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The Mole Vol I

After reading The Mole Vol I by Ron Raye, I was left with the kind of restless wonder that follows a vivid, unsettling dream. This is not a book you breeze through or easily categorize. It’s a sprawling, poetic reflection on writing itself. What it means to create, to wrestle with imagination, and to birth stories from the void. Framed as a novel but flowing like a feverish verse epic, The Mole explores the narrator’s relentless, obsessive pursuit of a book that never quite lets itself be written. It’s a journey through false starts, unruly characters, and the chaos of creativity itself.

The writing is repetitive, fragmented, and sometimes circular. But maybe that’s the point. Raye plunges into the deep end of postmodern playfulness, layering thoughts about writing on top of metaphors about the self, identity, the muse, and madness. He breaks the fourth wall constantly. One minute we’re inside the narrator’s mind, the next we’re hearing characters rebel or vanish mid-scene. The language pulses with raw emotion. Some parts made me feel like I was watching someone have a breakdown in real-time, but in a way that’s painfully honest and often oddly funny.

What struck me most was how deeply personal it felt. The narrator’s longing to write, to leave something meaningful behind, resonated with me. It’s not really about the story, because there isn’t a traditional one. It’s about the process. The doubt, the silence, the moments when words feel useless. At times, I felt deeply seen, especially in those passages where the writer questions the worth of what they’re doing, yet keeps going anyway. That kind of creative vulnerability takes guts to put on the page.

The Mole Vol I isn’t for everyone. If you’ve ever struggled with your own voice or chased an idea until it nearly broke you, there’s something deeply relatable here. I’d recommend it to poets, writers, and anyone who’s ever stared at a blank page for too long.

Pages: 836 | ISBN : 978-0980045284

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The Mole Vol XX: Incident in Central Park

Ron Raye’s The Mole Vol XX: Incident in Central Park is a poetic epic wrapped in a visceral, lyrical indictment of violence, racial injustice, and urban decay. The book tells the haunting story of a brutal crime—a female jogger attacked in Central Park—and the social and legal chaos that follows. Through a blend of poetry, reflection, and fragmented narrative, the book shifts between voices: the victim, the accused, the city, and even the moral shadows that linger long after the violence. Raye explores the broken systems that prosecute, punish, and fail, evoking the real-life tragedy of the Central Park Five while drawing attention to the cycles of trauma and systemic neglect that fuel it.

The poetry slams you with a kind of lyrical aggression, like it wants to make sure you don’t look away. The repetition of certain phrases—especially the ominous refrain, “I am the beginning and the hour of your birth”—creates a haunting rhythm that stalks you page to page. At times, the writing feels like a fever dream, jumping from metaphor to memory to rage. Some of the poems could’ve used a tighter edit; they wander. But maybe that’s the point. Trauma doesn’t tell stories in straight lines. And this book doesn’t try to make you comfortable—it asks you to feel the weight of what’s been done.

The ideas behind the poetry stuck with me. Raye writes with fire about systemic racism, the criminalization of Black youth, and the cheapening of Black life. He paints a terrifying New York where crime runs rampant, and justice is often just a show. There’s anger here, and grief, and moments of forgiveness so unexpected they feel like tiny miracles. The victim’s voice, when it comes through, is particularly powerful—never just helpless, but complex, broken, healing. The sections that directly critique police methods and forced confessions are some of the strongest in the book, punching right through the haze of poetic abstraction to confront injustice head-on.

The Mole Vol XX is for people who are ready to stare into hard truths, who want literature that doesn’t flinch. If you’re a fan of experimental poetry, social justice writing, or gritty urban storytelling with a conscience, The Mole Vol XX will stay with you. It’s a heavy, unruly, necessary book. For those who can handle the chaos, this is a powerful howl from the margins.

Pages: 482 | ASIN: B0F9B25YY3

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Ms. Ballywit and the Editor

Ms. Ballywit and the Editor, by Ron Raye, is an engaging anthology of short fiction that delves into pressing societal issues and the intricacies of human emotions. The opening narrative centers on Ms. Ballywit’s correspondence with a newspaper editor, addressing a grave incident of police violence. This story is particularly poignant, presenting a stark commentary on racial injustice and the media’s role in representation. Raye articulates the frustrations and inequalities faced by marginalized communities with a narrative that is both moving and thought-provoking.

The collection encompasses a range of themes that mirror the complexities of life. “Sweet Pea” stands out with its portrayal of a relationship between the enigmatic Daphne and her tender-hearted partner, Sweet Pea. Their story is a testament to the unpredictable nature of love and the reality that perfection is often an illusion. Raye’s writing captures the essence of contemporary life, weaving narratives as compelling as they are relatable.

