Bound by a dark act of hate and despair, high school freshmen, Andrew and Kiernan, learn that their untimely deaths did not bring an end to their pain, but only began the suffering of those left behind. While his lost memories return, Andrew must master seemingly impossible feats, both spiritual and physical.
As a dark spirit stalks Kiernan through the borderlands of life and death, he must also face the pain his actions have caused his loved ones. To save both their souls, Andrew must convince Kiernan to return to life and open his eyes to the love and beauty which had always been there.
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Seventeen-year-old Maddie Hickman’s senior year begins with the good (the reemergence of The One That Got Away), the bad (a cancer diagnosis, not hers, but it might as well be) and the WTF (an anxiety attack that renders her writhing on the floor like an upside down crab).
Adding to her spiraling anxiety is Senior Project, in the form of I’ve Decided To Write A Book about The Other One That Got Away (And Crushed My Heart). Compounding it all is applying to college and keeping up with her friends. The ever-mounting stress eventually rips her tight grip on all that she holds dear.
Her break down leads to an unexpected road trip where she is forced to listen to her wildly beating heart. It is only in the back of a convertible with pop music blasting, that she discovers she must risk everything in order to really live.
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Nahia follows the turbulent efforts of a faery princess as she tries to lure her human obsession into the faery realm to maintain her relationship with him. What was your inspiration for this book’s direction and plot?
When I finished writing Cradle Gift (book 2) I knew I’d have to tell Nahia’s story to explain in detail Maité’s discovery at the end of Cradle Gift—that the woman Anahí in her family tree was actually Nahia.
When we met her in Faery Sight, we learned she was a willful creature whose heart, thankfully, was in the right place. It seems that throughout her youth, the motto ‘better to ask for forgiveness than permission’ was the driving force behind her actions.
Nahia is my full-fledged faery and as such she embodies the whole gamut of faery traits; she’s selfish, she holds grudges, she steals human babies, she arranges things in her mind whichever way suits her best. But she is also passionate, determined, courageous and has a great capacity to learn and to love.
The books in this series span several generations and move through time very quickly. Was this a reflection of the faery’s life or was it necessary to tell the story you wanted?
I think Nahia fits in a philosophical fiction genre (is there such a thing?) and because of that it is geared toward a more mature audience (the other 2 books in the series are YA). I wanted to describe the evolution of Nahia’s heart and mind in detail, it was important to me to put her through the motions of going after her own desires, disregarding those around her, then realize that that kind of behavior only begets heartache or a passing satisfaction at best, so that in the end she considers and actually chooses to expand her heart and embrace a greater purpose, even if it involves sacrifice.
Your books are always highly imaginative and wonderfully descriptive. What is your writing process like?
From a procedural standpoint, here’s what I do:
Chapter Outline/Synopsis; this is where ideas fly through my brain—imagination is in high gear.
First Draft and First Round of Editing done by me; this is stage where characters usually crop up in my dreams to make suggestions and poke me with reminders or corrections. I make all kinds of sleepy notes that I have to decipher the next day.
Second Draft and 1-2 Rounds with Critique Group; this is where I bite my nails waiting to hear back from a handful of friends/family who’ve kindly offered to read my work.
Produce and send out Advance Review Copies;
Third Draft, Second Round of Editing done by me, Fourth Draft to Pro Editor; this is the most feverish portion of the process. I can feel the end is near so I apply flattening-strength pressure on myself.
Then comes the sigh of relief when the Final MSS finally leaves my hands.
Nahia is book three in the Faerie Legacy series. Do you plan to continue the series with book four or will you be writing a new book?
Nahia ends with a Summer Solstice Celebration during which the hybrid faery-human family is reunited. In that reunion, Maité’s daughter is not yet 2 years old, so I’m considering a book about the baby Aintza; she could only see her mother in dreams and in person once per year. This went on during the first 7 years of her life.
I’m also considering a series of picture books featuring the adventures of my hybrid faery-human family in the Faerie Realm.
As far as unrelated projects go, I have the 7 Ghostly Spins, a collection of seven paranormal tales based on true ghost legends and nightmares come true. Coming on All Souls Day, 2018.
Daughters of the Bride; is another philosophical fiction project I’m working on. After the death of their father, three women embark on a distressing journey of reflection; to know themselves and the mother they thought they knew. No publication date yet.
