Posted by Literary Titan
Alice Guy Blaché was a pioneer of her trade with so many accomplishments, feats you could look up and applaud through history. Written fictitiously from the point of view of Alice herself, Mademoiselle Alice tells an intimate and redolent tale, painting Alice in the most relatable way. The reader has a chance to experience through Alice the era she lived in beautiful detail, alongside the relationships that added such color to her life. One, the romance between herself and the renowned Gustave Eiffel himself. Eiffel has no interest in love and yet develops a strong romantic tie with Alice. Their relationship is a cornerstone of Alice’s life and even as she moves on, it reflects throughout her work and pursuits to follow.
Mademoiselle Alice was a powerful and moving story. I applaud Janelle Dietrick and her dedication to bringing Alice Guy Blaché off the dusty pages of history and into present mind. The amount of research alone is worth its own accolade, and Dietrick chose to deliver beyond just that, combining the scholar and the storyteller to create a wonderful recollection of the life of Alice.
One factor that truly stood out to me as a reader, was Dietrick’s innate skill of drawing one in to the many emotions of Alice’s tale. From the budding and fleshed out romance between Eiffel and Alice, her apprehension and excitement when building her own studio, to her joys throughout her journey of motherhood. I found myself feeling the same as Alice and I continued further through her recollection and telling of her own life. Dietrick used the first-person narrative in a masterful and gripping manner, allowing readers to fully immerse themselves in the personality of Alice and her intriguing mind.
Usually, I find myself caught up in some novelists writing style; their sentence structure and syntax. I can honestly say that Dietrick writes such an enriching and powerful story. The writing style flows well. I can’t recall any particular moment while reading where I found myself jarred out of the story as I often have with other writers. There was a well weighted balance of descriptive setting, dialogue, interaction, and historical detail that kept me immersed and entertained.
I have a strong affinity for historical fiction but such does not negate that Mademoiselle Alice: A Novel stands up for itself as a wonderfully well written and fun review of the life of Alice Guy Blaché. You can tell that Janelle Dietrick takes pride in not only her work, but in the dedication to presenting the important role Alice has played in history. Her writing compels the reader to appreciate such without the dryness or brevity of a history book. She breathes life in to Alice, allowing the reader to really appreciate her as a relatable person.
Pages: 369 | ASIN: B074MB6QTH
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Posted by Literary Titan
Angie Brown, A Jim Crow Romance was originally written by Lillian Jones Horace 68 years ago. What inspiration did you find in this book that made you want to publish an annotated scholarly edition?
I am certain that most of my admiration stems from my appreciation for Horace, the African American southern woman writer, who remained true to her commitment to write “creatively but constructively.” Before I began conducting research on Horace and her writings, she and the archival material treating her life and works were largely overlooked by scholars.
The protagonists she created all exemplify the kind of determination that Horace herself demonstrated throughout her life.
I wanted to create an annotated scholarly edition to help Angie Brown find its way into the literary canon, where students and scholars of African American literature could weigh in on its value.
Angie Brown is a strong women that is finding her path through troubled times. What are some things you admire about her character?
I admire Angie’s determination, practicality, openness to learning, friendly nature, and commitment to progress.
What kind of research did you do for this novel and Lillian Jones Horace?
I conducted extensive archival research to better understand Horace and the characters she created. A comprehensive list of the repositories I visited appears in my first book-length publication on Horace titled, Recovering Five Generations Hence: The Life and Writing of Lillian Jones Horace (2013). I have been researching and writing about Horace since 2003. Her papers are held in the Fort Worth Public Library, Fort Worth, TX.
I understand you contacted some of the Horace family for this book. What were their reactions to you pursuing this 100 year old story?
I contacted her niece and two of her great nieces. Her great niece, who remembered her well, knew that Lillian Horace was a respected educator, but she had no idea that Horace had written two historic novels. Most of what I shared with her and other family members about Lillian Horace was new to them.
Do you have any other books in the works?
Yes. I am working on an edited version of Lillian Horace’s diary, and a book project comparing and contracting the trajectory of Horace’s life and works to those of her younger and more popular southern African American contemporary, Zora Neale Hurston.
“Angie Brown is a romance migration novel set in the Jim Crow era. Angie, the protagonist, determines to embrace all life has to offer despite the social restrictions facing young black southern women like her. Angie holds fast to her desire to find financial success, personal fulfillment, and true love, but she does not achieve her dreams alone, nor do they unfold in the same place. From Belle, her confidant; to Betty Yates, the teacher; to Chester, the pool hall owner; women and men from various social stations in life and different places share nuggets of wisdom with Angie. With their love and support, she overcomes tragedy, welcomes fresh possibilities, climbs the social ladder, and opens her heart to love. Angie’s progressive journey reflects the migratory trek of many African American Southerners of the Jim Crow era, who left the South for greater educational and economic opportunity. Her quest leads her from a small segregated community to Hot Springs, Arkansas, and eventually to the Midwest, including St. Louis, Missouri, Chicago, and Southern Illinois. As Angie travels from place to place, she gradually comes into her own and learns key life lessons. Angie learns that struggle is universal. While doing domestic work, she discovers that whites, who live on “The Other Side,” also experience pain, suffering, and grave disappointment. Love eludes white women, too, and they, too, face gender discrimination. Having overcome her fair share of personal losses, Angie reaches across racial lines to console Gloria, a member of the Parker family, for whom Angie does domestic work. Her experience with the Parker’s is juxtaposed to her dealings with the Mungers, a rich, Northern white family she meets. Although the Mungers are kind to Angie, she learns that life beyond the South is not perfect. Yes, she and other blacks face less virulent forms of racism outside the South, but economic stability and educational opportunity are not easily achieved.”
Posted in Interviews
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