Blog Archives
Unseen Adversaries
Fade to Blue follows an Alzheimer’s researcher who is being hunted and manipulated after accidentally creating a drug that can almost instantly wipe out all brain activity. Where did the idea for this novel come from?
In 1998, I was working at a steel mill. One evening during a break, a coworker suggested we write a short story together. While considering ideas, I remembered that an annealing line had crashed because a computer controlling its speed and torque had lost all Random-access memory. I said, “How about this: a scientist creates a drug that can erase a human’s memory.”
How much research went into the neuroscience and Alzheimer’s elements of the story?
My father was suffering from Alzheimer’s disease when I began writing Fade to Blue. That had a huge impact on me and the story.
Regarding the research, neuroscientist Dr. Brian Cummings invited me to his UC Irvine laboratory, where I saw firsthand the experiments and brain research being done by his students. The Memory Research Institute depicted in Fade to Blue is the result of my visit to UC Irvine. And it was Dr. Cummings who explained how a brain-destroying drug like T-3 could be created.
I later went to New York City at the invitation of Dr. Bernardo Rudy, head of the Rudy Lab at NYU Department of Neuroscience, to get a tour of his laboratory and discuss the science in my book.
The novel builds tension through small, everyday moments—driving, showering, simply being alone. Why was it important to show fear in those ordinary situations?
I wanted to infuse fear into normally mundane aspects of Sarah’s life so a reader could identify. We all drive a car and receive phone calls from friends. Those events shouldn’t stoke fear or panic. They do in Fade to Blue because unknown and unseen adversaries are following Sarah’s every move and listening to her every sound. This fear is omnipresent, but she must maintain a happy façade and keep her friends in the dark. At the same time, she channels her fear into courage, cunning, and resolve.
What is the next book you are working on, and when will it be available?
Unfortunately, I’m not planning to write more books at this time. It took me 25 years to write Fade to Blue.
Author Links: GoodReads | Amazon
Sarah Brenalen, a frustrated researcher, secretly tests experimental Alzheimer’s drugs, only to create a brain-destroying compound. Marcel, an international operative, sees its potential.
Fade to Blue plunges you into a high-stakes cat-and-mouse game. Is Sarah a pawn, or can she outwit Marcel and prevent global catastrophe?
Uncover a dark conspiracy
Experience a fast-paced thriller
Explore the ethics of scientific discovery
For fans of Robin Cook and Michael Crichton, this medical thriller blends cutting-edge science with heart-stopping suspense.
Unique Challenges
Enemy at the Helm follows the aftermath of coordinated attacks on U.S. harbors that leave investigators scrambling to determine who is responsible. Where did the idea for this novel come from?
My wife and I were departing port on a cruise ship when I saw a Defender-class U.S. Coast Guard vessel off our rear flank mirroring our heading and speed. When I casually mentioned I knew why he was there—and how to defeat it, she looked at me like I had two heads. Once I quickly fleshed out a hypothetical story, she suggested I should write it. So it was all her idea, actually!
Did you find anything in your research for this book that surprised you?
The physical dimensions of the channels and canals are publicly available and are really quite small. When you have a large ship like the ones that are commonly used today, it can easily cause a blockage of all transit. I’ve been to the Miraflores locks on the Panama Canal, and I can confirm that any long-term blockage would be disastrous. We’ve seen what happens with temporary blockages in Baltimore Harbor, the Panama Canal, and the Suez Canal. With today’s Iranian war already disrupting global economies, I hope the Yemenis don’t read this and get any ideas!
When writing characters who work inside high-pressure investigative environments, how do you make sure their personal reactions still come through?
I’m a trauma surgeon. I’ve been threatened and have had to subdue people. I also do a lot of tactical and combatives training and have practiced many of the maneuvers I described in the novel. In fact, I’m currently training for SWAT team qualification. Even though we train for and have experience in stressful situations so that muscle memory kicks in, we are still always thinking of the lives we are responsible for. Every situation has its own unique challenges. Adapting to something you haven’t seen before creates its own stress. So, it’s a matter of recalling and recording those feelings.
Can you give us a glimpse inside the next book in this thriller series?
