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Nimble, Restless Intellects
World of Worlds follows young travelers, reporters, climbers, drifters, and idealists across continents and political upheaval as adventure becomes a reckoning with danger, history, and the self. What drew you to the period between 1968 and 1981 as the backdrop for these stories?
WORLD OF WORLDS is a collection of action and adventure stories during a time of transition, upheaval, exploration, and self-discovery. These tales are the product of culture shock. Or more precisely, reverse culture shock. Whatever it was by the mid-1970s, my life on the road at an end but not quite willing to give it up, I decided to try my hand at literature by recreating in fictional form the characters, complexities, landscapes, situations, tastes, smells, psychologies, dramas, insights, pleasures, and terrors I had seen in the worlds I had traveled. The main time focus is from 1968, that hinge year, to 1974. That was the moment of the Chinese Cultural Revolution and the Vietnam War, when Apartheid firmly gripped South Africa and wars of national liberation swirled around it, and African dictatorships sprouted like poisonous weeds, and political killing became the norm.
Many of the characters are young, restless, and morally tested. What interested you about writing people at that stage of life?
Only young people should contemplate making the journeys described in the stories. The characters – overwhelmingly young – are Americans, mostly, but there also are Australians, Brits, and Africans. An alienated, energetic, and rebellious bunch, they have been on the move for months on end. They often are challenged by the situations they encounter. That is due partly to their limited experience and judgment. Also, they are alone in foreign spaces, where everything is new and strange. To overcome their problems and to succeed, they need courage, quick thinking, energy, curiosity, and empathy in much higher doses than if they had simply stayed at home. The characters create their own predicaments and manage their own escapes. Or sometimes not.
The stories balance adventure with reflection and consequence. How did you approach that balance?
The characters in WORLD OF WORLDS have nimble, restless intellects. They think a lot. But they face fearful stress often of their own making: an engagement going up in smoke; an illusory friendship unmasked; ideals nearly betrayed; a journalist chasing a perilous story; a conniving financial fugitive near broke in central Africa; an Englishman begging in India; a hitchhiker surrounded by violent hatred in South Africa; an overworked reporter about to burn his bridges; a mountain climber escaping from himself; two travelers in a leaky canoe on the Congo River. Consequence and responsibility come from personal choice; they can be frighteningly unpredictable.
What do you hope readers take away from the collection’s encounters with political unrest, culture shock, and personal ambition?
It’s usually a good idea to be aware of what the locals are thinking when one is abroad. It can save you a lot of trouble. The triad of political unrest, culture shock, and personal ambition were constants among travelers in underdeveloped parts of the world in the 1960s and 1970s, though. They were particularly prominent in Africa amid the instability and aftershocks that followed the end of colonialism. Is that moment behind us? The characters make unlikely role models. As one reviewer of WORLD OF WORLDS remarked, “What lingers most powerfully is the remarkable fortitude of these central characters. Seen from a contemporary perspective, they feel almost otherworldly—resilient figures thrust into remote corners of the globe, often facing misfortune or profound uncertainty. One cannot help but wonder if, placed in similar predicaments today, would modern travelers possess the same grit and resourcefulness?”
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The characters, Americans mostly-tough, rebellious youth, far from home, on bad roads, usually broke-test cultural and racial limits in strange, alluring, but pitiless surroundings, exposed to relentless existential and physical pressures that threaten their moral underpinnings and their very survival.
WORLD OF WORLDS readers prize Vietnam-era historical fiction, post-colonial Africa travel stories, character-driven 1970s political thrillers, coming-of-age adventure. They want moral seriousness alongside the action. Anyone who has traveled the world’s back roads-foreigners abroad, children of expats, tourists, students of post-independence Africa, Africans, Europeans, Americans, Australians-will recognize the authenticity immediately.
The author is an accomplished novelist, journalist, and diplomat. But above all, he was there.
Fatal Consequences
Deadly Dial follows a radio host who takes a chilling late-night call that opens the door to a civic nightmare. What was the inspiration for the setup of your story?
