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Evolving
Shadows in the Creek follows a disgraced journalist who returns to his picture-perfect town to investigate the murder of a young woman, only to uncover the lies the town has kept hidden.Was Edenvale inspired by a real place, or more of a symbolic landscape?
For me, Edenvale is more of a symbolic landscape, though the setting is somewhere familiar – a small, idyllic town somewhere between Hartford, Connecticut and New York. I live in Connecticut, and for my first novel, I needed the setting to hit close to home. But the place is symbolic in that Dante Villehart, the disgraced journalist, comes to this town he feels is quiet enough to allow him to escape into anonymity. Just as he is trying to settle, he learns of the demise of someone he knew very well. He is suddenly compelled to get back into investigative journalism, much against his initial will. He quickly learns in the process that this apparently quiet town is heavily laden with secrets the rich and powerful would literally kill to keep buried.
Dante feels both capable and compromised. How did you shape his moral center, and how important was his past failure in driving the present investigation?
Many people, including myself, have made mistakes in the past. However, not all of us get to correct them once they are acknowledged. That is, we don’t often get the redemption opportunities that would help to lighten the load of our past guilt. Dante has this opportunity, though he came by this reluctantly at first. He is compromised because he knows his mistakes directly led to consequences he wished never developed. But this compromise leads to his resilience. He now has an unwavering desire to not fail in his quests to unearth the truth. Sometimes his pursuit of the truth puts him in danger–another compromise that gives him the grit he needs to prove himself capable.
The book thrives on mood as much as mystery. How do you balance tension with introspection in a crime story?
Dante is actually coming to terms with the new person he is becoming. He is driven by his desire not to fail again but could still fail if he makes the rash decisions he once made under pressure in his past. Now, he is not trying to make deadlines with a story. He now has to solve a mystery that requires swift attention and also demands careful introspection as a guide to ensure his new path is not paved with the familiar failure he once knew. In other words, Dante is evolving while he solves the case. Part of this process necessarily requires that he reflects and looks inwards for strength and guidance.
Is this the first book in the series? If so, when is the next book coming out and what can your fans expect in the next story?
Shadows in the Creek is in fact the first book of the Dante Villehart Redemption series. The series has three books, the other two being Death in the Manor and Knight In Gale: Vengeance. The two latter books have been published recently, and I am hoping to use the momentum of Shadows in the Creek to propel them.
Fans can expect Dante to continue evolving. In the past, he would push people away, keep his guard up, and wouldn’t allow anyone to get too close. He lets himself become more vulnerable in letting others in but is still cautious as his association with people could put them in danger (and often does). Therefore, Dante starts to become the new redeemed man he has started to become – still with flaws, but less guarded and more balanced.
Fans can also expect to see Dante continue his journey solving cases in The Dante Villehart Files.
Shadows in the Creek (A Dante Villehart Novel)
In Shadows in the Creek, author Michael H. Balfour drops Dante Villehart, a disgraced former journalist, into Edenvale, a polished small town with rot under the lacquer, then sets him on the trail of Lila Summers’s murder. What begins as a local mystery widens into a tangle of money, family grievance, civic theater, and buried loyalties, with Dante trying to solve the crime while also confronting the damage of his own past. The novel’s real engine is not just the question of who killed Lila, but whether truth can survive in a place that has spent years learning how to dress a lie in respectable clothes.
I liked this book most when it leaned into atmosphere and moral abrasion. Edenvale has that unnerving neatness some towns wear like a church coat, and Balfour is good at making its diners, archives, lawns, and charity rituals feel faintly accusatory. Dante is a strong center for this world: bruised, observant, self-distrusting, and just vain enough to be human. I never felt I was reading a puzzle assembled by machinery; I felt I was following a man whose conscience kept snagging on the same nail. The prose often reaches for a sentence with a little burr on it, and I appreciated that. It wants texture, not just speed.
What stayed with me, though, was the book’s earnestness. This is a murder mystery, but it’s also a story about reputations, class insulation, and the almost liturgical way communities protect their own mythology. The novel can be a touch melodramatic. But even then, the book kept its grip on me because it believes in the stakes of telling the truth, and that belief gives it voltage. I found myself reading less for the neatness of the solution than for the emotional weather around it, the guilt, the vigilance, the old humiliations, the sense that one dead young woman is exposing an entire social ecosystem.
