Wrath of the Fallen is an epic fantasy novel detailing the ferocious clash of angels and demons. What was your inspiration for this story and how did it change as you were writing?
This story has been kicking around in my head for some time. As much as I enjoy the human machinations of stories like Game of Thrones, I really like battles between good and evil as a larger construct over the human element in a story. I crafted this mythology over several years, drawing inspiration from some of my own beliefs, and cobbled them together with different failed story ideas that I came up with as far back as when I was in High School. The opening Prologue, for example, started as a scene from a story set in an entirely different world, but I eventually reworked it to be the jumping off point for this one.
Early in my college career, I was a dishwasher at a restaurant. I worked graveyard, and as you can imagine, I didn’t have a lot to do mentally from the hours of 9 PM-4AM so I started to craft this world in my head to pass the time. I came up with the history of the Mortal Plane, starting over a thousand years before Wrath of the Fallen, and continued it some two thousand years past that first novel with multiple other story ideas that I hope to get to someday. Overall, the initial planning of the world took place over several years, while the actual writing of Wrath took place over roughly two.
The characters in this book are well written and easy to visualize. What were some obstacles in your story that you felt were important for the characters development?
I ran into the issue when crafting the story of making the characters too black and white. I didn’t want to fall into the trap where Trent was always likable and never did anything good, and I wanted to make sure that the antagonist was somewhat sympathetic. The hard part about overcoming this was the good vs. evil divide that was built into the very fabric of the world. This is why I felt that it was important to give Trent his anger issues and resentment towards his father based on what happened in his past. I actually didn’t have him meet his dad in the first draft, but on the rewrite, I knew that adding that scene would give Trent a more realistic and humanistic characterization. Trauma, especially in childhood, fundamentally changes a person, and I wanted what happened to Trent to reflect that. Too many of the orphan chosen-one archetypal heroes are good people through and through and are too well adjusted for my taste. On the opposite side of the spectrum, I wanted to make sure that I gave the villain, even being an evil god, a real human motivation, so I picked what might be the strongest one out there: revenge. He couldn’t just be evil for the sake of being evil, but because he was also defined by trauma.
The backstory and mythology of this story, I can tell, was developed with a lot of thought and care. How did you set about creating the rich background for this story?
As I mentioned earlier, I started coming up with the history while washing dishes. Most of the world is still in my head, though I am finally typing it up into a series bible that I can refer back to. I also laid out an illustrated timeline on my website to allow others to see what the history of the world is leading into the Broken Pact Trilogy, which really helped me pin down specific dates for events that I was fuzzier on in the beginning.
I follow the history through storytelling method of worldbuilding. I would rather write a novel, novella or short story that details a historical event in my world and allow readers to learn the full details that way than writing out a detailed pseudohistory for them to pore over and wonder about. Those certainly have merit, and I enjoy reading them myself, but as a writer, I would much rather tell a story than write a history book.
This is book one in The Broken Pact series. Where does book two pick up and take readers?
Book two will be titled Cries of the Forsaken. It picks up immediately after the events of Wrath, and even a little bit before the final chapters to show us what happened to certain characters that we weren’t previously following. Some heroes that we thought dead return and some that we hoped survived do not. One of the themes of the next novel is good destroying good and evil destroying evil, so be prepared to see the conflict between the gods turned on its head.
The Mortal Plane has long been divided among the servants of Light and Darkness, suffering a thousand years of atrocity by both sides. When one god finally rose up and slew another, The Pact was formed, forestalling any further damage to the realms of men. But now, over the last few decades, signs of the Demons and their mindless Accursed minions have dwindled to an all-time low. It seems that after a thousand years of conflict the Gods of Light and the Gods of Darkness have finally tired of the bloody war. Or have they?
It falls to Trent, a Paladin of the Light with a soul torn with an impossible and unrequited love for his commander and scarred by a childhood filled with despair and pain, to travel beyond the walls of the city to discover what has become of humanity’s ancestral enemy. Only with his closest friend Devin by his side can Trent hope to keep from losing himself. Together the two men track a horde of Demons to a secret that will rock the Mortal Plane to its very foundations.
