Sins of the Father is a non stop adventure novel following two detectives as they hunt down a dangerous drug kingpin who seeks revenge. What was the inspiration to the setup to this exciting novel?
This is actually the third installment in the Larkin and Colt series. As I was preparing to write the first book I established, just for myself, extensive backstories for the main characters, including their years as undercover ‘contractors’ for the government. Among the stories I created was the takedown of a notorious and supposedly untouchable drug kingpin. After I finished my second book, I found myself wondering what the possible long-term repercussions might be of some of Larkin and Colt’s past actions. The opening scene of a gang of assassins breaking into Larkin’s house popped into my head almost fully formed. From there, it was pretty much off to the races.
My favorite character was DEA Agent Scott Bowman, whose dry humor kept me smiling throughout. What themes did you want to capture while developing your characters?
I wanted to create a character who was dedicated to his job and trying to do the right thing, but who had been doing it for so long that he knows that achieving any kind of long-term solution is pretty much impossible. He’s a realist, and he knows that he’s pretty much rolling a rock up a hill, but he still refuses to give up hope. When he’s approached by Larkin, he sees a chance to maybe do a little bit of good, despite his knowledge that the good guys don’t always win, and the bad guys are incredibly hard to stop.
Sins of the Father is a genre-crossing novel with elements of a adventure, thriller, and action as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I try to write the story I’d want to read. I don’t outline, but I pretty much have the whole plot worked out in my mind before I start. I have the major story points, but not necessarily all the fine details. I sort of let the characters tell me what happens next and where they want to go, as long as we’re always moving toward the outcome I have in mind. I try to let the story and the characters’ actions flow naturally, at the same time hoping to surprise the reader.
What is the next book that you are working on and when will it be available?
I’m currently working on a sequel to my science fiction adventure Pegasus, which is not a Larkin and Colt book. It’s entitled Intrepid, and where Pegasus was about a trip to the moon and back, this time they’re going to Mars. When they arrive, things go horribly wrong, and the crew has to figure out how to get their crippled ship back home before their air and food run out. It’s sort of Apollo 13 meets The Martian. It should be out sometime in the fall.
So begins the latest exciting episode in the adventures of David Larkin and his partner Samantha Colt.
Eight years ago, Larkin and Colt were part of a team that terminated notorious drug kingpin Francisco Salazar. Now Salazar’s son Ramon has grown up, taken over the family business and sworn his revenge upon them. Their only option is to follow the trail of drugs and bodies backwards, from Virginia to Miami to South America, to stop young Ramon before they become his latest victims.
Sins of the Father is loaded with the exciting action, wry humor and memorable characters that fans of Larkin and Colt have come to expect.
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Another Summer tells the story of Evie and Joe, a married couple who hit a rocky patch after uncovering secrets within their marriage. What was the inspiration for the setup to this passionate novel?
I always start with a scene or a snippet of dialogue. Another Summer was inspired by a holiday in Cornwall soon after severe storms and floods. I saw the remains of an ancient bridge destroyed by the river. There was a shiny motorbike trapped in the debris. I was intrigued and started thinking what if…?
I felt that Evie and Joe’s relationship built slowly into something that was complex and deep. How did you set about creating their relationship?
I want my characters to have realistic human dilemmas and to get themselves into scrapes by making mistakes. In Another Summer I wanted to write about someone trying to change and discover along the way if he means it. And then I wondered who would love him enough to put up with that behaviour and still believe in him?
Was there anything pulled from your own life and used in the novel?
I’ve long had a fascination for secrets, how people go to great lengths to hide things and what happens when the truth comes out.
I felt that Another Summer questioned whether someone would return to a partner after deceit. What moral goals did you use to guide the stories development?
I’m always interested in why people do things. I love a misunderstood rebel character, the bad boy with a soft centre. I’m also a great admirer of forgiveness and I like my characters to be better at it than I am.
What is the next book that you are writing and when will it be available?