A rebellious faery princess struggles with satisfying her own desires over what’s best for her loved ones. Following her heart in pursuit of the human she loves, Nahia hides her faery identity in order to enter the human dimension.
After giving birth to a daughter, Nahia’s secret is revealed, as is the realization that she has forever altered the genetic human footprint. Faced with death, Nahia returns to the faerie realm only to have its dormant weight thrust upon her after the demise of its magical keeper.
To save her home and renew ties with both her human and faerie family, Nahia must find a way to reawaken the realm, become the new Faery Queen, and provide a royal descendant for the new Keeper of the Forest.
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Douglas Wells’ new book, How We End Up, seeks to become even more intricate and complex then his debut book, The Secret of all Secrets. The reader follows three main characters as their lives come together, only to drift apart and come back together after 25 years. Jackson Levee is an ambitious college instructor when he manages to be in the right place at the right time and saves twin girls from drowning in the Gulf of Mexico. He goes on to write a poem about the event, which brings him acclaim and success. Hadley and Haley, the twins go on to become beautiful women. All three of them are then brought on their heels through various events and it is after two and half decades they meet again to suffer a devastating event together and discover who and what they are as human persons.
At this point, readers familiar with Wells’ more philosophically bent, literary stories and How We End Up is no exception. What has become more refined, is Wells style with incorporating all of these events into a cohesive story. His previous work seemed to have a lot going on, and while it still achieved a particular effect, it wasn’t as polished as this story. In some ways, he uses the layman’s philosophy to a decent effect, but it becomes even more pronounced as the themes of self-identity, purpose and life’s meaning takes center stage.
As much as this book is about Jackson, Haley, and Hadley, it is more about life and what happens to a person over the course of the years. Some readers may have mileage that may vary with this theme, but I believe it makes the novel resonate that much better. In fact, Wells’ inclusion of philosophy serves the novel all the better for serving this theme and given what he has written before he wants to focus on the human condition. We all ask the big questions and reflect on how our lives may have been formed otherwise, but with the intersection of these three lives, it brings this reality to the forefront.
All in all, Wells presents a literary novel that brings all the best sort of introspection and soul gazing that can be given in a reader’s experience. Fans of such fiction will be pleased with this, as are any who enjoy personal intimate stories that are full to the brim with drama. Students of philosophy will appreciate the small tributes and tid bits here and there as well.
Pages: 296 | ASIN: B079VCWS3S
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Alterni follows Esme who finds herself in a world with different paranormal races and a secret order; all under the reign of a King. As an Alterni, Esme must join the King and use her powers to fight the Malevolenci demons from other worlds. Can Esme learn to wield her powers in time to save the world?
Alterni by Sunshine Somerville creates a situation where you’ll find yourself deeply connected to the characters because of how real the characters react to the ever present danger to their world. If you love thrilling adventures with beautiful depictions of an interesting world, this is the story for you. Especially if you want to be on the edge of your seat.
When I sat down to read this book, I was quite surprised. It’s not often that you love the experience of reading a book. With this beautifully descriptive world and intriguing cast of characters, it was hard to resist being sucked into the world. I found myself staying up way past my bed time to finish this story.
The characters were all multilayered and continued to develop as the story progressed. Complicated backgrounds allowed me to connect with the characters. Sunshine Somerville is able to create characters with the kind of depth it takes other authors a whole series to achieve. This book explores themes such as family, leadership, responsibility and loss; experienced through not only Esme, but also King Owen.
This book does not rely on big plot twists to keep you interested; although there is a big one that creeps up on you. The book is constantly engaging it’s characters in some rousing bit of mystery, suspense, or action involving one of many paranormal races inhabiting this strange world that Esme finds herself in. I always look for books that make me want to see what the characters do next. And when the world is invaded by inter-dimensional demons from another space and time, there is no shortage of nail biting action. One thing that makes me suspend disbelief when it comes to magical powers, is the authors ability to ground it in reality. I enjoyed watching Esme learn, understand, and use her Alterni powers.
This is book 1 in the Alt-World Chronicles and when I finished this book, I found that I was so glad there was a second book to continue this story. I enjoyed reading about the subtle differences that might exist in other realities. Overall, I loved this read, it was entertaining to say the least. I recommend you read this story if you’re looking for something innovative and gripping.
