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Still Waters Run Deep
PEOPLE PERSONnel follows a burnt-out HR manager trudging through her final year at a shrinking charity while juggling caregiving for her declining mother and quietly plotting a radical act of mercy. What was the inspiration for the setup of your story?
I have worked in HR in the not-for-profit sector for over 30 years and I live in Whitstable (UK). I have written before (historical) but thinking of the old adage, ‘write what you know’ I decided to do just that. I wrote something where character and location were key. You’ll notice it is not set in a particular time because I didn’t want it to date. I hope it will be picked up and televised one day so that my antihero can reach a wider audience and I can retire, like Janice.
I found Janice to be a very well-written and in-depth character. What was your inspiration for her and her emotional turmoil throughout the story?
Thank you. No spoilers but I wanted her to be a very ordinary person who ends up in the position of doing extraordinary things. She flies under the radar. She is invisible and for what happens in the story the fact that she is so overlooked gives her a very significant advantage.
What were some themes that were important for you to explore in this book?
Still waters run deep. It’s the quiet ones you want to watch out for. Again, no spoilers, but most fictional killers are larger than life as are the characters who catch them. To me it’s far more disturbing if the killer turns out to be someone just like you. I put, ‘But she always seemed so nice…’ on the back cover because that’s what people always say when their crimes come to light. Janice is a person who keeps herself to herself.
What is the next book that you are working on, and when can your fans expect it to be out?
I wrote this book 8 years ago and only very recently revisited it and got it published. I do have ideas for another book about Janice, perhaps a prequel, and hopefully that will be out in the next 6-12 months rather than in another 8 years.
Author BlueSky
She commutes every day from her home in Whitstable, Kent to London and is soon to retire from her standalone role for a not-for-profit sector organisation, that is facing very difficult financial decisions. She is innocuous, dull, easily overlooked and cut an inconsequential, loveless path through, what appears to have been, a largely non-eventful life.
Everyone knows she wouldn’t lift a finger. Everyone knows she wouldn’t swat a fly. Everyone knows she’ll just sit there and be quiet. No one would think twice about her, but Janice Mead’s savage way of exiting those who are now surplus to her requirements may change all that. See what kind of a person Janice Mead really is.
PEOPLE PERSONnel
PEOPLE PERSONnel follows Janice Mead, a seasoned HR manager trudging through her final year at a shrinking charity while juggling caregiving for her declining mother and quietly plotting a radical act of mercy. Set against the backdrop of a dreary office and the grey sprawl of southeast England, the story slips between sardonic workplace comedy and unsettling introspection before veering into a shocking yet oddly tender act of revenge and redemption. Holup delivers a narrative that simmers slowly, then boils over in a morally complex and relatable way.
Holup’s writing is dry, sharp, and deeply British. The voice of Janice (or Myra, depending on which identity you trust) is both painfully funny and heart-achingly bitter. Her observations cut deep, especially on ageism, bureaucracy, and the way society quietly dismisses older women. I found myself wincing at how real it all felt. There’s no sugar-coating here. It’s the raw, unfiltered truth of late-career burnout and quiet domestic despair, until, suddenly, it’s a murder mystery disguised as an act of grace.
What really surprised me is how effortlessly Holup builds a character who is both forgettable and unforgettable. Janice is invisible in the way that older women often are, and yet she becomes the exact opposite by the end: powerful, decisive, terrifying in her stillness. I couldn’t stop thinking about her. The bees, the gloves, the crispy pancakes, all these odd details add up to something chillingly intimate. The ending, though extreme, felt almost inevitable. It left me with that odd emotional mix of satisfaction and sadness, like watching a long-overdue storm finally break over a parched field.
If you like character-driven fiction with bite, with humour that borders on cruelty but never loses its humanity, then you’ll get a lot out of it. It’s perfect for readers who enjoy Eleanor Oliphant Is Completely Fine, but wish Eleanor had a darker side and a plot to poison someone. PEOPLE PERSONnel is bleak, funny, and full of feeling.
Pages: 307 | ASIN : B0FC462XY8
Twists and Turns
Once Upon a Crime follows a veteran homicide detective who needs to find a vigilante serial killer before she kidnaps her daughter. What was the inspiration for the setup of your story?
The inspiration for Once Upon A Crime came from my reading about the hunt for the Son of Sam. He’d sent a taunting message to an NYPD detective threatening the detective’s daughter.
Another part of the inspiration came from a criminal case I worked on when I was a police officer about the sexual assault of a young lady.
How did you come up with the idea for the antagonist in this story, and how did it change as you wrote?
In writing Once Upon A Crime, given that most sex crimes have women as victims, I wanted a female character hunting for sexual offenders to be the antagonist. At first, she was a disgruntled police officer whose back story was about her being dispatched to do a preliminary investigation of the brutal sexual assault of a young girl. A news item gave me the idea for a different antagonist: Penny Grimes.
When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
When I started writing Once Upon A Crime, I had fairly good idea of where I was going with it. As the story took root, several ideas came to mind for the twists and turns used in it.
Can you tell us more about what’s in store for Detective Madison Chase and the direction of the next book?
At this time, I haven’t decided whether to write a sequel to Once Upon A Crime.
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In a twisted game of cat and mouse, Detective Madison Chase must outwit a serial killer targeting sex offenders—before her own daughter becomes the next victim.
October in Fort Worth takes on a sinister hue for Penny Grimes. She’s not just a vigilante; she’s a poetic executioner, leaving headless pedophiles as her gruesome calling cards. Each murder scene is adorned with a chilling rhyme, taunting the police and, in particular, haunting veteran homicide detective Madison Chase.
But Penny has a darker agenda. She’s set her sights on Chase’s daughter, Emily—a blonde, blue-eyed four-year-old, living image of the child Penny has always yearned for. Unbeknownst to Chase, while she’s hot on the trail of Fort Worth’s most elusive serial killer, Penny is plotting to kidnap Emily.
Float the Boat
Float the Boat, by Mark S. Ehrlich, is an enthralling crime and mystery novel set in a backdrop of geopolitical complexities. The story centers around Nick Harmon, a former aid worker, who is unexpectedly drawn into a web of conspiracy and deceit following the murder of Melody Fitzgerald, his former colleague and friend. Harmon’s quest for justice pits him against formidable foes, including the influential Indonesian billionaire Adnan Sulaiman, who finds himself ensnared in a scandal of global proportions.
Ehrlich crafts a narrative that seamlessly intertwines themes of betrayal, revenge, and the relentless pursuit of truth. The character of Nick Harmon is a study of resilience and moral complexity. Despite the personal risks, his unyielding determination to bring Sulaiman to justice showcases the lengths individuals will go to for retribution. This pursuit is not without its ethical quandaries, adding layers of depth to the narrative. Sulaiman, portrayed as both powerful and troubled, is a character that embodies themes of corruption and the intricate dynamics of power. His portrayal offers a critical look at media sensationalism and its influence on public perception, particularly for those in high positions of authority. Ehrlich’s writing is both crisp and vivid, drawing the reader into intense action sequences and tactical maneuvers that mark the novel’s progression. His attention to detail in character development and setting immerses the reader in a world as intriguing as it is dangerous.
In Float the Boat, the reader is taken on a journey through a labyrinth of intrigue and suspense, culminating in an explosive and heartrending climax. The mission’s aftermath leaves characters, particularly Nick, wrestling with the consequences of their actions, setting the stage for future endeavors and new life directions. Ehrlich’s novel is a compelling read for those captivated by espionage, military fiction, and complex narratives woven with action and drama.
Pages: 414 | ASIN : B0CLZJ731G
LITERARY TITAN 