I have a second novel – High Hopes available now. It has been described as “A book filled with suspense, love, heartbreak and pain. Compulsive page-turner with a sizzling hint of spice.”
The heat of passion and the bitter sting of betrayal from an exciting new voice in Women’s Fiction, Another Summer is the sizzling second-chances page-turner you won’t want to miss.
Scared of being alone, lost in the arms of a handsome stranger, Evie believes her marriage to Joe is over. But Joe is on a mission to win her back. Will he reach her before she falls under the spell of hot rock singer Jake?
Joe is the only man she’s ever loved, since that long hot summer when she was sixteen. But how many lies is too many? Devastated by his latest betrayal, Evie flees to her grandmother’s remote cottage in the stormy wilds of picturesque Cornwall, staring into an empty future without the bad-boy she believed was her soulmate. Heartbroken and vulnerable, she falls under the spell of charismatic Jake who sweeps her head first into an irresistible and steamy affair.
Expecting Evie to come to her senses, Joe storms after her and finds himself stuck on the road trip from hell. When an ancient bridge is smashed to matchwood, it seems all hope of a happy future will be swept away. The old hurts are deep and forgiveness seems out of the question. Has Joe left it too late to persuade Evie he can change? Does he deserve another chance to convince Evie he loves her? Or will Evie be tempted to dump him and grasp her own happy ending with sexy rocker Jake?
Set in the windswept wilds of Poldark country, the perfect steamy romance for lazing on the beach or curling up on a rainy-day sofa. Don’t miss out – get your copy now. Scroll up and click buy to start reading. Another Summer is sure to be one of the Bestselling Romance Novels of 2017.
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Into The Liquor Store follows Bink, a graffiti artist and connoisseur of cannabis, through a series of life events set against a dystopian future. What was your inspiration for this creative novel?
When I started writing the novel, it was supposed to be an autobiographical movie. Then I decided to have the events take place in the future; mostly so that I wouldn’t get in trouble with my family. With hesitation I let my mother read the first chapter, and she suggested I write it as a book instead. I even reached out to an Iranian graffiti artist who goes by A1one (Alone) and he gave me some encouraging words. Bink makes a reference about him in the novel as well.
Bink’s character slowly builds throughout the novel and ends up being a fairly deep person. What were the themes you used when creating his character?
I focused on Bink’s trajectory and growth. The last thing I wanted was a one dimensional character. He relies heavily on his connections, he has flaws, and towards the end he’s redeemed to an extent. I didn’t want Bink to be Mr. Perfect, and I wanted the people who interact with him to hold him accountable.
The novel is set in a dystopian future earth where graffiti is a regulated art form and taggers are well respected. Where did this idea start for you and how did it develop as you wrote?
In the prologue we start to see Bink’s love for the 21st century, 2010 through 2019 to be exact, embraced in his nature. He refers to it as a classic era. So I imagine there must be galleries that depict street art in the same light as the Renaissance. Art and specifically painting, I feel will be around forever.
What is the next book that you are working on and when will it be published?
The next book is still being developed. I can’t say much about it, but it will take place in the same universe as Into The Liquor Store. It will focus on the behind the scenes work of the government. The movie adaptation, of the same name, is being completed and soon my collaborator and I will send it to contests.
The worst has yet to happen to Le’roy, of Egyptian and Russian decent, when his girlfriend of three years breaks up with him; dealing with the conflicting societies of a 23rd century Iran, he often feels nostalgia for a century to which he was not born.
Le’roy, an artist who abstains from tobacco and alcohol, bombards his mind with vices such as: lust, marijuana, and psychedelics. He must come to terms with his heightened status of celebrity and the fact that a lottery can enhance his lifestyle, but a vision transcends a lifetime.
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The Law of Moses is a captivating western novel that paints a vivid picture of life in the American west. What were your sources of inspiration as your created this world that Sam lives in?
