Blog Archives
Darkness and Blight
The story follows Lydarc, a shaman whose survival in the hostile wasteland of the bitterwood feels both desperate and defiant. Her battles with carrion ghouls, her visions, and her fraught ties to her tribe form the beating heart of the book. Alongside her are figures like Wayland, Rapha, Leisil, and Sitka, each carrying their own griefs and secrets. The novel shifts between past and present, weaving together brutal survival, strange magic, and an undercurrent of looming doom. It is a tale drenched in blood, pain, and flashes of tenderness, set in a world teetering on collapse.
The writing is harsh and unflinching, sometimes even grotesque, but it never feels hollow. Author Dap Dahlstrom has this way of dropping you right into the mud and gore, then undercutting it with dark humor or an intimate confession. I loved how Lydarc’s voice carried such bitter resilience, even when she teetered on madness. The story doesn’t shy away from the ugliness of survival, and I enjoyed that. Sometimes the violence was relentless. Every chapter bleeds. Still, I couldn’t look away.
The ideas behind the story fascinated me. The notion of peri-souls and spirit animals, the fractured world of “afterarth,” and the endless tug-of-war between survival and humanity gave me plenty to chew on. Sitka’s transformation into the bear was one of my favorite moments, both raw and oddly uplifting. And Leisil’s chapters hit me hardest. Her childhood trauma, her brutal induction into the Resistance, all of it felt painfully real under the fantasy trappings. I found myself angry, sad, and unexpectedly protective of her. The slang language was sometimes heavy, but it added character to the dialogue.
By the end, I came away impressed and strangely energized. This book is for readers who don’t mind being dragged through blood, madness, and despair if it means glimpsing strange beauty on the other side. If you like your fantasy dark, twisted, and uncompromising, you’ll find a lot here. I’d recommend it to fans of grimdark fantasy.
Pages: 372 | ASIN: B0FGK5NFPN
The Raven Moonstone
When I think back on The Raven Moonstone, the first thing that comes to mind is the mix of everyday teenage struggles colliding with sudden tragedy and then spiraling into strange, magical chaos. The story follows Noah Farmer, a lanky high schooler who loses his parents in a bizarre accident and stumbles into a world where ravens seem to watch his every move and dusty old books hold actual spells. Goats, clowns, bullies, and oddball townsfolk all swirl together as Noah tries to deal with grief, responsibility, and this creeping sense that his life is turning into something both terrifying and extraordinary. It’s a coming-of-age tale wrapped in fantasy, but grounded in small-town life and the pain of loss.
Some of the early chapters felt slow, almost like the story was meandering around Noah’s world. But then, the weirdness started seeping in, and I couldn’t look away. The librarian turning into a goat had me laughing, and the recurring image of ravens circling overhead gave me chills. What really hit me, though, was how raw Noah’s grief felt. The anger, the guilt, the numbness, they all rang true to me. I’ve read plenty of fantasy where characters lose people and move on in a page or two, but here the pain lingers. It weighs down the story, and that made me care about Noah in a way I didn’t expect.
Some passages soared, pulling me straight into Noah’s mind, and others dived into description or dialogue. Still, I kept turning pages. There’s a quirky charm in the way goats keep showing up as both comic relief and accidental victims of Noah’s magic. The book has that mix of dark and light that reminds me of small-town ghost stories told around a campfire. You know it’s a little ridiculous, but you’re hooked anyway. And the author isn’t afraid to let things get messy, whether it’s family tension, awkward friendships, or magic that never quite works the way Noah hopes.
The Raven Moonstone is entertaining. It’s full of heart, strangeness, and some genuine emotional punches. I’d recommend it to readers who enjoy young fantasy that doesn’t shy away from grief or from being a little weird. If you like stories where magic collides with everyday life, where humor and sadness sit side by side, this book will be right up your alley.
Pages: 291 | ASIN : B0BMZD2S2M
Self-Discovery
The Dryad’s Crown follows an orphaned wood nymph raised in a corrupt city and trained to be an assassin who finds a way to escape her violent past, only to be pulled back by a tragic death and seek revenge. What was the inspiration for the setup of your story?