When I began developing the novel, the country was on the verge of another government shutdown. Approximately 1.4 million people (670,000 federal employees and another 730,000—including personnel from the TSA, NASA, OSHA, and the EPA) were forced to work without immediate pay. With roughly $14 billion in wages temporarily withheld, localized consumer spending collapsed. The politicians orchestrating this crisis appeared entirely insulated from its fallout, detached from the reality of citizens struggling to afford basic necessities.
Simultaneously, public discourse was fracturing; people grew increasingly brazen, invoking their First Amendment rights while remaining blind to the consequences of their words. While no single event inspired this book, the collective anxiety and social friction of that era heavily shaped the narrative. This atmospheric tension is also why I chose to leave the setting unnamed—I wanted to capture a universal cultural climate rather than anchor the story to a specific location or headline.
Were there particular crime novels, political scandals, or media events that influenced the book?
Although I intentionally steered clear of writing the story based on direct current events, reality had a way of bleeding into the pages. A mere week into writing the manuscript, a well-known conservative commentator was assassinated during a Q&A session on a university campus as he fielded questions about violence. Ironically, he was a man of faith who prided himself on unfiltered speech, and his sudden death served as a chilling, real-time validation of what I was exploring in my fiction. It proved, in the most tragic way possible, that our current culture of reckless speech carries heavy, sometimes fatal, consequences.
Did you want readers to fear the Prophet as a person, or as a symptom of something larger within the city?
I wanted readers to fear the Prophet as a symptom of a much larger, systemic issue within society. On a personal level, the Prophet simply mirrors the dark realities we see every day: politicians driven by corruption, self-interest, and a complete disregard for the “ordinary person.” The true horror stems from the reality that, in our world, these figures rarely face consequences for the devastation they cause. In my novel, however, that immunity is stripped away. While I am certainly not advocating for real-world assassination, within the heightened dramatic stakes of the book, these corrupt actors are finally exposed and forced to face the ultimate reckoning for their actions.
What is the next book you are working on, and when will it be available?
Writing has truly become something I simply cannot put down; creating these worlds and sharing them with readers is incredibly therapeutic and fulfilling. Right now, I am juggling several exciting projects. I am currently finishing a medical-dental suspense thriller titled A Deadly Extraction. Additionally, I have three completed, fully edited novels ready to go for The Dante Villehart Files series, along with a few standalone projects. My main focus right now is deciding whether to continue down the self-publishing route or pursue traditional publishing for these next releases. Either way, there is a wealth of new material coming very soon!
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In a world where words can wield deadly power, talk show host Riley Anderson finds herself at the epicenter of a possible political storm. When an anonymous caller, later dubbed “The Prophet”, rants about government corruption, his chilling threats suddenly turn into reality as the politicians he names, along with some of their associates, begin to turn up dead.
As fear grips the city, Riley struggles with the weight of her role in amplifying the chaos. Teaming up with seasoned detective Alex Thompson and tech whiz Eleanor “Ellie” Mitchell, Riley embarks on a harrowing quest to uncover the truth behind the calls. But when they discover that the number used by the caller belongs to a man who has been presumed dead for years, the lines between reality and conspiracy blur.
With each shocking revelation, Riley must confront the haunting legacy of a man driven by vengeance and the dark secrets that could change everything. As the clock ticks down to the next assassination, Riley and the team must race against time to unravel a deadly game that could cost her–and everyone in the city–everything.
Perfect for fans of political thrillers, murder mysteries, and fast-paced suspense, Deadly Dial delivers a pulse-pounding ride where the truth is the deadliest weapon of all.
Deadly Dial: A Political Thriller
In Michael H. Balfour’s Deadly Dial, radio host Riley Anderson takes a late-night call from a chilling anonymous voice known as the Prophet, and that call becomes the first note in a larger civic nightmare. As political murders, public confessions, hidden corruption, and copycat violence ripple through the city, Riley joins Detective Alex Thompson and forensic analyst Ellie Mitchell in trying to understand whether they are hunting a killer, a movement, or the city’s own diseased conscience made audible.