Sure! Pursuit and Pain delves into the backstory of the people behind the original attacks, set among a backdrop of ongoing nationwide trials and tribulations and leadership challenges caused by the global trade shutdown. Favorite characters return, and new ones emerge in the international search for the ultimate mastermind.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
AMAZON BESTSELLER
The United States is in crisis.
All the major US ports have been rendered inoperable by the simultaneous sinking of large vessels in their choke points, thus halting the bulk of global trade. At first, the president thinks he has been given a gift. He always thought the United States got the raw end of the deal in international trade because of the spineless behavior of his predecessors. But with the resulting shortages of everything, he soon realizes that people in extreme situations behave irrationally, and he struggles to stay afloat himself.
Tom Jensen, a young hippie devoted more to surfing than to working, is improbably caught in the middle, drawn to fight back against the unseen forces driving the global disaster. Joining his FBI agent uncle and others working to uncover the terrorist plot, he gets an international adventure he never saw coming.
Enemy at the Helm is the provocative and engaging first installment of a new thriller series full of terrorist activity, conspiracies, and the military operations and other, less-expected efforts to stop them. This fast-paced story will keep you turning the pages and leave you eagerly anticipating the next episode in the series.
Fade to Blue
In Fade to Blue, author Hank Scheer delivers a story that begins with a scientific trespass and spirals into international coercion. Sarah Brenalen, an exhausted Alzheimer’s researcher at the Memory Research Institute, secretly tests an outlaw idea, accidentally creates T-3, a drug that can wipe out nearly all brain activity in moments, and then finds herself hunted, monitored, and manipulated by a highly organized crew that wants the formula, the sample, and eventually her life. The book opens with Sarah being cornered on a California beach by Marcel, a courtly and sinister operative, then backtracks to show how her desperation to do something meaningful about Alzheimer’s set the whole mechanism in motion.
What I liked most is that the novel understands panic as something granular. Scheer does not merely tell me Sarah is scared; he gives her a humiliating, intimate form of surveillance and lets the dread creep into ordinary acts, driving home, showering, smoking again, trying to think clearly while someone may be listening to her breathe. The early chapters also give Sarah a real civilian life, with her music, her overwork, her boyfriend Rogelio, and her stubborn hope of doing useful science, so the thriller machinery has something human to grind against. That matters. Without that ballast, T-3 would just be a nifty premise. With it, the book has moral friction: ambition curdles into guilt, and guilt becomes a trap.
The prose is clear and propulsive, and that serves the story well. The novel’s sheer narrative commitment kept me turning pages. Once Sarah’s ordeal widens from Bay Area laboratories and freeway gambits to Paris, false deaths, and tactical reversals, the book develops a pulpy momentum that I found hard to resist. I especially appreciated that Sarah is neither saint nor fool; she is culpable, intelligent, frightened, improvisational, and sometimes magnificently stubborn. That blend gives the novel its voltage. Marcel, meanwhile, is the kind of polished monster thrillers need: controlled, fastidious, and all the more venomous for seeming civilized. By the ending, with Sarah alive in Paris and preparing to tell Rogelio the full story of T-3, I felt the book had earned its final note of battered continuation rather than neat closure.
I’d recommend Fade to Blue to readers of techno-thriller, medical thriller, science-fiction thriller, and suspense fiction who like high-concept danger tethered to an ethical mess rather than abstract spectacle. Fans of Michael Crichton will recognize the pleasure of a scientific idea turning predatory, though Scheer’s book feels more intimate and less clinically detached, with a stronger emphasis on surveillance, coercion, and personal fallout. This is a book for readers who want momentum, menace, and just enough laboratory plausibility to make the nightmare feel uncomfortably near. Fade to Blue proves that one bad experiment can cast a very long shadow.
Pages: 283 | ASIN : B0BS4DXMFJ
Enemy at the Helm
Enemy at the Helm is a geopolitical techno-thriller with a strong military and law-enforcement spine. It kicks off with coordinated April 15 attacks that sink or cripple ships in major U.S. harbors and effectively jam the country’s maritime supply lines, pushing the government into crisis-mode while investigators scramble to figure out whether this was domestic, foreign, or both. From there, the story fans out into a fast-moving hunt across agencies and borders, following people like FBI agent Sam Jensen and NYPD investigator Chuck Haggard as the case keeps widening, getting uglier, and feeling less like a single plot and more like a whole machine.
