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Elf Stone of the Neyna
Elf Stone of the Neyna is a character-driven fantasy adventure that follows Yanda Selkeden, a surgeon from the planet Alland who is wrenched away from her life and her young daughter when a mysterious psychic call drags her onto a ship and into captivity. The novel moves from claustrophobic imprisonment on a barren moon to the toxic, war-scarred world of Terlond, where Yanda and a diverse group of other abducted women, each with unusual abilities, must survive the schemes of the mind-controlling mage Kridenit. As Yanda forms bonds, grows her own powers, and eventually encounters the ancient Elves whose fractured Great Stone summoned her, the story blends science fiction settings with classic fantasy motifs, creating a hybrid genre that feels both familiar and new.
Reading this in Yanda’s corner of the universe pulled me in quicker than I expected. The writing has a clean, direct style that makes even the stranger pieces of worldbuilding, mind-speak, stasis flights, toxic moons with domed prisons, easy to settle into. I found myself warming to the rhythm of scenes where the women talk in their cells late at night, learning to trust each other despite trauma and fear. Those chapters felt grounded and human. At the same time, the book isn’t shy about darkness. Kridenit’s manipulation and violation of Yanda is handled with a starkness that made me pause. It’s uncomfortable because it’s meant to be. The author doesn’t sensationalize it, but she doesn’t soften it either, and that honesty shapes the emotional arc of the whole story.
What surprised me most was how the story shifts tone once the Elves enter more fully. When Zamani reveals the true nature of the Stone and Yanda’s connection to it, the narrative opens up. The fantasy elements step forward, the ancient magic, the living forests, the sense of destiny pulling at her life. Those scenes have a gentler color to them, almost like stepping from a metal corridor into filtered green light. I liked that the book didn’t rush to resolve Yanda’s sense of guilt over leaving her daughter or the unease she feels about how her powers are growing. The author gives her space to make mistakes, to wonder, to push back. It makes her feel real in a story full of mind magic and star travel.
I walked away feeling like I’d been given a part of a much larger journey. The book’s blend of science fiction and fantasy, its hybrid genre, will appeal to readers who like character-centered stories with both technology and ancient magic intertwined. If you like your fantasy worlds with a hint of sci-fi grit and emotional stakes that don’t let up, Elf Stone of the Neyna is worth your time.
Pages: 308 | ASIN : B0C1629PRX
A Personal Challenge
The Manglers of Carraig centers around a boy fighting to protect his mother and sister and a jeweler known for her grim designs, both living in a world split by wealth and riddled with monsters. Where did the idea for this novel come from?
Believe it or not, the idea came from Brandon Sanderson’s writing course. I was in a bit of a literary slump, so I decided to check out the free creative writing course Brandon Sanderson posted on YouTube. In one of the classes, he asks students to come up with a setting or plot for a horror story. One of the students suggested “economic,” which stumped Sanderson. However, as an economics teacher, I took it as a personal challenge. Not long after, the idea hit me: what if a nation’s currency was not only a medium of exchange but also something people needed to keep the monsters away at night? I immediately took that concept and layered it over Hemingway’s To Have and Have Not—and voilà, my masterpiece was born.
What intrigues you most about the horror genre?
Definitely the characters. All genres need compelling characters, of course, but there is something about horror that requires very human and flawed people. I think this is why Stephen King is so successful. His plots are powerful, but it’s his characters that keep people invested for hundreds and hundreds of pages. To be honest, I would consider The Manglers of Carraig more dark fantasy than horror, but I knew I needed compelling characters if I was going to get readers invested in the setting.
What was your favorite scene in this story?
The scene with the Finger Baron. The chapters set in the Hen House, in general, are some of my best writing. I remember when I finished those chapters, I felt tremendous pride in how they turned out. Normally, I’m nervous after finishing a chapter because I worry the writing wasn’t as clear as it felt while it poured from my fingertips. But I had so much fun writing those chapters that they required almost no revisions in later drafts. The interaction with the Finger Baron was especially fun, and I actually laughed out loud at the madness I had created—or, more accurately, the madness the characters created for themselves, as sometimes happens when they take over the narrative. Hopefully, readers will find the same horror, humor, and suspense that I felt while writing the scene.