I was pulled in by the book’s atmosphere first. The city feels perpetually fluorescent, rain-smeared, and morally overheated, a place where every institution has a locked drawer and every public statement sounds half-rehearsed. Riley is a strong center for that world because she is not simply brave or clever; she is complicit in the strange machinery of attention. Her microphone gives her power, but it also makes her vulnerable, and the novel is at its best when it asks whether exposing rot is the same thing as feeding it.
The strongest scenes have the tension of a broadcast where no one can find the off switch. The Prophet’s voice is grandiose, sometimes almost baroque, but that theatricality works because the book understands spectacle as a weapon. I also enjoyed the uneasy partnership between Riley and Alex, which gives the story a human voltage beneath the larger political conspiracy. The prose leans into noir darkness, but its best images have a serrated beauty, turning offices, studios, courtrooms, and evidence rooms into haunted civic organs.
This book is best suited for readers of crime thrillers, conspiracy thrillers, and noir mystery fiction, especially those who like investigations tangled with media ethics and institutional decay. Readers who enjoy the grim procedural pressure of Michael Connelly mixed with the paranoid civic sprawl of James Patterson’s darker thrillers will find familiar pleasures here. Deadly Dial is a tense political thriller about what happens when a city finally hears the sound of its own corruption calling back.
Pages: 265 | ASIN : B0GHPW46JL
Lifelong Traveler
Balance of Evil follows a retired mining executive who happens upon a titanium USB on a Cabo beach and finds himself involved in a conspiracy involving a secret Cold War pact. Where did the idea for this novel come from?
I’m a walker. On vacation, I walk every day, preferably on a beach. Years ago, on one of those walks, I started asking myself, What if? What would it take to upend an ordinary man’s life with a single object in the sand? That question kept building, walk after walk, until I had a book.
Scott Barton is not a typical action hero; he’s older, reflective, and recovering from a major health scare. Why did you choose to center the story on a protagonist at this stage of life?
Thrillers usually hand the world to people in their thirties, but I wanted someone with more depth, confidence, and means, which meant someone older. Scott is close to my age, so I knew the ins and outs of his head. I wanted a person with a history, a heart that had betrayed him, and enough energy and wit to fight back.
The novel moves across multiple countries and political landscapes. How did you research and construct such a global setting while keeping the narrative cohesive?
I’m a lifelong traveler. At eighteen, I spent a year crossing Europe and reached as far as Turkey, and I’ve been traveling ever since. I’ve stood in most of the places in this book. The rest I researched the way I travel: through blogs, local writers, food, and history. Skip the guidebooks. They never tell you what a city actually feels like at three in the afternoon.
What is the next book you are working on, and when will it be available?
I just finished my third nonfiction book on branding, and I’m well into the sequel to Balance of Evil, called LIES. The first book ended with the conspiracy only half-uncovered and several characters still unaccounted for. LIES picks up there. The pact didn’t end at Camp David in 1959—and it isn’t ending now, either.
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Driven by shocking discoveries that challenge his resolve and health, Scott teams up with his estranged daughter and a brilliant rogue hacker. Together, they work to expose the terrifying depths of a shadowy operation manipulating world events. As their mission intensifies, Scott faces devastating betrayals, unimaginable sacrifices, and deadly forces far greater than he ever imagined.
Balance of Evil delivers a fast-paced, thought-provoking political thriller packed with high-stakes action, chilling conspiracy, and brutal moral conflict. Fans of Baldacci, Ludlum, or Flynn will love this gripping tale of resilience, justice, and the fight against corruption.
Can one man tip the scales against a powerful shadow government? Or has evil already won?
Don’t wait—grab your copy today and immerse yourself in this edge-of-your-seat thriller!