As a kid, I loved epic fantasy, and I loved superhero stories. I was a huge Marvel Comics nerd. Still am! Originally, The Dryad’s Crown came to me from the perspective of the husband and him discovering that his wife had this whole past and an alter ego. She had these amazing powers. But as I was thinking about it, I decided to tell the story from the perspective of the wife and daughter. Yes, there’s still the alter ego aspect, but it became a larger story about self-discovery and healing. As a novelist, I can make my canvas as large as I want it to be. So, I became interested in telling a massive multi-generational saga about the fey and the gods living among us.
I find the world you created in this novel brimming with possibilities. Where did the inspiration for the setting come from, and how did it change as you were writing?
I spent about a year working on just the setting before I started writing the story. I wanted to create a fantasy world that felt immediately recognizable and required little explanation. Like Middle Earth, Westeros, the Continent, or the Six Duchies, the continent of Amon in Efre Ousel is all vaguely medieval and vaguely European. I’m not inventing anything new. Efre Ousel is a medieval world. Few of the comforts we associate with a more modern age exist. Nobles from coastal cities would have access to books, finer clothes, spices, and herbal medicine, but it’s an extravagance not available to everyone. No printing presses—only patient scribes with a quill and an inkpot. To me, it. came down to one guiding statement: “There are more secrets, wonders, and mysteries contained within these four continents and the seas between them than could be explored in several lifetimes.” I wanted a setting where I would never run out of stories to tell.
The goal was then to share rich details and nuance from the setting over the course of the first novel, to explore the history, mythology, and cosmology of this place. I wanted to delight readers with all the unique customs, common phrases, and distinctive art. My favorite part about a fantasy setting is when it has a “lived-in” quality. Not something that was invented, but explored. I can turn any corner, and I know there will be something there.
The setting didn’t change as I was writing. It was already fairly locked in. It just expanded as our characters traveled out from their home.
What were some themes that were important for you to explore in this book?
In The Dryad’s Crown, I wrote about family, self-discovery, healing, mercy, love, and much more. But as I understand theme, I think it’s the reader’s responsibility to decide what the themes are, i.e., what is being said about those subjects. You don’t want the author making declarations about such things, but they’re usually wrong. Maybe The Dryad’s Crown isn’t saying anything? I hope it is, but I’ll leave it to the reader. I will say this: Maricel’s story arc is one of my favorites, moving from being fairly helpless to quite capable and self-reliant. I think there’s something there. I also love Timon’s story. He’s a priest who hid away in his temple, and by the end, he understands his true calling. If you’re looking for themes, I think the “minor characters” also have a lot to say.
Where does the story go in the next book, and where do you see it going in the future?
The next book, War of the Hounds, is a novella interlude that tells the story of Bren Caius during the war. It’s based on Shakespeare’s Henry V. War of the Hounds is already published and available. People can download the ebook for free from my website. (Link below.) However, I’m currently writing the second novel in the main series. The Summer Sword should be available next year.
I gave some hints toward the end of The Dryad’s Crown about where the story was going. We find out about a promise made between a god and the Fey Court. That will have some repercussions. We also learn more about Mendal Caius and his ambitions. In The Summer Sword, we lose some important people. New characters are introduced, but don’t expect everyone to make it to the end. The Dryad’s Crown is fairly self-contained as a story. But once you get into The Summer Sword, we’re cutting the brake lines and going full speed. Jump out at your own risk!
Author Links: GoodReads | Facebook | Website | Amazon
Only one fae can keep them from waking.
Silbrey is an orphaned wood nymph, taken from her forest home and raised in the corrupt city of Penderyn. The fae child grows up unaware of who she is, what she can do, and the calling of her kind.
Under the control of a cruel guildmaster, Silbrey is trained as an assassin. As an adult, she escapes her violent past to start a new life and a family. But a tragic death brings her back to the familiar cobbled streets to seek revenge.
