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An Exciting And Rewarding Challenge
Cherry Creek centers around a young woman living in 1850s Ohio who grows restless in her marriage and leaves for the Pikes Peak gold region, only to find difficult lessons in survival and independence. What draws you to the historical fiction genre?
I find it fascinating to imagine the lives of people who lived in periods so different from ours, especially the pioneers whose struggles enabled the much easier life we lead. As a former reference librarian, the research involved is an exciting and rewarding challenge.
Were there real historical accounts or people who influenced the story?
Yes, much of my research into the details of the Colorado gold rush involved contemporary letters and reports from the mines. Horace Greeley of “Go west, young man” fame wrote vividly of his own arduous journey on the Pike’s Peak Express.
Which character surprised you most while writing?
Molly pretty much told her own story in her own words, and I just took dictation, so she surprised me frequently. Sometimes writing is more like channeling than creating.
What is the next book you are working on, and when will it be available?
My current project is a collection of five stories on the theme of captivity. The material is not suitable for the Wild Rose Press, who published all my genre fiction titles, so if and when it will be available will depend on finding another publisher.
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Cherry Creek
Cherry Creek, by Linda Griffin, is a historical western romance about Molly, a young woman in 1850s Ohio who wants more from life than duty, patience, and a cramped future in her husband’s family home. After marrying Andrew MacLeith, she grows restless and frustrated, then impulsively leaves with his charming gambler brother, Hugh, for the Pike’s Peak gold region. What begins as a bid for romance and freedom becomes a hard lesson in survival, independence, and the true meaning of home.
What struck me first was how grounded the book feels. Griffin doesn’t treat the frontier as a shiny adventure waiting to transform everyone into legends. Cherry Creek is dirty, noisy, exhausting, and often lonely. Molly’s life there is built from work, not glamour. She cooks, washes, nurses, bargains, saves, loses, and keeps going. I liked that choice. It gives the novel weight. This is a western romance, yes, but the romance is not only between Molly and Andrew. It is also Molly’s romance with possibility, with the idea that somewhere beyond the next hill she might become the person she imagines herself to be. The book is candid about how costly that dream can be.
I also appreciated the way Griffin lets Molly be young without making her foolishness feel shallow. Molly can be impulsive, proud, unfair, and painfully naive, but she is never empty. Her mistakes come from hunger, the kind that makes a person reach for the door before asking what waits on the other side. Andrew, too, is drawn with restraint. He is not a sweeping romantic hero in the obvious sense, and that makes him more interesting. His steadiness can feel dull beside Hugh’s sparkle, especially early on, but the novel slowly asks whether steadiness might be its own kind of courage. That question stayed with me. The pacing is steady, and readers who want constant drama may find the middle more reflective than urgent, but I found that slower rhythm suited the story. It gives Molly room to change.
Cherry Creek felt like a thoughtful historical western romance about growing up the hard way. I would recommend it to readers who enjoy character-driven historical fiction, frontier settings, and romance that develops through regret, distance, and self-knowledge rather than grand speeches. It will especially appeal to anyone who likes stories about women testing the limits of the lives handed to them and discovering that freedom is not always escape. Sometimes it is knowing what, and whom, you choose.
Pages: 82 | ASIN : B0GX2TH5Q5
The Story That Wanted To Be Told
Morgan’s Landing follows a local police detective from a small Maryland town who is investigating the disappearance of a fourteen-year-old girl from the town’s wealthiest family and digging up buried secrets in the process. What was the inspiration for the setup of your story?
It began with the idea that even in a small town full of friendly neighbors, people would rush to judgment and start blaming each other if a young girl disappeared. I’ve always enjoyed police procedurals and had written one, Guilty Knowledge, with an urban setting, but I thought it might be interesting to trace the actions of a small town detective investigating within his own community.
It seemed like you took your time in building the characters and the story to great emotional effect. How did you manage the pacing of the story while keeping readers engaged?
I don’t think I managed the pacing so much as I let it flow naturally. I told the story that wanted to be told in the way the characters would let me tell it. I think being engaged in the story myself is the best way to encourage readers to stay with me on the journey.
What were some themes that were important for you to explore in this book?
I was more interested in how a small town detective would go about investigating a case than in what the solution would turn out to be. The dynamics of a family in which the members seem to be at odds and each has his or her own version of the story also intrigued me.
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story?
While it isn’t impossible for Detective Jim Brady to have another case in the future, Morgan’s Landing was never intended to be part of a series. I feel as if I’m done with these characters—or they’re done with me—but I never know when something may spark the next story, and if it turns out to fit into the world of Morgan’s Landing, so be it!
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Detective Jim Brady, married and the father of two, has been on the Morgan’s Landing police force for twelve years. He identifies a few suspects in the girl’s disappearance—Is it the fired school janitor, a paroled sex offender, Julie’s computer teacher…or his own teenage son? Jim can’t believe his son could be involved, but his wife is convinced the boy is hiding something.
He needs to find Julie before the worst happens—and keep the peace at home.
Morgan’s Landing
Linda Griffin’s Morgan’s Landing opens in a small Maryland peninsula town that feels both timeless and uneasy. The story begins with the sudden disappearance of Julie Morgan, one of two identical twin sisters from the town’s wealthiest family. As local police officer Jim Brady leads the investigation, the community’s calm surface ripples with suspicion, guilt, and buried secrets. What starts as a missing-person case grows into a layered exploration of fear, family, and moral grayness. Griffin draws readers into a slow, tense mystery that feels grounded in place and character, not just plot. Every chapter pulls back another curtain, revealing a town that’s anything but sleepy.
I found myself deeply drawn into Griffin’s writing. Her style is clean but textured, the kind that lets scenes breathe. The dialogue feels lived in, and the pacing has a natural rhythm, never rushed. What impressed me most was how she handles emotion. It’s never melodramatic and always relatable. Jim Brady, the detective at the heart of the story, feels real. He’s tired, decent, sometimes unsure, and completely believable. I could feel the weight of the case pressing on him, the strain of being both a cop and a father. Griffin doesn’t write heroes; she writes people. And that, for me, made the story hit harder. The setting itself feels like a character, the fog, the quiet streets, the water’s edge, all of it whispers the kind of secrets small towns keep.
The book’s emotional pull goes beyond the mystery. I kept thinking about the way Griffin looks at truth and guilt. Her characters live in moral gray zones, where even good intentions can twist into harm. At times, I felt frustrated, even angry, at how ordinary cruelty hides behind politeness and routine. But that’s the point. Griffin wants us to sit in that discomfort, to see how easy it is to miss what’s right in front of us. The writing feels empathetic, especially toward the young characters caught in situations they can’t control. I found myself caring about them in a way I didn’t expect.
By the final pages, I wasn’t just thinking about the mystery anymore. I was thinking about how fear changes people, how love and shame can live side by side. I’d recommend Morgan’s Landing to anyone who likes small-town mysteries with heart, readers who appreciate stories about people rather than just plot twists. It’s perfect for those who enjoy Tana French’s slow-burn style or Louise Penny’s quiet intensity.
Pages: 104 | ASIN : B0DZY1YR6V