Mr. Gobscheit
Mr. Gobscheit, by Avery Mann, follows semi-retired American naval officer and diplomat Mark Jamison, happily tucked away with his wife Sarah in Angel Landing, until an early-morning call from his old friend Foggy Gorgarty yanks him back into the world of espionage and geopolitics. Jamison is quickly reactivated by US naval intelligence and dispatched to Dublin under diplomatic cover, notionally to advise on safeguarding the undersea fiber-optic cables that make Ireland a digital hub, and less openly to nudge the country toward NATO membership. Once in Ireland, he finds himself reporting—at least on paper—to Jack Gobscheit, a vain, corner-cutting defence official whose celebrity stems from having “persuaded” Moscow to remove a loose Russian nuclear device from Irish waters near the AE6 relay station. Jamison, Foggy, and the American naval attaché Tom Harrington slowly uncover the truth behind that device, a Russian trawler snooping around the cables, and a web of connections linking the Irish ministry, the Russian embassy, and a powerful transatlantic surveillance contractor—culminating in a high-stakes play that weaponizes undersea infrastructure, media leaks, and public outrage to reshape Ireland’s debate over neutrality and NATO.
I enjoyed how unabashedly character-driven this thriller is, even when it’s neck-deep in technical and political detail. Jack Gobscheit is drawn as a kind of tragicomic embodiment of mid-level power: smug, lazy, eager for status, and entirely willing to trade national security for a slice of a Kremlin-backed hotel empire. His partnership with Russian political operator Sergay Markov, their pilgrimage to Putin’s seaside dacha at Gelendzhik, and Jack’s golf-course alliance with a very recognizable American president give the book an almost satirical energy; the scenes where global security is haggled over between tee shots or glossed in translation so Jack can focus on his future casinos are darkly funny and slightly chilling.
On the other side, you have Foggy–wry, loyal, quietly competent, and his complicated entanglement with Jack’s wife Sally, whose affair doubles as a human-scale melodrama and an ingenious way for NATO to keep eyes on a man who might be selling out his country one memo at a time. That blend of farce and genuine menace worked for me: nobody here is a flawless superhero, but you can feel how venality at the middle tier of government can be just as dangerous as malice at the top.
The novel grounds itself in real-world developments: Snowden’s revelations about NSA cable taps, Medvedev’s explicit threat to treat undersea cables as legitimate wartime targets after Nord Stream 2, the expansion of Russian espionage in Dublin, and the role of big tech data centers in Ireland’s economy are all woven into the narrative. I appreciated the topicality. This really is a thriller of now, not some abstract Cold War rehash. Long passages walk the reader through the architecture of ONI’s technical centers or the economics of Ireland’s data-center boom. The book earns its techno-thriller label with a real sense of dread. I just occasionally wished for one less paragraph of explanation and one more scene of Jamison actually wrestling with the moral cost of his schemes.
I’d recommend Mr. Gobscheit to readers who gravitate toward geopolitical thrillers, techno thrillers, spy novels, and political satire stories, especially anyone curious about how vulnerable our invisible infrastructure really is. If you like the mix of policy detail and moral ambiguity in a Tom Clancy novel, but wouldn’t mind a sharper, more ironic eye on bureaucratic ego and transatlantic dysfunction, this will feel pleasantly familiar. For me, Mr. Gobscheit is a timely, slightly barbed thriller that proves undersea cables and Irish neutrality can be just as gripping as missiles and moles.
Pages: 181 | ASIN : B0DYV66C5L
A Real Collusion
A Real Collusion is a political thriller told through the eyes of Skip Winters, a mid-level ad guy who looks back on his friendship with John Campbell and the wild rise and fall of a grassroots movement. It starts small, with a silly local fight over cigar smoke at a community board meeting in the Bowery, where John’s angry “I object” moment and a quick handshake outside the gym turn into a tabloid photo and a cable-news booking. From there, Skip helps John ride a wave of viral attention into the creation of the American Coalition, a scrappy effort to break the two-party lock, curb big money, and push more honest voting in Congress. As donors, TV producers, and dark-money groups close in, the story widens from New York to Washington and Philadelphia, where the movement crashes into a secretive business council and a lurking gunman in the crowd, leaving John’s legacy split between real reform and a sense that the system still has its hands on the wheel.
