The Sounds from the Hills Go Away When the Sun Goes Down explores the lives of three “downtrodden, gutter-decrepit, low-living” people as they battle with their demons while leaning on one another. What were some of the stand out moments for you when writing this story?
Stand out moments… I would have to say some of the quieter, more introspective scenes in which the three main characters collide with from time to time. These moments of theirs are aimed to define them or break them entirely, or both. Particularly, some scenarios in which a resolution is expected to eventually come to fruition, but never does, because many times in life that is what happens. Or a resolution won’t be surmised for an unfathomably long time, and during those long stretches we can either take it in stride with patience, or die.
Once again you are able to amaze me with some realistically gritty characters. Where does the seed for a character start and what is your process for developing them through the story?
In most cases, any character I write, whether he or she is a major character or just an ornament on a mantle in the background, I begin with myself… as I’m sure most writers do. But where the emotion comes from, generally when I’m alone at night after a really, truly bad day at work. The birth of a character’s emotions can also come from the moments immediately following a delicious meal I’ve just enjoyed. So I can’t really say there’s one single place it all comes from. Almost every character I write, they start out as one type, and by the end of the book they become something entirely unintended, and not just because of the story. But because somewhere during the months of which the writing takes place, I think that a part of me sometimes changes depending on what’s going on in my own life, and sometimes… not always- but sometimes that bleeds out onto the page.
The title for this book is interesting. What was the inspiration for the title, and why did you choose a blank cover?
The cover was once full of color and pretty chaotic. But once I finished the first draft and really took a step back to look at everything, I felt a certain pull towards The Beatles’ White Album. And the theme of purity. In the book, the purity of the human soul is constantly at stake, whether it was lost long ago and there might be a chance to regain a sliver of it, or it’s literally on the brink of total collapse. How that theme is encompassed by all of the characters and where it steers them through their adventures, which can take them in very random directions, or keep them on a steady “forward” path, was a big part of why I chose the cover to be what it was. In a way, it serves as a figurative blank slate, no matter what situation we find ourselves in. The title, on the other hand, went through probably the most changes I’ve ever shifted through while writing a book. The title began as something very simple, I can’t remember exactly but it was very one or two-worded. Boring. And didn’t at all convey anything. The title that I landed on at the very end, I feel, paints a picture of emotion. It doesn’t necessarily have to do with any physical scene of the book, and for everyone I think it will be different. But for me, when I read the title, I picture a very, incredible quiet night. Like taking a deep breath, and being engulfed by absolute relief that the day is over with.
What is the next book that you are working on and when will it be available?
The next book I’m currently working on is another story involving Arlo Smith, of The Mire Man Trilogy. The book takes place between the events of Book II and Book III, during his mid-twenties, where he meets a person who introduces him to really good jazz, and a very particular kind of nightlife away from home, when “home” starts to sometimes feel like a prison. It’s a sort of a love-letter to Kerouac’s “On the Road”. It’s tentatively titled “Electric Gypsies Beneath the Whiskey Tree”, and I hope to have it finished by next year some time.
Boots and Bonnets Inn, an isolated motel of questionable quality positioned just outside Moab, Utah, is home and haven to a handful of self-proclaimed societal outcasts who for better, worse, or much worse, have found their way here just in time to live out the rest of their lives. Among these longstayers is Wendel Trope, a slightly overweight almost-nihilist who survives within this little realm of “contentedness” by exercising his right to medicinal and alcoholic experimentation, while battling ruthless anxiety attacks and the “you owe me for last week’s stay” death stares of Jerry, the hotel owner. Holding his proverbial hand in an off-kilter, symbiotic friendship through this chapter of his life is Fag Bush Betty, the motel’s infamous “anything goes” prostitute, who may have more to her history than simply a catalytic reason to defile her own spirituality. And anchoring Betty, is Lotus, a young girl who harbors a shattered past and an as-of-yet untainted future that will inevitably bring her to the doorstep of Moab’s most unforgiving roadside motel. “THE SOUNDS FROM THE HILLS GO AWAY WHEN THE SUN GOES DOWN” is a story without direction, without hope, and most importantly without a beginning or an end. It is simply an examination of the present moment during a fragment of time in the lives of several of what society considers downtrodden, gutter-decrepit, low-living, and expendable, taking place in a corner of the world most only have fleeting nightmares about.