I’ve always enjoyed Westerns. I grew up reading Louis L’Amour, Clair Huffaker, and even today, I enjoy Craig Johnson and Tony Hillerman. The western is uniquely American and even modern heroes are compared to the tales of Wyatt Earp, Billy the Kid, Butch Cassidy and such. All too often, in my opinion, the western hero is portrayed as shallow. I asked what if a soldier from the 1800’s became sick with an illness not identified or understood until the late 1900’s? I’m talking about PTSD. I grew up in the west, I’ve studied the west and I spent two decades in the military around men who suffered from PTSD. I was compelled to write the story. I knew I got it right, when I received an email from an 82-year-old veteran of the Korean War and he told me Sam inspired him.
Sam has a tumultuous past and lives a dangerous life while being a very deep character. How did you set about creating his character?
As I mentioned, I was blessed to work for several years in a rehabilitation center for troubled veterans. Many of them had alcohol problems, as the most common remedy veterans find is intoxication. Underneath, the illness attacks the spirit, the humanity of the soldier, and all too often, the alcohol is a secondary problem. Serious? Yes, but secondary. Sam is a blending of several men I worked with. I purposely made Sam a non-drinker (essentially) as I wanted the reader to focus on the real issues suffered by veterans, anger, guilt, loss, failure and loss of faith. It was important to me that Sam, after years of suffering, not meet a beautiful woman and suddenly be cured. In the story, the first “person” Sam connects with is a stray dog. Kind of like Sam, himself.
I felt that the backdrop, time frame and use of guns was very well used. Did you do any research to maintain accuracy?
Anyone who writes historical/fiction is obligated to the reader to do full and complete research. Every gun, the cattle trails, and the battles are accurate. Sam grew up in Elmira New York. In actuality, Elmira was not only a rally point for Union troops going south, there was a POW camp in the later stages of the war. The death rate of the prisoners matched those of Andersonville in Georgia. The Confederate soldiers housed there referred to the camp as “Hellmira.”
Even the weather conditions for the Battle at Antietam was researched as best as records kept for that time frame. The retelling of that battle is accurate with the one exception of the Forty-duce from New York.
What is the next novel that you are working on and when will that book be available?
I currently have “Dead Men Walking,” book two of the Nate and Clare series (The Tenth Nail), with my editor. She tells me the book should be ready late May or early June. We are shooting for June 1st. I am working on my first fantasy/crime drama/romance and it is a story of werewolves. As always, I strive to make my characters as “human” as possible. “The Shadow on the Moon,” working title is planned to be ready this fall.
Samuel Cardiff had a plan. He had recently graduated from the Teachers College and now he was returning home. The first goal completed, his next step was to find a position and then he could get married.
Samuel was a quiet man, some would say a pacifist. He believed in God, family and education. He was not concerned with the happenings outside his home town.
Outside events, however, were about to drag him from his beloved Elmira. It was the spring of 1861 and Confederate forces had recently attacked Fort Sumter.
Against every moral belief, he enlisted in the Union Army and with his first step toward the south, he changed his life forever.
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Mestlven follows Meredith as she returns to her home at Sorrow Watch to destroy her enemies. What themes did you use as you built this new story in the Perilisc series?
As a man without a father attempting to raise two sons, in a lot of my work, I study fatherhood. In this book, I studied motherhood, and the effects of a mother’s estrangement from her children. I wanted to study obsession and how it can dominate the mind and creep into the soul. So far in the work I’ve published, I’ve played very little with love, and the love that I did show in Chaste was an old and familiar love. In this book I wanted something new and fresh. Of course, I wanted to spend some time on revenge. It is an idea that’s gone through my mind often in my life because of my childhood, and I wanted to develop that theme and play with it in my work. In most or all of these topics, I found a certain amount of cathartic release. Mestlven really did help heal me in a lot of ways, and I’m very thankful for it.
The town of Mestlven is a haven for the depraved, dirty, greedy and perverted. How did you set about creating this vivid world?
