Fractured details your revelations and strides toward bettering yourself both mentally and physically. What was the inspiration that made you want to capture your experiences in a book?
I originally started writing the book as a form of therapy, a way to help get the trauma, events and details of the accident out of my body and mind. Then around my 30th birthday, I had a breakdown. I felt like a failure, I thought I should have been at a different place in my life, I thought I should have accomplished more. After many therapy sessions and allowing myself to cry, be mad, and feel all the feelings – I realized I had so much more to share than just the details of the accident. I took a step back and saw how hard I had fought to be healthy and have a successful life. I knew at that point that my book was supposed to be about that. I wanted to share my struggles and adversity in hopes of helping others going through something similar.
I greatly appreciated your candor in detailing the obstacles you faced and I could truly feel the tragedies as well as the victories. What was the hardest thing for you to write about?
The hardest thing, hands down, to write about was the rape when I was a freshman in college. It was something only my therapist really knew about. I hadn’t even told my parents at the time I was writing it in the book. It brought back all sorts of memories, feelings, and shame. As I was writing it I had to take many breaks, remember that I was not the same person nor in the same place, and keep telling myself I was enough. THEN came the hard part of having to tell my parents about the event. I had hid it from them for 12 years but I knew I needed to tell them before the book came out. Again, all the fears, shame, embarrassment, and emotions came rushing in. But I knew it was something I had to do before I let them read the book – that was probably the only thing they didn’t know about that was in the book. I also knew it was something that I absolutely needed to include in the book since the book is all about finding my voice and sharing my truth. This was a huge part of losing both of those things. I am so thankful to have such supportive, encouraging and loving parents. It was extremely hard for them to hear, but I know it ultimately brought us closer and deepened our relationship.
In Fractured you reveal a past with issues like body dysmorphia and a struggle to find your own voice. What is the message you hope readers take away from your book?
I hope readers can take away the lesson I learned after my 14+ year struggle with diet pills, anorexia, and body dysmorphia… YOU ARE ENOUGH. Beauty comes in all shapes and sizes. The image society portrays that you have to be skin and bones to be beautiful is so distorted. I hope readers, especially young girls can read this and have an “aha moment” before they enter into a self-destructive path. It also my hope that men and women learn that it is ok to be vulnerable, to speak, share, and use your authentic voice, live in their authentic skin, and follow their own rules. Don’t shrink yourself to make others like you. It is not worth it. It is so much more fun to live life celebrating your bigness.
You are the founding director of the nonprofit company Step Up Chicago Playwrights. How did that start and where do you see it going in the future?
I founded what was then Step Up Productions in 2009 with the mission to share truth onstage and inspire the audience to embrace their own personal truths (haha see a pattern?) We had 3 successful seasons of shows in which we chose a social service organization – whose mission matched the theme of the show we were producing- in Chicago to partner with and donate a portion of our proceeds to. In 2015, funding was low and we were struggling to be able to fund our next production. I took a step back and cancelled the remainder of our season. I talked with a mentor, friend, and phenomenal artist in Chicago, Brad Akin, and together we came up with Step Up Chicago Playwrights as it is now. A company that pairs Chicago Communities with local playwrights who will write a play based off that community. Our hope is to make theater sound and look more like Chicago, All of Chicago! I have since taken on an advisory role since I moved to California with my fiancé who was relocated for work and Brad has taken on the Executive Director role. I know the model we have sets us up for success. We are in the process of choosing our first playwright and community to kick off the inaugural year with Step Up Chicago Playwrights.
Fractured is about your journey of self discovery, but it’s also about your family. Was there anything about your family that you only learned through this journey?
In talking with my therapist about different patterns I was trying to break and learn the history of where they started (me always being good, my need to please, not using my voice) I learned a lot about my family. I brought different topics up to my mom and asked her a lot of questions about my young childhood that helped me figure out why I embedded certain thoughts, behaviors and patterns into my system. I have to say, even though it was not always pleasant to learn and a lot of hard work, it was a lot of fun putting all the pieces together and learning why I did and thought certain things.
From the outside looking in, Elizabeth had the perfect life. She had a family who loved her, numerous friends, and a successful career. No one knew the hurt, pain, and angst she hid inside, struggling to keep herself small so that those around her would still like her.