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Damaged Beyond All Recognition follows a man who is unwilling to accept an afterlife that provides nothing more than eternal self-awareness. What was the inspiration behind the idea for this novel?
I finally got around to reading The Sirens of Titan by Kurt Vonnegut just before I started my novel. I was blown away by Vonnegut’s masterful handling of such a complicated story. It was the type of book that I had always wanted to write. So, I thought I would give it a try and see what would happen. I had a short story idea about a fractured afterlife, and I took it from there.
I enjoyed reading about your unique take on God and how the Creator is dependent upon others. What were some themes you wanted to capture while writing about this topic?
I always found it interesting that humans have such wide-ranging views about God. Some think that God controls our every action while others think He doesn’t even exist. We read about how God created man in His own image, but I haven’t run across too many who see him as another guy. What if He just has the necessary job experience that would come from living countless lives through the Planes of Existence?
I loved Paul and Maggie Mae’s relationship and admired their dedication to one another. Did their relationship develop organically while writing or was it planned?
That relationship is based on a college romance that I had with the real-life Maggie Mae. She is the subject of a chapter (“There’s A Little Black Spot On The Fun Today”) in my first book, Damaged Right Out Of The Box, a humorous and wistful autobiography of sorts. The description of how Paul and Maggie Mae met and how their relationship flowered tracks what really happened. And it was my girlfriend’s career drive that prompted me to walk away. I couldn’t see myself playing second fiddle at the time.
But now I regret what happened and how it happened. So, I thought I would extrapolate the what-if. What if Paul and Maggie Mae said goodbye, but not a forever goodbye? What if he would wait for her while she proved to herself that she could be all that she could be?
What is the next book that you are working on and when will it be available?
I’m working on the sequel to Damaged Beyond All Recognition. It’s entitled Damaged And No Longer Under Warranty, and it continues the story of whether the Paraverse was really the answer to preserving eternity. I hope to have it out in about 18 months or less.
Paul Tomenko is no stranger to the improbable. He became a magazine sweepstakes winner and celebrated counterculture writer by age 19. Now, after reaching for a can of Chef Boy-ar-dee spaghetti and meatballs, he’s traveling to and from God’s library somewhere outside the Universe to prevent the end of eternity.
Because of a DNA flaw, humanity no longer can ascend through the Planes of Existence after they die. They can’t access memories from countless past lives in previous versions of the Universe or acquire new recollections. That means no one will have the needed expertise to replace God when He dies. And, to complicate matters, Paul must enlist the help of his two lovers–Maggie Mae Monahan and Allie Briarsworth–because of their unique abilities. But the trio discovers the preservation of forevermore can turn someone’s soul inside out. Literally.
The novel chronicles the life of an ordinary man under extraordinary circumstances. Paul is unwilling to accept a broken Afterlife that provides nothing more than eternal self-awareness. He is also reluctant to choose between Maggie Mae, a brilliant geneticist who has the uncanny ability to “connect the dots,” and Allie, a novelist who inexplicably senses past and future events in the cosmos. The unexpected is to be expected from an unusual cast of supporting characters: Cher the Gatekeeper and Katharine Ross the Librarian, figments patterned after two celebrities for whom Paul has lusted; Gronk and Grita, two “resurrected” six-year-old neo-Neanderthals who are the most intelligent humans on Earth; Tsutomu Yamaguchi, an innovative bioengineer named after a Japanese man who survived nuclear bomb blasts in Hiroshima and Nagasaki; and Dr. Peter Lexington Townshend, the head of a genetics laboratory that already has prevented the Russians from stripping politicians in Washington, D.C., of all their memories.
Be prepared for a book that examines our metaphysical questions with a mixture of mind-bending possibilities, laughter, and tears.
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The Ancient Sacred Tree: Birth of a Hero follows a 12-year-old boy who finds himself thrust into a magical land full of danger. What was your inspiration for this thrilling novel?
My inspiration for my story hit me after several episodes of depressive and manic scenarios with my son Joshua back in 2006. I felt helpless, as I watched my youngest child suffering from the throngs of what I learned to be bipolar disorder. He often would daydream and seem lost in his own world and although I researched to find answers, support and help, I couldn’t imagine this world he lived in, full of darkness. It was dreadful. Anyone with this disorder knows that it can cripple a family. I couldn’t fathom this life and so I created a world in which I wanted him to be the hero, one where he could over come any obstacle, to tell his story.