In my past, I learned that when you live with darkness, you live in darkness. If you’re violent and ugly, the world you live in can’t help but be the same. Evil breeds more evil. The tragedy of Sob’s situation is that she is so enthralled by the idea of her own revenge that she attracts darkness to her. In many places, she had the opportunity to walk away from this darkness and find some other kind of peace. She had the friendship of Sai Sibbius Summerstone, and the love held out to her by Jeffery. But in both these situations, she turned away from that, seeking darkness. Usually, we find what we go looking for. There were many places in the city of Mestlven where you can find goodness and light. But Sob goes out of her way to avoid those places, to look for deadly pets and vile foes, and so the book is wrought with them.
The Pale is very morbid in this story. What was your inspiration for The Pale? Did anything develop organically?
For the most part, all of my work develops organically. My writing style is very much like I go around setting ideas into motion and watching them spin out of control. Very rarely do I plot an idea’s course. I started out with the idea of a festival of death, and tried to picture the city that would willingly hold such a festival. I realized that none would. None would truly welcome in the goddess of death to take over their city. So she would force her will upon them. I started looking at the sort of things that would be held sacred by the goddess of death, thinking of what would be The Pale’s virtues, what would she love? That’s when I realized she would see killers and murderers as her most beloved. She would hold sacred certain diseases, and when she sees someone like Sob, preparing to paint a masterpiece of death, she would send aid. I pictured the face of death, and what that face would look like, and for some reason, the image was of a beautiful woman with pale skin. So I named her The Pale. My gods I cast as people. They’ve all got their own likes and dislikes, loves and desires. They have their own flaws and their own sins. The only trick to creating my religion is understanding the quirks and foibles of the deity.
This being the fourth book in the Perilisc series, are you developing a fifth book or a different story?
We’re going to set this story line here for awhile. In 2019, we’ll pick up where we left off and head into a 5-book epic series I have already written that will take us through The Escape. But for now, we’re going to head southwest and find Rayph Ivoryfist for a trilogy called The Manhunters. When we left Rayph Ivoryfist in Liefdom, he had had a falling out with his king, Phomax. In my next book, Song, Rayph has been wandering the countryside of Lorinth, helping out where he can, and waiting for the king to die. Soon, a new evil organization rises, and he must gather what allies he can and rush off to face it. That’s where we go next. It introduces a set of new characters, characters that will show up again everywhere. With the first seven books I release, my goal is to build a character list. I’m introducing as many different people as I can organically in order to have them in place for later novels. What’s exciting about Song, and really the entire Manhunters series, is that we get to meet a new cast of characters, all unique and varied, all of which are leading somewhere. And we get to make cheese.
Meredith Mestlven was abused and betrayed by her nobleman husband. After a desperate fit of retaliation, she fled for her life and lost her sanity. Now nearly 20 years later, she returns to her home at Sorrow Watch to destroy her enemies and reclaim her jewels. How far will she go to satisfy her revenge? Dark, cunning and beautiful, Mestlven will win your heart or devour your mind.
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The Passer follows Eleanor on the one year anniversary of her boyfriend’s death as new powers awaken inside her and she is visited by other worldly beings. What was the inspiration for the setup to this thrilling novel?
In June 2009, I was readying to go on stage during a performance of The Three Musketeers when an idea for a story flashed in my mind. That night before I went to bed, I recorded my thoughts in a notebook for a series of three stories, put it in the drawer of my nightstand and forgot about it. A year later I came across the same notebook and happened upon the page containing my three sentence synopsis. The subject matter dealt with death, loss and grieving expressed through a supernatural lens. I’m not entirely sure what prompted my somber thoughts, especially since I had not experienced the loss of a loved one in quite some time, but even as I read my words I had written a year earlier, something deep within me yearned to tell this story.
