Blog Archives
Murder on the Set: An Amanda Pennyworth Mystery
James Gilbert’s Murder on the Set drops Amanda Pennyworth, American consul, amateur sleuth, and increasingly conflicted woman, into a Puerto Vallarta movie production that begins as a logistical nuisance and turns into a double-murder investigation. A Hollywood crew arrives to film a glossy romance on location, Amanda is pulled in to smooth relations between studio egos and local authorities, and the novel steadily tightens from social comedy into a mystery about performance, authorship, and the things people will do to protect an invented version of themselves. The setup is clever on its face, but what gave it lift for me was the way the book makes the film set feel both seductive and faintly toxic, all bright surfaces and hairline cracks.
What I liked most was the book’s sense of place. Puerto Vallarta is not a pasted-on backdrop here; it has weather, texture, sidewalks, petty irritations, good coffee, bureaucracy, sea air, gossip, and the faint shimmer of a life Amanda may not want to leave. That local fullness gives the novel ballast. I also liked Amanda herself. She is observant without turning brittle, competent without becoming superhuman, and her interior conflict about duty, desire, and departure gives the mystery a second pulse. The book is at its best when it lets the investigation move through social nuance, class signals, artistic vanity, diplomatic tact, and expat performance. There is a pleasingly old-fashioned intelligence to that.
The novel unfolds with a deliberate, almost courtly pace that lets the tension gather naturally, and I found that measured rhythm one of its strengths. Rather than chasing constant shocks, it rewards patience with richer atmosphere, sharper character work, and a deeper satisfaction as the story gradually comes into focus. Gilbert writes in a way that is more measured than trendy, and the book’s pleasures come from the sharpened dialogue, the sly observations, the metafictional wrinkle in the case itself, and the growing realization that this is a murder story about fabrication in more than one sense. By the end, I felt the book had earned its composure.
I’d hand this to readers of traditional mystery, cozy-adjacent mystery, international mystery, and murder mystery with literary elements, especially anyone who enjoys sleuthing mixed with atmosphere and character rather than nonstop mayhem. It reminded me a little of Donna Leon, if she wandered onto a film set in coastal Mexico, and readers who like Louise Penny’s interest in psychology over pyrotechnics may also find something to admire. This is a polished, sea-breezed mystery that knows glamour is just another kind of disguise.
Pages: 272 | ASIN : B0G87FDWB6
Death of a Dream Seller
Death of a Dream Seller is a cozy murder mystery set in a sham New York acting school that is taking its last bow. Former staffer Paloma Pennington comes back to the Gramercy Theatrical Arts Academy for a bittersweet “grand finale” party after the school declares bankruptcy, even though the building is nowhere near Gramercy Park and the whole operation has always felt a bit fake. She once sold spots in the pricey program and knows the place charges eye-watering tuition for cramped dorm rooms in Chinatown and dream-of-stardom promises that rarely come true. During the party, she and co-worker Sterling discover the body of their boss, Edwin Everett Asher, stabbed on the empty fifth-floor stage with what looks like a theatrical dagger, his corpse propped under a Florentine mask. A blizzard keeps everyone trapped while the police lock down the building and question a lively group of teachers, board members, and ex-students, many tangled up in a Broadway show called Monte Carlo Autumn that made huge profits yet never paid back its investors and hid behind an anonymous company called Fair Day Partners. As Paloma pieces together that fishy show, a nearby art-gallery robbery, and Edwin’s phony bankruptcy, the story moves toward a shocking reveal.
I enjoyed the narrative voice a lot. Paloma tells the story in a dry, funny first person, and I liked how she mixes straight talk with little flashes of drama. She is the granddaughter of a cop and the daughter of two criminal justice professors, and she thinks like it, so her running commentary on how people should behave around a crime scene feels sharp and oddly believable. I smiled at the way she reacts to the school’s fake glamour, the tacky Wizard of Oz decorations in the hallway, and the students who still think Edwin can “make them stars” even though he is just a small-time acting teacher. The supporting cast leans big and broad, and that worked for me as a cozy. Clementine is loud and unfiltered. Levi cracks jokes at all the wrong times. Goldie is pure theater queen. Their voices bounce off each other and give the party scenes a lot of movement. Sometimes the humor leans a bit cartoonish, and a few side characters feel more like types than people, yet I still had fun watching them crowd into the room and snipe about lawsuits and flop shows while a dead man lies two floors below.