Skip sounds like that smart, slightly bitter friend who tells a story over a drink and keeps circling back to the parts that really hurt. The early chapters are vivid and weirdly fun: folding chairs tipping over in a hot school gym, cops’ lights splashing off old brick, a stunned ride on the F train with the Post open to a photo of your buddy on the front page. The scenes in the bar, the cramped apartment, the ad agency office feel specific and lived in, and the jokes land with a light touch instead of feeling like “political satire.” The author knows how to tighten the screws; the book shifts from goofy excitement to real tension smoothly, and by the time CNN calls and big donors sniff around, the momentum feels natural, not like the plot is dragging the characters along.
I did feel the “novel and exposé” label in the writing. When Skip and John hammer out the American Coalition platform and talk through campaign finance, independent candidates, and the way corporations game the rules, the book turns into a kind of civics lesson. I did not mind that most of the time, because Skip is honest about his own ego and fear, and that keeps the big ideas grounded in one guy’s midlife crisis and his hunger to matter. Still, a few speeches run long, and some side characters can drift toward types more than people. The scenes that follow the BCL and the man in the crowd with a gun, though, hit hard. They show how a hopeful movement can be bent or broken by a handful of people with money and no shame, and they made me uncomfortable in a way that felt earned rather than melodramatic.
The book made me angry, sad, and weirdly hopeful all at once. The introduction lays out a blunt case that the real threat to American democracy comes from inside, from quiet collusion between parties and donors who let inequality balloon while the middle class slides, and the plot keeps circling that point without ever feeling like a pure lecture. I liked how the story shows the media as both amplifier and filter, how a tossed-off joke about both parties “sucking” becomes a brand, how consultants and billionaires talk about “fixing the system” while protecting their own slice. The ending, with John gone and a handful of independents in Congress, hit me hardest; change happens, but not cleanly, and the people who lit the fire do not always get to see the house rebuilt. That left me thinking less about whether the plot was “realistic” in a narrow sense and more about how much of it already feels true.
I would recommend A Real Collusion to readers who enjoy political stories with heart, anyone who follows American politics and feels worn down but not completely checked out, and folks who like character-driven fiction about friendship, compromise, and the cost of sticking your neck out. If you are okay sitting with some ambiguity, some righteous anger, and a stubborn streak of hope, you’ll enjoy this novel.
Pages: 286 | ASIN : B0G5K3BJ1K
Bring The Perpetrators To Justice
In The Long Game, a detective inspector discovers the horrifying truth behind the disappearances and murders of young girls in London. Where did the idea for this novel come from, and how did it develop over time?
The book is based loosely on the Jeffrey Epstein scandal, that is currently blowing up again. When I first started realising the horrors of what was occurring in this institutional sex trafficking operation, that seems like it has been operating with impunity for decades, I spent a lot of time thinking how it would be possible to bring the perpetrators to justice, when you’re fighting against such large and powerful organisations and individuals. My thought process led me to believe that the only way of infiltrating or fighting such evil, would be something completely radical, and involve investigators plunging into the gutter with them.
What was your writing process to ensure you captured the essence of the characters?
The heroes in the book were based virtually all on people I know, or have worked with over the years, and I took their personality, mannerisms and expressions and transferred them into the role they played in this book. For the villains, I tried to make them as unlikeable and vile as possible, drawing on experiences such as bad bosses I have had over the year, or unlikeable characters I have encountered.
What research did you do for this novel to get it right?
I have family members who used to work in the police, so I was able to draw on their knowledge for those aspects of the book. In regards to the criminals, it’s difficult to research extensively, as the subject matter is so taboo, but I drew on witness testimonies and accounts from survivors and investigators involved in Epstein and similar atrocities.