I’d hand this to readers who like small-town murder mystery, amateur sleuth, crime thriller, investigative mystery, and domestic noir elements with a strong atmospheric streak. Readers who enjoy Tana French, or who liked the social unease and layered suspicion of Big Little Lies, will probably find familiar pleasures here, though Balfour’s book is more straight-faced. Its best audience is the reader who wants secrets, class tension, grief, and a damaged narrator with a notebook and unfinished business.
Pages: 361 | ASIN : B0FSCLFMK2
Dive Into the Past
The Man in the Dam follows a journalist hosting a dinner for members of the local amateur theatre society at her family’s country home, who wakes to find a body in her family’s paddock dam, leading to a tangled investigation full of secrets and lies. Why place the story in Victoria’s High Country?
A key feature of the Jade Riley Mysteries is that each book is set in a place where I’ve lived. We have a property in Mansfield in Victoria’s High Country, so I couldn’t wait to write a book inspired by that location.
The small town gives a cosy mystery vibe that suits the story, enabling a situation where everybody knows everybody else, leading to secrets and lies. The surrounding countryside is typically Australian with gum trees, kangaroos, and kookaburras, as well as the menace of snakes and spiders.
Further, the local Lake Eildon offers the opportunity for a dive into the past. It was formed by a dam constructed in the 1950s, flooding houses, roads, and bridges. This lost history is integral to the story.
What parts of Jade are most personal to you as a writer?
Jade shares several of my characteristics. She’s driven and determined, like me. She’s also an over-thinker, which isn’t a stretch for me either. But the most personal of her traits are the ones I wish I had, like incredible courage. Sometimes she takes this to the point of foolhardiness, but she always stands up for what is right. Whereas me? Don’t tell me state secrets because I’d spill all at the mere sight of a thumbscrew.
Jade also faces a major life choice in this book: should she marry Brett and give up her career to move to Malaysia for his job? I faced a similar decision when my husband was offered a job in Nigeria, which involved me relinquishing my beloved job as a career coach. In the end, I agreed to go, instead of turning my hand to becoming a writer. Before my novels were picked up for publication, I wondered whether I’d made a mistake, but now I have no regrets.
Performance is a strong thread in the book. How does theatre mirror the mystery itself?
I used theatre imagery throughout the story in developing the characters, setting, and plot. Everyone in the novel is playing a role, choosing what to reveal and what to keep hidden. The settings are theatrical, from the local bookshop and pub to the murky waters beneath the lake. History comes back to haunt people like a theatre ghost.
I also chose Oscar Wilde’s The Importance of Being Earnest as the play the characters are working on for a specific reason, but I can’t explain why without giving spoilers.
Weird coincidence: I was working on this book when I went on a writer’s retreat to Varuna, The National Writers’ House, in NSW, Australia. While there, I found The Collected Works of Oscar Wilde in my room, and that serendipity confirmed The Importance of Being Earnest as the right choice of play.
What do you enjoy most about writing mysteries?
Mysteries are all about creating a puzzle for readers, and I love puzzles. I enjoy intricate plotting, red herrings, misdirections, and creating characters who all have something to hide.
Before I start, I usually have a big picture plan, but the details only emerge as I’m writing. I love the aha moments when I can add something I hadn’t anticipated because I figure if I couldn’t predict it at the start, readers are more likely to be surprised.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
Journalist Jade Riley hosts a dinner at her parents’ idyllic country property with members of the local amateur theatre society. The next morning, she finds one of her guests dead in a dam.
As Jade investigates, the players tighten their grip on long-held secrets. Grudges and tangled motives emerge, and the past refuses to stay buried.
At the same time, a proposal from her boyfriend forces Jade to consider how much she’s willing to give up for love.
An atmospheric, fast-paced mystery, THE MAN IN THE DAM is the third book in Andrea Barton’s Jade Riley Mysteries series.