On the mystery side, I liked the bones of the plot. The idea of a “dream seller” who milks both students and investors, then pretends his school is broke while he quietly hoards millions, hits hard and feels sadly believable. I also liked the way the story keeps looping back to money and empty promises. The art gallery robbery next door to the school, the missing Tibetan-style paintings, the secret link between those paintings and Edwin, and the later discovery that some of the stolen art sits in an accomplice’s apartment all give the murder a bigger web and make the title feel earned. A lot of the solution comes to Paloma in texts and recaps, and the reveal is almost too clean. I still liked the logic of it, yet I wanted more time in the room when the truth finally blows up, more heat between suspect and sleuth.
What stayed with me most were the ideas under the whodunit. The book takes real aim at people who package dreams as products, whether that is bogus acting programs with glossy brochures and terrible dorms, or big Broadway shows that treat their backers as prey. The author’s note at the end spells out that she drew on real experiences in show-business offices that went bust, and I could feel that lived-in detail in the empty corridors, the half-cleared props, the sad little “grand finale” spread complete with caviar at a bankruptcy party. The book does not excuse the killer. It just points out that when you build a life on lying to desperate people, you stack the powder, and someone will eventually light the match.
All in all I had a good time with Death of a Dream Seller. The voice is warm, the setting feels lived in, and the mystery ties money, art, and ambition together in a way that kept me turning pages. I would recommend this book to readers who enjoy cozy or light mysteries, who like theater or art-world gossip, and who appreciate a heroine who is smart, slightly jaded, yet still kind. If you want a fast, entertaining read with a bit of bite about the cost of chasing fame, this one fits the bill.
Pages: 146 | ASIN : B0GJYYX4FK
Defusing Theories
In Serial Obsession, a journalist-turned-cold case investigator discovers new information in the case of a serial killer and sets out to uncover the truth behind a wrongful accusation. How were you able to strike a balance between suspense and romance?
I always want my novels to be plot-heavy and use the sex and intimacy as just a part of what’s really going on. I want there to be purpose for the relationship, and that purpose will usually be that the main characters find it more advantageous and a lot more fun to work as a duo. Naturally, this arrangement creates depth in the relationship and helps it develop into something almost surreal. The danger and the unknown seem to pull the lovers in even closer, making their connection not only fiery but also a testament to mutual respect and loyalty. Serial Obsession is a great example of how a story creates the relationship, and the lovers’ romance enhances the story.
What do you find to be the most challenging aspect of writing a series? The most rewarding?
The Map Dot Series is different than most book series because the books are actually stand-alones. We call it a series because every book has a common thread—the action takes place in a little Midwestern map dot town. The town is real, and even the locations such as Whittle’s Pub and Grub from Serial Obsession are real, but the story and the characters are entirely from my overactive imagination. These books have no reading order and are only numbered to show the order of release. So, in this case, my challenges were minimal.
Honestly, I spend a lot of time defusing theories about who’s who because everyone thinks there’s a little truth woven into the plot and characters. But that’s just not the case. I just like to build my stories around the places I know best because it helps me visualize and keeps me from taking too many liberties with the flexibility of fiction. Most definitely, the most rewarding aspect of creating this series is going to the little towns, talking with the people there, and getting feedback on the books.
Can you give us a glimpse inside Book 3 of the Map Dot series? Where will it take readers?
Desperate Measures, Book 3 in the Map Dot Series, comes out this spring. This time, the unassuming little map dot town is Argenta, Illinois, and the location is partially the town pub, Bargenta. This book was inspired by my upcoming participation as an attending author on the Love Lit Cruise in February 2026. The main character is a romance novelist who suffers tremendously with the details of her own love life. And, yes, she is embarking on an adventure on the high seas aboard the Love Lit Cruise early in the book. But let me remind you, my characters are not based on anyone real, despite the fact that everyone will assume I am Poppy Wallcroft (sigh). This superficial description of the book might seem like I’m venturing into a more traditional romance subgenre; however, Desperate Measures contains my signature female power character, plot twists that will have your head spinning, and thrilling danger that makes you gasp. Words Matter Publishing and I are shooting for an April release.
Author Links: GoodReads | Amazon
“I’m so sorry, I just came out here half-dressed like I owned the place.”
“…please don’t apologize for making my day,” he said, flashing her a look from those sexy blue eyes. “I never knew that old t-shirt could look so good.”
Camille Hargrove is a serious cold case investigator. When a tip leads her to Lake of the Ozarks to reopen the Kelcee Meyer rape and murder case, Camille vows to find justice for Kelcee and her family. In the process, she encounters Ross Paine, the innocent man framed for the crime. The investigation heats up when Camille and Ross give in to their fiery attraction and become partners in more ways than one. When they expose Shane Simpson, the real killer, Camille becomes his target, and they discover that Shane’s connection to Ross is more complicated than they ever suspected. Unravel the mystery and catch a killer with this sexy duo in Serial Obsession, Marcy Bialeschki’s second stand-alone novel in the Map Dot Series.