Pages: 282 | ASIN: B075MDGSPP
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The Literary Titan Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and we are proud to acknowledge the hard work, dedication, and imagination of these talented authors.
Gold Award Winners
Silver Award Winners
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The Birthday Club is a genre-crossing novel with elements of a thriller, suspense, and mystery as well. Did you start writing with this in mind, or did this happen organically as you were writing?
In my view, fiction is rarely of one genre or another but contain elements of many. I think it is the balance that counts. If a bit of suspense is needed at one point to drive home the plot of the mystery then why not? In fact, I’m not convinced that genres such as mystery and suspense can be separated. Does one not contain some of the other? As for how it happens, in my case it is my intent to write fiction from multiple points of view, to present as rounded a picture of the “operating” environment as possible, and to-most of all-keep it interesting. I’m not sure that I ever, while writing, classify what I am doing as being mysterious or suspenseful, or even thrilling. Even though it is my desire that my writing provides all three experiences to the reader.
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
That is a difficult question to answer. Getting at it in reverse fashion the characters who offered a more concise, non-emotional point of view were the most difficult simply because a lot of thought had to go into keeping the story line rational yet “humanly” interesting. I had a lot of fun with Sylvester Martin because rationality wasn’t among the most important of his characteristics, but I think the “favorite” title must be split between Chris and Angelina. They represent opposite poles in a sense: One closed and taciturn the other open and vulnerable.
There are a lot of great twists in this novel that I rarely saw coming. Did you plan your novel or did the twists come as you were writing?
I’ve tried writing to an outline on several occasions. The only successful attempt was writing my Master’s thesis in Geology; where not following an outline would have been a disaster. While writing fiction I once made it through a chapter and a half on my outline before I trashed the thing. Other attempts have not been nearly so successful. Yes writing without formal pre-planning (we all think of ideas at night that are incorporated in the next day’s effort) can lead to a quagmire–been there and sunk up to my nose–but it generally works for me. Even if it means I have to go back and totally revise three-quarters of a manuscript to incorporate a new idea.
What is the next book that you are working on and when will it be published?
Philippe, sequel to The Birthday Club, was finished earlier this year, and is available in both e-book and paperback formats on Amazon and as an e-book on Smashwords. I am now contemplating a third in the series, but have not yet made a start with a pen.
When you’re in high school nothing ever seems important about the far distant future. Like five years down the road. Who cares? You’ve got enough to worry about. So, should we add a new member to the group? Not a problem, even if he’s a little strange. See something bad happen in the neighborhood? So what? It happened to someone else’s dog.
After graduation, things change of course. Five years doesn’t seem so far down the road anymore. So you kind of get involved in your own stuff and your high school buddies have their own lives to live anyway. Most of those things that happened back in high school just aren’t important. Maybe.
Maybe not. Like that fender bender you witnessed with all your friends. The one that will turn out to be a whole lot more important than even Dee Dee’s owner thought at the time. Think about it, that little incident on Fuller Street might be just the thing to make your name in the Criminal Investigation Seminar this semester. Who would care if what really happened then became known? It’s ancient history, right?
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A dream. A memory. That’s all Brij remembers of her past – as well as the fact that she was abandoned by a dirt road at the age of three. After getting picked up by a passing stranger who seemed to know everything about her, she lives the next fourteen years of her life in an enormous nuclear power plant, performing high-intensity sports games inside the plant’s five-mile reactor for spectators – people who keep the plant operating. Most days, she doesn’t mind. Then again, she doesn’t have a choice – if she refuses to perform, she’s at risk of being abandoned all over again. When mysterious images start haunting Brij during the performances, she begins to wonder if her life in the plant is real. No matter how much she tries to ignore them, they keep coming back. A series of strange events start to unfold that ultimately leads her to make a choice – whether to live a lie, or face the truth of what she really is, and why she’s here.
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A life story told alongside life lessons…
Grandma’s Secret Blessings: A Memoir with a Twist, is a deeply personal and dramatic-memoir. It tells the story of Yianni’s life, family, troubles, and successes. Told from a mix of first and third-person viewpoints, it gives an interesting perspective on how a person develops character. Central to the book’s theme are the secret blessings, which are a collection of inspirational messages, trans-cultural personal instructions, and existential aspirations. The book also has a number of lessons passed down by Yianni’s grandmother from the Greek oral tradition.
