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Kindness and Humanity
Killing Einstein follows an FBI agent assigned to surveil Albert Einstein and Kurt Gödel during World War II, only to be pulled into their friendship, ideas, and a deadly web of espionage, loyalties, and danger. What was the inspiration for the setup of your story?
I was a math nerd in a former life, and I’ve always been fascinated by Gödel’s incompleteness results. I’ve also always been fascinated by the fact that Einstein and Gödel walked together for so many years, and no one really knows what they talked about. So I thought I’d mix those two fascinations into a spy story.
How did you balance the demands of espionage plotting with the novel’s philosophical and mathematical ideas?
Great question. I am what they call in the fiction world a “pantser,” meaning I do not outline, I do not know who the characters will be, and I do not know how the story will proceed. I just get a core idea and start writing from the seat of my pants. That made balancing the spy story and the metaphysical ideas especially hard for me, and I ultimately found the balance during the long editing process. The original versions had a lot more math and were much less page-turning!
What were some themes that were important for you to explore in this book?
As a pantser, the themes bubbled up through the writing process rather than being planned in advance. Once everything settled, the themes I saw included Gödel’s insight that there are true things that cannot be proved true, but also the difference between right and wrong, and the difficulties all of us face when we confront that difference. The book also became about how some things are not what they seem, while the most important things are often exactly as they seem.
What did you most want to capture about the friendship between Einstein and Gödel?
Their energy, their love for one another, their kindness and humanity, and their shared devotion to the idea that there are deep truths—including moral truths—that are real and not relative. That may seem strange coming from the father of relativity, but Einstein’s theory is actually built on a remarkable invariant truth: the speed of light never changes, regardless of one’s frame of reference. Morally, against the backdrop of Nazism’s profound evil, neither man lost confidence in the reality of good and evil, though each remained sensitive to the challenges we all sometimes face in choosing between the two.
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Killing Einstein
Killing Einstein is a historical thriller with a wonderfully eccentric brainpan. Author Morris Hoffman imagines a wartime FBI surveillance operation around Albert Einstein and Kurt Gödel, then yokes it to espionage, philosophical argument, and an assassination plot. The story is told by Charlie Richards, a Bureau man whose first task is to trail the two thinkers through Princeton and eavesdrop on their walks, only to find himself drawn into their friendship, their ideas, and finally a lethal tangle of divided loyalties. It is, improbably, a novel about spies, logic, friendship, betrayal, and the terrifying gap between truth and proof, and it makes that odd compound feel deliberate rather than gimmicky.
Charlie is funny without being cute, self-deprecating without becoming shapeless, and just vain enough to feel human. Hoffman gives him a conversational intelligence that can pivot from deadpan Bureau satire to genuine wonder, and that tonal agility keeps the book buoyant even when it wanders into difficult intellectual country. The Einstein-Gödel scenes are the live wire here: Einstein comes off as playful, porous, almost meteorological in his energy, while Gödel is all fretful rigor and haunted exactitude. Their friendship has real charge. I didn’t feel that I was being handed two monuments in overcoats; I felt I was trailing two singular men whose minds alter the weather around them.
I was also surprised by how confidently the novel lets abstract thought matter. Many books flirt with big ideas and then retreat to plot when things get difficult. This one keeps its nerve. It asks me to care not only whether Einstein survives, but whether Charlie can understand what Gödel is trying to show him about incompleteness, and whether such understanding can actually change a life. That ambition gives the novel its splendor. The exposition is generous. Readers allergic to mathematical or philosophical detours may feel the gears showing. But I would rather read a book that risks density than one that trims its own mind to look more streamlined. Killing Einstein is thoughtful and contains more than a standard thriller usually dares.
I’d hand this to readers of historical thrillers, espionage fiction, alternate-history-adjacent suspense, and anyone who likes novels where ideas have teeth. Fans of Philip Kerr or Umberto Eco would probably find familiar pleasures here, though Hoffman is less noir than Kerr and less baroque than Eco; the closest comparison might be a wartime spy novel written by someone who genuinely enjoys the metaphysics. This is a book for readers who don’t mind being asked to think while the window glass is breaking. Killing Einstein is a thriller that makes the mind feel like a battlefield.
Pages: 218 | ASIN: B0GPHMMVPM