Serial Obsession
Serial Obsession is a romantic suspense novel set around the Lake of the Ozarks, and it opens with a chilling hook. A serial killer named Shane Simpson hunts a young woman, Kelcee Meyer, and frames an innocent man, Ross Paine. When journalist turned cold-case investigator Camille Hargrove stumbles onto new information, she heads into the small Midwestern “map dot” towns to uncover the truth. The story weaves between a murder mystery, a wrongful accusation, and a slow-building connection between Camille and Ross, all against the backdrop of a community shaken by fear and rumor.
I felt pulled in by how grounded the world was. The lake towns feel authentic. People work long shifts, drive beaten-up cars, and deal with messy families. The author leans heavily into the genre’s blend of romantic suspense, giving us both danger and desire, and she doesn’t shy away from intensity in either direction. Sometimes the scenes get gritty, sometimes tender, and sometimes downright chaotic, but that unevenness actually made it feel more like real life. I liked that Camille isn’t a perfect detective. She’s passionate, stubborn, and occasionally a hot mess, and that combination kept her relatable.
The book moves quickly from plot to plot: murder, investigation, flirtation, danger, repeat. I realized the speed mirrors Camille’s own momentum. She throws herself into things whether she’s ready or not, and the narrative matches her energy. Ross, meanwhile, is written with this quiet heaviness that lingers. You feel the injustice hanging over him. The contrast between his guarded calm and Camille’s spark gives their scenes a natural tension. Even the villain gets space to be more than a shadow. We see the twisted logic behind his actions, which made the thriller element feel more unsettling.
By the end, what stayed with me wasn’t only the mystery but the themes simmering under it: how communities rush to judgment, how a rumor can ruin a life, and how hard it is to rebuild trust once it’s been shattered. The romance adds warmth, and the suspense keeps the pages turning, but there’s also this thread of “fairness” running through the story that gives it more weight than your typical thriller.
If you like romantic suspense that leans into both sides of the genre, with small-town atmosphere and characters who feel bruised but determined, I think you’ll enjoy Serial Obsession. Readers who want a gritty mystery wrapped in a relationship-driven plot will probably get the most out of it.
Pages: 356 | ISBN : 978-1968542061
Out Of the Drawer
Stupid Gravity follows a sharp but disgraced software engineer who is on probation, witnesses the abduction of a girl from a homeless shelter, and has to find a way to save her without breaking her parole. What was the inspiration for the setup of your story?
I created Alex/Liliane as a secondary character in my first attempt at writing a novel. That particular Not Ready for Primetime manuscript went into a drawer and never came back out, but the rocky backstory of the strange little hacker girl with the gray-fendered Mustang stuck with me. A few years later, I brought her back in a NaNoWriMo project that morphed into a full first draft, Shadow Girl. A discussion with Hank Phillipi Ryan at a writer’s conference led me to realize that what I had really written was the second book in the series and that I needed to go back and develop the origin story. The result was Stupid Gravity.
Alex can’t seem to catch a break and just wants to get her life back on track, but the universe seems to have other plans for her. What was your inspiration for their characters’ interactions and backstories?
Back in the Nineties and Aughts, I used to hang out at a carriage house on Capitol Hill where first one and then another of my friends lived and sold weed. I’ve sometimes reflected on the irony of that little business operating comfortably and profitably for over twenty years while hundreds of more technically legitimate Denver businesses came and went. Visitors stopping in for pot or just a cup of coffee and conversation included lawyers, college professors, two dominatrixes who lived next door, one published poet, a former Penthouse pet, numerous players in the local recreational pharmaceuticals scene, a PO stopping in to buy weed from his probationer, and many more unique Capitol Hill specimens. The incidents and people from that carriage house still provide a wealth of inspiration.
Do you think there’s a single moment in everyone’s life, maybe not as traumatic, that is life-changing?
I think many people have dramatic changes in their life path due to some personal or shared tragedy. We certainly hear about individuals driven to careers in medicine, law enforcement, religion, etc., by such events. In recent years, it would be hard to calculate how many lives were drastically altered by 9/11. For most of us, though, I think life is a little more like billiard balls caroming about on a pool table. I know I’ve frequently thought back on the way seemingly innocuous decisions changed my life—a college course taken, a chance encounter in a bar, a job offer accepted or turned down, etc.