Can we look forward to more work from you soon? What are you currently working on?
I have quite a few books waiting to be discovered on Amazon, but for now, I’m working on a seafaring fantasy with pirate orcs and sea monsters. It’s in the early stages, but I’m happy with where it’s headed and hope to be finished by the end of 2026.
Author Links: GoodReads | Website | Amazon
They’re not wizards. They’re not powerful.
The Hedgewitch’s Charm follows a struggling hedgewitch and a haunted duke as they confront a deadly, possibly deliberate plague, discovering that compassion and failure can be as powerful and as dangerous as magic itself. What inspired you to center the story on failure and helplessness?
I felt that this was an interesting starting point for the story. The idea of fighting against something so small, and so unknowable as a sickness, it’s something that’s universal and also something that everyone can identify with. So many heroes in stories profess to have all the answers, and all the power. It’s this attitude of “I’m Superman, of course I can save the day.” What happens if our heroes are small? What happens if they don’t know what to do? What happens if they’re so very human? For me, that was an interesting place to start the story. Ipsinki has been there from the beginning of the series, and he has known failure. He’s just a man, and Gwendolyn, the hedgewitch is just a woman. They’re not wizards. They’re not powerful. They’re just people who want to do some good; and there’s real power in that.
Gwendolyn’s magic feels intimate and exhausting. How did you shape her relationship with magic and its limits?
I write her as kind of the anti-Kralc. He’s this wizard who acts as if he knows all the answers, and he’s almost cocky, in a way, with his power. She’s someone whose affinity with the earth, and with this desire to heal, grants her these gifts. Her power is of a much more humble nature, and so, like anyone confronting a large scale problem, she has her limits, and she is acutely aware of them. Whatever magic she has is limited in scope by her calling. She has a true sense of what’s right, and what is necessary. It’s from this place that her power comes from, and she accepts her limits.
Ipsinki carries both political responsibility and personal grief. How did you balance those two sides of his character?
For me, it’s these traits that make him a good leader. He recognizes what’s at stake on a far more intimate level than many of the other characters in the book. Here is a man who, through his years as a soldier, and through his mother who owns an inn, has cultivated a real relationship with the people on an individual level. This is something that is truly lacking with the royal family, with the rest of the nobility. It’s this quality that makes all of this so painful for him, but also makes him the perfect person to help tackle this problem. With the others in charge, it’s sad, but the lives being lost are just numbers on a page. It’s all so abstract. With Ipsinki, it’s not that at all. It’s “Oh my god, you mean Sarah died? I just spoke with her yesterday.” It’s his desire to know the people, and his relationships that drive him, and make him good at his job.
Disease and fear play a role in the story. Were there real-world anxieties or experiences that influenced how you portrayed the plague?
In a way, yes. I believe that all writers draw on their lives to some degree when they write. Funnily enough, I came up with this idea before the pandemic. It’s something that I came up with with my friend, An Tran, when we were working Bath Salts. The idea of a disease used as a weapon was something so scary to me. Add some magic to it, and we have The Hedgewitch’s Charm. There’s something so intrinsically tense that comes from a spreading disease. How does one fight against germs? It’s an invisible enemy that you can’t really confront. Writing it was interesting, as the disease almost became a character in itself.
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A strange illness is sweeping through the kingdom of Colonodona bringing death and pain wherever it hits. Gwendolyn, a young hedge witch has made the startling discovery that the illness is one that has been created out of magic. Leaving her home, she makes the trip to the capitol to see the King. There, she is teamed up with the Duke Ipsinki and sent out to find the wizard responsible. As this is happening, the disease strike the capitol infecting Ipsinki’s mother, Aud, and Sitnalta. It is now a race against the clock. Along the way, Gwendolyn realizes that Ipsinki is unlike any other man she has met, while the Duke sees that there is more to life than paperwork and duty. Regaining his love for adventure, he sees that he has more of a choice in front of him than he first realized.