It all came to a head on October 23, 2007, when her parents received a call that she was lying lifeless in the ICU in a hospital in Utah — “You better get out here, your daughter is not going to make it.” Fractured: My Journey Back From Death and the Lessons I’ve Learned Along the Way is the memoir of Elizabeth’s recovery, spiritually, physically, mentally, and emotionally. It is about her deliberate decision to begin the hard work finding and using her voice and the struggle to break out of the box that society tried to keep her in.
This is the story of what happens when one woman stared death in the face and decided to make a conscious choice not to go back to sleep, but to wake up and live the life she knew she was meant to live.
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In Typhoon of Fire we follow Ace Mcdagger who teams up with Captain Loxwell of November squad to rescue her teammates scattered in the forests of Malaysia. What was the inspiration for the setup to this thrilling novel?
During Call of the Conjurer, when the characters were new recruits to the hidden world of modern, magical combat; they spent a lot of time in a regulated, clean environments. The characters were usually safe. I wanted to go the opposite way in Typhoon of Fire. I wanted the situation throughout to be very rough, challenging and dangerous. My very first thought, visually, was of Vietnam era war films like “Platoon” and “Apocalypse Now”.
The jungle is wild and hostile, and Malaysia is a location brimming with different environments which greatly inspired the events throughout. The characters explore flat, arid plains and damp rainforests, a rundown laboratory overrun by plants, an abandoned mine, a floating fortress above the clouds… I had a great time using colour schemes to set the mood. The use of natural environments also helped me to emphasise major themes in the book. Subjects such as ‘corruption of life’, ‘man versus nature’ and ‘Hell on Earth’.
I felt that the novel was very well paced and kept me engaged throughout. Did you plan the novel as you wrote or did it all happen organically?
It happened organically, for the most part. From my perspective, Typhoon of Fire is a prequel to another book I have written – but I decided it would be better to publish them chronologically. Certain events had to happen in Typhoon of Fire, and with that in mind I just had fun writing what I wanted: a creepy science-gone-wrong scenario!
Developing the supporting cast and their stories happened organically as well. They were new characters, who would not necessarily be seen again; so their personalities, roles and fates were all blank slates. I enjoyed unravelling these characters, adding little twists to their personalities to surprise the reader. A lot of the characters are very different people by the end of the story, for better or for worse. I suppose in essence, the main plot of Typhoon of Fire was an after thought for me. The subplots, however; the individual character arcs which pave the way for future instalments, are the real meat and bones of the book. Away from all the magic and sci-fi, this is a book about humanity and frailty.
Ace, Shimon, Tiffany, and Loxwell have brilliant dialogue and they feel like living characters. What things did you focus your character development on to bring your characters to life?
I absolutely adore writing flawed characters. I like my characters fumble their dialogue, on occasion, or misunderstand information given to them. It makes them more human, to be far from perfect. I enjoy the concept of the “unreliable protagonist” and bear that in mind when I write. Sometimes the characters make mistakes, and sometimes they lie, even to themselves. They are supposed to be human, despite any super human magical powers they possess. Careful dialogue keeps them grounded and relatable.
What is the next novel that you are working on and when will it be available?
Tricky one! I actually have two books in the proof reading stage now. One is a direct follow up to Typhoon of Fire, called Bloodfest, which was the book I had written before this one but decided to release later. The other book I’ve completed is a supplementary story called The Sardonyc, which focuses on the Science Department mentioned throughout Typhoon of Fire. The Sardonyc is a very different book to what I have written before, but it is still within the same self contained universe.
Bloodfest will be a straight up action horror / macabre comedy, continuing the adventures of Ace Mcdagger. He is more grown up and world weary by now, and is deployed to a mysterious island to dispatch a rising army of the undead. Definitely one for zombie fans!
The Sardonyc is more of a psychological thriller, about a troubled new character named Sidney. He is part of a research team stuck on a ship in the middle of the ocean, and everybody is slowly going mad. Sidney must figure out why it is happening before he succumbs as well, and there are plenty of twists along the way.
I hope the Literary Titan will review my next book soon – whichever one is out first!
Three years after training; learning about magic combat and of monsters that terrorise our world, soldier Ace Mcdagger and his allies join Captain Rafaella Loxwell of November Squad for a rescue mission. Her team mates have been scattered following a disastrous attempt to seek out a rogue scientist deep in the forests of Malaysia. Their path is mired by many obstacles; treachery, psychic warnings, scientific abominations, and an overwhelming storm – the Typhoon of Fire, slowly closing in on the region without a known cause.