Joshua struggles with being bipolar and his parents divorce. I felt that you handled both with care and realism. Why did you want to cover such sensitive topics in your novel?
As a mother it was heart-wrenching and I learned so much, but still the world seemed to stigmatize the mental disorder my son suffered with and I wanted to change that for my son and others like him. As a teacher, I felt this story, in the hands of kids, could help them relate to a character like Joshua and they could empathize. Kids like Joshua would also enjoy reading that a character like them could overcome obstacles and become a hero, faltering along the way, but always striving to overcome. These are both important in our world with kids in schools, to help end the stigma and normalize these kids in not only their eyes, but others in school as well.
The world Joshua entered is full of magic and wonder that is described superbly. What were some themes you wanted to capture when creating your world?
I actually wanted to describe a fantastic world, full of intrigue and one in which I felt my son would enjoy, he seemed to love imaginary play outside with his action figures. So in the beginning that’s what I wrote, but as I progressed and the characters formed in my mind, and real life also took us on a journey through darkness, it was dreadful. Secondary to the imaginary world, it was essential Joshua Creed faces grave darkness, soul crippling darkness, although not as prevalent in this book, the series will encompass thematic elements of the darkness in anger and the peace at the end of the tunnel.
Will this book be part of a series? Where will book two pick up and when will it be available?
Yes! The book will be a series of three, possibly more books. I’m currently in the editing stage with book 2 and will come out this year, with book three later this year or early 2019.
The book will pick up two years later, where Joshua continues struggling in school and learns a great deal more about the prophecy of his destiny. If you pick up a copy of the first book, there’s a preview of the first chapter at the end. Enjoy!
Joshua Creed receives disturbing news about his parents, but before he is able to process it, he is flung into a world of intrigue and danger where he must fight for his life and the lives of the inhabitants. He discovers he has secret powers, and the mystery of his eye is revealed, but it isn’t easy being bipolar and only nine years of age. His newly found friends and family help him through his adventure but not before he’s forced to change schools.
The action-packed, fun, and exciting adventures of Joshua begin in this first adventure of his destiny.
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Returning Souls begins when 67 year old Evie is on the edge of death and her soul is sent through multiple lives. What was the inspiration for a such a dramatic setup to your novel?
I wanted bring the reader into the realm of ‘pre-incarnation’ from the start of the book. I felt it was important to begin with the emotional impact of Evie’s event in her kitchen. This beginning was also a way to move straight into her personality and way of thinking in order to introduce her and immediately engaging the reader.
When writing this book, did you conduct research into reincarnation or an after life?
In preparation for writing about near death experience I read many books about the phenomenon, as well books about children who seem to have memories of a previous life from a very early age. These experiences are more prevalent in countries where reincarnation is an accepted idea, such as India or other eastern countries, or even South American countries. In these countries, people are more receptive to listening to children talking about being another person, having another mother and father, or about memories of other places and people. They are more apt to believe and actually research things children say about places and people, rather than thinking it’s just their imagination. I began study with a shaman about a year before starting to write Returning Souls. I did not study after life, but have always believed that anything is possible.
Did you want Evie and Astara’s characters to compliment one another or did you want them to be completely different?
I wanted Astara to be a very different person. As it turned out, I believe Astara is Evie’s alter-ego, someone she might like to have been growing up, someone who had more confidence in who she is and what is right for her. In this way I feel they compliment each other, while also contrasting in so many ways.
What is the next book that you are working on and when will it be available?
I am currently working on a sequel to Returning Souls; I’m not sure of the title yet, still working on some ideas. The sequel takes place entirely in the prehistoric era, and expands on the lineage of the characters introduced in Returning Souls. I hope to have it available by end of 2018.
Evie D’Arico is just like any other 67-year-old retiree until a sudden stroke puts her life in jeopardy, and catapults her soul through multiple lifetimes. After drifting through a space where time has no meaning, Evie awakens to find herself in the body and mind of someone else. She realizes she is experiencing her soul’s past life on Earth as Astara, a young girl who lived during the Mesolithic Era of human prehistory.