Death of a Dream Seller
Death of a Dream Seller is a cozy murder mystery set in a sham New York acting school that is taking its last bow. Former staffer Paloma Pennington comes back to the Gramercy Theatrical Arts Academy for a bittersweet “grand finale” party after the school declares bankruptcy, even though the building is nowhere near Gramercy Park and the whole operation has always felt a bit fake. She once sold spots in the pricey program and knows the place charges eye-watering tuition for cramped dorm rooms in Chinatown and dream-of-stardom promises that rarely come true. During the party, she and co-worker Sterling discover the body of their boss, Edwin Everett Asher, stabbed on the empty fifth-floor stage with what looks like a theatrical dagger, his corpse propped under a Florentine mask. A blizzard keeps everyone trapped while the police lock down the building and question a lively group of teachers, board members, and ex-students, many tangled up in a Broadway show called Monte Carlo Autumn that made huge profits yet never paid back its investors and hid behind an anonymous company called Fair Day Partners. As Paloma pieces together that fishy show, a nearby art-gallery robbery, and Edwin’s phony bankruptcy, the story moves toward a shocking reveal.
I enjoyed the narrative voice a lot. Paloma tells the story in a dry, funny first person, and I liked how she mixes straight talk with little flashes of drama. She is the granddaughter of a cop and the daughter of two criminal justice professors, and she thinks like it, so her running commentary on how people should behave around a crime scene feels sharp and oddly believable. I smiled at the way she reacts to the school’s fake glamour, the tacky Wizard of Oz decorations in the hallway, and the students who still think Edwin can “make them stars” even though he is just a small-time acting teacher. The supporting cast leans big and broad, and that worked for me as a cozy. Clementine is loud and unfiltered. Levi cracks jokes at all the wrong times. Goldie is pure theater queen. Their voices bounce off each other and give the party scenes a lot of movement. Sometimes the humor leans a bit cartoonish, and a few side characters feel more like types than people, yet I still had fun watching them crowd into the room and snipe about lawsuits and flop shows while a dead man lies two floors below.
On the mystery side, I liked the bones of the plot. The idea of a “dream seller” who milks both students and investors, then pretends his school is broke while he quietly hoards millions, hits hard and feels sadly believable. I also liked the way the story keeps looping back to money and empty promises. The art gallery robbery next door to the school, the missing Tibetan-style paintings, the secret link between those paintings and Edwin, and the later discovery that some of the stolen art sits in an accomplice’s apartment all give the murder a bigger web and make the title feel earned. A lot of the solution comes to Paloma in texts and recaps, and the reveal is almost too clean. I still liked the logic of it, yet I wanted more time in the room when the truth finally blows up, more heat between suspect and sleuth.
What stayed with me most were the ideas under the whodunit. The book takes real aim at people who package dreams as products, whether that is bogus acting programs with glossy brochures and terrible dorms, or big Broadway shows that treat their backers as prey. The author’s note at the end spells out that she drew on real experiences in show-business offices that went bust, and I could feel that lived-in detail in the empty corridors, the half-cleared props, the sad little “grand finale” spread complete with caviar at a bankruptcy party. The book does not excuse the killer. It just points out that when you build a life on lying to desperate people, you stack the powder, and someone will eventually light the match.
All in all I had a good time with Death of a Dream Seller. The voice is warm, the setting feels lived in, and the mystery ties money, art, and ambition together in a way that kept me turning pages. I would recommend this book to readers who enjoy cozy or light mysteries, who like theater or art-world gossip, and who appreciate a heroine who is smart, slightly jaded, yet still kind. If you want a fast, entertaining read with a bit of bite about the cost of chasing fame, this one fits the bill.
Pages: 146 | ASIN : B0GJYYX4FK
Justice and Loyalty
Part of the Solution: A Mystery follows a New York professor who experiences a chance meeting that pulls her back into the 70s and brings her closer to a death that shook the community she once called home. What was the inspiration for the setup of your story?
Setting Part of the Solution in 1978 was an easy choice because the very first version of the book was written in 1978! I had just finished a dissertation in English literature, and I’d survived graduate school by sneaking off to read murder mysteries when I couldn’t bear one more page of “serious” literature. A few years ago, I reread my original manuscript and decided to rewrite it as a period piece. I thought it would be interesting to go back to that time and wrestle with who we “Boomers” were back in the day – idealistic, earnest, and hopeful but also very young and sometimes very silly. The book is completely different now. In some ways, it’s a comedy of manners as much as it is a mystery.