Can you tell us what the second book will be about and when it will be available for fans to purchase?
Set two years after the series opener, Shadow Girl is in the final stage of beta reads and should be released in early 2026. Still the employee-from-hell at HappyMart, still rooming with Cici, and still on probation, Alex/Liliane has developed a side gig doing what she likes to call street-level detective work. That knife-edge balance of an existence comes under threat when a stalker threatens to expose her litany of probation violations. His price for keeping quiet is a hacking job as liable to land her in prison as keep her out.
Author Links: GoodReads | Website
Disgraced software engineer Liliane Dupuis is genius-level smart, wise in the way of sarcasm, and incurably socially inept. She’s also living in her car, a forty-year-old blue Mustang fastback with one primer gray fender. She’s on probation, having allowed a manipulative ex-boyfriend to drag her into a failed ATM hacking scheme. And she’s unemployed in 2010 when finding a job is tough even for those unburdened with a felony conviction. When Liliane witnesses the abduction of a little girl from a homeless shelter, she doesn’t figure her new bottom-rung reality carries the risk tolerance for getting involved.
With funds dwindling to desperation level, she uses a fake ID to land a job at a convenience store on a seamy stretch of Denver’s Colfax Avenue. Less than a week into her new salesclerk career, Liliane watches as the shelter kidnapper walks into her store. It’s not a coincidence, she knows. Just karma continuing to mess with her. A call to the police might or might not get the abductor locked up, but the exposure of Liliane’s parole violation will absoluely land her on a Sheriff’s bus headed for the state pen. Instead, she must use her resourcefulness, hacking skills, and ruthlessly logical gray matter to track down the kidnapper and rescue the little girl.
Stupid Gravity
Stupid Gravity follows Alexandra Farone, a sharp but battered software engineer who has slipped all the way down to the street level. She is broke, homeless, newly convicted, and trying to survive probation while living out of an aging Mustang and clinging to the last scraps of her old identity. When she spots a little girl who might be in danger, her life tilts again, pulling her into a messy world of shelters, addicts, low-wage jobs, and small-time criminals. The book blends tension, grit, and surprising humor as Alex reinvents herself as Liliane and stumbles into a mystery that keeps pulling her deeper. The story never sits still, and the tone mixes cynicism with heart in a way that sneaks up on you.
The writing has this blunt, unvarnished rhythm that feels like someone is talking to you while the city hums right outside the window. The scenes in the shelter, with stolen shoes and missing pages from library paperbacks, felt real. The author knows how to sketch misery with a weird sort of warmth, and it got to me. I found myself rooting for Alex even when she made choices that made me cringe. Her sarcasm worked as armor and sometimes as a cry for help, and I kept feeling that mix of frustration and sympathy that only an authentic character can pull out of me. I liked how the story showed small humiliations stacking up until they almost crush her. It made the idea of her chasing after a potentially kidnapped little girl feel brave and foolish at the same time.
I also loved the way the book let humor bubble up in the middle of all this roughness. The people Alex meets feel sharp and odd and alive. Cici, especially, stood out for me with her wild honesty and her ability to read people. Those scenes in her apartment, with candles and cheap beer and joints being passed around, had this messy intimacy that made me slow down and sit with the characters. The conversations were simple but loaded, and it reminded me how strangers can sometimes see us more clearly than the people we once loved. The writing made me feel the confusion and the longing and the strange comfort that comes when someone finally calls you out in a way you cannot dodge. It made the book feel less like a mystery and more like a story about being lost and trying to claw back a sense of purpose.
I think this book is for anyone who likes a gritty story with humor that slips in. It is good for readers who enjoy character-driven mysteries or stories where the setting feels like a character itself. If you like flawed leads who get knocked down hard and still keep stumbling forward, this one will hit the spot.
Pages: 336 | ASIN : B0FDBHB5ZM
Secrets from an Older Generation
All Fired Up follows two strangers who meet on the way to a small island in the Pacific Northwest and discover a shared history while trying to solve an old mystery shrouded in dangerous secrets. What was the inspiration for the setup of your story?
Secrets that can’t stay hidden forever. Once they are discovered, they can trigger an avalanche of trouble, including rekindling long-held resentment. In my story, these are secrets from an older generation. My main characters, Jack and Marianne, discover that their grandfathers knew each other and did something long ago that now has repercussions, and another individual feels it’s time to get even.
I enjoyed the slow-burning romantic relationship between Marianne and Jack. How did their relationship develop while you were writing it? Did you have an idea of where you wanted to take it, or was it organic?
