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Essentials Vol. 2
Essentials, Volume Two picks up Harris Pax’s journey through a universe where reality has become unmoored from objective rules and increasingly responsive to consciousness, memory, and desire. Harris and Buttons travel between failing stations and self-contained worlds, trying to establish a safe zone before existence fragments beyond repair. Along the way, Harris confronts the people he couldn’t save, the family he neglected, and the suspicion that his heroic mission may be another expression of his need for control. Buttons’s presence gives the story warmth and momentum. She’s both his companion and an interdimensional consciousness living inside a borrowed body, which makes their growing intimacy inseparable from the knowledge that her physical life is temporary.
The book is especially interested in the difference between saving people and truly sharing a life with them. Harris can cross realities, solve impossible problems, and glimpse other minds, yet ordinary emotional openness remains difficult for him. That conflict becomes literal when he and Buttons enter a collective consciousness, a visually abstract space where thoughts form bodies and private fears become part of the landscape. Their connection offers Harris the complete understanding he’s always wanted, but it also asks whether intimacy requires surrendering individuality. The sequence is strange, tender, and unusually honest about the appeal of disappearing into another person. Their decision to return to separate lives carries real weight because they choose unfinished responsibility over permanent escape.
This volume reminded me of Neil Gaiman’s The Sandman, particularly in the way each new realm has its own visual language and philosophical argument. One section becomes a whimsical airborne adventure starring a teenage captain and her robot companion. Another resembles an illustrated religious fable filled with angels, gods, and acts of creation. Later chapters dissolve conventional panels into typography, symbols, negative space, and overlapping voices. The changing artists make those transitions feel purposeful. Like Gaiman, Luke Arnold and Chris “Doc” Wyatt use fantasy worlds to externalize private conflicts, but Essentials brings a more openly science-fictional vocabulary to questions about grief, loneliness, identity, and belief. Even its playful realities are connected to the central question of whether an imagined world has meaning when it’s built only for its creator.
The conflict with Angel brings those ideas together especially well. Angel can create elaborate realities within realities, but Buttons challenges the value of a paradise that treats other lives as disposable or unreal. Their argument turns world-building into an ethical responsibility. The volume occasionally moves so quickly between genres and perspectives that some supporting stories feel compressed, yet that abundance is also part of its personality. Essentials, Volume Two is an emotionally ambitious graphic novel about people learning that connection involves risk, limits, and the willingness to return when escape would be easier. It expands the series’ cosmology while giving Harris a more personal reason to keep fighting, and its closing movement leaves the story poised between fragile hope and the danger of turning belief into certainty.
Pages: 184 | ISBN : 978-1964226217
Mad Dog Morgan
Mad Dog Morgan is a supernatural horror graphic novel that blends occult horror, haunted-house fiction, and the bruising spectacle of professional wrestling. Mitch “Mad Dog” Morgan is a washed-up wrestler carrying years of addiction, humiliation, and regret when he enters a house that feeds on wounded people. Watching from nearby is Hilda, a sharp, wheelchair-using young woman who can see the house and hear the souls trapped inside it. Their stories gradually converge, turning the book from a grim character study into a dark fantasy wrestling graphic novel with a surprisingly heartfelt partnership at its center.
Morgan is compelling because his physical strength exists alongside a deep belief that he’s already wasted his life. His history in the ring, his abusive childhood, and his dependence on alcohol all shape the choices he makes without reducing him to a collection of problems. Hilda brings a different kind of toughness. She’s observant, strategic, funny, and willing to confront Morgan when he starts slipping into self-pity. Their growing trust gives the supernatural violence emotional weight, especially as Morgan begins to recognize that the house’s monsters are people whose suffering has been twisted against them.
Maxi Dallo’s artwork gives the horror comics storytelling a filthy, restless energy. Heavy shadows and scratchy lines make rooms feel damp, unstable, and faintly alive, while Patricio Delpeche’s purples, greens, oranges, and violent reds push the imagery toward fever-dream territory. Wrestling moves are staged with satisfying force, but the most memorable sequences often involve warped bodies, staring eyes, living shadows, and layouts that fracture as Morgan’s sense of reality collapses. The house feels less like a setting and more like a patient predator, which suits the book’s mix of psychological horror and body horror.
Mad Dog Morgan is about what happens when pain becomes an identity, and what it takes to loosen its grip. It’s raw, profane, grotesque, and often funny, with tenderness arriving through practical acts of loyalty. Readers who enjoy supernatural horror graphic novels, dark fantasy comics, wrestling drama, and stories about damaged people choosing to help one another will find plenty to dig into here. The book hits hard, but its real strength comes from the empathy behind every blow.
Pages: 184 | ISBN : 978-1964226224
Essentials Vol. 1
Essentials, Volume 1 is a graphic novel about the instability of reality and the emotional logic people use to survive it. Its central figure, Harris Pax, is a brilliant but isolated physicist who discovers that the laws governing the universe have begun to fail. He retreats into a fortified bunker, carrying only a small pink suitcase filled with three childhood toys: Snuggles, Buttons, and Lucy. When these figures awaken as manifestations of higher-dimensional consciousness, Harris is drawn into a journey through fractured realities, each shaped by the memories, desires, and unresolved pain of the people inhabiting it.
The book’s strongest achievement is its use of science-fiction scale to examine intimate questions about grief, attachment, and responsibility. Harris initially understands the crisis as a mathematical problem, but the story repeatedly places him among people whose lives can’t be reduced to equations. In an early parallel narrative, parents risk themselves to preserve their daughter’s childhood during a zombie outbreak, insisting, “Because I’m not talking about survival. I’m talking about life!” That distinction becomes the volume’s guiding principle. Essentials aren’t merely the objects required to remain alive. They’re the people, memories, promises, and imaginative worlds that make survival meaningful.
The shifting artists give each reality a distinctive visual identity while preserving the story’s emotional continuity. Grounded scenes use restrained palettes and familiar panel structures, while alternate worlds expand into saturated color, warped perspective, collage, and abstraction. These changes aren’t ornamental. They communicate how consciousness reshapes experience, and they allow Harris’s internal conflict to become physically visible. The three toys provide humor and friction, but their exaggerated personalities also function as parts of Harris’s divided psyche, confronting his arrogance, loneliness, fear of death, and neglected relationships. The volume grows increasingly surreal without losing its human center.
The narrative is ambitious, energetic, and emotionally direct, though its rapid movement between realities sometimes compresses supporting characters and leaves parts of its cosmology deliberately unsettled. That openness suits a first volume, particularly because the book’s primary resolution is psychological. Harris begins by believing that his intelligence can place him outside ordinary human vulnerability. By the end, he’s forced to recognize that isolation is another form of surrender and that connection carries obligations as well as comfort. Essentials is ultimately a vivid, thoughtful meditation on what a person chooses to carry when everything familiar begins to disappear.
Pages: 176 | ISBN : 978-1964226002