Evie soon melds into Astara, who has just experienced the Girl’s Coming of Age rite, a ritual of the Golden Fish tribe. On her quest, Astara saw herself as a Three Face – a powerful combination of male, female and animal elements – making her a potential spirit leader. But the Holy One of the Golden Fish tribe does not want to acknowledge another seer within his realm, especially a defiant young female Three Face. Astara is given a choice either to live as an unremarkable woman of the tribe, or to leave her home and family on an unprecedented journey into unknown territory, and establish her own following as a Three Face.
Through living a few crucial days as Astara, Evie comes away with new self-knowledge and an appreciation for the courage of the young girl she was in a past life.
She still has unanswered questions about the meaning of her current lifetime. Her soul relives Evie’s life, recalling the impact of her sister Liliana, and reliving her upbringing during the 1950s and 1960s. She meets trusted Guardians along the way who help her recognize the end results of her own actions. As the disjointed revelations of her soul’s journey come together the puzzle of her life takes on new meaning, and she is faced with the possibilities of her own future.
Evie realizes she must decide who she really wants to be. Only she can choose the next stage of her soul’s epic journey through lifetimes.
What will she choose? Who will she be?
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Pandeism: An Anthology is a collection of work from different authors that seeks to provide intellectual backing to the idea of pandeism. Why was this an important book for you to put together?
Pandeism is a pretty old idea, but is one which has very long been little known — discussed almost exclusively in scholarly and academic settings, and usually in a sort of abstract and theoretical way. Perhaps that will always be its primary locus of discussion, but as scientific knowledge comes to match up better and better with a pandeistic Universe, it would be a wonderful thing for people to be made aware that this possibility is out there. And as the Anthology writings show, it has proved itself worthy of consideration from many angles.
There is surely some long-term gain to be realized, as well, from a world wherein people generally understand that all things are part of our Creator, and all life ought to be accorded the respect due to even a fragment of our Creator. And even as Pandeists bear no club with which to threaten ‘disbelievers’ with eternal torment or the like, imagine how you might react if you felt there was a possibility — a reasonably high probability even — that if ours were a created Universe at all, then it would be the sort of Universe in which your own actions towards others (and, more largely writ, everybody else’s actions towards everybody else) directly dictated the experiences which would be had by your Creator; and not only by your Creator but quite possibly by every entity ever existing — including yourself, to some immeasurable extent, all of these being your Creator, which has momentarily (for perhaps just a few hundred billion years) become fragmented apart. If there is any possibility that we are creating experiences to be shared with by our Creator, ought we not by this knowledge to be motivated to create positive experiences, for ourselves, and for one another?
And though all of these are, in my view, respectable reasons for my advocacy and regular formulation of new arguments, the simple truth is that I love the idea for its elegance, for its simplicity, for the strength of its explanatory power wrapped in extrapolations from a few simple assumptions of logical necessity. And so I want to pull it down from the academic tower and present it in ways suitable for a larger slice of the world to get to grasp it.
You work with sixteen authors on this anthology. How did this book come together and what was it like working with so many bright writers?
As to how it all came about, I first began putting together the ideas for a book on the topic some thirteen years ago. I always knew that I wanted to write about Pandeism, and I researched intensely, and found other people who had written on the topic and in the area. I never intended to do an anthology, but as I worked on my own book, it seemed to just get more and more sprawling. I was trying to grasp in all of the ideas that I could possibly cover, and it was more than I could do. And then, at some point, I simply threw my hands up and decided that it was not something that I would ever be able to finish.
But, as I pored over the many writings which I had accumulated in the area overtime, and the connections I had made with people who write in this area, I was struck by the fact that I might well be able to assemble enough to make a book that captured many of the ideas that I wished to express, but which had already been put into words in other ways by other people. And once I had had that realization, the whole structure of the book, the give and take and opposing viewpoints and variety of possible approaches simply came together, almost instantaneously. I immediately knew, for example, that I wanted to have poems punctuated the sections, and to divide the book in the general sort of way in which it ended up, and I am tremendously gratified with the result.
One of the most remarkable experiences and joys of my life has been working with these authors. I ought to mention that two of the writers were deceased — one, nearly one hundred years before, and the other just a few years ago, a good friend who I had been in communication with and who had written his piece for me before his quite untimely death, years before I ever knew I was going to assemble an anthology. But as to all the rest, every one of them was note only a unique and powerfully thoughtful and excellent to communicate with, but remains a friend. Really, it is like we are a family of fellow travelers along the same route. There are several of them who I bounce ideas off of frequently.