It was very organic. Although I knew that in the end, I wanted them to be together, I didn’t want it to be easy or rushed, and I didn’t always know what would happen next. I understood each of my characters, but I didn’t always know how their personalities would respond to each other. I would write a scene and initiate some action, and see how each personality responded to it and to each other. They became real people to me. But I did have some control. 😊 I wanted them to be tempted, but I didn’t want them to play around with each other. They are two mature adults with responsibilities, and they led two very different lives. So, I tried to write about their relationship as it might be in real life, with two people circling each other cautiously, feeling that there is a connection, but also reeling a bit because this came at them out of the blue: this connection. I also wanted them to be aware that it might not work with the others’ lives being incompatible with theirs at present. Jack is used to life in special ops, never being home and he wants to return to the army because it’s a life he is familiar with and one he does best. Marianne is realizing she wants a home life and her own family. I used the comforts of a home, meals together, and a homeless teenager to further connect Jack and Marianne, giving them both another purpose in life other than what they each currently pursue. It’s what could happen in real life for two people, life showing them what really matters and what truly fuels the heart.
Was there a reason why you chose this location as the backdrop for your story?
Yes. I love the San Juan Islands, and Orcas Island is one of those in that chain of islands in the Pacific Northwest. When I was young, my family would go boat camping around these islands. We would go into the Deer Harbor marina on Orcas to use the laundromat and buy supplies. To this day, I still visit Orcas Island for hiking or a weekend getaway. The ferry ride from Anacortes takes just over an hour to get to Orcas, and during that time, the world just slows down, and you are transported to another pace of life. It’s magical. It’s also beautiful with the wildlife, the evergreen trees, and the rocky beaches. I also like the idea that a serene-looking island can have its secrets.
I hope the series continues in other books. If so, where will the story take readers?
The series will continue. There are currently four friends in The Barefoot by Moonlight writers’ group, and each gets their own story. The next book, All You Desire, is set in LaConner and is due out in 2026. In book 1, you met Marianne’s brother Ian Dunaway and her best friend Fiona Sanchez, who is also a member of The Barefoot by Moonlight writers’ group. Ian and Fiona had their eye on each other in book 1, and we’ll see what happens next when a mystery brings them together in the idyllic town of LaConner. Books 3 and 4 are in development, where you’ll meet the other 2 writers in the group, where they, too, will discover a romance and a mystery.
Author Links: GoodReads | Instagram | Website | Amazon
When Marianne and Jack meet on the ferry to Orcas Island, it couldn’t be more awkward—for Marianne, that is. Jack has no problem with a woman landing on top of him. It’s a case of opposites attract. But they each have their reasons not to get involved.
But on this small island, avoiding each other isn’t to be.
An old tale of stolen jewels has resurfaced, revealing a dangerous secret kept by both of their grandfathers. It will take Marianne and Jack together to uncover the truth before one of them gets hurt. But solving the mystery means working out an arrangement. Jack needs a place to stay. Marianne has rooms to spare.
In close quarters, it’s soon apparent that solving the mystery might be easier than trying not to fall for each other as they realize that they both long for the same thing.
Who says nothing ever happens in a small island town?
Romance and mystery readers alike will love this page-turning romance set in the ruggedly beautiful Pacific Northwest where an island slowly gives up its secrets.
All Fired Up
All Fired Up blends romance with a thread of mystery, following Marianne and Jack as they find themselves tangled in old secrets, new dangers, and a slow-burning connection that grows warmer with every chapter. The story moves between personal histories, hidden truths, and the quiet charm of Pacific Northwest islands, all while nudging the characters toward each other in ways they don’t expect.
As I read, I found myself enjoying the easy rhythm of the writing. The tone feels laid back one moment and tense the next, which kept me guessing and leaning in. The bits of humor scattered through the story softened the heavier moments in a way that felt natural. I also liked how the setting worked almost like another character. The ferries, the rain, the small communities. It all added a cozy mood that made the danger pop a little more.
There were times when I wanted the pacing to be steadier, but I still found myself pulled along by the characters. Jack and Marianne have a fun kind of spark. It’s sweet, sometimes messy, sometimes frustrating in the way real people are. I appreciated that their connection wasn’t rushed. Watching them circle each other, open up, and slip into something deeper made me smile more than once.
By the end, I felt satisfied. The emotional threads landed, the mystery wrapped up nicely, and the romance paid off in a warm, soft way. I’d recommend this book to readers who love cozy mysteries, small town settings, and slow-burn romances with heartfelt moments. If you want something that mixes danger with tenderness and a little island charm, this will be right up your alley.
Pages: 255 | ASIN : B0FSP71H66