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The Guardians of Eastgate is a genre-crossing novel with elements of a fantasy, adventure, and romance as well. Did you start writing with this in mind, or did this happen organically as you were writing?
The genre-crossing was both intentional and organic. I knew I wanted to write a fantasy-adventure, but I wasn’t sure at first if I wanted to include romance. Some of my favorite books are fantasy-romance. However, I knew I didn’t want to narrow my audience by going into erotica.
I liked the way romance was handled in novels like Twilight, The Hunger Games and the Divergent series: it was present, but it wasn’t the main focus, and it wasn’t explicit. These were not books I would have to worry about my kids reading as teens, for example. Writing romance in this way left them accessible to teens all the way through to adult. So, I knew that if I did include romance, I would want to handle it in this manner. The Guardians of Eastgate is rated as Young Adult, but I wanted it to be accessible to teens and older adults as well.
I didn’t make the final decision to include romance until I was writing their interactions, however. In fact, I wouldn’t really call it a decision. Rather, it felt like the natural progression of the relationship between the characters. So, in this way, it was organic. The way I see it, their relationship is complicated (due to their histories), yet also inevitable due to their personalities and shared histories.
As for the adventure part, well, what is fantasy without adventure, really? I am a huge fan of Tolkien. The Lord of the Rings was required reading in my Advanced Literature class in high school. At first, I found his writing tedious, and had to wade through it. By the time I was done, though, I was thoroughly hooked and grateful for all those details. There is no way I will even try to compete with Tolkien, however. I loved his world and character building, but knew that I would not want to take on writing on that grand a scale, especially for my first novel.
One reason for this is knowing that, in our time, people work a lot and have many scheduled activities for themselves, their kids, etc. Because of this, I purposely kept my book on the short side for a novel, and made my chapters short as well. However, after feedback from some of my readers who basically said they enjoyed the story, but would have liked to see more of certain elements, I am now considering doing a revised and expanded second edition.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
My favorite character is my main character, Maelona. However, I did not find her easy to write for. She is a very subdued character who, for a large portion of the story, is denying or ignoring huge parts of herself due to guilt from past events. So, how do you reveal a character’s personality through their dialogue and actions when they so tightly control their actions and emotions? I knew I wanted to use the third person narrative, which took revealing her character through inner monologue off the table. I didn’t want to switch to the first person though, as I wanted readers to feel the distance she creates for herself partly through the distance the third person provides. It is a complicated mix, and it was difficult to find the right balance. I did enjoy trying to find that balance, though.
I probably like Blaez and Gareth equally. Blaez, however, though not as tightly wound as Maelona and more emotionally open, is also calm in actions and words, so revealing his character was also tricky at times. Gareth was perhaps the easiest to write for, as he is cheeky and wears his heart on his sleeve, as the saying goes.
Maelona is a seer champion tasked with protecting the realm and is the first line of defense when evil rises. What were the driving ideals behind the characters development throughout the story?
Maelona is essentially driven by her guilt over what happened at the crater of sorrows (which we find out about when she tells Blaez the story). She blames herself for what happened and she feels extreme guilt and an intense sense of loss over the accidental death of someone close to her.
Her father was a powerful seer who took his responsibilties to the seer people, and to the entire realm, very seriously. He believed, as did most of the seer people, that his race’s “advantages” over the other races gave them the responsibilty to watch over the realm and all its peoples (kind of like that “With great power comes great responsibility” line in Spiderman). They believe, essentially, this was what they were created for, and they continued to believe this even after their people were persucuted and hunted out of fear. In a sense, Maelona is an overachiever because she is always trying to make up for the loss of her father. However, she also had to work harder to fill his shoes because she is denying the most powerful parts of herself, parts she considers to be dangerous and that she is afraid of losing control over.
With this new mysterious and serious threat to the entire realm, however, she will need these most powerful parts of herself. Her letting go of her tight contol on her emotions and opening herself up to her new friends, and especially her new love, mirrors her letting go control of those “scary” parts of herself. This is why the romance between Maelona and Blaez ends up being so important. It is her relationship with him that allows her to stop holding back those pieces of herself that scare her; to take a chance on those parts because the potential gain is worth it. It is her relationship with him that allows her to begin accepting herself, all of herself, for who she is.