The book is separated into three sections, the fundamentals of Pandeism, philosophical implications, and criticism from other views. Why was it important to include alternate analysis of pandeism?
Most works on a specific theological point of view are told from the proposition of that view being true. And indeed, even anthologies written within specific faiths tend often to be single-minded collections of endorsements of that faith. There is something about such an approach which instead rings untrue to me — if your belief system is so ironclad, why only present one side of it? And yet we know there are those who dispute the truth of every theological model, so why not present their arguments directly and let the reader choose who has made more sense? Why collect an anthology at all if all the views provided assume the same position?
If we only present arguments favoring Pandeism, or even present only one view of Pandeism, then we are doing the readers a disservice. It is not the sort of position which can be insisted to be true in a gnostic sense. It is one logical possibility out of a field of them, with certain points of logical appeal, but at the same time with an acknowledged impossibility of knowing the truth of it. And even if there are those who believe that it is untrue, it presents a paradigm which they must contend with. Neither Atheism nor any Theistic faith can escape the intellectual obligation to confront the possibility of this model, and when they do so, and commit to it in a serious way, some great and deep writing is bound to result from this.
What do you hope readers take away from Pandeism: An Anthology?
Well, firstly I really hope that readers take away the sense that Pandeism, as a theological model, is indeed a serious possibility. And secondly, I hope to just really make people think about all the possibilities that are out there, and the fact that there are indeed so many possibilities which are unknown. I want readers to feel a bit challenged and a bit enlightened and more than a bit informed. One thing, I think, about this book, with its breadth of authors and approaches from diverse and sometimes opposing viewpoints, is that it is impossible to read it through without learning something of interest, something which will stay with you for the rest of your life thereafter. I hope that readers take away a lot of feelings like that, and that every reader takes away at least something like that.
Pandeism: An Anthology presents the work of sixteen authors, new and old, examining the implications of the revolutionary evolutionary theological theory of Pandeism – the proposition that the Creator of our Universe created by becoming our Universe, and that this proposition can be demonstrated through the exercise of logic and reason. These authors present a wide range of views originating from their varied experiences, from professional theologians and religious educators to lay philosophers with PhDs in the hard sciences. Collectively, these authors have assembled the most extensive examination of Pandeism put to print in over a hundred years.
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Masks follows Anna as she struggles to find herself and her love as she navigates the social, religious, and sexual taboos of the Arab world. Why was this an important book for you to write?
It had always been my dream to write novels, and I wanted to start my first book by being the voice of so many in the Lebanese and Arab society who pay the price of the social, religious and sexual taboos and never dare to speak up for themselves. If you had the chance to let the rest of the world read and find out about certain issues that people suffered from wouldn’t you write about them?
Masks is based on true life events. What were some things you felt had to remain true in the story and what were some things you took liberties with?
Though Masks is inspired by true life events yet it contains fiction, the part of the story that had to remain true is my own feelings and thoughts, this is a very hard question… well, I took liberty in writing about some facts but created characters that were the combination of more than one person in real life.
I understand that the story is based on your own life. Was there anything that was difficult for you to write about?
The story is partly based on my own life but I had to add fiction to the characters including Anna the protagonist in order to be able to write about so many things that I have heard, saw or lived, but then again it was not easy at the beginning. I had been thinking about starting this novel 8 years ago and I always hesitated because concentrating on my inner thoughts and to able to express fears and open closed doors was never easy. My husband, my family, and my friends supported me a lot. It is so strange that I really felt relieved when I put down my thoughts. As a journalist and a TV host, I always did my best to reach out to my readers and fans with messages that touched their hearts, I hope the characters in my book will be able to touch the heart of each and every reader and inspire them in many ways, I Hope…
What is the next book that you are working on and when will it be available?
I already started writing my second book hoping it will be available within two years, it is somehow the continuation of Masks, though the first book has an end, the second book will talk about different adventures and taboos. Some characters from my first book will be in the second story but the readers will meet new characters with different problems and dissentious personalities.
I thank Thomas Anderson for this short yet interesting interview, the questions were few but very well chosen to satisfy the curiosity of any reader about the novel. I wish you a very prosperous career, I appreciate your time & work & hope to bring a change to my readers with the story of Masks.