In the Wake of Golgotha
In the Wake of Golgotha braids the crucifixion story with a dark, present day New York crime narrative. Judas and Pilate walk the earth again as Jude Issachar, a social worker and literature instructor with a secret habit of controlled self-hanging, and Peter Pheiffer, a corporate lawyer drifting into a death penalty case that begins to wake an old guilt he cannot name. Around them moves Balthazar Bedrossian, an MRI tech who turns into a crucifixion-obsessed serial killer and leaves three men nailed to crosses in a Chinatown basement, with a bloody message that echoes words spoken on Calvary. The book moves between Golgotha, courtrooms, shelters, subways, and art museums. It treats time like a loop rather than a line. The result is a theological thriller about responsibility, addiction, justice, and the long reach of one moment on a hill.
The prose is lush and sensory, full of heat, dust, blood, and cramped city air, then suddenly snaps into something clipped and almost conversational. I liked that swing. It kept me slightly off balance, in a good way, and it fit a story where characters feel unmoored from their own lives. At times, the sentences pile up, and the metaphors jostle for space, and I caught myself rereading a passage not because I missed a plot point, but because the language had become thick and crowded. When the book slows down and lets a simple image stand alone, like the quiet of a homeless shelter after breakfast or the tap of a condemned man’s bare feet, it lands very hard.
The ideas in this novel gave me a lot to think about. The reincarnation of Judas, fully aware of his past betrayal, turns guilt into a chronic condition rather than a single act, and I felt the weight of that on Jude’s shoulders every time he touched his neck. Peter’s arc hit me in a different way. He walks around convinced he is an ordinary guy who chose corporate comfort, then finds himself face to face with a killer who recreates crucifixion while a hidden past claws its way into the light. That mix of legal procedure, spiritual dread, and moral confusion made the courtroom scenes genuinely tense for me, even before any supernatural hints came in. The book obsesses over punishment and mercy, over how a single choice repeats through history, and it keeps asking whether anyone can ever really start fresh. I finished sections feeling uneasy, but also weirdly moved, like I had been invited into a long argument between God, the devil, and everybody who ever stood between them.
In the Wake of Golgotha is not a casual beach read. It leans into graphic violence, addiction, death row procedure, and heavy spiritual questions, and it rarely lets the reader off the hook. I would recommend it to people who like literary crime fiction that has a strong theological spine, to readers who enjoy novels that play with myth and scripture, and to anyone willing to sit with messy questions about blame and forgiveness. If you are up for a dark, ambitious story that blends ancient sorrow with modern city grit, I think it is worth your time.
Pages: 354 | ASIN: B0FY3WCZWR
The Arkencrest Chronicles: Battle for Crossroads
The Arkencrest Chronicles: Battle for Crossroads is an epic fantasy that lays out a vast world shaped from the bones of a fallen god, threaded with nations, factions, magical histories, and a young man’s coming-of-age journey. The book opens with myth, maps, and lore, then shifts into the story of Bourdain, an eighteen-year-old raised in the scholarly city of Ikvia, who carries the weight of his parents’ mysterious deaths and the quiet push toward a larger fate. His decision to leave home and join a caravan heading into the wider world feels like the real spark of the narrative. The story blends high fantasy worldbuilding with a classic hero-sets-out structure, and it’s clear from the very first chapters that the stakes will eventually reach the scale of kingdoms and maybe even gods.
I kept noticing how much care the author put into the setting. Whole sections read almost like ancient chronicles, especially the creation myths and the detailed accounts of elves, dwarves, orcs, and other races. Sometimes those lore chapters felt dense, but in a way that reminded me of leafing through the appendices of a much-loved fantasy series. I found myself slowing down to appreciate the small touches, like the smell of ink and seawater in Ikvia or the way the elven forest seems to breathe around its people. When the story shifts back to Bourdain, the tone changes just enough to feel more grounded. His scenes have a quiet emotional center, especially his conversations with Kael and his uncle, which helped balance the heavier mythic material.