Worst of all, Ace has to contend with a personal challenge – keeping his mad cousin out of trouble.
Can Captain Loxwell save her team mates and complete the mysterious mission? And will Ace and his friends survive out here in the midst of true, heated battle?
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STAINER follows Ben Steiner, a Jewish Columbia undergrad who is a decent person but wishes to be “in” with the “in crowd.” What was the initial idea behind this story and how did that transform as you were writing the novel?
Since I wrote the book forty years ago, I must confess that I cannot precisely recollect what the initial idea was. I just sat down and started scribbling (longhand, on legal yellow sheets) and eventually the novel emerged. However, as I explain in my Author’s Preface, the manuscript was an overwritten mess. I was a complete amateur, and made every mistake in the book… (okay, that was a truly cringe-worthy pun.) But now that I think of it, I did have a vague notion that I wanted to somehow skewer an acquaintance of mine, and decided that the cleverest way to accomplish that would be to turn them into a rotten character in a book. Which I did… and no, I won’t tell you which character, but suffice it to say that nowadays my intended skeweree is rich, fulfilled, aging much better than I am, and utterly unaware of my –or my novel’s– existence. Which, all things considered, is exactly as it should be.
Of course, at a distance of four decades, I am now able to perceive things in the novel that weren’t apparent to me at the time I wrote it; by which I mean that there’s more than a trace of autobiographical heartbreak in the story. And I think we’ll leave it at that.
Ben goes through some strikingly personal conflicts throughout the book and his character is meticulously developed. How did you capture the thoughts and emotions of a 70’s Jewish teen?
Easy… I was a 70’s Jewish teen. Well, not technically… even though I was already in my mid-twenties when I wrote STAINER, my mindset remained that of an irresponsible teenage scamp, and I simply wrote prose in the same the way I spoke/ thought/lived; in other words, from the viewpoint of extremely arrested adolescence (ahem.) Luckily for me, it turned out that I had a knack for accurately capturing the mood and lingo of the times in my writing… who knew?
Ben meets P.T. Deighland, a wiseass from Princeton, who is clearly up to no good. What were the driving ideals behind the characters relationship throughout the story?
“Driving ideals”? Hmm… I have no clue, other than to suspect that the relationship between ‘bad-boy’ P.T. and ‘good-boy’ Ben somewhat reflected the two sides of my own slightly schizophrenic persona; which, in those days, remained more-or-less in a constant state of conflict. To all outward appearances I was definitely a good boy, but like many such young fellows, secretly wished that I had the nerve and coolness to behave like one of the bad boys. Because, after all, the bad boys always got the girls… didn’t they? But, like Ben, my efforts to attain bad-boy status were ultimately doomed to failure, and came at a heavy cost.
What is the next book that you are working on and when will it be available?
I have a new novel under way, and it’s as different from STAINER as STAINER is from SHE’S MY DAD. I can only write stand-alone novels; the mere thought of doing sequels or a series is a stupefying bore. For me, once a story is wrapped up, that’s the end of it, and then I’m off to build a new world, with new characters, new problems, new everything. It’s the only way I can stay interested enough to keep going.
As to when the new book will be available, who knows? All I can say is, stay tuned… I do believe it’s a pretty good yarn.
New York City, 1975: Decent-hearted but spoiled Jewish college kid Ben Steiner is naively possessed by an overwhelming desire to be cool. At a springtime party on the night of his twenty-first birthday, he meets two people: Rebecca Glaser, the longed-for sweet girl of his dreams, and P.T. Deighland, a beguilingly knavish wiseacre from Princeton. Seduced by Deighland’s bold irreverence while simultaneously succumbing to his own temptations, Ben makes a cascading series of unfortunate choices which not only threaten his budding relationship with Rebecca, but expose him to ruin at the hands of a ravishing but ruthless fashion model named Anthea Montague.
Against the background of a vanished period in American history, STAINER offers a bittersweet nostalgic trip back to a less complex world, during a time of incautious excesses that, while deceptively fun and carefree, in due course forced many unwary youngsters like Benjamin Steiner to learn some necessary –albeit painful– lessons about growing up.
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Detours in Time follows Professor Milton, who invented a time-traveling car, and his assistant turned traveling companion Tabitha on their adventures through time. What was your inspiration for the setup to this entertaining novel?
I’ve subscribed to several writing sites over the years that offer writing prompts. It simply started out as a response to a writing prompt. After a while, imagining this story became a great escape for me. The element of escape is what kept me going with this story. That, and the headlines we’ve been seeing in America during pre and post-election. They truly can get an imagination going.
