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Getting the Twist Right
Terminus centers around an aging intelligence officer tasked with impersonating another agent in order to trace a rogue numbers station. What was the inspiration for the setup of your story?
John Post, my protagonist, originally appeared in a short story I wrote for the Promptly Written Podcast. He was never meant to appear again, but he popped up in a couple more short stories despite this, and then I eventually had the compulsion to give him the full-length treatment. I wanted to do something pulpy, a story with some of the Ian Fleming tropes, but with John Le Carre’s cynicism. Something vintage like those old Signet paperbacks (as evoked by the Terminus cover art) that someone might read on a weekend excursion. I needed a plot, of course. I don’t recall why I chose to incorporate numbers stations, other than they intrigued me. But during WWII, Fleming was known for daring, unorthodox intelligence operations that he and his cohorts came up with, and so I brought him into chapter two of the story with an undercover cameo as “James Secretan” (an early, unused character name before Fleming landed on James Bond). Secretan’s risky plan to get Post to impersonate another agent whose likeness he shares seemed like just the sort of thing Fleming would’ve come up with. The Soviet parapsychology programs were real things at the time, and I thought their inclusion would add some really nice intrigue.
What is the most challenging aspect of writing a thriller? The most rewarding?
The most challenging aspect might be the research involved. Thrillers often hinge on technical knowledge of a particular craft or profession. For Terminus, I had to do a lot of reading about the Cold War in the 60’s, West Berlin, the early days of the CIA, etc. The time period and locations of the book are times and places I didn’t experience, and so I had to rely on others’ accounts. Fortunately, there is a lot of material documenting this era of history. I even went so far as to get menu items right, as taken from photographs of an old Cafe Schloss Marquardt menu, for example. There’s very little that I invented, aside from the plot, of course. And I mean very little. I endeavoured to accurately replicate the West Berlin clubs, architecture, and OSS/CIA details to the best of my ability. Any inaccuracies I made were not for lack of effort/intent.
The most rewarding aspect of a thriller is getting the twist right. Every thriller (at least conventional thrillers) needs to have a twist of some kind, and I think (hope!) I got it right with Terminus.
What were some themes that were important for you to explore in this book?
Part of John Post’s problems stem from the fact that he’s the old guard. I very much feel I’m the old guard in my personal life, especially at work. I kind of riffed on the feeling of pending obsolescence that one gets despite having been successful in the past, despite having a good track record. At some point, things begin to change quicker than you can adapt to them, and you wonder whether you’ve still got what it takes. You also tend to get more jaded the older you get, and I think Post is less than enchanted with the CIA and his role with them. Add to all of that Post’s fear of loss, particularly that of relational loss, and you’ve got an uneasy mix of negative emotion. But the main theme of the novel is one of trust. “Trust is a luxury” is a phrase that gets bandied about in the narrative, and it comes to represent the main idea of the novel. Even with what constitutes his strongest allies, Post wonders whether he isn’t ultimately expendable to them–and if not expendable, then at least his demise is worth risking.
Can we look forward to more work from you soon? What are you currently working on?
I recently started writing the fourth book in my Reeve series, titled The Reeve, the Veil, and the Rifle. I refer to it as a Gothic Western series, though I suppose it might be billed as Weird West. Essentially, it’s a Low Fantasy genre mashup of Batman, a Western, and Alternate History with some philosophical underpinnings. There will be five books when it’s all said and done.
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Terminus
Terminus, by Ian Lewis, is a Cold War spy thriller with a paranormal edge, and it follows John Post, an aging American intelligence officer sent to West Berlin in 1963 to impersonate another agent and trace a rogue numbers station called Terminus. What begins as a tense espionage setup slowly widens into something murkier, involving Soviet mind control experiments, a shadowy broker called the Silent Partner, and a mission that keeps shifting under Post’s feet. At heart, though, this is not just a book about spy craft. It is also about weariness, loyalty, and the uneasy feeling that the game has gone on so long it has started to hollow out the people playing it.
What stayed with me most was the writing itself. Lewis clearly loves the machinery of this world, and that love shows in the cars, the clothes, the hotels, the radios, the cigarettes, and the geography of Berlin and beyond. That kind of detail really immerses readers in the story. The book has the texture of a classic espionage novel. I also liked that Lewis gives Post an inner life that keeps the novel from becoming all mission brief and gunmetal. Early on, Post is already wrestling with age, loneliness, and the suspicion that he may be becoming obsolete, and that thread gives the book more weight than a straight plot machine would have had.