I really liked how the book leans into the nuts and bolts. The meetings, the handoffs, the “here’s what we know, here’s what we don’t,” the way one small clue can become the thread everybody yanks on. Author Mark Dickson clearly likes the procedural side, and when it works, it really works. You can feel the gears turning. The downside is that sometimes the story pauses to explain the gears while they’re turning. Still, in this genre, that grounded detail is part of the appeal. It made the threat feel tangible.
I also appreciated the author’s choice to keep widening the lens. The book moves through multiple points of view, and that creates a kind of controlled overwhelm that matches the scenario. One minute you’re with people trying to solve the puzzle, the next you’re watching the fallout hit families in relatable ways. When the action tightens, it can get surprisingly vivid, like the late chase and capture where Tom ends up literally grabbing the bad guy in the mud and the dark. And then, right after, the story slows down in a hospital room with monitors beeping and a teammate on a ventilator, which hit me harder than I expected. That contrast felt earned. Not poetic. Just real.
By the end, the book lands where a good thriller should: you get payoff, but you also get the sense that this problem is bigger than one arrest. The capture leads into a clear “next phase,” with leadership pushing the main characters toward a longer fight, not a neat bow. I’d recommend Enemy at the Helm most to readers who like fast stakes, modern security fears, and procedural realism. If you enjoy military thrillers, agency-and-operations stories, and the kind of techno-thriller that makes you glance at a port and think, “Yeah… that’s a soft spot,” you’ll probably tear through this one.
Pages: 220 | ISBN : 978-1632997319
Be Aware, Be Ready
To Slaughter a Camel follows a nurse practitioner whose loyalty is tested when she is suddenly pulled into the shadow world of US Intelligence. What was the inspiration for the setup of your story?
I’ll try to give you the short version.
Erika, my protagonist, was featured in my first novel, Topeka ma’shuge, a dark coming of age story. She survived her journey to adulthood, the novel concludes open-ended, but by that time I think I was a little in love with her; she hung around in the back of my mind, always asking me, “What about the rest of my life?”
I’ve known many military personnel in my life, and a handful from the clandestine services. I was aware of the role of being a medical provider embedded with clandestine operators, and the risks they faced, lacking the necessary warrior training to deal with the casualties when a mission goes terribly wrong.
Erika is isolated and looking for a sense of family; her decision to join the CIA is impulsive after the death of her best friend, but she already has unwittingly qualified for the position. It was only natural at that point, as in may thrillers and mysteries, to plop her in a catastrophe she wasn’t prepared for.
What were some challenges you felt were important to defining your characters in this story?
Wellesley is a bit of a cliché, the paternal supervisor with best intentions for his staff. Or is he? He is a bit insular, with a past we suspect. Why is he single? Who is the young woman in the frame by his desk? He understands the real horrors that can occur in his trade, but he tries to protect his young recruit. Was this the best decision? He isn’t sure and asks himself this as she walks away. Adding depth, ambivalence, vices and virtues to a character make them far more credible, but it does require work to do so.
Defining Erika was far easier, her character developing in the first novel. I knew her like a sister. Even when a crisis appeared that I’d only just created, I already knew how she would react. Until she was raped. As a former ER doc I understood a little bit of this, but some extensive research into the psychology of being a survivor of such an event was required. And her ability to kill, instinctively, prudently, slowly grows as the story progresses. Pacing that progress was a challenge. Pacing her evolution from a transparent medical provider devoted to the truth, to understanding how essential lies and deception are to survival in the clandestine theatre, was also a challenge.
What were some themes that were important for you to explore in this book?
“There are people in the world who will kill you for a pack of cigarettes,” Wellesley tells Erika; the warning intended for the reader as well. Don’t be paranoid, but be aware, be ready.
Perseverance in the face of adversity.
The value of patience, occasionally compassion, when one’s instincts tell you to act boldly.