Time travel is always filled with paradoxes. Are there any that you had to deal with when writing this novel?
Well, there is possibly an issue with going back in time and seeing yourself, or the possibility that you cannot physically inhabit a time in which your body is already inhabiting. I don’t think we truly know the answers to that question, so I mostly went with the “what-if” factor through a lot of my story. What if you could inhabit a time where you already exist, wouldn’t you want to avoid bumping into yourself? I would say, yes. So that factors in to one part of my novel. Then, there is the concern that you must not bring anything back from the future, which becomes an issue at another point in the story. It could mean that a different person discovers the formula for artificial sweetener, thereby ruining another person’s life, which means they may not produce the children they had, leaving a hole somewhere in the rhythm of the universe. I was a natural-born worrywart, so I’m used to thinking like this.
With these types of time travel stories most people draw a comparison to Doctor Who or Back to the Future. I suppose the dividing line being familial involvement. What of these two fictions do you enjoy better and where do you think your novel falls between these two?
I would say it falls closer to Back to the Future, except the scientist is taking a young lady, Pinky, with him. That young lady might be comparable to Marty, except her personality is much different. I was such a fan of that series, and so was my son. It’s a happy memory for us both. I also had a dear friend who shared a love of this series with me who is no longer with us. It brings back memories there as well. I suppose that is why there is so much familial involvement in the storyline. Family is such an important thing to me, so it was part of the building of my characters, despite the fact that Pinky has been without her family and forced to be self-reliant for some time. You may say there’s a resemblance to Dr. Who because of the female companion, however, I don’t think there is much more that is similar. I have enjoyed Dr. Who but never was able to watch more than one season.
What is the next story that you are writing and when will it be available?
I have so many ideas spinning around! Most likely, what I will publish next is a book of paranormal stories, since I haven’t published in that genre yet. I have the stories and just need to edit, proofread, and polish. I also have 50,000 words done for the Detours in Time sequel, but I like to get good editing and beta reading before publishing a novel, so it won’t come out until next year. I plan to flesh that sequel out during NANOWRIMO, which really drives me to produce. I have the Made for Me series which takes place in the future, and plan to work on a book 3 to uncover secrets about the main character parental lineage which has been a mystery so far. I think that one will also come out next year.
On a whim, feisty Tabitha takes a trip to the future with her trusted friend Milt, an awkward Science professor. Wonders and curiosities abound. However, their amusing journey soon becomes a challenging maze of difficult decisions. When an unplanned detour occurs, the two set events into action that may save one life and yet destroy another. Can these friends of completely different mindsets agree on a course of action?
Amid the backdrop of a future that reveals great wonders and horrors, Detours in Time starts as a fantastic escape and grows to present many moral dilemmas and surprises that can either destroy the strongest friendship or bring two people closer.
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Fireflies of the Dead takes readers on a horrifying journey of blood seeking killers and revenge loving victims. What was the inspiration for this collection of short stories?
I’ve always been a fan of exploitation horror films, which I think really shows in the stories in this collection. I’ve been fascinated with rape revenge films such as Last House on the Left and I Spit on Your Grave for as long as I can remember. The boldness and grit of those films are what really drew me into them. I am a horror fan and as a horror fan I wrote stories that I myself would enjoy reading.
What was your favorite short story in the collection and why?
That is tough for me to answer because each story I like for different reasons. If I had to narrow it down, I would think my favorite is Watching Over Loved. I think it’s the darkest story in the collection. It contains no gore at all but packs a punch.
The stories are preceded by poems that help set the tone of the next story. What made you go with this format for your collection?
My previous books besides Burning Down Paradise were horror poetry collections dealing with extreme horror. As a reader, I’ve always loved reading short story collections. Especially when it’s a collection written by an author I’ve never heard or read before. I thought the poems would both serve as a way to set up the tone of each story as well as serve as stopping points for the reader.
I didn’t notice that any of the stories were connected, but they stood on their own well. Was there any overarching theme you tried to use in the collection?
Yes, some of the stories do share a common theme which might be hard to see through the violence and gore for some readers. In a lot of my work, I focus on themes of loss, loneliness and trying to find one’s place in the world.
Are you currently working on any full-length books? If so, when will the next book be published?
