End of Knighthood Part II: The King’s Move keeps the action blazing forward! The second installment, by Joshua Landeros, follows rebel cyborg super soldiers and continues the story of William Marconi, who seeks vengeance from Chancellor Venloran. After finding out what latest weapon the Chancellor holds, rebel fighters Captain Halsey and Gabby, were lured into a trap and are at his mercy. This sets the stage for what the rebellion needs to do. Will, who started this rebellion, may get his chance to achieve his vengeance and end it, but the cost may be even too great for him to bear.
The King’s Move wastes no time in getting back into the thick of the action and picking up where we left off in the first. The action does not break and the events become more heinous as we reach the book’s climax and the tragic conclusion. Landeros continues to borrow the best from classic military sci-fi authors with short, clipped sentences and telling “only the facts” when denoting action and danger. His world building is subtle and should please any reader who pays attention to the craft of writing. With this second part in his series Landeros has escalated the conflict and moved the stakes to an even higher plane.
The characters remain, along with the action, some of the best parts of the novel. His rather wide cast of rebels and villains are all a thrill to read and fun to follow as they attempt to achieve their various goals. The book remains a blend of sci-fi/thriller that would keep any fan of those two genres satisfied. The dialogue shoots back and forth between the characters as fast as the bullets, keeping the pace quick and the readier on the edge of their seat. These are a welcome distraction from the brutal carnage that sometimes occurs.
The lack of description hurts this work at times, which it makes up for since with prose that has improved since the last installment. He continues to borrow heavily from screenwriting techniques, with consistent dialogue on almost every page, while providing only deep description of the action scenes. His fast pace style will suit casual readers as well as those used to thrillers and military sci-fi.
The King’s Move is an exciting bridge that keeps the reader entertained and swept away on the plight of these rebel cyborgs. Anyone who enjoys a military science fiction thriller will find their palates pleased with Landeros’ work and hungry for the third installment.
Pages: 156 | ASIN: B073WHFL24
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The Reaper opens with the revelation that the King of Akala is missing, and the new Queen, Leah, is now in power. She meets with President Inaeus Janu of Shaweh to offer a peace treaty that brings their long war to an end. Janu suspects the Queen is a figurehead and focuses on the mysterious Lialthas who seems to have an undue influence over the Queen.
In the meantime, refugees from Akala reach the city-state of Shaweh seeking asylum. The group includes the missing King Darius, his half-sister Moriene with the child Hannah in tow, General Victor Ikharson, and Sefas, once called Meddiah when he was an Empty One. They are shadowed by the black-clad Zacharias who used his magic to help them escape from Lialthas. When the Akalan’s gestures of peace turn out to be empty promises, President Janu and the Akalan refugees are whisked to a secure location as war resumes.
This is the second book in the Fallen Conviction series, and it wasn’t hard to catch up when the asylum-seekers told their story to Janu. This gave me the chance to get up to speed on the plot if you haven’t read the first book.
The interplay between Darius’ group of refugees and the leadership of Shaweh are the primary drivers of the plot. Character-driven stories are a big draw for me, and the author has a knack for showing the complex, often antagonistic relationships between all of these strong-willed characters. My favorite characters in this book were Moriene and Sefas, who were once under Lialthas’ control. Both escaped his grasp and recovered from being “Empty,” yet both still seem to be fighting the battles of the past.
I also enjoyed the high-tension setting. Being locked in a bunker with people you don’t like but are forced to trust is hard enough, but if that trust is tested, things are going to get violent. The situation erodes when Zacharias reveals that there’s something even worse that Lialthas out there, and they may not be able to stop it.
The first thing that struck me about The Reaper was the unusual formatting. At first, I thought it was a typesetting error, but it became clear that the line numbering was meant to give it a scriptural feel. Some of these passages have archaic sentence structure with rhyming words at the end of sentences, but it’s not always consistent and that can be frustrating for those expecting poetic meter. However, the nod to scripture isn’t surprising because gods and religion play a major part in this story.