What is the next book you are working on, and when will it be available?
A love story set in the first few months after 9-11. Jack Welsley, GS-13 at Langley, is 42, recently divorced, depressed, facing alcoholism, when he falls in love with the 23 year-old daughter of his best friend. She is a medic, has finished a year of Linguistics, and is slated to deploy in Afghanistan as a first Lieutenant. I hope to have a rough draft by the end of 2026, but the research is going to be exhausting, to review every day in the first year of that war, and get all of the technicalities and logistics believably correct.
Erika will reappear in the next work after that, another espionage thriller.
Author Links: GoodReads
To Slaughter a Camel masterfully charts the journey of Erika Harder from a routine existence in Oregon to a perilous life filled with uncertainty and trepidation in Madrid. Bereaved and lonely, Erika finds solace in her work as a multi-lingual nurse practitioner. Her normalcy is shattered when her proficiency in Farsi piques the interest of the State Department’s Jack Wellesley, who persuades her to serve as a civilian contractor for the CIA.
Erika’s initial excitement at the prospect of a new chapter in her life quickly morphs into a nightmare when a mission in Madrid goes awry, resulting in the death of seven of her colleagues. The explosion at the CIA station leaves her stranded with Guneet Jodal, a hapless translator whose loyalties are suspect. Erika is caught in a maelstrom of danger, with no way out and no one to trust.
Hutson’s narrative is a riveting exploration of the human spirit’s ability to endure and overcome even the most devastating tragedies. Erika, the novel’s protagonist, is a compelling character. Despite her raw wounds, both emotional and physical, she demonstrates an impressive strength and resourcefulness that will inspire readers.
To Slaughter a Camel is a unique blend of suspense and emotional depth. Hutson skillfully intertwines Erika’s personal journey with the broader narrative of international intrigue, creating a story that is as thought-provoking as it is action-packed. With a plot that keeps readers on the edge of their seats and a heroine whose resilience is nothing short of inspiring, this novel is a must-read for those seeking a thrilling, yet emotionally resonant tale.
To Slaughter a Camel
The book follows Erika Harder, a nurse practitioner in Portland whose already-fractured life is blown open by violence, loss, and an unexpected pull into the shadow world of U.S. intelligence. What begins as a grounded portrait of hospital life and grief slowly widens into a story about recruitment, moral compromise, and what it costs to belong to something larger than yourself. The plot moves from commuter trains and emergency rooms into secret offices, covert stations, and overseas assignments, tracking Erika as she’s tested not just for skill, but for resilience and loyalty.
What struck me first was how tactile the writing feels. The author lingers on details that matter. The rhythm of a train over a bridge. The chaos of a trauma bay. The weight of a shoulder bag that carries memories. These moments give the book a lived-in quality that many thrillers skip over in favor of speed. Here, the pacing is deliberate at the start, and I appreciated that patience. It lets the emotional stakes settle before the story turns sharper and more dangerous. Erika’s grief isn’t rushed or dramatized. It just sits there, heavy and unresolved.
I also found the author’s choices around power and authority compelling, if sometimes unsettling. The intelligence apparatus is not romanticized. Recruiters are intrusive. Procedures are dehumanizing. Even the promise of purpose feels conditional. There’s an ongoing tension between being chosen and being consumed, and the book doesn’t pretend those are different things. The dialogue leans into cynicism, but it fits the world being built. This is an espionage novel that understands control as something exercised quietly, through access to records, language, and fear rather than heroics.
This isn’t a slick, globe-trotting spy fantasy. It’s slower, heavier, and more reflective than that. Readers who enjoy espionage thrillers with strong character work, especially those interested in the psychological cost of service and secrecy, will appreciate this book most. If you like your thrillers grounded in realism, morally gray, and shaped by interior struggle as much as external threat, To Slaughter a Camel is worth your time.