Yet comedy of manners though it is, I don’t want to overemphasize the humor in the book. In the process of rewriting, the mysterious death at the core of the original plot took on a deeper meaning. Now my main character, Jenifer, has had forty years in which she has had to live with what happened. The decisions she made at the time as the “amateur detective” have shaped her life in ways that she – and even I – could never have imagined at the time.
What is it that draws you to the mystery genre?
I have a complicated relationship with the mystery genre. I love the structure and discipline of the classic whodunit in which all the clues and red herrings line up in a way that plays fair with the reader. I love the puzzle at the heart of the genre and, to quote the title of my book, the `solution’ that is revealed at the end. But I am also troubled by how much fun such mysteries are because death, even in fiction, shouldn’t be fun. I worry that devouring mysteries the way a lot of us do ends up dulling our responses and thus numbing an important piece of what makes us human. I don’t want the characters, or even the reader, to get off scot-free.
In Part of the Solution, I tried to tell a story in which the characters don’t get off scot-free because they are changed forever by what has happened to them. I wanted them to have to wrestle on a deeply personal level with the issues that are raised. What does justice mean? What does loyalty mean? How do different people understand those terms, and what difference does that make? Jennifer and Ford – the amateur detective and the official detective – have very different relationships to questions of justice and loyalty, and those questions matter to them both. The very different answers they come up with have never stopped haunting them.
How did the mystery develop for this story? Did you plan it before writing, or did it develop organically?
The mystery plot was there from the beginning. I had a wonderful time inventing a set of wonky characters in an imaginary little hippie town in the Berkshires, with the challenge of trying to figure out who among these various peace activists, artisans and poets, leftwing intellectuals, and spiritual seekers would murder someone, and why. Once I had the mystery structured, I could relax into writing the dialogue and the scenes. What were they listening to on the stereo? What were they arguing about? Laughing about? What were all of them wearing? How did they understand the world around them, and how were they trying to change it for the better?
What is the next book that you are working on, and when will it be available?
I want to bring Jennifer and Ford back together in the present day. They are both in their late ‘sixties now, and they meet up again at a conference during which someone dies mysteriously. I have the plot lined up as well as most of the characters. I haven’t gotten very far in the writing yet, but I’ve booked myself some time away this winter just to write, and I’m planning to have it done by the end of this coming year.
Concern for her community prompts Jennifer to investigate the murder with the sometimes-reluctant help of Ford McDermott, a young police officer. Little does she know that the solution lies in the hidden past.
Part of the Solution blends snappy dialogue, unconventional settings, and a classic oldies soundtrack, capturing the essence of a traditional whodunnit in the era of sex, drugs, and rock-and-roll.
Part of the Solution: A Mystery
Part of the Solution follows Jennifer Morgan, a New York professor who returns to Boston for a conference and suddenly collides with her past. A chance meeting pulls her back into the late seventies, when she lived in a tiny Massachusetts town full of hippies, activists, dreamers, and drifters. The book moves between the present and that earlier world, and the story slowly circles a death that shattered the odd little community she once called home. The narrative blends memory, mystery, romance, and political reflection in a way that feels alive and warm and a little bittersweet.
Reading it felt like stepping into a room that smells like coffee and incense and old books. The writing has a cozy quality. It rambles in a good way, like someone talking while cooking dinner, and I found myself leaning in. I had moments of real affection for the characters. They fight. They love. They hold grudges that make no sense and cling to ideals that make no sense either. The dialogue has a lively spark that kept surprising me. Sometimes it hopped around. Sometimes it took its time. I liked that. And even when the tone shifted into darker territory, the heart of the book kept beating steady.
The ideas underneath the story resonated with me more than I expected. Michelson captures the messy idealism of the counterculture era with charm and also with a sharp pinch. I kept nodding because the book understands something about how people try to build a better world and then stumble right over their good intentions. The spiritual seekers. The radicals. The shy intellectuals who think too much and then think even more. I felt the book’s tenderness toward them, and I felt its frustration too. The tension between hope and disillusionment had real weight. It made me sit back and think about my own younger self and the beliefs I thought would never bend.