This dark path leads Silbrey to uncover an even darker secret: An ancient evil will wake the titans and break the world. Silbrey must travel with her daughter across a war-torn land to defeat that evil.
What begins as a fairy tale transforms into a multi-generational epic fantasy about love and loss—and a woman with a strange connection to nature.
The Dryad’s Crown is an emotional, coming-of-age fantasy debut. The first volume in a gritty saga, set in the immersive world of Efre Ousel.
Booklife describes the story as “a fantasy unlike any other.”
Special Bond
Where’s My Wabby Dabby? follows a young girl looking for her father, who is away on a trip, as she asks all the animals in her yard where her Wabby Dabby is. What was the inspiration for your story?
The inspiration for this book came from a time when my husband was fighting COVID. He was in the hospital, and we were only able to talk to him on the phone and on FaceTime. My husband called one night, and we saw COVID winning the battle, but our faith in the Lord kept us strong. My husband called my granddaughter his Eva wava little baby. She was very emotional and called him her wabby dabby. When I heard that, I decided to create a story about their bond, showing how she would go out and speak to animals to see where her wabby dabby went. At the time, we weren’t sure if my husband would come home, but we prayed and believed God for a miracle. He came home. It was a long road to recovery, but he was home. The same way we were unsure he would come home, I wanted to create this story for those children who maybe one of their parents were absent, and they can use their imagination to remember something special about them, which would give them peace and comfort.
What was your writing process to ensure you captured the essence of Eva and the animals she talked to?
Discovery–I observed their special bond, which prompted me to start drafting and editing.
What was your favorite scene in this story?
When Eva is in her bedroom and she hears her wabby dabby’s voice say, “Goodnight, my Ava wava little baby.”
What is the next book you’re working on, and when can fans expect it?
My next book is in the illustration stage, and it’s called The Night We Followed the Moon. I’m not sure when it will be finished.
Author Links: GoodReads | Website | Amazon
Secret Supernatural Past
The Last Dungeon Crawler follows a morally gray explorer into a deadly underwater quest for a mythical artifact, where collapsing tunnels, political machinations, and ancient magic threaten to destroy them both. What was the inspiration for the setup of your story?
Fahlgrim/Frank started out as a Dungeons and Dragons character that I played in Dungeon Crawls with my friends. Over time, I was thinking about writing a comic book about a hero who was an immortal dwarf cleric in New York City. I ultimately decided that the stakes had to be bigger than just fighting street-level crime. That inspired me to create Fahlgrim’s world and his entire tragic backstory.
Frank Barbarossa walks a fine line between hero and antihero. How did you shape his moral ambiguity?
Frank/Fahlgrim is what you would call “Chaotic good,” bordering closely to “Chaotic neutral.” He is less concerned about rules and the feelings of others and is focused on his 6,000-year-old mission: protecting mankind by destroying all remnants of the world’s secret supernatural past. He will stop at nothing to succeed, and sees everyone as either a tool to achieve that end or an obstacle in his way.
The book hints at the supernatural. Was that a deliberate creative choice or something you plan to expand in future stories?
Deliberate. The Last Dungeon Crawler is first and foremost a Fantasy novel. Steeped in the lore of magic and supernatural beings. In our reality, Tolkien’s works were a huge inspiration for my writing. In Frank/Fahlgrim’s reality, his world and his exploits spawned the legends and myths that ultimately inspired Tolkien to create his literary universe.
This is book one in The Fahlgrim Firebeard Saga. What can readers expect in book two?
Book two, which I am currently writing, will explore the supernatural in more detail and reveal more about the various lives Fahlgrim has led over the course of 6000 years. The working title is Tears of the Dragon, and I am targeting a June 2026 release.
Author Links: GoodReads | Amazon
By day, Franklin Barbarossa is an eccentric NYU professor. But behind the books and lectures stands Fahlgrim Firebeard—battle-worn dwarf, last cleric of a forgotten god, and the final guardian in a war that has faded into myth and legend. And now, the darkness he once bled to stop is rising again.