By the end of the summer of 2010, I was obsessed with the idea of a woman who develops supernatural abilities that have been dormant within her since birth and how these powers are triggered by the tragic loss of a loved one. In October of that year, after returning from a vacation in Northern California- what would turn out to be the setting for The Passer – I made the decision to write the book. For the remainder of the year I delved into some old favorite subjects-Greek, Roman and Celtic mythology- as well as Mysticism and the teachings of Esoteric Wisdom throughout the ages. All this fueled my desire to sing a song about death and grieving and in February of 2011 I began in earnest the first draft of The Passer.
Eleanor is an intriguing character. She is an accomplished actress and a professor as well. What were the driving ideals that drove the character’s development throughout the story?
I have had many readers tell me they admire Eleanor, both for her accomplishments and her struggle against a transformation that is beyond her control. Also, there are those who find her undeveloped and whining at times, mainly in regards to her ever-suffering devotion to her deceased boyfriend, as well as her head-scratching romance with her brutish, former husband. Eleanor harbors all these characteristics by design. Without revealing too much about her ultimate destiny, she will continue to develop, grow and surprise us (hopefully in a delightfully shocking way) by the end of the series.
Regarding Eleanor’s dual profession, that is based on two individuals who are/were (one is now sadly deceased) both university professors and active performers in their given fields. The one who most closely represents Eleanor is a gifted Shakespearean actress I had the pleasure of performing with in A Midsummer Night’s Dream who at the time was about to receive her doctorate in theater.
I felt that Eleanor’s powers were subtle and built rather dramatically. What was the inspiration for her powers and how did you keep it believable in the story?
From the moment the story was conceived I knew it would have a supernatural element driving the plot. As Eleanor took shape in my mind, her struggle to cope with her loss unearthed these abilities she had no idea she possessed. As she travels through her journey of discovery we are there with her, which helps to keep it real. The continuing acceleration of Eleanor’s powers is a key element that will play out through the entire series and will drive the plot to its final conclusion.
What is the next book that you are working on and when will it be available?
We are currently editing the second installment of The Passer series, Ghostworld, which is scheduled to release in fall 2017. The story will begin where it left off at the end of The Passer.
There are two other projects underway. The first is Why I Love You The Passer Series, titled The Order.
Also in the works is The Magical Series based on Eleanor Bouchard’s sister Josephine Bouchard. Josephine returns to Ohio to live in her childhood home, only to discover that it is sitting on top of a supernatural fault that is brimming with activity.
The Amazing Amelia Monroe Series follows the precocious six-year old girl from The Passer as she matures in her powers while learning the truth about her deceased mother and biological father’s past.
After a year of desperately mourning her deceased boyfriend, Dr. Eleanor Bouchard, a theater professor and acclaimed Shakespearean actress, is ready to move past the despair that nearly destroyed her. But, on the anniversary of his death she is summoned by a frightening apparition with a message:
Help him believe…
As she attempts to unravel her ghostly messenger’s meaning, she begins to experience harrowing visions of a missing woman and discovers she possesses otherworldly powers that have been lying dormant within her, waiting for her to awaken.
While Eleanor struggles against her emerging powers, Daniel Archer, her former love, has troubles of his own. His wife has suffered a tragic death and now the famous actor, along with his precocious step-daughter, Amelia, seeks sanctuary in Eleanor’s secluded home in River Mist, California-whether she wants him there or not.
As their lives intertwine, Eleanor discovers a fateful connection to Daniel and Amelia and suspects that the haunting events that brought them together quite possibly were destined to be.
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In this novel; passion, danger, and the madness of King Kynneth are spreading across the land, and Christa’s legend is at the center of it all. What was one thing that got you excited about writing the 3rd book in your Atriian Trilogy?
I was anxious to see how Christine would fare against crazy Kynneth and his formidable infatuation. And I was especially curious to see how she would resolve her greatest dilemma of all, her forbidden desires for Hannen Fallier.
Christa stays true to her headstrong nature and is prone to ignoring advice she doesn’t want to hear while making risky decisions. How do you think her character has developed throughout the trilogy?