Don’t assume that because this is written in poetic language that it won’t be exciting. This is a place where magic and technology that we would recognize today are both present, where battles are fought with WMD strikes as well as mind-bending magical attacks. War is gruesome, and the author doesn’t pull his punches when it comes to violence and mayhem. In this world, magic is fueled by blood, fear, and suffering, so whoever wields this power must harm others in order to succeed.
If you’re looking for a novel that offers both a unique style and a reading experience that challenges and defies “the usual” in fantasy, give this book a try.
Pages: 340 | ASIN: B06XRS3SFD
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Fractured is a captivating story of heroism, greed, and fulfilling one’s destiny. What was the initial idea behind this story and how did that transform as you were writing the novel?
Dune is perhaps my favorite book ever. I read it back in the day. After reading Dune Messiah, I was sure I knew what would happen next. When Children of Dune was published, I read it and threw it across the room, saying, “If Frank Herbert won’t write the book I want to read, I’ll write it.” I had no idea what I was doing, and I certainly had no concept whatsoever of where this first step of the journey would take me. But I knew I needed a “gimmick.” That’s when the idea of a world where sexism had never existed entered the story, but what began as a gimmick became an opportunity to define character with the facets of light and dark that exist in all of us rather than by the character’s genitalia and served as a significant guide to my world-building. Who are these beings that in their society there is no division of labor by gender? What differences between earth humans and the people of Garla (physical and mental) would bring such a thing about?
Lisen is a complex teenage girl that is brought to life by your writing style. What were the morals you were trying to caputre while creating your characters?
None of my characters is either all good or all bad. I revel in the gift of digging down deep and finding the darkness in the light and vice versa. For me, each character deserves the opportunity to show the reader all they’ve got and allow the reader to judge for herself. As for morals, I believe that one must know how to think before one can make any moral decision. Even then, the moral decision may not be the best decision at the moment. Sometimes, we have to sacrifice the “good” thing for the “right” thing (a major decision in book 2 illustrates that). Luckily, Lisen comes into the story with some pretty strong ethics that have been taught to her by the Holts, her guardians on earth. This allows me as the writer to challenge those ethics and see how she does.
What I loved most about the novel is that it plays with the idea of who is truly in charge of shaping our path in life. Did you put any of yourself or your experiences into this book?
I have always had a strong connection to the dead, but certainly not to the extent that Lisen does with her gift as a necropath. I think one of the most interesting aspects of the story is the character of Flandari, a woman too tightly wound to give her son any love at all and who is ultimately stolen away from Lisen before Lisen gets a chance to know her. My mother was a distant woman, and I realized after creating the character of Flandari that she was very like my own mother. Unlike me, however, Lisen finds a way to love. She makes a friend in Jozan, and there is clearly something going on with her Captain Cutie. She’s open to the possibilities, and this is thanks to her time with the Holts.
Fractured is book 1 in the Lisen of Solsta series. Where does book to take the characters and what do you invision for the series in the future?
There are 3 more books already available: Tainted, book 2, in which Lisen must come to terms with what to do about her brother (and which contains the true beginning of the match between her and Korin); Blooded, book 3, which finds Lisen struggling with this new mantle on her shoulders of Empir; and Protector of Thristas, book 4, which begins fifteen years after the end of Blooded because I wanted to know who these people became when they grew up. I am currently working on what was originally book 5 and the final book. However, it’s turning into a longer project than originally planned, and although it will still put an end to the story, it’s likely to be two books rather than one.
“Seventeen-year-old Lisen Holt only begins to realize that her life is fractured after a sorcerer abducts her from a California beach and brings her home to Garla. She awakens at Solsta Haven, a refuge for the spiritual members of Garlan society known as hermits. The sorcerer, Hermit Eloise, has returned Lisen?s body to its true form?a human-like marsupial with no visible breasts and a fuzzy pouch just above where her bellybutton once was. She then restores Lisen?s memory of her first ten years in Garla, leaving her earthly existence behind but not forgotten. Although she is Lisen of Solsta now, questions haunt her, questions Eloise refuses to answer. Who are the parents who left her at Solsta? Why did Eloise send her to Earth? And what is so important about her that Eloise has manipulated so much of her life? The answers will propel Lisen into a quest for a throne, and all that will stand between her and her birthright is her matricidal twin of a brother.”
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