When a relic of unspeakable power resurfaces in New York City, the barrier between myth and reality begins to crack. Shadows stir in the alleys. Old enemies gather strength. And an ancient evil, thought buried forever, is awakening.
To stop it, Fahlgrim must face the ghosts of his past, forge unlikely alliances, and fight battles no mortal could endure. The stakes are nothing less than the survival of a world that no longer believes in heroes.
Some evils never die, but some heroes never yield.
Perfect for fans of modern fantasy with ancient magic, relentless action, and battle-scarred heroes who refuse to surrender—The Last Dungeon Crawler is your next epic read.
Everyone Is Valuable
Santa’s Last Ride follows the Claus family after Santa throws out his back feeding the reindeer and decides it is time for his twelve-year-old son to take over; however, he does not want the job, but his sister does. What was the inspiration for the setup of your story?
The story originated with James. Getting tired of Christmas songs on the hours long trip to Iowa for Christmas, he began to tell this story to his kids to pass the time. He has two children – an older son and younger daughter also aged two years apart. They were his greatest inspiration.
I loved the interactions between Christopher and Kristy; they were believable and entertaining, with heartwarming moments as well. What was your approach to writing the interactions between characters?
James and I are siblings. There were five more of us growing up. We are stuffed full of sibling interactions, mostly of a humorous nature. We grew up in a rambunctious and laughter filled environment.
What were some themes that were important for you to explore in this book?
Most important is the idea that everyone is valuable in their own way and not even a disability or a perceived disability changes that. In fact, I got involved in this book when James sent me an email of a very bare bones version of the story and asked me to put it in legible form. James has dyslexia, which was why he asked for my help. After much internet interact, we added to and filled out the story until it became ‘our’ book.
Will there be a follow-up novel to this story? If so, what aspects of the story will the next book cover?
We have had feedback from a number of fans asking what comes next. Some want to know when the movie is coming out. There are a number of issues we see that could be addressed in future. Considering their new positions in the Claus family how do Chris and Kristy, still quite young, handle the adults in the world they will have to interact with? From the North Pole how do you go to school, college, or date? With the planet warming up what will the family do about a shrinking North Pole? There’s no ground under the North Pole ice. What’s next for Mr. and Mrs. Claus?
Author Links: GoodReads | Website
While Santa’s mind is fixed on training Christopher, Mrs. Claus, daughter, Kristy, and Christopher are determined to find a way to tell Santa the obvious – which he seems to be stubbornly ignoring – that Christopher is unsuitable for the job. The family is keeping Christopher’s secret and it will only be sprung on Santa on Christmas Eve. Meanwhile Kristy, just ten years old, feels she is up to the task of taking Santa’s place.
Christmas Eve finds Santa and his trainee taking off for high flying adventures around the world, including natural disasters – angry dogs, cracking ice – and some disasters not so natural – smoking chimneys, frightening encounters with jets. When Santa discovers his family has tricked him, he nearly turns the sleigh around, to end the flight. Christopher and Kristy have to impress their father with their talents. Kristy especially has to believe in herself enough to convince Santa that, working together, they just might be able to save Christmas.
The Ruinous Curse: Apadora Rising
Apadora Rising follows Barrett, a young prince thrust into impossible battles and choices, wrestling with magic, loss, and the burden of leadership. Alongside a close-knit band of companions, he faces treachery, uncertain alliances, and forces greater than he can control. The book pulls readers through lands filled with dragons, sorcery, betrayal, and grief, all while exploring the cost of destiny and the question of what it means to be a leader.
This was an exhilarating coming-of-age fantasy novel. The pacing swung wildly from sharp, fast-moving battles to slow, emotional moments that lingered, and I found myself invested. The author’s style is bold and unafraid to lean into melodrama, though it matched the intensity of the world he built. I often admired the way he layered tension on top of grief, particularly in Barrett’s mourning of his father. Those passages hit hard. The banter often lightens the mood of this otherwise high-stakes adventure story.