Masks is a dark fictional tale, based on true-life events. It narrates the adventures of a young Armenian girl born in Lebanon in the seventies. She dreams of fame and power in Lebanon and the Arab world and shows resilience and motivation beyond her years. The novel delves into the world of the protagonist, Anna, who is surrounded by social, religious, and sexual taboos. She fiercely breaks the chains to enter the world she has strived to reach, in a seemingly conservative society barely emerging from a civil war. She builds her success on her remaining values, challenging her fate and sparing no way means to attain her goals.
As a disappointment to her parents, she walks the challenging paths alone, making her way toward fame and fortune despite lacking the support system to do so. Doors begin to open for her, and she enters the world of Arab celebrities. She is now a public figure in the Middle East, living an immoral married life in a materialistic world surrounded by influential business people and royal family members. She tries, in vain, to fill the void in her soul with sexual adventures and controversy by taking a wide variety of lovers. Her adventures invariably end in misery, doing nothing to awaken her from her numbness. Still, her vivid, out-of-control personality helps her move forward while simultaneously getting her in trouble. In the early stages of her life, she has suffered the unthinkable, being bullied and raped, with the civil war a constant backdrop throughout most of her childhood. The novel delves deep into Anna’s mind as she has flashbacks of the trauma she has suffered, offering the reader a hint of an explanation for her behavior.
In a society in which men dominate women, she is one of the few who realize that fashion, social status, plastic surgeries, and bright smiles are not the answer to happiness. She lives in a world where a girl is only worth as much as her virginity, where women do not dare to ask for a divorce, where the fear of retribution keeps them locked in a cage that is very rarely gilded.
As fame, money, and power slowly eat at her soul, the arrogant Anna falls in love with a total stranger—a young, single bachelor from Canada—after a night of secret passion. That is where the story begins to unravel as she returns home with a scandal in her back pocket, her eyes and ears and heart tuned to this man instead of her husband. Anna realizes that neither her marriage nor her achievements have ever made her happy, so she decides to throw it all away. The lies and deceit that fill the so-called glamorous life she has been leading are floating up to the surface, including her husband’s infidelity and the critical steps she has taken to reach the top.
Marriage, family, career—all destroyed to be united with the stranger. She starts a new battle, this time struggling to change her destiny for someone she barely knows, who lives oceans apart and offers her nothing except his heart.
She risks everything, turning her whole life upside down. Anna realizes that her happiness, inner peace, and love are found worlds away from her own, with someone she would never have expected to be her soul mate. Still, Anna’s sacrifices are not behind her, and the struggle has not yet ended, although she has found what she has needed all her life: redemption and unconditional love.
The stranger enigmatically hints at emotions in Anna that have been hidden for a long time behind the masks of her dark and shallow lifestyle.
The characters in the story are the voices of so many who do not dare to speak up in a world where social and religious standards openly chastise the very actions that behind closed doors have become the ultimate paradigmatic way of life.
Posted in Book Reviews
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In Darkness, There is Still Light follows the life of professional cyclist Loren and the physical and emotional challenges she faces. What did you want to focus on in book 2 of the Wheeler series?
With so much of the conflict in Wheeler having to do with racing and Felix, for the second novel I wanted to bring the conflict closer to home – the relationship between Loren and Graham. Feelings between them developed quickly (too quickly) and being separated yet again makes her realize that perhaps she doesn’t know him as well as she thinks.
The second prong of the story was the possibility of redemption, but I’ll leave that statement with a quote from my Muse. “Every villain is a hero in his own mind.”
Loren continues to develop into a dynamic character that grows as the story progresses. What was your inspiration for Loren’s character and the challenges she faces?
Loren’s character has developed over the many, many revisions but in all honesty, she reacts the way I would react to situations thrown at her. I’ve had Black Moments in my life, and much like how Graham steeped in his emotions over what happened to her to add to his acting performance, I did the same.
Loren faces a series of traumatic evens in her life. What were some obstacles you felt were important to her characters development?
Loren holds on to her pain; it’s a security blanket and like any crutch, it’s difficult to let it go. Trust issues and lack of boundaries hold her back, both personally and professionally. She needs to rediscover who she is in order to move forward. In Darkness is the beginning of her healing.
Where do you want to take the story in book 3 of the series and when will that book be available?