What I found most interesting is the author’s choice to mix old-school espionage with parapsychology and psychological manipulation. That sounds like a wild swing on paper. Sometimes it even sounds a little pulpy. But the book is smart about it. It keeps asking what matters more: whether the paranormal element is fully real, or whether belief, fear, and suggestion are enough to turn a person into a weapon. That idea lands. So does the moral fog around trust. Nearly everyone in this story is hiding something, and by the end, the book feels less like a clean hunt for a villain and more like a study in compromised systems and compromised people. I did think the novel occasionally leans a bit hard into withholding, and there were moments when I wanted a little less circling and a little more emotional payoff. Still, I admired the control behind it. The tension is patient, and the final stretch earns its bitterness.
I’d recommend Terminus most to readers who enjoy espionage fiction that is deliberate, atmospheric, and a little off-center, especially people who like spy novels where tradecraft matters as much as action and where mistrust is part of the air the characters breathe. If you like Cold War fiction with a professional polish, a reflective lead, and a premise that lets realism and unease rub against each other, this book is worth your time. It feels like a mix between the classic spy novel and the conspiracy thriller, and I came away thinking there’s more than it first lets on.
Pages: 211 | ASIN : B0G1VCYGLN
Mr. Gobscheit
Mr. Gobscheit, by Avery Mann, follows semi-retired American naval officer and diplomat Mark Jamison, happily tucked away with his wife Sarah in Angel Landing, until an early-morning call from his old friend Foggy Gorgarty yanks him back into the world of espionage and geopolitics. Jamison is quickly reactivated by US naval intelligence and dispatched to Dublin under diplomatic cover, notionally to advise on safeguarding the undersea fiber-optic cables that make Ireland a digital hub, and less openly to nudge the country toward NATO membership. Once in Ireland, he finds himself reporting—at least on paper—to Jack Gobscheit, a vain, corner-cutting defence official whose celebrity stems from having “persuaded” Moscow to remove a loose Russian nuclear device from Irish waters near the AE6 relay station. Jamison, Foggy, and the American naval attaché Tom Harrington slowly uncover the truth behind that device, a Russian trawler snooping around the cables, and a web of connections linking the Irish ministry, the Russian embassy, and a powerful transatlantic surveillance contractor—culminating in a high-stakes play that weaponizes undersea infrastructure, media leaks, and public outrage to reshape Ireland’s debate over neutrality and NATO.
I enjoyed how unabashedly character-driven this thriller is, even when it’s neck-deep in technical and political detail. Jack Gobscheit is drawn as a kind of tragicomic embodiment of mid-level power: smug, lazy, eager for status, and entirely willing to trade national security for a slice of a Kremlin-backed hotel empire. His partnership with Russian political operator Sergay Markov, their pilgrimage to Putin’s seaside dacha at Gelendzhik, and Jack’s golf-course alliance with a very recognizable American president give the book an almost satirical energy; the scenes where global security is haggled over between tee shots or glossed in translation so Jack can focus on his future casinos are darkly funny and slightly chilling.
On the other side, you have Foggy–wry, loyal, quietly competent, and his complicated entanglement with Jack’s wife Sally, whose affair doubles as a human-scale melodrama and an ingenious way for NATO to keep eyes on a man who might be selling out his country one memo at a time. That blend of farce and genuine menace worked for me: nobody here is a flawless superhero, but you can feel how venality at the middle tier of government can be just as dangerous as malice at the top.
The novel grounds itself in real-world developments: Snowden’s revelations about NSA cable taps, Medvedev’s explicit threat to treat undersea cables as legitimate wartime targets after Nord Stream 2, the expansion of Russian espionage in Dublin, and the role of big tech data centers in Ireland’s economy are all woven into the narrative. I appreciated the topicality. This really is a thriller of now, not some abstract Cold War rehash. Long passages walk the reader through the architecture of ONI’s technical centers or the economics of Ireland’s data-center boom. The book earns its techno-thriller label with a real sense of dread. I just occasionally wished for one less paragraph of explanation and one more scene of Jamison actually wrestling with the moral cost of his schemes.