What is the next story that you’re writing and when will it be published?
I am already 40,600+ words into the second novel of the series. I haven’t settled on a name yet, but it will focus on the Seer guardian of Southgate. Between finishing the first draft, self-editing and revising, having beta readers look at it, then sending it off to the editor for a few rounds of revisions, etc. etc., I don’t expect it to be published until late winter, early spring.
I have also decided to do a second edition of The Guardians of Eastgate because I will be re-doing the cover. I have hired a visual artist to do the book covers for the rest of the series and I want them all to be uniform. Due to reader feed-back, I am considering expanding on the interior narrative as well. You can check on my website or social media accounts to stay updated on whether or not I will expand the story, and when the second edition with the new cover (and possibly extended storyline) will be released.
Maelona Sima is one of four seer champions tasked with protecting the four keystones from being breached by evil forces, thus leaving an immeasurable magical force free to be used against the realm’s inhabitants. Yet Maelona is more than a seer. She is unique in her world, and she is the best hope of survival for the people of Sterrenvar…the very people who once hunted down and killed many of the seer people out of fear and mistrust.
Protecting the keystones is the first line of defense against the evil sorcerer who wishes to enslave the realm. Can Maelona, the guardian of the keystone at Eastgate, and her friends Blaez, a wolf shifter, and Gareth, a human prince, bring together their peoples to save Eastgate from destruction in this first book of the Seers series?
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Wrath of the Fallen by Kristopher Jerome is the first book in a series about the battle of good vs. evil with mankind stuck in the middle and suffering because of it. The war went on for thousands of years until one side seemed to beat the other into submission. It seems as though mankind gets a break as the demons and their minions seem to be disappearing. Trent, a Paladin of the Light thinks something’s not right and follows them with his friend Devin to discover what is truly happening in their world. What they find is more than they bargained for.
I personally find stories about battles against good and evil to be right up my alley. I’m a fan of shows like Supernatural that portray angels and demons in a different light than just wearing halos or poking people with pitchforks. The characters in this book are well written and easy to visualize. The battles were bloody, which didn’t bother me in the slightest. After all, this is a book about a war. If there wasn’t violence I would have been disappointed!
Trent has some issues that make him a realistic character, in my book. In reality, people are a bit twisted from their past and current situations. He was very lucky to have his friend Devin with him on the journey to keep from losing himself. I won’t say how, sorry. Read for yourself if you want to know!
The twists and turns of Wrath of the Fallen kept me reading when I should have been sleeping. I don’t often stay up to read a book, but I had problems finding a place to really stop at so that I could get some rest. For some reason, I had thoughts of Frodo taking the ring to Mordor with Sam. I am not quite sure why, since it was a bit of a different situation, but what can I say? Perhaps it was the adventure itself with two friends.
While the ending was abrupt, I get it. There are other books to the series and a cliffhanger was needed to keep you wanting more. I don’t mind this at all. If anything, this shows the art of a true storyteller. They can suck you into this new and magical world and leave you wanting more, not ready for it to end just yet. While I had not read a fantasy novel in quite a while, this book put me in the mood to go back to this genre for the next few books.
Overall there was lots of intrigue and drama to keep me reading, and the characters were very well written. I tend to get put off by things like paladins and things like that, but that is just me and one of my many quirks. I would recommend this book to anyone who enjoys epic fantasy stories about good v. evil.
Pages: 322 | ASIN: B01COENGR8
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In the year 2086, Earth is exhausted. The seas have been emptied, the bedrock and soil stripped of their resources, and the superheated atmosphere churns with terrible storms. Those who can afford to do so live in the limbo of virtual reality, and the billions who suffer in poverty have no work, no clean water, and no security from the chaos.
The only hope for those trapped on a dying Earth are the Changed—the seven bioengineered post-humans who work in their separate manufacturing facilities orbiting high above the planet. Raised from birth for their work and fully matured at ten years old, their genius provides the nanomaterials that have begun to cleanse Earth of the pollutants that have wiped out almost the entire ecosphere.