Book 3 is outlined and will bring back the excitement of the cycling races of the Women’s World Tour, beginning with the Strade Bianche in Italy. I hope it will be ready for release in early 2019.
A streak of bad luck for Loren, old friends resurface but are now competitors. A former flame of Graham’s could make trouble for the couple. Another man steps into Loren’s life. Is he just a friend as he claims, or does he have ulterior motives?
‘Atherton Leaves Her! Has the Actor’s Whirlwind Romance with the Pro Cyclist Run its Course?’
Loren Mackenzie knew the headline in The Sun was an exaggeration, but the World Champion time trialist still felt the sting. As her pro cycling season draws to a close, Loren looks forward to taking a break from training and a reuniting with her boyfriend, Graham Atherton. However, rumors and innuendo begin to swirl around them, and secrets they have kept from each other shake their relationship to its foundation.
A trip to New York City affords Loren a bittersweet reunion with a love she thought was lost. But, echoes from the past ripple into the present and reliving the fractured memories of her childhood has left her afraid to dig deeper. The monsters that dwell in the dark corners of her mind are all too real.
Meanwhile, obsession and greed churn into a storm on the horizon, threatening Loren and those closest to her. When the tempest hits and the winds settle, what is uncovered tilts the axis of her world.
Loren must find the strength to believe that even in darkness, there is still light, there is still hope; there is still love.
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How We End Up is an intricate contemporary story that follows the lives of three strangers and shows how people can intersect at life changing moments. What was the initial idea behind this story and how did that transform as you were writing the novel?
I used to walk the beach in a park near my house. The park gets numerous visitors, mostly families, and I would frequently walk by young children playing in the surf. This area is known for its rip currents, and there are always news stories about people being caught in one and having to be rescued. It occurred to me that one day I might have to jump in after someone, particularly a child. Fortunately, I never had to. It got me thinking about how these rescues are often called “miracles,” but the story stops there. It did not, of course, tell us the aftermath, so I began formulating a story that shows us how they were brought together and tells us what happens to these people over a long span of time.
I felt that this novel was about the characters and how people change over time. What were the driving ideals behind the characters development throughout the story?
The central male character, Jackson, rescues nine-year-old twin girls. Although they they are twins, I saw them as being very distinct from each other, and I imagined they would lead dissimilar lives. Not only are their sexual orientations different, but one is worldly and self-destructive, while the other begins as a bit naïve, which leads them both to disastrous circumstances. Jackson, who achieves literary fame by writing about the rescue, suffers from a case of hubris, which results in his star falling. Their personas and their relationships, particularly their romantic entanglements, are affected, often negatively, by both the inner conflicts of the three characters and by chance. I see this as something we all endure. Some things we decide upon by choice, while others are left to happenstance and over which we have no control. All of these experiences lead to “how we end up.”
When you first sat down to write this story, did you know where you were going, or did the story develop as you were writing?
The “skeleton” of the story was apparent to me from the start, but as I continued writing, the details—specific events, relationships, and the consequences of the characters’ reckless behavior—appeared. This is pretty much my writing modus operandi in general. For me, writing is a discovery process.
What is the next book that you are working on and when can your fans expect it to be out?
My next book is about a character who leads five different lives, each detached from the others. It is somewhat experimental, maybe, but this is all I presently can say about it. If fortune smiles upon me, I might finish it within 6-8 months; after that, I would think publication would follow in about the same amount of time.
BEING RESCUED IS NOT THE SAME AS BEING SAVED.
Jackson Levee, a professor and writer, plucks two drowning twin girls from the Gulf of Mexico. Their attractive single mother has her own ideas about how to thank the hero. Jackson and their family go from being complete strangers one day to intimate friends the next. Jackson soars to literary fame after writing about his rescue of the twins, while the girls mature into beautiful but troubled young women. Over the next twenty-five years, everyone’s recklessness in love, marriage, and life produces wild and devastating results, forcing the three of them to struggle as they try to realize their destinies and find balance in life.
Douglas Wells crafts an intoxicating story teeming with passion and exhilaration to danger, addiction, and despair.
Posted in Interviews
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The Day Momma Made Me Dance is a colorful children’s book depicting the consequences of childrens misbehavior. What was your inspiration for this book?