I’d recommend Mr. Gobscheit to readers who gravitate toward geopolitical thrillers, techno thrillers, spy novels, and political satire stories, especially anyone curious about how vulnerable our invisible infrastructure really is. If you like the mix of policy detail and moral ambiguity in a Tom Clancy novel, but wouldn’t mind a sharper, more ironic eye on bureaucratic ego and transatlantic dysfunction, this will feel pleasantly familiar. For me, Mr. Gobscheit is a timely, slightly barbed thriller that proves undersea cables and Irish neutrality can be just as gripping as missiles and moles.
Pages: 181 | ASIN : B0DYV66C5L
Healing Technology
The Trident Code follows a former Navy SEAL who discovers a cryptic trident symbol linked to his team’s past and uncovers a secret society and a buried mission that may unleash an ancient terror from the deep. How does this book set up the SEAL Cypher Series?
The first book introduces the idea of a possibly marine rogue commander who believes their old mission unleashed a divine curse. The commander happened to have been John Klade’s old commander when he was in the Navy. A particular mission in Yemen went sideways, or so it seemed to Klade and his colleagues, and the thought was that his commander, Elias Cross, had died. But he found “religion”, thinking he had a purpose after surviving, and he set himself up aboard a ship, The Leviathan, as his headquarters, and started to track the team that had been associated with the mission. They would either be part of his “religion” or pay the debt in their bloodline. With the help of Yale symbologist Annabelle Johansson, Klade unravels the truth behind the symbol — a secret society older than any modern army, one that believes the sea itself demands sacrifice. As the tide rises and the killings close in, Klade must face the one enemy he never expected — the ghost of his own past. “The Deep remembers.”
This sets the stage for book two, The Phoenix Protocol, where there is an escalation of the apparent mythical symbology. The Order of the Phoenix Tide — has risen, believing fire can “purify what the Deep cannot.”
Klade himself is recruited by MI6 black unit, based on his success in neutralizing the previous Trident-Serpent artifact.
The Order of the Phoenix Tide is using a new weapon, a resonance-based bioenergy project called The Phoenix Protocol, originally conceived by the Navy as a disaster-response technology and technically derived from Dr. Henrick Johansson’s (Annabelle’s father) original research that focused on consciousness mapping for medical applications – helping coma patients, treating neurological disorders, preserving cognitive function during invasive brain surgeries. Klade and Annabelle discovered that the Order had militarized it, transforming a healing technology into a weapon.”
What makes John Klade different from typical military thriller heroes?
John Klade is vulnerable, rather than invincible. He knows his limits, is not rogue or vigilante, and pretty much law-abiding. He holds a steady job after leaving the service, unlike most military thriller heroes who tend to be more nomadic (like Jack Reacher) or ones not having a sense of purpose outside the service.
Is the story about secrets, loyalty, or something else?
The Trident Code is about espionage, secrets, and mythical suspense, and there is also an element of loyalty involved in the story as well.
Can you tell us a little about where the story goes in book two and when the novel will be available?
Yes. Book two (The Phoenix Protocol) occurs a year after The Leviathan. Klade has gone off the grid. When a terrorist bombing in Athens leaves behind a phoenix symbol intertwined with the trident, Klade realizes the Brotherhood isn’t gone — it’s evolved.
Annabelle, now lecturing in Rome, is recruited by an EU counterterror unit to decode the symbol. She learns that a new sect — The Order of the Phoenix Tide — has risen, believing fire can “purify what the Deep cannot.” Their weapon? A resonance-based bioenergy project called The Phoenix Protocol, originally conceived by the Navy as a disaster-response technology, and now turned into a weaponized resurrection experiment. Klade and Annabelle reunite as reluctant allies when they uncover that the Phoenix Tide’s leader, Dr. Isaac Kerrigan, was Elias Cross’s scientific advisor — and the man who resurrected the relic’s energy signature.
If Book One (The Trident Code) is like The Da Vinci Code and Jack Reacher, Book Two (The Phoenix Protocol) is like Jason Bourne!
All 4 books in the series (The Trident Code > The Phoenix Protocol > The Crossmind Transcendence > The Reaper’s Debt) are all available now.
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With the help of Yale symbologist Annabelle Johansson, he unravels the truth behind the symbol — a secret society older than any modern army, one that believes the sea itself demands sacrifice.
As the tide rises and the killings close in, Klade must face the one enemy he never expected — the ghost of his own past.
The Deep remembers.