But for Olga Voronov, youngest of the Changed, the isolation and endless toil are not the greatest of her challenges. Down on Earth there are those who resent and fear her talents—and would prefer that humanity not be given the second chance that only she could make possible…
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The Guardians of Eastgate by Sherry Leclerc, is a classic fantasy tale. Maelona Sima is one of four champions of the race named seers. As a champion Maelona is tasked with protecting one of the four keystones that protect the realm of Sterrenvar from evil. When an evil sorcerer rises up, seeking to enslave the peoples of Sterrenvar, Maelona at the keystone at Eastgate is the first line of defense. But will the prejudice and oppression against the seer people work against her? Maelona teams up with a human prince, Gareth, and a wolf shapeshifter, Blaez, but the question remains, will it all be enough to stave off this tide of darkness?
Leclerc’s book is a fantastic fantasy novel accented with the inevitable threat of evil and darkness confronted by a ragtag group of “heroines and heroes”. Since this is the first book in a series there is a sense that there is plenty more story to come. There is something for everyone though, between world building, action and romance between Maelona and Blaez. Leclerc’s writing is easy to follow and the book itself is not long, just under 200 pages.
The “choppiness” of Leclerc’s chapters left more to be desired, since they seem to cut in every four to five pages. This tended to throw me off more than kept me turning pages. Because chapters can be natural stopping points I wanted the book to take advantage of longer more engaging chapters rather than serving all of the good parts up so quickly.
It was an interesting choice to make a standard figure of fantasy, the seer, into an entire race of people who are guardians. In some ways, it makes sense based on their foresight abilities but I felt like the race needed to have more depth, which could easily be built in the coming books. The Guardians of Eastgate is brimming with potential that should be brought to fruition but is hampered by the short narrative arc. The next book should prove to be more exciting if such world building continues to be developed and deepen the point of view of the characters there in.
Readers will enjoy this novel for how technically well written it is. Wait for the next installment because this story is begging to be expanded.
Pages: 165 | ASIN: B07579TCBC
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Day Moon is a genre-crossing novel with elements of a history, science fiction, and peeks at the future as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I would say it was a little of both. When I was first inspired to write the story I knew it would be set in the future and because of the nature of the premise it would start to pull in threads of science fiction. I also knew I wanted to include the quotes from Shakespeare to help reinforce the importance of the book Elliott’s grandfather gave him and to fill the novel with a contrast in sound and nature to highlight a key theme of the book. That is the conflict between the old world and the new emerging one. Elliott lives in an area caught in that struggle, which is fortunate because it lets him realize that there are aspects of this new world that are not just dangerous but incredibly sinister. I think for any theme to work well in a book, the author can take steps to draw out the theme, but ultimately there has to be that kind of organic innate vibe to a story and the prose in order to make it resonate the way it needs to. Since I’m by nature someone who thoroughly enjoys history and science fiction, and am a dreamer as well, I think those aspects of me got carried through strongly enough to Day Moon to accentuate those elements and hopefully imbue that old world meets new feeling.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
First of all I’m glad you found them to be so. I had a lot of fun with just about all of the characters and how they interacted, particularly Lara and Elliott as they sorted out their feelings for each other. It was kind of an unexpected pleasure to write Director Ohlmstadt’s character. He’s only physically in the novel briefly, but his presence and philosophy kind of ripple out and touch so many other characters. Whether they realize it or not, both of Elliott’s co-workers Kendra and Terrance have bought into his “whatever it takes to meet an end” ideals. Though Agent Amar also has that conviction, he wouldn’t attribute it to Ohlmstadt.
There are plenty of references and quotes to Shakespeare in this book. Did you do a lot of research to maintain accuracy of the subject?
I used an online tool that lets you dig down into each of Shakespeare’s manuscripts and search them line by line and by keywords and phrases. That helped ensure I go the quotations right and I tried to keep them contextually and thematically in line with the original text’s spirit. It helped that I’ve been reading Shakespeare’s plays just about all of my life. I knew including them would be a way to ground people in the familiar as well. Most people know at least a little bit of Shakespeare, whether they realize it or not. And though I think Day Moon’s world already looks much like ours, with a futuristic veneer, I wanted to make sure people had some elements woven through it that they could reach out and relate to along the way.