Encountering Ron Raye’s storytelling is always a delightful experience; his skill in crafting narratives is evident across his body of work. What I find particularly appealing about Raye’s collection is the variety it offers—each story introduces new characters and scenarios, ensuring a fresh and unpredictable literary journey. For enthusiasts of short stories and readers seeking a thoughtfully curated collection that reflects the human condition, Ms. Ballywit and the Editor is a must-read.

The Mole Vol XI: Poetry and Jazz in Dancing Shoes (A Triptych)

Ron Raye’s latest offering, The Mole Vol XI: Poetry and Jazz in Dancing Shoes (A Triptych), is a captivating blend of poetry and jazz, reflecting on life’s simple joys and the profound impact of love. In his work, Raye elegantly traverses everyday challenges, highlighting the beauty in mundane moments and the deep connections fostered through love and companionship.

Particularly noteworthy is Raye’s exploration of jazz. As a jazz enthusiast myself, I found his poems in this vein both engaging and evocative. Raye skillfully captures the essence of jazz, echoing its rhythmic beauty and the emotional depth it can convey. His ability to intertwine the nuances of poetry with the complexities of jazz music is commendable. Raye’s references to renowned jazz artists add a layer of authenticity and nostalgia, appealing to those familiar with the genre.

Beyond the thematic allure, Raye’s writing style is both accessible and thought-provoking. He invites readers to delve into various topics, challenging them to reconsider their perspectives. His poems are meticulously crafted, each word and phrase chosen to convey a specific message or emotion. This careful construction underscores the intricate nature of poetry and its capacity to convey profound ideas in a few, well-chosen words.

Raye’s talent lies in his ability to make the reader feel directly addressed, as if the poems are a personal conversation. This intimate approach to storytelling resonates deeply, creating a connection that transcends the pages of his book.

For those who appreciate the interplay of words and music, and for readers seeking a reflective and emotionally resonant experience, The Mole Vol XI: Poetry and Jazz in Dancing Shoes (A Triptych) is a compelling read. Ron Raye’s unique voice and perspective make this collection a noteworthy addition to the world of contemporary poetry.

Pages: 218 | ASIN: B0CKXYZ7G7

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The Mole Vol XIX: New York Poems and a Subway Shooting

Ronald Raye’s The Mole Vol XIX is a poignant blend of poetry and reflection, diving into the chaotic, electric spirit of New York City while weaving in the dark realities of urban life. The book traverses the subway cars, bookstores, and streets of Manhattan, presenting the city as a living, breathing organism, teeming with aspirations, heartbreaks, and history. At its core, it captures the juxtaposition of dreams and despair, most notably through a harrowing retelling of the infamous 1984 subway shooting incident.

What struck me first was Raye’s vivid imagery. In poems like “Sketches of New York,” the city unfolds as both a muse and a menace. His portrayal of immigrant struggles and the pursuit of elusive dreams felt raw and personal. Raye’s strength lies in his ability to craft images that evoke emotions, whether it’s the chaos of subway commutes or the haunting stillness of Central Park.

Some poems flow like a rhythmic celebration of life’s grit. The recurring motif of being “a lost twenty-something” wandering Manhattan was relatable. That said, poems like “Under a New York Sky” reignite the emotional potency of his narrative, offering a striking balance of hope and melancholy.

The section on the subway shooting is where Raye shifts from introspection to reportage. His recounting of the event, combined with poetic interludes, makes for a chilling read. The description of Thornton’s actions and the subsequent fallout is gripping yet unsettling. Raye’s treatment of the subject raises moral questions, leaving readers to grapple with their own judgments.

The Mole Vol XIX is a heartfelt tribute to the struggles and stories of New York’s inhabitants. Its blend of poetry and prose captures the city’s heartbeat. This book is a compelling read for those who crave the grit of urban life, the nuance of moral dilemmas, and a narrative that doesn’t shy away from uncomfortable truths. If you’re a fan of poetry that challenges as much as it inspires, Raye’s work deserves a spot on your shelf.

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The Mole Vol XVIII: Adventures of the Strophe – Book III

How well do we truly understand the world around us? In The Mole Vol XVIII: Adventures of the Strophe: Book III, the speaker embarks on a quest to unravel the complexities of existence, including the elusive concept of immortality. Life is portrayed as a journey, with the speaker immersing himself in his surroundings, brimming with hope for what lies ahead. His heart overflows with the promise of reuniting with a beloved, whose presence has brought immense joy to his life. Through his words, he expresses a deep longing for this lover, celebrating the youthful energy, compassion, and dedication that define their relationship. Yet, the speaker also confronts the inevitable—death and the profound grief that accompanies the loss of a loved one.

