Posted by Literary Titan
Cradle Gift follows Maité as she discovers the origins of her gift and the meaning behind her ability to move in and out of dreams. What were some new ideas you wanted to expand on in the second book in the series that you didn’t, or couldn’t, get to in the first book?
Here are a few of the things I wanted to explore with Cradle Gift:
- I’ve always been fascinated with Lucid Dreaming, so to continue expanding my knowledge on that subject was very satisfying. Although I put it to my readers as acradle-giftedability, Lucid Dreaming is something you can develop and perfect through practice… maybe not to the astral projection level Maité achieves, but it’s as close to having wings or gills as we can get.
- I wanted to establish the 200-year gap between Celeste and Maité, and plant the seed of curiosity over what happened with the family during those 2 centuries.
- I wanted to highlight “adaptability” without denying the suffering and struggle it takes a person to achieve it. I agree with Charles Darwin: “It is not the strongest of the species that survives, nor the most intelligent. It is the one that is most adaptable to change.” Maité is strong, intelligent, adaptable and therefore, a survivor.
You were able to craft a world that was equally as beautiful as in book one. What were some lessons learned in book one that helped you write book two?
Book 1 was my first full-length novel and through its production I learned a great deal about the technical aspects of publishing, but more than anything, that is where I began to develop “my voice.” Faery Sight became my go-to document for Cradle Gift because locales had been established there along with coordinates for the Faerie Realm—I was so glad that I kept my drafts, maps, and notes! I took with me a briefcase stuffed with all my papers when I traveled to San Sebastián, Spain. I stayed there for one whole blustery week in March to round up my research.
Maité continues to be a dynamic and intriguing character. I find that authors are sometimes exploring their characters when writing just as much as readers are when reading. Do you find this to be true? What kind of exploration did you do with Maité’s character in this book?
The women and girls in my family are the inspiration behind my stories—the series really is a family affair.
The girl on the cover of Cradle Gift is my niece (my older sister’s first born), some of her character traits and astrological attributes account for a big part of Maité’s personality.
FYI: My younger sister’s first born is on the cover of Faery Sight, and my daughter is on the cover of Nahia.
Nahia is the third book in your Faerie Legacy series. Where can readers expect the story to go in the next installment?
Nahia is a common denominator whose story covers the 200-year gap between books 1 and 2.
I consider this novel is a philosophical-fiction of sorts because it is about Nahia’s journey to know herself, to find her place in the world. She’s willful and stubborn, she’d rather ask for forgiveness (grudgingly) than permission, but when the weight of the realm is thrust upon her, Nahia, accepts the challenge, realizing that the time for her to grow up is at hand.
Her strengths and weaknesses lead her to change the genetic footprint of humanity, and to a bitter sweet victory.
At seventeen, Maité’s mortal world is torn apart with the tragic loss of her parents. Uprooted from the only home she’s ever known and isolated in a foreign country, the young woman struggles to make sense of her new life. But the conflict in the realm of Faerie is about to bleed over into Maité’s reality. She finds herself in the middle of an ancient struggle between Nahia and the Beautiful One as they furiously clash for control over the realm.
Through her Cradle Gift, Maité uncovers the extent of the Faerie Realm’s involvement in her life, and in her quest to come to terms with it, Maité has the help of best friend Emily, and David; a young man whose interest in genetics illuminates possibilities that will change her identity forever.
Posted in Interviews
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