What is the next book that you are working on and when will it be published?
I’m working on Veiled Sun, the next book in the Tomorrow’s Edge Trilogy and its about 75% of the way through its first draft. Originally I meant for Day Moon to be a standalone but realized towards the end of what is Day Moon that the story arc was too big to reasonably fit in one novel. Particularly for a new-to-publishing author. Making it a trilogy has broken it up enough that the chunks should be manageable for readers and make it more appealing to my publisher. I’m hoping my publisher likes it and it can be out by mid or late 2018. Veiled Sun has some competition with me though, because I’ve had another manuscript that kicks off an epic fantasy series rooting around in my mind for almost ten years now. It’s been through multiple drafts and rewrites and finally taking a shape that I think makes it ready for publishing. I call it Quest of Fire, and I’m hoping it will find its way to readers by late 2018 as well.
In A.D. 2039, a prodigious seventeen year old, Elliott, is assigned to work on a global soft-ware initiative his deceased grandfather helped found. Project Alexandria is intended to provide the entire world secure and equal access to all accumulated human knowledge. All forms of print are destroyed in good faith, to ensure everyone has equal footing, and Elliott knows he must soon part with his final treasure: a book of Shakespeare’s complete works gifted him by his grandfather. Before it is destroyed, Elliott notices something is amiss with the book, or rather Project Alexandria. The two do not match, including an extra sonnet titled “Day Moon”. When Elliott investigates, he uncovers far more than he bargained for. There are sinister forces backing Project Alexandria who have no intention of using it for its public purpose. Elliott soon finds himself on the run from federal authorities and facing betrayals and deceit from those closest to him. Following clues left by his grandfather, with agents close at hand, Elliott desperately hopes to find a way to stop Project Alexandria. All of history past and yet to be depend on it.
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The Legend of the Three Roses follows a magician’s apprentice and an assassin on a thrilling journey through a new series of books you’ve written. What was the inspiration for this book and the series that follows?
The story contains themes about morality and spirituality that I’ve been thinking about and wanted to “get out there.” My original idea was for a really grand epic featuring several parties all traveling to the same goal for different reasons. It would take place in a grand empire which grew prosperous due to a kind of sci fi concept. I never really took the idea seriously and hadn’t thought about it for a long time until I was suddenly inspired to simplify the story by making it about a boy and a girl, like many great stories. And I must confess, I borrowed a few ideas from some of the recent fantasy books I’ve been reading—things about medieval society and magic wards.
I really enjoyed the medieval setting of the novel. What themes did you want to capture while creating the world your characters live in?
I can’t say the world “Three Roses” takes place in is an accurate reflection of medieval Europe. I imagine the brick buildings of St. Mannington have a strong, advanced type of cement not found in the Middle Ages, when constructors commonly used mortar. Crossbows also weren’t around, but since this is a kind of make-believe Earth, I felt free to include any kind of invention as long as it was reasonably outdated in the modern world. Medieval Europe was of course a very Christian world, and I imagine many young people were like my main character, Kane, who is nearly pious to a fault. But in spite of being beholden to a religion that promotes peace and forgiveness, Europe was a very cruel place where people were treated like mere commodities and terribly punished. A quick Google search for “medieval torture devices” would definitely show you what I mean!
I always enjoy magic that is well thought out and believable. What decisions went into creating the magic system you use in your story?
The magic system was mostly inspired by a certain video game where potions are toxic. If you drink a potion, you can gain a boost to your stats or immunity to debuffs, but it costs you a little of your health. I never really thought of the possibility of potions being poisonous, and I thought it was an excellent way of keeping magic in check. I never want magic in my stories to be too powerful, because if it if it is, it can lead to story problems. When you have characters seem like gods, they can seem unrelatable and mere tools of plot convenience.
Where does book 2 in The Three Roses trilogy take the characters and when will it be available?
Right now, book 2 is all in my head. It takes place in Lonsaran, the rival kingdom of Kane and Callie’s homeland. They’ll have little choice but to settle there and look out for each other. The good news is that they’ll discover what the Three Roses are; the bad news is that Rainer the assassin is still alive … and he’s thirsty for revenge.