I’m working on a new draft a Novella I do not yet have a title for. It kind of serves as a sequel to my book Burning Down Paradise but yet is a stand alone story as well. I don’t want to give away much right now but I will say it takes place in a prison.
An alien from a distant world falls to earth with an insatiable craving for human flesh and something even more frightening, a desire to mate! Witness the tragic tale of a lonely man with an unhealthy affection toward the fire.
Seven short stories and poems that will take you on a blood-soaked thrill ride filled with mayhem and horrific images.
Fireflies of the Dead will chill your blood.
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The Secrets of all Secrets follows Zane who receives a USB from a stranger that contains a message that promises the Secret of All Secrets. What was the inspiration for the setup to this fun novel?
I wanted the premise of the story to be wacky and like a fairy tale with epistemological overtones. Many of us grew up with fairy tales of one sort or another, so the concept is recognizable. The USB is Jack’s bean stalk. Once it’s there, he has to climb it. The USB idea occurred to me because I use them in my work as a college professor. I wondered what would happen if all knowledge, the meaning of life, etc. were on one? The next question: What parties would want to pursue The Secrets and to what lengths will they go to get them?
In this story you combine irony with wry humor and manage to keep it all topical. What themes did you want to explore when you started this book?
The overarching theme is illustrated by Shakespeare’s line from The Tempest: “The stuff that dreams are made on,” which is what The Secrets represent. What would be the government’s dream for getting The Secrets? Probably something to do with gaining ultimate power. Corporate America’s dream? Wasn’t there someone who said there’s no such thing as making too much money? The two crazy extremists’ dream is to create an Anti-Amerika, “Amerika with a k.” That the representatives of these entities are comical bunglers illustrates the way in which human beings can wreck any mission. As for the two main characters, Zane and Dali—Everyman and Everywoman—the dream is more about self discovery. It’s a classic conflict: individuals versus institutions and malevolent factions. Jack versus the Giant.
Zane and Dali are both enthralling characters. How did you set about creating their dynamic relationship?
What’s kind of funny is that when I started the novel, there was no Dali. Once I got to the point in the story where Zane begins his quest, I knew he needed a partner, someone equally smart, resilient, and resourceful but with a different sensibility. Zane is an intellectual. Dali is more pragmatic. There is tension between them, but there’s also balance. “Two peas in a pod,” as is stated ironically early in the book. It doesn’t hurt that they are attracted to each from the start without admitting it to themselves.
What is the next book that you are working on and when will it be available?
I’m working on a satire of political correctness. I’m hoping to finish it and have it published in a year or two. Some of this is dictated by my teaching schedule, but if you know any publishers willing to give me a triple figure advance, I think I could work a little faster.
Zane, a seminary and grad school dropout, obtains a USB drive left by a cloaked figure on a bridge in the middle of the night. The drive’s content offers Zane “The Secrets of All Secrets”—a tantalizing proposal for someone who has nothing left to lose.
Following the drive’s directions, Zane heads to Florida where he encounters Dali, a poor waitress who received an identical USB. Initially clashing, they band together, taking a chance that The Secrets are genuine as they receive more instructions from their USBs.
Four conflicted government operatives; an extremely tall corporate executive with an extremely short, scholarly hit man in tow; and two crackbrained, fringe-element, anti-government separatists are after The Secrets—and are all willing to kill to get them.
Zane, Dali, and their pursuers encounter an armadillo festival, visit a nudist resort, and hang out with a presumed dead ’60s rocker. Pandemonium occurs at each venue with Zane and Dali one step ahead of everyone… that is, until all parties convene for a climactic confrontation over The Secrets.
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Fleeing the Shadows is a satisfying follow-up in the continuing Dangerous Loyalties series as our brave heroine flees with her family into the Kentucky frontier. What direction did you want to take this novel in that was different from the first book?
After the danger caused by Papa’s covert activities in book one, I wanted readers thrust headlong into survival mode with thirteen-year-old Mary and her family.
The family is always running from something and danger seems to lurk around every bend. Did you plan the plot twists before writing or did they develop organically?
I used a rough outline to keep the story moving but allowed surprises to happen naturally.
Mary continues to carry the bulk of the family’s worries as her Papa makes increasingly difficult decisions. What were some obstacles that you felt were important for her characters development?
Mary struggles with PTSD. She must deal with each fear and keep going. Mary rises to the task of taking charge of her siblings when Papa must care for Momma. When Mary shuts down in fear, she allows her family to care for her. Her ultimate challenge leads her to face real and imagined shadows to save her family.
