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A Lack of Closure
Born of Bombs and Bullets follows a prison psychologist who relocates to Belfast following a brutal murder only to find himself deep within unrest tied to the IRA. What was the inspiration for the setup of your story?
While visiting Belfast, Northern Ireland, a few years ago, I took a political history tour to learn about The Troubles. Although that 30-year conflict supposedly ended with the Good Friday peace agreement in 1998, signs of lingering tension between the Catholic and Protestant communities were everywhere, especially in West Belfast.
Massive peace walls separated the two communities. I saw dozens of murals commemorating attacks and the people who died on both sides—ever-present reminders of the horror and grief and trauma that lasted an entire generation. There were even IRA stickers on street signs warning people not to cooperate with the police. I wondered what it’s like to live with that sort of constant strain. Afterward, when I started reading daily news reports from Belfast, I sensed a lack of closure on both sides of the conflict that haunts people today.
Imaginary characters began to form in my mind, and soon I gave them life through words—with a bit of history mixed in for context. To maintain objectivity, though, I decided to write the story through the eyes of an American psychologist. But first I needed to get him to Belfast, so that murder in the first chapter served as a catalyst.
What kind of research went into putting this book together?
A lot! But first, let me say the characters and the story are entirely fictional. Still, I knew from the beginning I wanted readers—especially here in the States, where The Troubles are less understood—to walk away with an accurate understanding of historical events. So I read countless histories and old press accounts, studied period photographs, and watched a lot of documentaries about The Troubles.
They have different car models and candy brands, for example, in the UK, so I had to research those details, too, to make the descriptions as authentic as possible. I also subscribed to Belfast news media and read the current daily headlines for a couple of years—that really helped me grasp the lingering effects of The Troubles.
At the same time, I wanted to acknowledge the psychological impact of such a prolonged and pervasive conflict. So I researched Northern Ireland’s modern behavioral health trends and reflected those themes in the characters. The descriptions of combat equipment and tactics—then and now—are as accurate as I could make them, as well. I really wanted the story to feel genuine, even though it’s entirely made up.
The hardest part, though, as an American, was trying to master the Northern Irish idioms and accents in the dialogue! I watched a lot of Northern Irish movies and television to get a handle on that—and I apologize now for any times I got it wrong! I’m sure a few “Americanisms” slipped past me.
What elements do you feel are essential for creating a successful thriller?
For me, it boils down to tension, plot twists, and pacing. Conflict between the characters—and of course, setbacks—generates the tension. An ever-present sense of danger fuels it, too.
And plot twists keep the reader guessing and therefore engaged. But above all, in my opinion, the pacing has to be right. The action needs to move forward consistently at a good clip to keep the reader’s attention. Personally, I’m a big fan of short chapters with fewer words per page to promote a feeling of urgency.
Can we look forward to seeing a follow-up to Born of Bombs and Bullets soon? Where will it take readers?
Absolutely! There will be several more books in the series, but I don’t anticipate the next one until late 2026. My niche is travel-inspired thrillers, so the setting will be another country with a fascinating history. I’m presently choosing among Spain, Argentina, and Chile. Maybe your readers can help me decide?!
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Psychologist Aaron Thornton is riddled with self-doubt after failing to stop a tragic incident at the American prison where he works. So when his wife, Claire, receives a job offer in her native Belfast, Northern Ireland, he sees a chance to start over by treating hardened criminals in Northern Ireland’s judicial system.
But Thornton’s work soon entangles him in the aftermath of ‘The Troubles,’ a brutal conflict that rocked Belfast for over thirty years. Charged with overseeing the release of the Irish Republican Army’s deadliest bomb maker, Thornton reignites smoldering feuds that threaten to consume him and his family in the flames of political violence.
Alongside a broad cast of characters who reflect the many facets and shifting allegiances of The Troubles, Thornton fights to heal long-standing hatred and prevent another tragedy. But can he save himself?
In the spirit of John le Carré and Graham Greene, writer David A. Dummer has created an everyman hero for our time, and with Born of Bombs and Bullets, a political thriller for the ages.
Born of Bombs and Bullets: An Aaron Thornton Thriller
David A. Dummer’s Born of Bombs and Bullets is a sharply written, emotionally charged political thriller that pulls no punches. It follows Dr. Aaron Thornton, a prison psychologist whose life is upended after a brutal murder at the penitentiary where he works. Seeking a reset, he relocates with his wife Claire to Belfast—only to be thrust into a volatile world of old grudges, hidden identities, and a brewing storm of violence tied to the legacy of the IRA. Through layered narratives, the book digs into the personal and political costs of trauma, loyalty, and vengeance, all against the backdrop of Northern Ireland’s troubled history.
What grabbed me first was the way Dummer weaves high-stakes action with genuinely human moments. The opening scene inside USP Hazelton is pure tension. One second, you’re in a therapy session; the next, you’re watching the chaos unfold, ending in a devastating double murder. I felt the chill in the room, the tension in Thornton’s indecision, the horrifying weight of inaction. That moment—when Thornton can’t bring himself to strike with the baton—lingers through the rest of the book. It’s a quiet, haunting flaw that makes him real. Dummer doesn’t just serve up trauma; he lets it stew, then uses it to shape the characters.
The Belfast chapters dig deeper into identity and trauma, especially through Liam O’Malley and Tommy Magee. Liam’s backstory—particularly the vivid, heart-shattering scene where his sister Deidre is killed by a British armored vehicle—is one of the most powerful in the book. It felt cinematic and visceral. That single event justifies Liam’s rage and radicalization. At the same time, Dummer avoids painting him as a monster. Liam’s weariness, his doubts about renewed violence, his reflections on a life lived in shadows—they’re painfully honest.
On the flip side, we’ve got Tommy. He’s the emotional powder keg—an orphan, a trauma case, caught in a cycle of poverty and rage. His journey from suicidal despair on Ballycastle Beach to reluctant accomplice in a murder is wild. His flashbacks, especially the aftermath of the Sheehan’s furniture store bombing, are raw and haunting. What impressed me was how Dummer shows Tommy slipping into violence. He’s not evil. He’s broken. And in that brokenness, he becomes someone else’s weapon.
The pacing is tight, the writing is sharp, and the dialogue has just the right edge of grit and realism. It does get pretty heavy, especially with all the political history and acronyms. But Dummer does a solid job of keeping it digestible. He throws you into a world of factions and vendettas, sure—but never without anchoring it in people who bleed, mourn, and remember. The balance between plot and pathos is what makes this more than just a thriller. It’s a character study in the ruins of ideology.
I really liked this book. It’s not a breezy read—it’s emotionally heavy, politically messy, and morally gray. But it’s also compelling as hell. If you’re into thrillers with a conscience, stories that tackle trauma, redemption, and the gritty realism of sectarian violence, you’ll want to check this out. Fans of The Troubles-era fiction, political thrillers like The Ghost or The Constant Gardener will find plenty to chew on here.
Pages: 458 | ASIN : B0DY6MS7F8
LITERARY TITAN 