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A Balanced Perspective

Cody Draco Author Interview

Spirit of the Cowboy is a poetry collection in which you use the cowboy myth to explore desire, wounded masculinity, and the emotional fallout of America’s inherited scripts. What inspired you to write and publish this collection?

This probably sounds extremely left-field, but I was watching a documentary about Jean-Michel Basquiat, and the reporter said something along the lines of, “Every great artist has a throughline in their work that gives the collective whole a unified vision.” That night, a chord was struck in me as I had a slew of test dummy projects under my belt, but didn’t understand what I was creating for other than therapeutic self-expression. Spirit of the Cowboy was born the moment I realized that my life’s work is and will be Coding a New Masculinity.

    What first drew you to the cowboy as the central figure for thinking about masculinity and desire?

    Brokeback Mountain only scratched the surface for me, reinstating the cowboy as a quintessential symbol of both perception and longing, but left me needing more than another closet to cry in. I wanted to bust the entire privilege of being born a man wide-open, digging deeper into the open wound that being a male attracted to another male entails in the 21st century. We have more language and societal awareness than perhaps ever before in history, yet we are still bruising each other as we become either more or less ourselves in the process of living.

      How did you balance personal vulnerability with the larger political and cultural critique running through the collection?

      In pursuit of a balanced perspective, I approached this project with a sort of directorial lens, reminding myself often that in order to honestly interrogate my origins, I must also extend the frame to capture America’s.

        When writing this book, what did you hope readers might recognize in themselves?

        I hoped readers might recognize that the resilience founded upon their rough edges and sharp tongues can co-exist with a genuine sense of belonging and a desire for softer expressions of love.

          Author Links: GoodReads | Website | Amazon

          Spirit of the Cowboy is the genre-defying debut poetry collection from Cody Draco, a fierce new voice forging a radical redefinition of American masculinity. Blending queer desire, social critique, surreal confession, and cultural disillusionment, Draco resurrects the cowboy myth only to unravel it—exposing the toxic heritage of manhood while carving space for tenderness, rebellion, and spiritual clarity. From oil-leaking pickup trucks and Florida trailer parks to empty movie theaters and heretical love, these poems speak in a voice that is both wounded and visionary, intimate and explosive.Written with unflinching honesty and cinematic lyricism, Spirit of the Cowboy explores what it means to survive a country that teaches boys to shoot before it teaches them to feel. This is not just a poetry collection—it is a blueprint for a new kind of manhood, one that confronts its ghosts and still dares to live a queered American dream.For readers of Richard Siken, Adrienne Rich, Sharon Olds, Lana Del Rey and Allen Ginsberg, this collection is both a haunting and a homecoming.


          Spirit of the Cowboy

          Spirit of the Cowboy is a lean, bruising, often striking poetry collection about masculinity, queer desire, American mythology, and the psychic wreckage left behind when those forces grind against one another. Author Cody Draco takes the cowboy, that old national idol of hardness and freedom, and turns him into both a fantasy and a wound. Across poems that move from erotic memory to political indictment to self-invention, he keeps asking what kind of man can be made after the inherited script has already done its damage. The result is a book that feels restless and intimate at once, full of dust, shame, lust, rage, and a stubborn, searching hope.

          I found the collection’s emotional candor very compelling. Draco doesn’t write about queer longing as something neat or safely resolved. In poems like “Spirit of the Cowboy,” “Spanish Moss,” and “Your Mouth Heading South,” desire comes tangled up with humiliation, danger, nostalgia, and genuine tenderness. That tension gives the book its pulse. I felt, again and again, that he was writing from inside a conflict rather than about it from a comfortable distance. Even when the language veers into confrontation, there’s a vulnerable human ache under it. The best poems understand that longing can make a person feel exalted and trapped in the same breath, and Draco is especially good at catching that paradox before it slips away.

          I was also taken by how ambitiously the book tries to connect the personal to the national. Sometimes that reach is thrilling. “Guns Are Our Babies,” “Alzheimer’s is an American Tradition,” and “Ramblings of a Soapbox Prophet” show a poet trying to diagnose not just his own inheritance, but the country’s, and I admired the nerve of that. He has a real instinct for memorable phrasing, and when his voice locks in, it can feel serrated and luminous at the same time. There are moments when the rhetoric outpaces the poem, when declaration crowds out discovery. But even then, I never doubted the force behind it. The writing has conviction, and more importantly, an authentic heat.

          Spirit of the Cowboy is a book about trying to speak oneself into being while staring down the dead weight of gender, religion, memory, and America itself. I found it raw, intelligent, and unexpectedly moving, especially when its bravado gave way to grief or yearning. I’d recommend this vivid collection most to readers who like contemporary poetry with teeth, readers interested in queer reimaginings of masculinity, and anyone drawn to work that would rather risk excess than settle for bland safety.

          Pages: 43 | ISBN: 1300307544

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