Where will book three in the series take readers?
Mary hopes life at Fort Boonesborough will fulfill her dreams of a peaceful life with friends and suitors. She has her heart set on a certain someone and is determined to win him for her future husband, but Papa and the American Revolution say otherwise.
She blames herself for the bounty onPapa’s head.
Book Two in the Dangerous Loyalties series–a historical novel for teens–continues the riveting story of Daughters of the American Revolution patriot Mary Shirley McGuire.
It’s late summer in the Alleghany Highlands, 1775. Colonial Virginia has resolved to support the American Revolutionary cause for liberty. The British are determined to retain control of the fur trade and keep frontiersmen fighting Indians instead of joining the Continentals.
Thirteen-year-old Mary Shirley is still recovering from emotional wounds inflicted when she risked her life delivering traitorous dispatches. She trusted the wrong men, and now the family must flee Indian Creek to stay ahead of British Loyalist who seek her papa’s life.
But they can’t risk being captured by taking the main road to Daniel Boone’s trail that leads into Kentucky territory. They must endure the more dangerous and grueling hunter’s path that leads to rough frontier forts along the Clinch River.
Passions are ignited, friendships are formed, and shocking lessons are learned.
Papa ignores the warnings to wait for other travelers, causing Mary’s anxieties to worsen. Once they cross the Cumberland Gap, they’re at the mercy of God and the Chickamauga Cherokee to make it to Fort Boonesborough alive. Frontiersmen tell them the settlement of Fort Boonesborough isn’t defendable, and Mary doesn’t want to continue. Papa is confident that the Indians are too busy preparing for winter to raid.
A few days from the fort, Mary is feeling hopeful for the future. Then disaster strikes, leaving the family devastated and heartbroken. There is no other choice. Mary must lay aside paralyzing fear and excruciating pain to save her family before time runs out.
Fleeing the Shadows (Dangerous Loyalties Book Two) invites readers to experience traveling the dangerous wilderness trails with Mary and her family through thick wild forests of Southwest Virginia and into Kentucky territory that leads straight into a Native American hornet’s nest. Mary just wants to make it Fort Boonesborough and live in peace.
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Gravity Games follows Nathan and his sidekick as they venture through an international conspiracy full of super-humans and super-villains. What was your inspiration for a novel that turns a foodie into a detective?
About Food: I love food and became intrigued with foodie mysteries but the ones I’ve read seem to have a disconnect between the mystery and the food. Food just happens to be part of the journey. I wanted to write a novel that made food a driver of the plot and the MCs. Top Chefs always talk about tasting as you go. The sense of smell can sample with every breath so it makes sense that someone who could collect that information would have far greater control over the cooking process. The best cooks always buy their own fresh food products and allow their senses to guide their selection. No tool is better than the sense of smell.
About the Sense of Smell as a superpower: If the MC has a super sense of smell, why not put it to other uses. In Nate’s case, he didn’t have a choice because he could literally smell murder. As a youngster I bought every Batman comic and read every Sherlock Holmes story. Both detectives (that’s what Batman was known for in the beginning) sniffed every piece of evidence. Recently scientists have discovered that the sense of smell may be the most powerful if all if our senses. We can detect scents important to us as low as a couple parts per billion. Try to pick out two red grains of sand in a billion grains of multi-colored sand.
Gravity Games has a fascinating set of characters that could easily have their own novel. What was your favorite character to write for?
I have two characters that I liked best for different reasons. Bonnie and Big Ed.
Bonnie Nakagowa plays Watson to Nate’s Sherlock but rather than being merely the recorder of events Bonnie serves four key functions:
1. Guide post / moral centre: If you become a world celebrity, you can lose perspective. Bonnie grounds Nate. Bonnie humanizes Nate and the story. She does this as both his conscience and protector. I wanted a strong, non-powered female to protect a superpowered male in a credible way.
2. The best comedy in my mind comes from duos e.g. Abbott & Costello, Martin & Lewis, etc. Nate is the straight man for Bonnie’s cringe humour / attitude. Humour is important to me because it both balances and enhances the darkness.
3. Bonnie is key to advancing the plot. She has insight into Nate and can provide needed background and carry out secret missions. She can also be an unreliable narrator because she may not understand everything that’s happening in Nate’s head.
4. Bonnie, of course, is the love interest.
Big Ed is just plain nasty. I hoped everyone would hate him. My youngest daughter proofread an early draft of Gravity Games and called me one night at 11 p.m.