Pages: 360 | ASIN : B0DPLJ73MN
Wrath and Reckoning
When I picked up Wrath and Reckoning, I expected a tight political thriller, and that’s exactly what I got. The story follows Max Kenworth and his team as they chase after the elusive mercenary Bart Madison and a missing nuclear weapon. Layered into that chase are power-hungry politicians, corrupt deals, shadowy agencies, and a relentless undertone of betrayal. From Arlington Cemetery to Central America to secret meetings in hotel rooms, the book moves quickly. Every chapter pushes the stakes higher. It’s less about quiet deduction and more about the terrifying weight of what-ifs: a nuclear device in the wrong hands, politicians who gamble lives for power, and operatives caught between duty and survival.
I really enjoyed the book’s pace. Parker doesn’t give you room to breathe. Scenes cut fast, and dialogue snaps like a whip. Sometimes it felt like a military briefing, other times like eavesdropping on a whispered conspiracy. That intensity pulled me in. The writing style is direct, sharp, and often blunt. I liked that honesty. You don’t get purple prose here. You get grit, strategy, and straight talk. The moments between Max and Danya, or Gail’s uneasy alliances, offered glimpses of vulnerability that I craved more of. Those human flashes made the gunfire and secret deals hit harder.
Madison is a ruthless figure, and Parker paints him as cunning, resourceful, and frighteningly pragmatic. He’s the kind of character who makes your skin crawl because he feels believable. Meanwhile, the politicians strutted like clowns, reeking of smugness and deceit. Part of me enjoyed that exaggeration. It made the story’s critique of corruption unmistakable. The line between good and bad sometimes felt too sharp. Still, the moral weight of the book, how power twists people, how ambition corrodes, landed with me.
Wrath and Reckoning is the kind of book I’d recommend to readers who like high-stakes thrillers with a military and political edge. If you want a story that keeps the throttle down and doesn’t let go, this will scratch that itch. It’s not for someone looking for subtle literary flourishes or deep psychological portraits. But if you want a fast, tense, and conspiratorial ride, Parker delivers. I closed the book feeling unsettled, a little wired, and already wondering what Max Kenworth will be up against next.
Pages: 249 | ASIN : B0FKRYGQD9
Endless Fiction
I, Monster follows a boy born into poverty, abuse, and neglect who is shaped by these experiences into a predator that aims to not only silence those in the concentration camp, but also erase their existence. What was the inspiration for the setup of your story?
I had done extensive research on the Nazi SS and their rise to power for a nonfiction book when I was still a professor. I had always wanted to know how could a person commit such acts of terror, document that terror, and still function as a human being? That is when I got the idea of following some of the prominent SS figures and charting their course. I had found that a number of them were outcasts, bullied, and considered on the fringe socially.
So, I used my extensive psychology background and created Hans, who grew up in the post-World War 1 era and the punitive Treaty of Versailles, where hardship, deep resentment of the West, poverty, and political instability thrived. That was the fuel; now all you needed was a spark. Enter the National Socialist German Workers Party, a.k.a. the Nazis, and you have Hans.
What are some things that you find interesting about the human condition that you think make for great fiction?
I believe that the human condition is a source of endless fiction because life is full of contradictions, struggles, and the intense desire to do or have something. Yet, at the same time, much of life is routine—we work, eat meals, sleep, and get up to do it all over again. Fiction allows me to reveal the strangeness that lurks beneath the ordinary. This offers me the ability to remind readers that life is stranger and more fragile than it appears.
What were some themes that were important for you to explore in this book?
It was probably the overarching theme that embodies the “monster” within an otherwise rational man. The novel makes the unsettling point that “monstrosity” is not an external force—it already exists within the human condition, just waiting for the right circumstances and choices to call it forth.
What is the next book that you are working on, and when can your fans expect it to be out?
My next book is actually a love story, Framed in Love, that is steeped in fantasy and explores the psychological condition of “How far will you go, and what are you willing to do to keep that love alive?” In a world where love can be bound by spell and sacrifice, a devoted lover discovers that devotion has no bottom, and is preserving love worth losing everything that makes a person human?
Author Links: GoodReads | Amazon
To the world, he was just a bureaucrat in a coat too neat, boots too polished. But behind those cold eyes was a man obsessed with silence. Where others saw genocide, he saw design. And now, decades later, as investigators unearth the ruins and whispers resurface, the question echoes louder than ever: What happens when the monster is the one who writes the ending—and signs no name?