As a young woman, Christine felt the world was pitted against her. She was defiant and unruly, and prone to distancing herself from others to avoid further rejection. When she finally lets down her guard, her trust is brutally betrayed, and she is left bitter and broken. When she becomes a mother, I believe her focus shifts. It’s no longer herself she is trying to protect. She is fierce in her resolve to keep her children safe. I believe her headstrong nature, her grit and determination, are the very traits that keep her alive on Atriia, and that ultimately forge her into a legend.
The cover art for the Atriian Trilogy has been fantastic. What decisions went into the art direction?
I wanted to depict the characters as I envisioned them, to capture the image of the fierce fraigen dropper with his menacing mask and toothy tattoo, Christine with her ravishing red hair and piercing blue eyes, Lor Zeria with his sensuous mouth, and King Kynneth with a gloating glare in his eyes that could only mean trouble.
This being the third book in the Atriian Trilogy, how do you feel about the series coming to a close?
It’s been bittersweet. I’m afraid I’ve grown much too attached to many of the characters. It was a fantastic journey, and though there were horrific moments that broke my heart, I’m sorry to see it end.
Do you plan on continuing these characters in another series or are you working on something different?
Currently, I’m working on a completely different series, but one never knows. Mayhap somesol Becca and Bixten may have a tale to tell.
He is King Kynneth, hungry for power and bent on revenge. He means to rule the world of Atriia and to claim Christine as his own.
Will he conquer the world? Will he conquer Christine? Or does fate have other plans?
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Adam’s Stepsons follows Dr. Heimann as he designs the perfect soldiers for the United America’s in their war against the Martian colonies. What was your inspiration for the setup to this interesting science fiction story?
At the time I wrote the kernel of the story, I was working in a used bookstore and devouring all the short stories and novels by Phillip K Dick and Robert Heinlein that I could lay hands on. I was (and still am) fascinated by questions of “what is reality?” but I was (and still am) also intrigued by the question “who am I?” not only in terms of shared realities and perceptions but also ethnicities, religions, and personal relationships within the family. The sense of self is inextricably bound with community and history; my own family history, for example, is filled with generation after generation of soldier in nearly every major conflict since the 1680s. So I knew that I wanted the story of Dr. Heimann and his clones to take place during a military conflict of some sort. The US made it to the Moon first, so I figured any Moon Base would be set up by a future version of the US. But the rising powers of India and China would necessarily lead to competition and colonial expansion elsewhere in space. So I based the UAAF on the Moon, India on the ISS, and China (basically) on Mars. But something has gone wrong, as it usually does, and that sets off the conflict.
I should point out that, when I initially plotted the story and sketched out the characters, Dolly the Sheep hadn’t been announced, Battlestar Galactica was a late ’70s TV show starring Lorne Greene, and “The Clone Wars” still consisted of a single line spoken by Obi-Wan Kenobi. So as much as I’d love to say that I got the idea for soldier clones from the current zeitgeist, the underlying premise of Adam’s Stepsons actually predates the trend. My high school library had beat-up copies of Nancy Freedman’s Joshua, Son of None, and Ben Bova’s The Multiple Man, so it’s likely I internalized elements from those stories and subconsciously reproduced them in my own story.
Dr. Heimann and one of his cloned soldiers, Seth, have an intriguing relationship that becomes very deep. What were the driving ideals that drove the characters development throughout the story?
Dr. Heimann prides himself on his scientific bent of mind, but he struggles to cope to grips with the fact that he basically has no family left, and as Seth grows and begins to develop a real emotional attachment, the doctor desperately tries to push away the feelings he had for the person Seth is clone of. Meanwhile Seth has been trained (“brainwashed,” as the doctor puts it) to be an efficient killing machine, and his need for order compels him to seek out and eliminate anything unknown or unreasonable. Yet he, himself, can’t help feeling strong conflicting emotions, first toward the doctor and then toward his fellow clones. Both characters are driven to discover, deep down, who they really are as people, outside their rigid societal roles as scientist and soldier. Dr. Heimann knows that Seth is not his real son, but can’t help treating his stepson’s clone familiarly because it reminds him of what he has lost. Seth has been “programmed” not to think of anything other than army orders, but he can’t shake the sense that there is more to who he is as a person. Finding out he is a clone, and who his “brothers” are, is the trigger for the final confrontation.