“Why are you calling me so late?” I asked.
“I hate Big Ed. I’m not going to sleep so I thought you shouldn’t sleep,” she said.
Was it your intention to write a fun and quirky novel that moves along quickly, or did this happen organically as you were writing?
I’m not sure that’s what I intended. It’s just the way I write. My first novel, Late Bite, features a vampirish character who has millions of social media followers and is host of the top-rated late night talk show, Late Bite. It has lots of quirky characters, laughs and lots of darkness. My projects all seem to fall in the same vein.
What is the next story that you are working on and when will it be available?
I’ve completed Lycanthrope Rising, a continuation of the saga of Dragul Mangorian, the MC in Late Bite. It will be on sale Sept. 15.
I’m well into a sequel, prequel, and spin-off of Gravity Games.
The Gravity Games prequel [working title: Where The Nose Goes] is intended to be a permanently free YA novella about secret 14-year-old crime solvers Bonnie and Nate, which I hope to release as an eBook before Christmas 2017.
The Gravity Games sequel [working title: Murder On The Menu] picks up where Gravity Games left off with a non-superpowered Nate facing the world’s top chefs. Nate faces the loss of reputation and his $10 million a year contract. One after another, his competitors are murdered. Fingers point to Nate as the key suspect. Expected release date early summer of 2018.
The Gravity Games spinoff [working title and series: The Revenants, Justice Inc. series] features quiet accountant Rick Summers who has an attack of conscience after he escapes the clutches of Big Ed. He embarks on a mission to right wrongs committed by Big Ed and others and is ably aided by Matches, a transgender teen. The expected launch date is fall 2018.
Gravity Games, a dark and delicious thriller. Nathan Sherlock is the world’s most renowned celebrity chef and wine expert. His fans know him as Nate the Nose, a culinary artist whose incredible sense of smell helps him create dining experiences that jolt the mojo transforming aged couples into hormone raging lovers. But Nathan has a dark secret. Best friend Bonnie has helped him hide the true extent of his olfactory powers. He can literally smell murder. U.S. Homeland Security and CSIS, the Canadian anti-terrorism agency, go into panic mode when a scientist disappears along with all traces of his anti-gravity research. The joint FBI-CSIS task force needs Nathan to sniff down the terrorists before they drop an iceberg the size of Manhattan on New York City.
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Two Polluted Black-Heart Romances follows the lives of a vampire, fairy and mummy as they try to escape the wrath of a paranormal group bent on revenge. What was the initial idea behind this story and how did that transform as you were writing the novel?
This was a follow up to One Smoking Hot Fairy Tail. In that story, the main character is hunted for her wings. The otherworldly world I created, opens up and you get a glimpse inside. In this new novel, I wanted to show a much deeper look insider. And I wanted to show how complicated, strange, and fun, some of the lives of these otherworldly creatures can be. My initial idea was to have something very large for all of them to be afraid of. But then I wanted something even larger to be out there to make the original big thing look small. Imagine if you were afraid of Godzilla and then an alien that could swallow the planet showed up. Yeah, something like that. J
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
I always enjoy writing Sabrina London, the female lead. She is constantly growing and learning from her mistakes….her many…many mistakes. I also enjoyed writing for Joe, the new guy. The sentient slime character. He’s fun and funny. He also provides good contrast to the other characters and otherworldly races.
What draws you to the fantasy genre? When you start writing is this where your stories go naturally, or do you have the intention of writing fantasy?
I am drawn to the fantasy world. Totally. I prefer writing in a realm where anything and everything is possible. But I think my writing is secretly fueled by things more…steamy. When I watch a fantasy show on TV and it is devoid of sex or sexuality, I tend to feel empty. But when you give me something like Game of Thrones or Spartacus, which are filled with all sorts of naughtiness…then I feel like the story is complete.
If Hollywood came knocking, who would you cast to play your characters?
I love to cast my books. I do so on all my blogs and on my FB pages. For Sabrina, I think of Joanna Krupa as being exactly what she looks like. But as an actor I would cast Beth Behrs from Two Broke Girls or Jessica Sipos from Ascension. I would pick Beth because she is pretty and statuesque and funny. AND she pretty much already knows how to play a spoiled rich girl who had a fall from grace. So it makes total sense. I would pick Jessica because she has the sex appeal to play Sabrina.