Avenue for an Assassin
Avenue for an Assassin is a political thriller set in the tense years after World War II. It follows Jonas Shaw, an ex-detective and former protector of Winston Churchill, as he is pulled into a shadowy plot that begins with a mysterious shooting on a rural French road. From that moment, the story widens into a web of money couriers, Soviet operatives, Resistance veterans, and a looming operation that threatens to destabilize nations. The book blends espionage, murder, and international maneuvering, and it moves with all the confidence of a classic suspense novel.
Author Steve Haberman writes with a steady hand. His pacing is unhurried in a way that works well because the world he builds is thick with history and personal ghosts. Jonas, especially, carries that weight. I found myself liking him for his rough honesty and the way he constantly wrestles with past mistakes. Sometimes the plot dips into long explanations, but I didn’t mind because it is intriguing and immersive from the first few chapters.
What struck me most was the author’s choice to weave major historical power players into a thriller that still feels intimate. The Soviet angle, the old Resistance networks, the sense that Europe is still picking up its broken pieces, these textures give the book more depth than I first expected. Natasha, the operative driven by the shadow of her father, is unsettling and fascinating all at once. Haberman doesn’t romanticize espionage; he shows it as shabby apartments, bad meals, coded newspaper ads, and people who are just trying to survive the next move on a dangerous chessboard. Sometimes the scenes feel almost cinematic; other times they feel like the quiet hum of a city at midnight, when the wrong knock on the door can derail everything.
By the end, I felt Avenue for an Assassin more than delivered everything a good thriller should: tension, atmosphere, flawed people trying their best, and a mystery that slowly sharpens into something frighteningly believable. If you enjoy historical thrillers, Cold War setups, or stories where everyday streets hide dangerous secrets, this one will be right up your alley. It’s a great pick for readers who like their suspense grounded and their characters complicated, and who don’t mind taking the long way around as the story unfolds.
Pages: 221 | ASIN : B0GF9C3454
Be Aware, Be Ready
To Slaughter a Camel follows a nurse practitioner whose loyalty is tested when she is suddenly pulled into the shadow world of US Intelligence. What was the inspiration for the setup of your story?
I’ll try to give you the short version.
Erika, my protagonist, was featured in my first novel, Topeka ma’shuge, a dark coming of age story. She survived her journey to adulthood, the novel concludes open-ended, but by that time I think I was a little in love with her; she hung around in the back of my mind, always asking me, “What about the rest of my life?”
I’ve known many military personnel in my life, and a handful from the clandestine services. I was aware of the role of being a medical provider embedded with clandestine operators, and the risks they faced, lacking the necessary warrior training to deal with the casualties when a mission goes terribly wrong.
Erika is isolated and looking for a sense of family; her decision to join the CIA is impulsive after the death of her best friend, but she already has unwittingly qualified for the position. It was only natural at that point, as in may thrillers and mysteries, to plop her in a catastrophe she wasn’t prepared for.
What were some challenges you felt were important to defining your characters in this story?
Wellesley is a bit of a cliché, the paternal supervisor with best intentions for his staff. Or is he? He is a bit insular, with a past we suspect. Why is he single? Who is the young woman in the frame by his desk? He understands the real horrors that can occur in his trade, but he tries to protect his young recruit. Was this the best decision? He isn’t sure and asks himself this as she walks away. Adding depth, ambivalence, vices and virtues to a character make them far more credible, but it does require work to do so.
Defining Erika was far easier, her character developing in the first novel. I knew her like a sister. Even when a crisis appeared that I’d only just created, I already knew how she would react. Until she was raped. As a former ER doc I understood a little bit of this, but some extensive research into the psychology of being a survivor of such an event was required. And her ability to kill, instinctively, prudently, slowly grows as the story progresses. Pacing that progress was a challenge. Pacing her evolution from a transparent medical provider devoted to the truth, to understanding how essential lies and deception are to survival in the clandestine theatre, was also a challenge.
What were some themes that were important for you to explore in this book?
“There are people in the world who will kill you for a pack of cigarettes,” Wellesley tells Erika; the warning intended for the reader as well. Don’t be paranoid, but be aware, be ready.
Perseverance in the face of adversity.
The value of patience, occasionally compassion, when one’s instincts tell you to act boldly.
What is the next book you are working on, and when will it be available?