Yianni and his family are Greek in origin, and as such, they share a long history involving the oral transmission of stories. Over history, folk tales and legends were often performed by storytellers in front of audiences, including young children and even grown children, such as Yianni. This culture is present in the story as Yianni learns of his family history, reaching clear back to great-great-grandparents. This family history has personal ties back to Greece and Albania, much of it during a time of serious political and economic turmoil. Of course, those history lessons passed down to Yianni are also infused with Grandma’s life lessons for Yianni. This is all interspersed with Yianni’s own personal history, along with description for the way that these stories and lessons helped him.
There are more than ten of grandma’s secret blessings, many of which existing in some form in many different cultures and languages. However, what makes the lessons particularly powerful is that in Yianni’s experience with his abusive father, Yianni explains that, “…it’s the only way to close the gaping hole in my heart.” Many of these secret blessings are a blessing in that they are a form of grace, protection, or favor for Yianni. “You are the captain of your own ship,” as an example, explains for Yianni that no matter what tosses you around and what terrible things may befall you, you still have control in your own life and life choices. This is how the book is a memoir “with a twist.”
Grandma’s Secret Blessings is not perfect in its presentation. For example, there are a number of typographical and grammatical errors, as well as punctuation mistakes that are distracting. However, these generally do not detract from the message and central themes of the story. In a way, it conveys the very essence of that oral tradition, which is sometimes imperfect and lost in translation.
Grandma’s Secret Blessings is intended for adult audiences. There are depictions of child and intimate partner abuse, discussions of sexuality and sexual behavior, and alcohol and drug abuse. These depictions are realistic in nature, contributing to the overall feel of the book and its weighty emotionality. Overall, even with the copy-editing errors, Grandma’s Secret Blessings is a good read for those looking for emotional and inspirational literature.
Pages: 364 | ASIN: B077PLR98B
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Phoenix, written by Arti Chugpai, tells the story of Sonam Aggarwal and her trials and tribulations as she builds her life as a woman in India. Sonam is a complex character with beautiful soul, intelligence and integrity. Her presence demands authority, and as the Director of Publishing for a branch in India, she has certainly earned respect and accolades. However, there is a part of her that is broken by a moment in her life that she explicitly calls “The Betrayal”. Her family and friends judge her by her relationship failings rather than her career successes, leaving Sonam feeling lost and alone. Will Sonam be able to rise above the stereotypes and convictions of her family and friends to find true happiness?
Phoenix is a novel based on love, life and conforming to gender stereotypes. It’s the year 1998, and there’s a budding romance growing between a middle-aged business tycoon by the name of Kunal Vats and the main leading lady, Sonam Aggarwals. Set in India, Phoenix explores Sonan Aggarwal’s life through her ever-changing family, relationships, career aspirations and friendships.
The story then flits between two different eras of Sonam Aggarwal’s life, one part telling her life as it is in 2017 and the other turning back the clock to the year 1998. It’s here we learn about her life and the changing family dynamics and reoccurring expectations that seem to haunt Sonam, no matter how old her or her family members are.
It was refreshing to read a novel based on someone who is aged between their 40’s-60’s. Most modern love stories center around young adults in their twenties and Phoenix was a gentle reminder that age is no barrier when it comes to pursuing love and happiness. I enjoyed the sense of realism as the characters experienced a love that did not always result in happy endings. Instead, Phoenix dove deep into a raw and personal kind of love, where abuse, betrayal and forgiveness are all prominent players in the relationship game.
Phoenix also explores the events of Sonam’s life so thoroughly that at times you feel as though you are almost reading a biography of a real person. The novel also went into depth to showcase some of India’s culture, including foods, family life and working conditions. Arti Chugpai’s style of writing is confident and expressive, using strong descriptive words and phrases to demonstrate their points within the plot line. Fitting, considering the main character Sonam is a publisher herself.
Phoenix also brings to light the society changes and gender differences in India, and how things change over a period of time. It shows the difference in expectations between men and women, especially when it comes to love and relationships. Women are considered to be successful if they maintain a healthy, happy family, with their career aspirations and achievements often shadowed by the relationship, falls they have had in their life.
I would recommend this for anyone looking for a novel about budding romance, rising above the gender stereotypes and Indian culture.
Pages: 232 | ISBN: 1543701043
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