What is the next book you are working on, and when will it be available?
Good question. I wasn’t planning to do a sequel to the Long Game, and had started writing another book about international government and institutional corruption, and how the decisions they take affect ordinary lives. I then had a weekend where the whole premise of a sequel to the Long Game came to me, so I am currently stuck deciding between the two books, and which one to finish and release next. I will make that decision soon, and hope to have a finished book by the end of summer 2026.
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When DCI Michael Dack is caught on camera abducting a young girl, the case should be open-and-shut. But nearly three years later, Dack resurfaces — not as a suspect, but as the head of a new police task force investigating a string of similar child exploitation crimes across London.
As the investigation deepens, so do the questions. Is Dack a rogue officer working undercover to expose a corrupt network? Or is he orchestrating the very horrors he claims to be hunting? His team is forced to confront the chilling possibility that the man leading the charge may be the monster they’re trying to stop.
Set against the gritty backdrop of modern-day London, The Long Game plunges into the murky world of police corruption, moral compromise and institutional rot. With echoes of real-world scandals, this is a tense psychological crime thriller, packed with jaw-dropping twists and morally grey characters that will keep readers turning pages deep into the night.
Perfect for fans of Line of Duty, Luther, and dark British police procedurals. If you like your crime fiction hard-hitting, thought-provoking and disturbingly plausible, you won’t be able to put this down.
An Inevitable Choice
The Romanov Legacy II: Ahead of the Storm follows two Romanov children in the final days of Imperial Russia, who, with the help of loyalists in the White Army, travel to safety in London. What was your inspiration for the wild journey you take readers on in this novel?
As the story continues from the first book in the series, the children are entrusted to the protection of Captain Tupolev and his special company of men for the secret escape from Yekaterinburg east to freedom. He leads them and his attachment along the Trans-Siberian railway as part of the retreat of the White Army toward Vladivostok on the Pacific coast. The actual historical flight of the White Army and their Czech allies is one of the great human feats of the last portion of the Russian civil war. The escape of the children as part of this historic event was an inevitable choice.
Each of the main characters in your novel faces unique challenges and brings different perspectives to the situation. What character did you enjoy writing for? Was there one that was more challenging to write for?
Maxim Petrov was one of my favorite characters because he had to lead the transition of the nation and family from their protected life within Imperial Russia through the revolution and beyond while maintaining his secret life as both a spymaster but as the master of the great plan to free the family from danger and deliver the Tzar’s legacy against all odds. He had to be a master of all roles.
Alexei was difficult to develop because he had to transition from a bright child into a man so quickly under duress. Keeping his role believable and yet having him become a warrior and future leader was challenging.
What were some themes that were important for you to explore in this book?
I wanted to define the conditions that actually existed at the time historically. There were many people struggling to survive during this period. Survival was a necessity, and that tested many people’s courage and loyalty under the worst of situations.
What readers can expect in the third book of the series, and when it will be available?
Readers can expect to see an exciting and satisfying conclusion that leaves them with hope for the future and a feeling of continuity of the story. The third book is written and will be out early to mid-next year.
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Maxim Petrov takes on the role of the White Hand, head of a league of royalist spies, to undermine the new government and clear the way for the children to escape Russia. He also carries out his promise to preserve the tsar’s legacy by preserving the wealth of the empire. He relocates to London to lead the shadow government there.
During the many months of escape across Siberia, Alexei, the heir to the throne, and his adoring sister Anastasia, grow into young adults who can take on the challenges of this chaotic life and gain survival skills they will need for the new empire. Yekaterinburg, Omsk, Irkutsk, Vladivostok, and finally safety for a time overseas.
Will the entourage reach the safety of a new incognito life in London? Will the dreaded Cheka assassins find them again? Will the Romanov legacy be preserved for the Russian people? This is a continuation of the exciting tale of a family thrown from power and desperate to survive to fight another day.
