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Immortal Beings
A Tale for the Shadows follows a murdered woman who is reborn as a ghost and finds unexpected love and purpose alongside a hunted vampire in a world where death is only the beginning. What drew you to combining ghost lore with vampire mythology in the same narrative?
The simplest answer is that I love stories about ghosts, and I love stories about vampires, so I combined them for my own entertainment. I knew that I wanted to write a novel that I would love to read.
A longer answer would include a recognition that the lore around ghosts and vampires is deep, centuries of material. Those stories are also ingrained in our societal consciousness. We tend to view ghosts as fearful entities in most European traditions, but in so many cultures, they’re welcomed, revered. Vampires are feared because they are alpha predators of human beings. In the Victorian novels (Bram Stoker’s Dracula, for example), vampires are symbolic of a frightening force of sexuality. I think the fear of ghosts and vampires also rises from a fear of death, our own and that of those we love. My idea was to turn this fear on its head, at least to some degree. No group of humanity is monolithic. That includes the dead and undead. Could there not be kind ghosts, wise vampires? We know that, for those who live on, love lingers after death. What would happen if love were a force for those who have died?
And, finally, I was intrigued by how a friendship might develop between a ghost and a vampire, two supernatural beings. And from there, how love might develop. From that rose the promise of an eternity together, as two immortal beings. How cool would that be?
Senka’s story begins in trauma but grows into something more complex. How did you shape her emotional evolution?
A lot of my shaping of Senka’s character was instinctual, based on my own experiences. Life, not just mine but everyone’s, is a process of accumulating anniversaries—of births, marriages, deaths, significant events. When I was in high school, my father died suddenly. My grandmother, mother, and life partner all died in the space of a year. My son’s fianceé died about a year after he was in a devastating car accident that left him paralyzed from the collarbones down. I watched him recover and learned a lot about forgiveness from him. Senka’s losses and her eventual choices about how to heal come from my own beliefs about the value of life and the extraordinary healing power of forgiveness and compassion.
The novel explores love after betrayal. Do you see the story as more about love, survival, or transformation?
Hmmm. I see those three as inextricably intertwined. Each supports the others; each makes the others possible. In Shadows, there are obviously several different kinds of love: Finn’s for his mom, hers for him; Senka and Silas for Luna, his for them; Mrs. Wang for her husband; Jeremy for his parents; Sarah/Senka’s for Stanley; and, of course, Senka and Silas for each other. There are also several kinds of transformation: from living to dead, from apparently good husband to … not so good husband, from smoke to monster, from revenge-focused to justice-focused. There’s even a shape-shifter. If Senka hadn’t transformed from the self-absorbed, willfully blind actress she was into the compassionate, caring, introspective ghost she became, she wouldn’t have been capable of finding the love with Silas that she finds. At the same time, if Silas hadn’t found the love he has with Senka, he wouldn’t have been interested in continued survival.
What is the next book that you are working on, and when will it be available?
It’s 1972. When Poppy is forced to move to Monterey, California, just before her senior year in high school, she’s furious and powerless to stop it. Then she discovers a mysterious journal that answers her anger with something irresistible: every wish she writes becomes real. At first, it feels like freedom, like finally taking control. But the magic has a cost, and someone else always pays. As the consequences grow darker, Poppy realizes she must give up the magic and develop the strength to shape her life without it. It’s a coming-of-age story with a dollop of Twilight Zone. I’m hoping it will be in bookstores by October 2026.
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She was murdered by the man she loved. Now she’s a ghost bound to the cabin where she died—until a wounded vampire, an ancient enemy, and a mysterious cat change everything.
Senka was once a rising television star. Now, she’s a restless spirit, trapped in the site of her betrayal. But everything shifts the night Silas appears—an ageless Native American vampire fleeing a ruthless Maker determined to erase him from existence. When a violent confrontation leaves the cabin in flames, Senka is finally freed, and an unlikely partnership is born.
As Senka and Silas forge a path through shadows and centuries-old grudges, they begin to pursue justice—not just for Senka’s murder but for the other lives shattered along the way. Guided by ghosts who’ve chosen to remain in the world of the living and aided by Luna the twenty-third, a clever feline with a talent for love and loyalty, they face vengeful vampires, unravel hidden truths, and awaken powers Senka never imagined.
But love in the afterlife is complicated. Haunted by the past and hesitant to trust again, Senka must confront the choices that led her here—and decide if an eternity with Silas is worth risking her heart one more time.
Lush, lyrical, and darkly romantic, A Tale for the Shadows is a supernatural fantasy that blends ghost stories and vampire lore with emotional depth, wit, and resilience. Perfect for fans of The Invisible Life of Addie LaRue, The Dead Romantics, and Buffy the Vampire Slayer, this is a tale of second chances, found family, and the quiet power of choosing love—even after death.
A Tale for the Shadows
A Tale for the Shadows is a paranormal fantasy novel with a strong gothic streak and a surprisingly tender emotional core. It begins with murder, which sounds blunt because the book is blunt about it: Sarah Sommers is killed by her husband, becomes a ghost, and from there the story opens outward into something larger about grief, loneliness, survival, and connection. As her ghostly life unfolds, she becomes Senka and crosses paths with Silas, a hunted vampire, while another thread follows Finn, a sick teenage boy in a hospital, listening night by night to a story that may be doing more than simply entertaining him. It is a book about death and love, just as the subtitle promises, but it is also about what keeps a person, or spirit, moving when they have every reason to stop.
Author Joyce Sherry writes in a way that feels intimate without getting precious, and that is not easy to pull off in fantasy. The book has ghosts, vampires, ancient rules, and real danger, but the language keeps bringing everything back to feeling. A cabin smells wrong. A hospital room feels long after visiting hours. Loneliness sits in the air. That grounded quality made the supernatural parts easier to trust. I also liked the author’s choice to frame the novel through storytelling itself. The repeated sense that stories “want” to be told gives the book a self-aware quality, but it never turns smug. It feels more like someone sitting across from you and saying, let me tell you what happened, and meaning it.
I found myself especially drawn to the way Sherry handles character. Senka could have been written as pure vengeance, Silas as pure brooding, and Finn as the sentimental heart of the book. None of them stay that flat. Senka grows into someone more thoughtful and more brave. Silas has the old-world vampire sadness you expect from the genre, but he is not just a dark silhouette in a doorway. He is wounded, weary, funny in flashes, and very human in the ways that matter. Finn, meanwhile, gives the novel an anchor. His scenes keep the book honest. They stop it from drifting too far into mood for mood’s sake. I also appreciated that the novel takes its big ideas seriously without dressing them up in heavy language. It asks what love looks like after betrayal, whether pain has to define a life, and what it means to keep choosing existence. Big questions. Quietly asked.
I would recommend A Tale for the Shadows most strongly to readers who like paranormal fantasy, gothic romance, and character-driven supernatural fiction that cares as much about emotional healing as it does about eerie atmosphere or mythic stakes. It will appeal to people who enjoy vampire and ghost stories but want something softer around the edges and more reflective at heart. I came away thinking this book understands that darkness is only interesting if there is some light pressing against it. That balance is what gives it its pull. It is thoughtful, strange, and sincere, and for the right reader, that combination will feel like being led into the dark by someone who knows exactly where they are going.
Pages: 292 | ASIN : B0FBYTKMSB