Science fiction has always asked the ‘what if’ questions, but I feel that your novel went a step further. What were some ideals you used in building your story?
My original intention was to investigate not just the “what if” of human cloning (i.e., how would this be done? how would the clones grow physically and mentally?) but also the “what is self?” to a cloned human being. The scientists argue that personality is partly inherited and partly environmental; so if you were to make several different clones of one person and then controlled the information input, they would all become the same person. But personality also consists of emotional attachments made with other human beings on a deeper social level. Human beings are social animals; we need other humans to survive and thrive, and without others we have no clear sense of who we are and what our purpose is. So in order to examine this in a futuristic setting like a clone facility on the Moon, I needed to have a reason for making clones in the first place, plus other people who would provide the clones with that social environment. Once that was established, the real question became “Is what we’re doing morally ethical?” The military paying for the clones display classic cognitive dissonance, by using people they claim are not really people but know they actually are, in order to win what they call a morally righteous war but actually is destroying their entire society. Yet the General clearly also feels a sense of internal conflict, feeling obligated to protect every member under his command, including the clones, and also knowing through his friendship with Dr. Heimann who the clone really is and how this might affect his friend. Ultimately, I was interested in making sure none of the characters were typical “scifi” stereotypes, that they had ideals but were deeply flawed people, and ultimately would find themselves trying to make the best of what basically could turn out to be a lose-lose situation in the end.
What is the next book that you’re working on and when will it be available?
Right now I have a couple of projects I’m working on in various stages, but the one most closely related to Adam’s Stepsons is a metaphysical science fiction series set mostly on Mars. The first book is called Bringer of Light; a crew of ethnically diverse and somewhat misfit asteroid hunters recovers an extra solar object from beyond the solar system, experiences physical and spiritual changes, and ultimately becomes the new leaders of the united Mars colonies as they break away from the old political chaos of Earth and form a new society. The story combines hard science with various mystical systems of belief, ethnic and religious sense of self and identity, and international/interspacial political intrigue. I’m about a third the way through the initial draft; the aim is to finish writing by the end of summer 2017, and have an edited, polished manuscript done by spring 2018. The next two books (Defenders of Aeropagus and Return to Omphales) have already been outlined and plotted.
Dr. Johann Heimann designed the perfect soldiers: superhuman in strength and intelligence, immune to sickness and disease, programmed to lead the United Americas to a quick victory in the Mars Colony War. But Heimann didn’t anticipate the military’s unrealistic demands, or his own emotional responses to his creations. And now Number Six is calling him “Father”! What exactly is going on during the clones’ personality imprinting cycle? As Heimann starts his investigation, Number Six grows in confidence and self-awareness…and both discover the project hides a secret even Heimann, himself, doesn’t suspect…
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Angie Brown, A Jim Crow Romance was originally written by Lillian Jones Horace 68 years ago. What inspiration did you find in this book that made you want to publish an annotated scholarly edition?
I am certain that most of my admiration stems from my appreciation for Horace, the African American southern woman writer, who remained true to her commitment to write “creatively but constructively.” Before I began conducting research on Horace and her writings, she and the archival material treating her life and works were largely overlooked by scholars.
The protagonists she created all exemplify the kind of determination that Horace herself demonstrated throughout her life.
I wanted to create an annotated scholarly edition to help Angie Brown find its way into the literary canon, where students and scholars of African American literature could weigh in on its value.
Angie Brown is a strong women that is finding her path through troubled times. What are some things you admire about her character?