I was surprised by how often I cared deeply for the characters. The fragile loyalty between friends, the burden Barrett shoulders, and the flickers of vulnerability woven into big, fiery scenes gave the story its heart. The dragons, too, were written with such presence that I caught myself smiling whenever they appeared.
Apadora Rising is a book best suited for middle-grade readers who crave high fantasy drenched in feeling, who don’t mind a bit of melodrama with their magic, and who want to lose themselves in a sprawling tale of loyalty, sorrow, and stubborn courage. Apadora Rising reminded me of Eragon by Christopher Paolini, with its mix of young heroes, dragons, and the weight of destiny pressing down on every choice. If you’re the kind of reader who wants dragons soaring, kingdoms falling, and friendships tested to the breaking point, this one’s worth your time.
Pages: 319 | ASIN : B0CDHHK6SR
The Brothers of Dane
D.B. Havoc’s The Brothers of Dane begins as a tale of mischief and theft, but it quickly expands into something much grander. On the surface, the novel follows Balran, Mak, and Dag, three notorious outlaws whose exploits make them both feared and strangely admired. What starts as a high-society robbery soon spirals into a quest tied to ancient artifacts, the legendary city of Dhravendor, and the fabled Udin Stone. Beneath the adventurous exterior lies a narrative about loyalty, betrayal, and the often-fractured bonds that hold families, chosen or otherwise, together.
The opening scene at Counselor Imara Enas’s estate establishes this duality immediately. The cultivated elegance of an elven dinner party collides with the chaos of the Brothers’ sudden intrusion, led by Balran’s dryly menacing declaration: “This is a robbery.” The episode is both dramatic and darkly humorous, and it illustrates Havoc’s ability to balance tones with confidence. The moment also introduces Maeve, whose tense but charged interaction with Mak provides an early glimpse of the interpersonal conflicts that run beneath the novel’s more visible plot.
The novel’s strongest element is the interplay between the brothers themselves. Their dialogue is sharp, unpolished, and filled with an authenticity that makes their quarrels and camaraderie equally compelling. Dag, for instance, provides a mix of cynicism and biting humor, as when he mocks Mak’s affection for Maeve through his song “Sweet Maeveriene”. Balran assumes the role of pragmatic leader, while Mak wrestles with the tensions of his half-elven identity. Together, they form a partnership that feels volatile but indispensable, and it is this sense of lived-in brotherhood that makes the narrative resonate beyond its adventurous trappings.
The scope of the story broadens dramatically with the introduction of Emperor Elric Veshlor, the so-called Sun Eagle. The confrontation in the Tower of Tiriel, particularly the battle with a shadowed figure whose blows are revealed to fall from a wooden blade, is a pivotal moment. Elric’s eventual appearance transforms the narrative from one of petty thefts into an epic struggle intertwined with exile, history, and the hope of redemption. The Brothers’ shifting responses, debating whether to assist, betray, or outwit the emperor, add moral complexity and highlight Havoc’s interest in the gray spaces between honor and survival.
By its conclusion, The Brothers of Dane reveals itself as more than an adventure tale. Havoc blends action with myth, allowing the reader to move seamlessly from tavern brawls to weighty reflections on power, freedom, and legacy. At times, the exposition particularly in the sections concerning the Treaty of Maltran Heights and the dwarven astrolabe leans heavily on lore. Yet even these passages contribute to the sense that the Brothers are entangled in a world where their small-scale ambitions intersect with forces far greater than themselves.
The Brothers of Dane is recommended for readers who appreciate fantasy that is bold, atmospheric, and character-driven. It will appeal especially to those who enjoyed the grit of Scott Lynch’s The Lies of Locke Lamora or Christopher Buehlman’s The Blacktongue Thief. Havoc has crafted a story that captures both the recklessness of outlaw life and the enduring weight of myth, producing a work that is as much about the bonds of brotherhood as it is about treasure and survival.
Pages: 302 | ASIN : B0DPR7YM66
LITERARY TITAN 