My inspiration was my very own childhood experience. I myself was a mischevious child and my sister was also so growing up in a home where consequences were learned about through whoopings. I decided to write about it and this book is in no way to excuse about but to simply talk about my story and how I learned right from wrong. Not all people will see this book as acceptable but in many black homes that are my culture, it is accepted.
The story follows a young girl who is constantly up to mischief. What were some themes that were important for you to capture in this story?
The themes that were displayed was the experience of going to school and misbehaving, treating my sibling badly and being disrespectful by not listening to my parent. These themes were important because everyone has had a bad moment in their life either in the home or school as a kid.
The story draws a line between punishment and abuse. What is a common misconception you find people have about this subject?
People find that any form of punishment with an object is abuse. I have to disagree with that opinion because we all have to measure the level of discipline with what object and for how long. I believe that it is ok to whoop your child, talk to them and do time out. However, what happens when all of your interventions fail and the child still continues to misbehave. My book was a simple representation of punishment was in my home and the yes the girl learned her lesson in the end. The girl talked with her mom and stated that she understands the rules of the home and school. I had the same similar experience in my life. So this book was a short story about that time.
What do you hope readers take away from your story?
Readers should take away that punishment is not all bad no matter the form of it. It just depends on the level and frequency of the punishment. This book is not only about punishment but it has a bit of humor in it. The day momma made me dance is simply a metaphor for a butt whipping. The girl understands her faults and is thankful for her punishment because without it she would not understand the rules of home and school.
As a mom, we continuously tell our children the rules of the house. Not only this, we are constantly cleaning and prompting them to do their chores and homework. Until one day, Momma has had enough. Find out what happens when enough is enough in this home.
Posted in Interviews
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Letters to Mary Susan chronicles the life and adventures of a Missouri outlaw that is in prison for manslaughter and is trying to reconnect with his daughter through letters. What was your inspiration behind this story?
The book’s main character, Jim Howard, was one of my father’s boyhood heroes and he’d retained “Jim Howard stories” for over 70 years. I’d promised him, in 2002 to make these stories central to a book with Jim Howard as its main character.
This is a great historical fiction novel that got a lot of the details right. What kind of research did you do for this novel to keep things accurate?
I did a lot of online and library research re: pre-Civil War, Civil War, post-Civil War “outlawry (“guerilla warfare”), Cattle drives, the rise of Montana outlawry and the “Wild Bunch,” Big Muddy outlawry, leading to personal interviews and old newspaper/library reviews regarding homesteading and personal interviews with prison personnel regarding prison characteristics as well as older individuals with recollections of the Prison Chaplain’s, Howard’s lawyer’s and Howard’s daughter’s roles in his release from jail.
What I liked about James’s character was that he held nothing back and didn’t try to cast himself in a good light, just told it like it is. What themes did you want to capture while you were writing his character?
That redemption and a new start is possible for us all.
What is the next book that you are working on and when will it be available?
A book of poetry that I hope to have ready before the end of this year.
In his historical novel, LETTERS TO MARY SUSAN, Jerry Hammersmith chronicles the life and adventures of a Missouri outlaw, James Marion Howard. The novel is narrated by an aging Jim Howard as he begins to serve a sentence of fifteen years for Manslaughter. His lonely prison cell in the newly built Saskatchewan Penitentiary in Prince Albert is the impetus to repent and reconnect with his past.
Through Jim’s reflections and letters to his long-estranged daughter, Mary Susan, the novel becomes a chronicle of the life of a Missouri outlaw who fled post Civil War America, leaving behind his wife and family and seeking escape from the law by racing across the western states, robbing stage coaches, trains and banks, until a posse chases him across the 49th parallel and into the newly formed Saskatchewan, Canada. He finds a new life and becomes a citizen of Canada after fulfilling the homestead requirements and establishing a new identity there.
As Howard recalls his outlaw past, Hammersmith leads the reader into the saga of the American Civil War, the tragedy of post war devastation and the flight of an insurgent guerrilla on the run to homestead in the ‘promised land’ of Canada. The surprising identity of that outlaw and his place in the small community of Teddington, Saskatchewan provides a tale of adventure, mystery and passion.
The twists and turns of this amazing story offer a glimpse into the ravages of the Civil War and the aftermath of the brutal and senseless vengeance that stole the lives of many young men. It leads the reader to an understanding of the path of a man’s choices and the hope that redemption is possible for us all.
Posted in Interviews
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