Four years ago, the Son of Man returned to Earth, seemingly to begin a new age of enlightenment. But two years later, he vanished without a trace …
Today, nineteen-year-old Kane Bailey–a nobleman and sorcerer’s apprentice–works and studies in his master’s tower in the middle of his nation’s capital. In spite of making a few mistakes (such as nearly blowing up a spellchamber), he shows the potential of being a great sorcerer. But his dreams of working with magic come to an end when he’s caught in the middle of an assassination attempt on the King’s life.
Upon getting captured by the assassin, Kane is swept up by lofty ambitions, terrible greed, and maddening bloodlust. Cut off from his sorcery, he’ll need to rely on his wits and knowledge to survive, as well as the trust and friendship of a young woman who may be taking on more than she can handle.
And a question lingers: What are the “Three Roses,” and what do they have to do with the impending war?
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The Seasons of a Giant is a fun story following young Izzy as she tries to discover what is stealing her family’s cows. I find the setup of the novel entertaining. How did this idea start and develop as you wrote?
I know it’s such a cliche, but I actually did dream of a feisty farm girl and her adventures in a land filled with giants. Izzy’s story continued to grow on my long walks. I would return every day and quickly jot down all of the new twists and turns and crazy characters that popped into my head along the way. I’d also carry a notebook and scribble ideas as they came to me. Boone and Izzy were and still are always in my thoughts. I think they’ll live there forever.
The relationship between Izzy and the giant was thoughtful and well developed. What was your approach to writing the interactions between the characters?
Boone and Izzy had a rocky start due to the misconceptions she’d been taught. Izzy was forced to see Boone through the eyes of her family and her Groundling people in the beginning. Once she began to form her own opinions, she realized how truly special he was. I loved giving Izzy a snarky edge, and Boone provided a sweet balance with his calm comebacks. They truly are the perfect pair!
What experience in your life has had the biggest impact on your writing?
I’ve always loved to write. I wasn’t sure why until I discovered the most wonderful story written by my father years after he’d passed. I must have inherited a writing trait, if there is one! I have stories that refuse to be ignored; they won’t let me rest until they’ve fought their way onto the page. Writing is a real challenge, but very rewarding. Escaping into exciting worlds is the ultimate joy for me, and if I can take my readers along for the ride, all the better!
Will this novel be the start of a series or are you working on a different story?
If I had lots of readers that would enjoy another book with Izzy and Boone, I’d be thrilled to continue their adventure. The last page of The Seasons of a Giant hints that I already have a few wild ideas swirling around in my head! Until then, I’m currently writing a YA horror series.
Izzy is just trying to find out who is stealing her family’s cows. She has no magic powers or special skills, and she’s a rotten shot with a bow and arrow, but she’s braver than anyone, and that, in her opinion, makes her the best girl for the job. When Izzy finally finds her monster, she is transported from her family’s farm to the home of the Behemorphs, shape-shifting Giants who live in the SkyWorld above the clouds. To find her way home, she will have to team up with the very monster (he calls himself Boone) she has been hunting.
As the two confront terrifying creatures and deadly enemies, Izzy will learn a lot about Boone–and she’ll discover her own incredible potential.
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An epic tale spun from erratic thoughts placed into text and delivered to the world. That is the sense that readers will get from Black Inked Pearl A Girl’s Quest by Ruth Finnegan. Our protagonist, Kate, is searching for something. She is on a journey through years and lifetimes as she seeks out this piece that is required to complete her. We see this world through her eyes, her thoughts and her experiences. The tale is epic not only in page count, but in content as well. We know that Kate has lost something, that she is searching for this thing, but we don’t know exactly what it is. We are left with speculation and can only turn the next page to find out if she has achieved her goal. With songs, poetry and influences of dreams long past, this tale is one that is begging to be heard.
The way this book is written, with its dream-like prose and fractured sentences, allows this epic fantasy novel to be told in a stream of consciousness style of writing. The thoughts are thrown at the reader: fast and unforgiving. At first glance, the reader may think that our protagonist, Kate, has simply gone mad and the first chapters are from her point of view. However, the entire book reads that way and, if you are not paying close attention, you may get lost. Readers are quickly taken from scene to scene and thought to thought with barely a lull. Perfect for readers who like to be fully engaged in a story.