For Moselle there is only one choice: Priyanka Chopa, from the TV show Quantico. When writing the books, I imagined a Sofia Vergara type of woman. But I think Priyanka is an even better fit now, and could pull off looking like an ancient Egyptian in flashbacks.
Cade…well, I have a image of him in my head. Slight built. Looks out of time. Like one of those classic Hollywood guys; James Dean at his peak. I always say it would be hard not to pick Ian Somerhalder, but he has already done this role. Still, I like him as an actor and he is the right body type and look.
Hollywood rang my doorbell once. But I was not dressed, and by the time I got to the door they were gone…
What is the next book that you are working on and when will it be available?
I am writing book three in this series. THREE BURNING RED RUNAWAY BRIDES. It will be released in late 2018.
Welcome to Los Angeles—but not the LA you know. Here, humans coexist with vampires, mummies, fairies, and other nonhuman entities. Everyone’s just trying to get by for the most part—but some are having more difficulty than others.
A vampire named Cade, a fairy named Sabrina, and a mummy named Moselle are on the lam after exposing the existence of the Otherworldly Assembly, a shadowy organization of paranormal beings. The assembly has sent terrifying assassins called wraiths to exact revenge. The nonhuman trio is in for a real horror show, and they don’t know the half of it—another threat looms, and its destructive ambitions are vast.
Meanwhile, a human named Jackson is recovering from a near-death experience. Old memories and new loves flood his brain, and he’s having trouble finding an outlet for all these feelings—that’s when Sabrina the fairy catches his eye.
Two Polluted Black-Heart Romances, a fast-paced adventure filled with high stakes and unexpected twists, continues the action-packed saga that began with One Smoking Hot Fairy Tail. When unimaginable dangers threaten the planet they all share, humans and nonhumans find a common cause and must work together to prevent disaster.
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Wheeler is a suspenseful romance novel that follows a strong female cyclist battling both physical and emotional challenges. What was your inspiration for this thrilling novel?
I have been been a fan of cycling for some years now but over the last five years I’ve been hugely influenced by the women’s peloton. Their grace under pressure, heart and incredible talent is an inspiration. My ultimate goal for the hard copy of Wheeler is for the proceeds of each book sold to be donated to the Homestretch Foundation, founded by Kathryn Bertine, a former pro cyclist. She saw a need for women cyclists who wanted to compete but financially, had no way to train and earn a living. Homestretch provides the housing, equipment, training and nutrition for elite riders to have a chance to compete at the pro level.
Loren and Graham connection develops into a complex relationship through the novel. What were the driving ideals behind the characters development throughout the story?
Relationships among creative types can begin intensely, with all the Shakespeare quotes and French terms of endearment, only to burn out in a few short months. Loren and Graham are both isolated and lonely, even though they are surrounded by friends and family. They each have personal issues to overcome and are willing support each other through their trials in order to make the relationship work, just like real people.
Wheeler starts in the middle of Loren’s cycling competition. What is your experience with the sport and why was this a good setup for your novel?
Being a cyclist myself, understand most of what they go through: the training, the discipline, sacrificing yourself for your teammates. I know the intense physical discomfort (i.e. pain) of taking your body to the limit and beyond.
There’s a parallel between being a pro athlete and an actor – long hours of training, constant travel, the media spotlight, but also the close relationships that can develop between teammates (co-stars). It takes the right mix of personalities to make it work or the film (or team) won’t succeed. I thought this would be an interesting, and realistic, pairing. They would need to understand how important their careers are, but also know that it could all end with one bad review, or the squeal of a car tire.
What is the next book that you are working on and when will it be available?
I am currently wrapping up the first draft of the as unnamed follow up and I hope to have it to my editor by Autumn, 2017.
To become an elite cyclist in Europe, Loren Mackenzie has overcome much in her life, but no one would know it. Her tragic past is hidden inside tarnished armor and her fear of it being uncovered has kept her out of the spotlight.
Known as the Ice Queen of the peloton, Loren rarely shows emotion in the heat of competition; she leads her team with quiet strength and determination. But when a chance meeting quickly develops into a whirlwind romance, the ice surrounding her heart begins to melt.
All is not rainbows and unicorns, though. The relationship with an A-list celebrity brings with it the microscope of tabloid-media attention but also exposes the jealousy and obsession of another, threatening to unravel Loren’s tightly wound life.
Can Loren open her heart to the love she has held at a distance, or will her fear and shame ultimately defeat her?
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