A love story set in the first few months after 9-11. Jack Welsley, GS-13 at Langley, is 42, recently divorced, depressed, facing alcoholism, when he falls in love with the 23 year-old daughter of his best friend. She is a medic, has finished a year of Linguistics, and is slated to deploy in Afghanistan as a first Lieutenant. I hope to have a rough draft by the end of 2026, but the research is going to be exhausting, to review every day in the first year of that war, and get all of the technicalities and logistics believably correct.
Erika will reappear in the next work after that, another espionage thriller.
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To Slaughter a Camel masterfully charts the journey of Erika Harder from a routine existence in Oregon to a perilous life filled with uncertainty and trepidation in Madrid. Bereaved and lonely, Erika finds solace in her work as a multi-lingual nurse practitioner. Her normalcy is shattered when her proficiency in Farsi piques the interest of the State Department’s Jack Wellesley, who persuades her to serve as a civilian contractor for the CIA.
Erika’s initial excitement at the prospect of a new chapter in her life quickly morphs into a nightmare when a mission in Madrid goes awry, resulting in the death of seven of her colleagues. The explosion at the CIA station leaves her stranded with Guneet Jodal, a hapless translator whose loyalties are suspect. Erika is caught in a maelstrom of danger, with no way out and no one to trust.
Hutson’s narrative is a riveting exploration of the human spirit’s ability to endure and overcome even the most devastating tragedies. Erika, the novel’s protagonist, is a compelling character. Despite her raw wounds, both emotional and physical, she demonstrates an impressive strength and resourcefulness that will inspire readers.
To Slaughter a Camel is a unique blend of suspense and emotional depth. Hutson skillfully intertwines Erika’s personal journey with the broader narrative of international intrigue, creating a story that is as thought-provoking as it is action-packed. With a plot that keeps readers on the edge of their seats and a heroine whose resilience is nothing short of inspiring, this novel is a must-read for those seeking a thrilling, yet emotionally resonant tale.
To Slaughter a Camel
The book follows Erika Harder, a nurse practitioner in Portland whose already-fractured life is blown open by violence, loss, and an unexpected pull into the shadow world of U.S. intelligence. What begins as a grounded portrait of hospital life and grief slowly widens into a story about recruitment, moral compromise, and what it costs to belong to something larger than yourself. The plot moves from commuter trains and emergency rooms into secret offices, covert stations, and overseas assignments, tracking Erika as she’s tested not just for skill, but for resilience and loyalty.
What struck me first was how tactile the writing feels. The author lingers on details that matter. The rhythm of a train over a bridge. The chaos of a trauma bay. The weight of a shoulder bag that carries memories. These moments give the book a lived-in quality that many thrillers skip over in favor of speed. Here, the pacing is deliberate at the start, and I appreciated that patience. It lets the emotional stakes settle before the story turns sharper and more dangerous. Erika’s grief isn’t rushed or dramatized. It just sits there, heavy and unresolved.
I also found the author’s choices around power and authority compelling, if sometimes unsettling. The intelligence apparatus is not romanticized. Recruiters are intrusive. Procedures are dehumanizing. Even the promise of purpose feels conditional. There’s an ongoing tension between being chosen and being consumed, and the book doesn’t pretend those are different things. The dialogue leans into cynicism, but it fits the world being built. This is an espionage novel that understands control as something exercised quietly, through access to records, language, and fear rather than heroics.
This isn’t a slick, globe-trotting spy fantasy. It’s slower, heavier, and more reflective than that. Readers who enjoy espionage thrillers with strong character work, especially those interested in the psychological cost of service and secrecy, will appreciate this book most. If you like your thrillers grounded in realism, morally gray, and shaped by interior struggle as much as external threat, To Slaughter a Camel is worth your time.
Pages: 360 | ASIN : B0DPLJ73MN
Community Resilience
Beneath the Rings follows a veteran journalist who finds herself in the middle of an international incident when twelve athletes vanish from the Olympic Village. The premise feels disturbingly plausible. How close did you want this world to feel to our present reality?
My goal in crafting the story arc was to root it somewhat realistically. The kidnapping of the twelve athletes harkens back to the 1972 Munich Olympics hostage crisis, where the Palestinian militant group Black September carried out a terrorist attack on the Israeli team, resulting in the deaths of 11 athletes and coaches. While the premise of this recurring seems disturbingly plausible, the level of security at the Olympic Games now versus 54 years ago does require the reader to somewhat suspend disbelief. The likelihood of an attack like the one carried out in Beneath The Rings happening today is pretty slim. But, I guess you never really know, which is what builds the suspense.