I also appreciated the author’s willingness to give readers a wide view of the world right away. You can feel that this is a story about more than one kingdom or one hero. The factions, the ancient seals, the threat of the Devourer, the politics of Sovar, there are a lot of threads, and the book asks you to trust that they’ll matter later. Sometimes I caught myself wishing the pace would sit a little longer with Bourdain before expanding outward, but I was also genuinely curious about each new layer. It felt like walking into a bustling market: overwhelming for a moment, then strangely energizing once you settle into the rhythm.
By the time I finished the opening arc, I felt invested. Bourdain is easy to root for. The world feels lived in. And the writing has a steady confidence, switching between poetic and straightforward without calling too much attention to itself. It’s the sort of fantasy that invites you in slowly, giving you the sense that you’re only glimpsing the start of something much larger.
If you love epic fantasy with rich lore, detailed cultures, and a world that feels ancient and complicated beneath the surface, this book will land well for you. Readers who prefer fast, plot-driven fantasy might find the early chapters a bit methodical, but anyone who enjoys settling into a world and watching a young hero take his first real steps into danger will find plenty to appreciate here. I’d recommend it especially to fans of expansive, map-filled adventures who like to feel the weight of history behind every choice.
Pages: 383 | ASIN : B0FYHW5ZLY
The Shattered Ones
The Shattered Ones follows Ace, a worn-down former protector living in a world swallowed by endless darkness. The sun has vanished. Cities crumble. People lose themselves. Ace tries to drink away what he used to be until a terrified man shows up with news that sparks a search for others like Ace. The story turns into a fight against a brutal gang, a ruthless corporation, and a rising evil while Ace pieces together a strange calling and a fragile hope. By the end, the light finally returns, and the survivors stand in a new world trying to understand what comes next .
I kept feeling this push and pull between grit and heart. The writing dives hard into bleak moments, and sometimes it hit me hard. The city felt alive in a sad way, full of broken people stumbling through pitch-black days. But the author slips in these quiet emotional beats that land with surprising force. Ace’s exhaustion felt real. His shaky hope felt real, too. Those shifts kept me leaning in. I found myself rooting for him even when he was trying his best not to care.
Then the book swings into big action scenes and wild turns. At first, I thought the scale jump might drown the human parts, but it actually worked for me. The chaos made the tender moments brighter. One scene near the end, when the group finally sees the first glow of returning sunlight, honestly caught me off guard with how moving it felt. The writing eases up and lets that warmth sit for a moment.
By the time the epilogue rolled in, the hopeful tone felt earned. The world is far from fixed, but the people are trying, and that small spark of rebuilding hit me in the gut. Seeing Ace in a park months later, watching kids laugh while the city comes back to life, made the whole journey feel worth it. It showed how much he lost and how much he still carries.
I’d recommend The Shattered Ones to readers who like dark worlds but need a thread of light to hold on to. Anyone who enjoys character-driven dystopian stories, rough-edged heroes, or tales about finding purpose in a broken place will get something out of this. It’s heavy at times, sure, but it leaves you with a feeling that you’ll remember.
Pages: 338 | ASIN : B0DBZX1FWS
Do You Have Any Fairies?
Faery Academy of QuillSnap follows Tansy WaterSprite, a “Little” in the Human Realm, being held by her evil guardian, when a mysterious visitor shows up at the toadstool house with an invitation to attend the Faery Academy. She will first have to get there, where she will have to find her inner strength and courage and uncover answers to family and faery secrets.
What was the inspiration for the setup of your story?
One afternoon with my 4-year-old granddaughter on my farm in the Enchanted Land of Iowa, where I live, is in a forest. I took her to see the forest that had just been trimmed of dead branches and brush, which now looks like a true Enchanted Forest.
She said, “I love your Enchanted Forest, Mimi, but do you have any fairies?”
Thinking quickly, I responded, “Of course I do. Over here is where they live, and over here is where they go to school, because they are not born a fairy; they have to go to school to be a fairy.”