I would recommend Part of the Solution to readers who enjoy character-driven mysteries, stories about found communities, and novels steeped in the moods of the sixties and seventies. If you like fiction that mixes warmth with tension and lets people be flawed in recognizable ways, you’ll enjoy this book.
Pages: 298 | ASIN : B0FL4MH5WY
Locked-Room Mysteries
Pioneering Secrets follows a high school teacher, a reporter, and a detective from a small town who are trying to find the person responsible for killing a teen girl. What was the inspiration for the setup of your story?
When I was a kid, I loved locked-room mysteries. The murder method in this story is based on a reverse version of my favourite locked room story. I can’t give any more details than that, as it would give it away.
There was a lot of time spent crafting the character traits in this novel. What was the most important factor for you to get right in your characters?
All the characters in the book are based on real people in my life. I’ve tried to give them character and personality traits similar to each of those people.
How did the mystery develop for this story? Did you plan it before writing, or did it develop organically?
It began with a vision of the opening murder scene, then grew from there. I planned out each murder scene ahead of time, as well as the characters and suspects. Other than the opening chapter, I didn’t write any parts of the book until I had the pivotal scenes fleshed out ahead of time.
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story?
This is the first book in the Rolling Brook Falls series. I have a few new stories already planned, with the next two fleshed out. I hope to have the 2nd book published by the end of December 2025. The next story will delve deeper into Andie’s past, as well as continue to develop the budding romance between her and Detective Sayers. Readers can expect the same sass from Andie and C.J. that was showcased in the first book.
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Rolling Brook Falls is a sleepy little town where summer tourism is high, everyone knows their neighbour, and no one locks their doors. That all changes when a teen is murdered leaving everyone baffled as to why.
When Andie, a local high school teacher, decides to investigate the death of her favourite student, she clashes with the town’s new no-nonsense police detective. Determined to find out how her peaceful community could become stained with murder, she sets out on her own to search for answers. But after the killer strikes again, the mystery deepens, and Andie wonders if she’s in over her head.
Ignoring the detective’s warnings to stay out of the investigation, Andie and her reporter friend C.J. soon discover more is going on in their quiet little town than they ever could have imagined. As the bodies pile up, the two women race to solve the mystery before another of their friends is murdered, and before the killer sets their sights on them.
Pioneering Secrets
Liane Mahugh’s Pioneering Secrets tells the story of a quiet town turned upside down by the sudden death of a bright young girl, Sarah Mills. The book opens with a jarring scene, Sarah is shot while refilling a birdfeeder outside her home. What follows is an emotional and twisting investigation led by Detective Corey Sayers, a transplant from Toronto, who teams up (and sometimes butts heads) with spirited history teacher Andie Dawn and local reporter C.J. Corbin. As the mystery deepens, so do the connections between townsfolk, past secrets, and the quiet menace hiding in their seemingly peaceful community.
What struck me right away was how easy it was to settle into the world of Rolling Brook Falls. Mahugh writes with a natural rhythm that blends small-town charm with creeping dread. The characters feel like people you’d know. They’re messy, stubborn, kind, and sometimes secretive. I loved the chemistry between Corey and Andie. Their banter had bite, but there was warmth too. Andie is refreshingly sharp, never the damsel, and Corey’s dry humor adds a solid counterbalance. But it’s the pacing of the mystery that really kept me flipping pages. Just when I thought I had it figured out, another twist came along to knock me sideways.
The writing style is simple and sometimes veers into telling more than showing, especially in emotional moments. But honestly, I didn’t care much because I was hooked. Mahugh’s strength lies in her sense of place and character. She layers the mystery well, balancing clues and red herrings in a way that keeps you second-guessing. The emotional undercurrent, especially in how Sarah’s death ripples through her friends, family, and the community, is done with real heart.
Pioneering Secrets is more than a whodunit. It’s a look at grief, trust, and the secrets people carry. I’d recommend this to anyone who enjoys cozy mysteries with an edge, especially readers who like character-driven stories with a splash of romance and a whole lot of heart. If you’re in the mood for a mystery that feels both personal and suspenseful, this one’s worth your time.
Pages: 147 | ASIN : B0DVGQGSZ3