The speaker’s reflections draw a striking contrast between the beauty and rejuvenation of morning and the enigma of nighttime. The passage of time emerges as a central theme, with the narrator continually revisiting the past and pondering its influence on the present. Memories serve dual purposes: they provide comfort and simultaneously remind us of what has been lost. Throughout this volume, vivid imagery and metaphorical language vividly bring these themes to life. The poems frequently explore longing, remembrance, and the relentless march of time. The narrator delves into the complexities of love, capturing both its moments of bliss and its inevitable challenges. A sense of nostalgia pervades the collection, evoking a longing for simpler times while acknowledging the inevitability of change and loss. In addition to these emotional explorations, the poems venture into philosophical territory, grappling with questions about the nature of existence, the meaning of life, and the roles that dreams and memories play in shaping our reality. The narrator’s reflections on the past are a constant thread, as he seeks to understand how it shapes his present. There’s an undercurrent of melancholy and a meditation on mortality, yet the poems also offer a glimmer of hope, celebrating the enduring power of human connection.

Ron Raye’s The Mole Vol XVIII: Adventures of the Strophe: Book III is a collection of introspective and evocative poems that invites readers to reflect on their own lives and the universal emotions that bind us all. Through its exploration of love, loss, time, and existence, this volume resonates deeply, offering a poignant reminder of the shared human experience.

Pages: 158 | ASIN : B0DB8S8MVN

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The Mole Vol XVI: Adventures of the Strophe

In The Mole Vol XVI: Adventures of the Strophe, Ron Raye crafts an evocative and introspective collection of poetry that explores the cyclical nature of life, love, and the human condition. Each poem weaves together themes of existential reflection and emotional depth, inviting readers on a journey through the complexities of existence. The narrative is rich with metaphor and vivid imagery, creating a tapestry of thoughts that both challenge and comfort the reader.

Ron Raye masterfully crafts each line to create vivid imagery in the reader’s mind, employing brilliant analogies that leave a lasting impression. One of the standout features of Raye’s poetry is its engagement with real-life issues. He blends storytelling with beautiful verse to convey his perspectives, enlighten the reader, and encourage reflection on the world around them. Additionally, his coverage of diverse topics keeps the collection entertaining and thought-provoking.

Raye has consistently been one of my favorite poets, thanks to the profound meanings his words convey and his vivid imagination. In The Mole XVI, my favorite chapter addresses life’s joys and sadness. The poem suggests that life is a game played by its own rules, which we must all abide by. I resonate deeply with the line, “Nature has no choice but to destroy us all,” a stark reminder of the inevitability of life’s end.

As a devoted fan of Ron Raye, I highly recommend The Mole Vol XVI: Adventures of the Strophe to lovers of poetry with deep meaning. This collection is a testament to Raye’s ability to touch on the core of human existence with eloquence and insight.

Pages: 343 | ISBN : 9798988264446

The Mole Vol X NWP Sextet: In Defence of Peace Not War

Book Review

Human nature is complex, woven with both admirable qualities and inherent flaws. Within the depths of our hearts, we find traces of greed, envy, the pursuit of power, and selfishness. In The Mole X by Ron Raye, we encounter a man who repeatedly declines invitations to join the army, driven by his unwavering love for peace despite the allure of monetary rewards.

The topic of aging often evokes discomfort, forcing us to confront the fleeting nature of time and the imperative to make the most of our limited days. Each passing day brings with it a sense of a changing world where the specter of global warming and climate change looms large. Yet, amidst this awareness, we must question whether we are truly taking meaningful action to improve our circumstances. What if our planet becomes uninhabitable for future generations? We must reflect on our actions and their impact on the environment that sustains us.

The creation of weapons, a lucrative industry, raises profound questions. Why do we engage in this trade that only brings sorrow and distraction? Ron Raye delves into the intricate realm of politics, exposing the corruption that taints the hearts of leaders and those in positions of power. The author’s poignant exploration of loss and the enduring scars left by catastrophic accidents evokes a deep emotional response. Readers can genuinely connect with the rawness of human experience through these passages.

Whenever I delve into the poetic works of Ron Raye, my expectations soar, and time and time again, I am never disappointed. This collection of poems effortlessly captures the essence of human existence while simultaneously being thought-provoking and enlightening.

The Mole, Vol. X: In Defense of Peace, Not War transcends the boundaries of poetry. It is a compelling read for individuals of all inclinations, whether they possess an affinity for poetry or not. This book serves as a powerful reminder of the paramount importance of unity.

Pages: 343 | ISBN : 9798988264460