Nova is a journalist rather than a spy or soldier, making her an intriguing choice for this role. What was your inspiration for this character?
Nova’s character weaves personal echoes, real-world colleagues, and legacies of trailblazing women who’ve redefined journalism. Drawing from my roots, industry friendships, and historical figures who turned adversity into ammunition, here’s what fueled her creation.
Nova’s foundation is deeply personal, honoring my Newark, New Jersey upbringing. While I grew up in the North Ward of the Brick City, Nova hails from the Weequahic neighborhood—a vibrant, middle-class Jewish enclave where family and community resilience shaped her. Running Newark’s streets became her ritual, mirroring my own experiences in that gritty city, instilling quiet fortitude. Her solitary runs defy an unmoored world.
Her parents—Judith, a sharp-witted public-school teacher, and David, a steady accountant—echo my nurturing yet expectation-filled home. My mother, Fran, was also a teacher; my father, Ted, an entrepreneur. They raised me and my sister, Jessica, with education as key. Nova attends Solomon Schechter Day School near Seton Hall Prep, which I attended. She heads to Syracuse—where my father grew up after emigrating from Italy—for journalism, but detours to law at Seton Hall, like my sister’s JD.
This pivot reflects practical pressures, but for Nova, it’s a cage. Her return to journalism after Manhattan practice draws from my friend Alan Abrahamson, who graduated from Northwestern’s Medill School before earning his law degree at UC Hastings. He spent 17 years at the Los Angeles Times. Alan sparked Nova as an independent Olympic journalist. As founder of 3 Wire Sports, he’s a beacon in Olympic coverage, blending analysis with honesty. We collaborated at NBC Olympics from 2008-2014, where I saw him peel back the Games’ layers—politics, ethics, human stories. Nova’s platform, OlymPulse, mirrors Alan’s independent voice: probing storylines mainstream outlets overlook. His influence makes her a veteran of 14 Olympics by 2040, her reporting a rebellion against gloss.
Nova’s grit—navigating harassment in Beirut or personal loss—draws from Lara Logan, the former CBS correspondent known for fearless war reporting. Logan’s 2011 assault in Egypt embodies resilience that refuses silence. Nova channels this: surviving the 2013 Boston Marathon bombing, shifting from runner to reporter amid chaos, and enduring the 2017 crash that kills her parents. Logan’s confrontation of danger sharpens Nova’s hyper-vigilance, turning trauma into journalistic fuel.
Historical figures add tenacity. Nellie Bly, the 19th-century pioneer who feigned insanity to expose asylums and circled the globe in 72 days, lends Nova audacious truth-seeking. Bly’s undercover work mirrors Nova’s infiltration of Olympic shadows, risking all for revelation.
Ida Tarbell’s muckraking exposés on Standard Oil—methodical takedowns of corruption—inspire Nova’s IOC probes, showing one woman’s research can topple empires.
In sports, Helene Elliott, the veteran LA Times writer who covered the Olympics for decades, layers Nova’s ethos. Elliott’s trailblazing—including the “Miracle on Ice” plus being the first female Hockey Hall of Fame honoree—fuels Nova’s focus on the voiceless. Her moral clarity cuts through hype.
Lesley Visser, the broadcasting pioneer first to cover Super Bowl sidelines and Olympics, embodies barrier-breaking. Visser’s poise and elevation of women’s voices shape Nova’s solitary ascent in a male-dominated field, turning isolation into a superpower.
Blending these created Nova and forged her into a truth sentinel. In Beneath the Rings, she navigates terrorism and conspiracy, a testament to how personal and historical forces birth unbreakable resolve.
If Nova resonates, it’s from real warriors who’ve shaped our world—and my path.
Beneath the action, the book raises questions about vengeance, historical grievance, and moral reckoning. How conscious were you of those themes while writing?
I was quite conscious of these themes in crafting The Obsidian Hand and the group’s motivation. I did weeks of research on conflicts in the Middle East and wanted to make sure that I was rooting the group as a whole and each individual to historically accurate discords so that their disenfranchisement felt real. Some of those details are spelled out in the book, but for more in-depth backstories on the characters themselves, you can read blog posts on each on my website, booksbybattaglia.com.
I greatly enjoyed following Nova, and it feels like she has more stories to tell. Do you see this as the beginning of a series?
Most definitely!
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