She was deep in thought as she considered this information. She was getting ready to go to preschool and didn’t think it was a good idea, since she already knew everything; however, if fairies had to go to school too…
At night, she preferred fairy stories instead of reading a book. Kids are really smart and remember if you repeat part of the story, and I would quickly be told, “Mimi, you already told us that!” I had to start writing it down, and today it is the Faery Academy of QuillSnap: Night of the Purple Moon.
There is a lot of time and care spent on descriptions and building the setting and tone of the story. Was this out of necessity to develop the depth of the story, or was it something that happened naturally as you were writing?
This came naturally as I was telling my granddaughter the story that was inspired by our afternoon in the Enchanted Forest that sparked the story.
What were some themes that were important for you to explore in this book?
Adversity builds character, I think I can becomes I know I can, Girls and women can do anything.
Will this novel be the start of a series, or are you working on a different story?
I am currently working on the sequel, hoping to go to editing by the first of the year.
Author Links: GoodReads | X | Facebook | Facebook- author| Website
US Review of Books RECOMMENDED
International Impact Award Winner
Readers’ Favorite 5-Star Award
Finalist Independent Author Award
Finalist for Global Book Awards
In a world invisible to human eyes, the enchanting Faery Realm exists. Entering a secret portal from the mundane to the magical begins Tansy WaterSprite’s adventure of sparkling danger. Her evil guardian is stalking her with a different, dark agenda. Only “littles” who have been monitored since birth and passed secret tests are invited to attend the Faery Academy of QuillSnap, but not everyone gets to stay. Those who overcome the dangerous obstacles during the Night of the Purple Moon will determine who stays. Hidden family secrets shape Tansy’s destiny as she uncovers her inner strength and resilience, forging a new path guided by newfound courage—a new kind of faery tale for all ages.
Of Hunters and Magi
Of Hunters and Magi opens on a world shaped by old gods, buried truths, and people trying to live with the ruins the divine left behind. The story follows Bronwyn Amynta, a soldier carrying the weight of her homeland’s survival, and her uneasy partnership with Defurge, a once mad god now stripped back to something like a man. Their hunt for a lost artifact leads them through empty towns, strange magic, a deadly cassolisk, and the lingering shadow of a demigoddess whose marble remains hint at a frightening past. The world feels wide and lived in, and the early chapters mix danger, mystery, and emotion in a way that pulled me in right away.
I found myself hooked by the writing’s steady rhythm. The prose sits in that sweet spot between clean and vivid. It gives you enough detail to picture the scene without dragging you through it. I liked how the story takes its time letting Bronwyn think. Her doubts, her loyalties, and the fears she won’t admit come through in small moments that feel honest. The book plays with tension in clever ways. Quiet scenes hum with unease, and loud scenes carry a kind of messy panic that feels real. Sometimes the pacing slows a bit, especially when characters get lost in their own heads, but even then I never felt pushed out of the story.
The ideas running underneath the action kept surprising me. I didn’t expect the gods to feel so flawed or so tired, and I didn’t expect the world to feel so wounded by them. The theme of identity shows up again and again. Defurge is trying to understand who he is without his divine madness. Bronwyn is trying to decide who she wants to be when duty keeps shifting under her feet. Even the creatures and ruins around them feel like echoes of choices made long before they were born. I liked that. It gave the adventure weight. At the same time, I sometimes wished the book would loosen its grip on lore. There are moments when the explanations pile up and interrupt the natural flow of things. Still, the heart of the story stays clear and strong.
By the end, I felt fully invested in these characters and the deep strangeness of the world they’re walking through. I’d recommend this book to readers who enjoy fantasy that leans into emotion as much as action, folks who like stories about broken gods and stubborn heroes, and anyone who appreciates a world that feels old and full of secrets. If you like journeys that test trust, push people to their limits, and stir up complicated feelings along the way, this one will sit nicely on your shelf.
Pages: 370 | ASIN: B0FBJP74BP
LITERARY TITAN 