The words are very beautiful. The poetry both original and borrowed lends a mystical air to the story. If you view the entire book as a sort of waking-dream, it begins to make sense. This writing style is wonderful for conveying emotions and we can get a better sense of how Kate is feeling as she continues her search. The blending of a warped reality with a warped sense of fantasy lends well to the thought of this being a dream-like state that Kate has found herself in.
A whirlwind of a read is what you’ll find between the covers of Black Inked Pearl A Girl’s Quest by Ruth Finnegan. The mystical sense of the book is intriguing. This is a book recommended to be finished in one sitting as you may find it hard to pull away. The dream-like madness that seems to grip the pages make for an exciting read, but this can also be overwhelming. This may be a book suited to seasoned readers who are looking for a dreamlike story of epic proportions.
Pages: 286 | ASIN: B0158VRF26
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The False Prophet is set in a post apocalyptic America and follows Donald of Fisher, our unlikely hero, as he must confront an army raised to conquer the land. What was the inspiration for the setup to this exciting novel?
The question applies to the first novel, The Stonegate Sword as well as The False Prophet although it is not necessary to have read the first book in order to understand the second. The initial idea was to create a character with a world view similar to present-day America and place him in a society with very different values, such as Medieval Europe. I considered a time-travel approach, but then hit on the idea that in the future the world could enter a second Dark Age. So the main character, Donald of Fisher is a lore-man, steeped in the study of the past from an early age. Then circumstances forces him to take up a sword and take on the role of a warrior. The conflict between the evil figure in the west owes a bit to Tolkien and a bit to the prophecies of the last days in Biblical prophecy. I made no attempt to create the details associated with the Antichrist, except that if the imagery in Scriptures is taken literally, it sounds as if the final battles will be fought with antique weapons. I realize that this could be figurative language, but I decided to take it literally, and that implies, again, that a dark age lies in the future.
The story follows two characters, The False Prophet and Donald of Fisher, which I felt were two contrasting characters. What themes did you want to capture while creating your characters?
The story follows the archetypal “hero’s quest.” Don is the hero and must face adversity. The False Prophet is the anti-hero and he does not actually appear in the first novel, being only a rumor, a malignant force driving the forces of evil. In the second novel, he is revealed to be a ruthless despot of the kind with whom we are all familiar. The Prophet’s armies are the driving force behind much of the conflict that Don must face and overcome, though human frailties (his own and those of his companions) are other obstacles in his path.
There were many biblical undertones throughout the novel. Where do you feel you paralleled the Bible and where did you blaze your own path? And how did that help you create an engaging story?
The story of the novel does have some similarities to the Bible in that the Israelites were often raided by their enemies and the kind of weapons were similar. The military tactics I describe are probably not similar to those used in Bible days, although some of the principles are timeless. The use of walled cities reminds one of the Bible and also Medieval Europe. The political situation in the free cities east of the mountains reminds me of Israel during the time of the Judges, when there was no king, and “everyone did what was right in their own eyes.” The apostasy or falling away from the faith is prophesied in the Bible. The rediscovery of lost technology, for example, cannons, is a new path. The idea of a man of sin arising in the last days is found in the Bible.
The False Prophet is the second book in the Stonegate series. Where does book three take readers?
Book three will take place a generation later. The False Prophet was not destroyed, and the evil in the West rises again. It is up to the children of Don, Rachel, Carla and Howard to bring the saga to its final conclusion. Donald, now a middle-aged man, past his prime, attempts to mount an invasion of the West to overthrow the Prophet, but his attempts are met with disunity among his friends and overwhelming might of his foes. As to be expected, the victory depends on help from a totally unexpected quarter.
Stonegate remains the key, and Donald returns to that great walled city and his beloved Rachel just as the hosts of enemy are also closing in. Part adventure, part love story, this epic saga covers the vast panorama of New Mexico deserts and Colorado Rockies in a possible future that looks very much like the medieval past. But duty, love, courage, and honor remain and are even more important than ever.
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