these points is completely unknown to me. That, for me, is the joy of writing, that act of creation.
This novel was fun to read. What was the most fun scene for you to write?
That would have to be the BDSM scene. I had to do research for that one. I read books on the roles of the dominant and the submissive. I learned that to be a good dom is hard work. I also learned the rules of etiquette in group settings, and things like that. I visited a couple of clubs on open house night, where we were treated to a tour of the facilities, mini-lectures and demonstrations. One night, I won a gorgeous, hand-tooled leather spiked collar at a silent auction. Anyway, I met some fabulous people who were more than willing to talk to me about how to write the scene so that it rang true. I even ran it by a couple who gave me pointers. A great group of people, really. Their lifestyle isn’t mine, but it was a wonderful experience that really opened my eyes.
What is the next story that you are working on and when will it be available?
I’m working on a sequel to a book I wrote a few years ago, entitled The Moreva of Astoreth. It’s funny—I never intended to write a sequel to The Moreva, but so many of my readers strongly suggested that I do so, well, how can I disappoint? I hope to have it finished within a year, maybe by the spring of 2019. My day job takes up a lot of my time, and I’m still working on how to balance the marketing and writing thing. I mean, I’m either all in, or not. I know there’s got to be a better way, a smarter way—I just haven’t figured it out yet.
Kurt, vampire Master of Seattle, Garrett Larkin, mage of Balthus Coven and Parker Berenson, alpha of the city’s werewolf pack, are in a world of trouble. Already divided by love and jealousy, the three discover their auras are inextricably bound, the result of a spellcasting gone terribly wrong. Each one’s aura has been invaded by the auras of the others, and the consequences are both frightening and deadly. Worse yet, Shen’zae Melera, interstellar assassin and Parker’s love, has returned to Earth with dire news: she didn’t return alone. She’d been followed by her nemesis, Mag Beloc, and his fleet of warships. Even if Beloc recaptures her, Melera knows that Earth will suit his purposes, and that his presence may well become permanent. Drawn together by choice and fate while doing what they had to do, can Kurt, Garrett, and Parker now find a way to undo the magick that binds them, and with Melera, stop an alien invasion before it begins?
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Lyuda was a lovely seventeen-year old girl with a potentially bright future. This was until she met Vova and the course of her life changed forever. Later, Vova would leave her orphaned and with a baby to care for. She was in pain and alone but she had a child. This meant she could not cry openly. Therefore, she tried to find momentary happiness at the bottom of a glass of Samohon.
Angela is a happy child. She is blissfully unaware of the harsh realities of life. She often wanders in her imagination without a care in the world. What does a seven-year-old girl have to worry about anyway? One day her night spirit appeared and warned her of an impending darkness. She did not understand this but the meaning soon became apparent. With the help of her grandmother, she embarks on a mission to make her mother happy again. Her mother needs to be reminded of the joy she derives from having Angela in her life. When all is said and done, Angela can finally grow up without being held back by her mother’s past. She can move on out of the dark envelope that is her mother’s mistakes.
Leonora Meriel successfully evokes intense emotion with this book. It is so sad and devastating to watch a child wish to be happy but hold themselves back to cater to their parent. She writes with vivid clarity and details the excruciating struggles Lyuda goes through. The author’s description of the Ukrainian countryside transports the reader to Lyuda’s little house with the lilacs outside. The Woman Behind the Waterfall is a good book about a mother’s desire to maintain her sanity. Not for her own sake but for the sake of her child.
Not enough stories explain, in heart wrenching detail, the struggle that mothers go through. Especially single mothers. This novel, to me, was told with an air of reverence. I’m always looking for books that take me beyond the words and transports me into new characters with interesting stories to tell. What you’ll find here is a story about people and passion and the moments that test both of them.
This book will leave you in tears. The story will ignite an urge to hug your mother and express appreciation for all the times she gave up her own life for yours.
Pages: 264 | ASIN: B01M078MOF
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