I admire Angie’s determination, practicality, openness to learning, friendly nature, and commitment to progress.
What kind of research did you do for this novel and Lillian Jones Horace?
I conducted extensive archival research to better understand Horace and the characters she created. A comprehensive list of the repositories I visited appears in my first book-length publication on Horace titled, Recovering Five Generations Hence: The Life and Writing of Lillian Jones Horace (2013). I have been researching and writing about Horace since 2003. Her papers are held in the Fort Worth Public Library, Fort Worth, TX.
I understand you contacted some of the Horace family for this book. What were their reactions to you pursuing this 100 year old story?
I contacted her niece and two of her great nieces. Her great niece, who remembered her well, knew that Lillian Horace was a respected educator, but she had no idea that Horace had written two historic novels. Most of what I shared with her and other family members about Lillian Horace was new to them.
Do you have any other books in the works?
Yes. I am working on an edited version of Lillian Horace’s diary, and a book project comparing and contracting the trajectory of Horace’s life and works to those of her younger and more popular southern African American contemporary, Zora Neale Hurston.
“Angie Brown is a romance migration novel set in the Jim Crow era. Angie, the protagonist, determines to embrace all life has to offer despite the social restrictions facing young black southern women like her. Angie holds fast to her desire to find financial success, personal fulfillment, and true love, but she does not achieve her dreams alone, nor do they unfold in the same place. From Belle, her confidant; to Betty Yates, the teacher; to Chester, the pool hall owner; women and men from various social stations in life and different places share nuggets of wisdom with Angie. With their love and support, she overcomes tragedy, welcomes fresh possibilities, climbs the social ladder, and opens her heart to love. Angie’s progressive journey reflects the migratory trek of many African American Southerners of the Jim Crow era, who left the South for greater educational and economic opportunity. Her quest leads her from a small segregated community to Hot Springs, Arkansas, and eventually to the Midwest, including St. Louis, Missouri, Chicago, and Southern Illinois. As Angie travels from place to place, she gradually comes into her own and learns key life lessons. Angie learns that struggle is universal. While doing domestic work, she discovers that whites, who live on “The Other Side,” also experience pain, suffering, and grave disappointment. Love eludes white women, too, and they, too, face gender discrimination. Having overcome her fair share of personal losses, Angie reaches across racial lines to console Gloria, a member of the Parker family, for whom Angie does domestic work. Her experience with the Parker’s is juxtaposed to her dealings with the Mungers, a rich, Northern white family she meets. Although the Mungers are kind to Angie, she learns that life beyond the South is not perfect. Yes, she and other blacks face less virulent forms of racism outside the South, but economic stability and educational opportunity are not easily achieved.”
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Fathering the Fatherless is a short, non-fiction story detailing the struggles a man has in terms of understanding and becoming a father. Why was this an important book for you to write?
I wrote the book because my Pastor struck a cord inside of me when he asked me to pray for fatherless spirit. I was like wait, there are hardly any books on this as far as I know. And then within 5 months I wrote most of what is in Fathering the Fatherless. From that I noticed I fell under this pattern of statistics and I needed to change so my children would live a healthier and better life and that I would become the father God called and made me to be. If you look at the first chapter, Statistics of a Fatherless Home, and look at whats going on in this world you can see what I mean.
What is one misconception that you think people have about fatherless families?
Well, writing this book was from the heart as a man growing up without a father I feel I missed out in so much as a child and as a father I lost out on how a father really should be and how to father.
You speak from your own personal point of view in this story. Was there anything difficult for you to write about?
It was hard to talk about me as a father and not having a father as I was growing up.
What is one thing you hope readers take away from your book?
I hope everyone will grow and learn from the book and strive to do a better job and teach others how to be a better father.
“Fathering the Fatherless deals with Fatherlessness and what it does to children and The choices we make in there life. What we can do as a dad to fix it.And do better for our Children to come to know they have a father that loves them and wont leave them, You & God.”
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