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Dark Threads: A Gathering of Dark Fantasy Tales, Vol.1
Kat Farrow’s Dark Threads is a collection of three short, dark fantasy stories. Each one explores a different, gloomy world full of desperate people. “The Breath Borrower” is about a holy thief who steals breath from the living to give to the dying. “The Withering” follows a scholar trying to save her world as it, and she, fade away. The last story, “Vapors of Misuse,” is a bleak tale of two twins bound by magic and a thirst for revenge against a tyrant. All three stories are tied together by themes of sacrifice, grim choices, and magic that costs way too much.
Farrow builds these worlds that feel incredibly heavy and real. You can almost smell the back alleys in “The Breath Borrower” or feel the chill of the Underland in “The Withering.” It’s not flashy writing. It’s solid and direct, and it uses that simplicity to hit you hard. I felt a real sense of dread and hopelessness seeping from the pages. These stories are not about heroes. They are about survivors, and the writing makes you feel the weight of that survival. It’s an impressive feat, making things feel so gloomy yet so compelling.
What really stuck with me were the ideas. The magic systems are brutal. The whole idea of a third lung for borrowing breath was new to me, and it was wrapped up in so much guilt and duty for the main character. The final story, “Vapors of Misuse,” was just a gut-punch of an idea. The magic, the blood ritual, the twin-bond, the “Seizing,” it was all so tangled and dark. I found myself thinking about the characters long after I finished. They aren’t always likable, but their motives are powerful. They are driven by things like revenge or a desperate, fading hope, and that felt incredibly human, even in these dark fantasy worlds.
Dark Threads is a heavy read, and I mean that as a compliment. The stories are tough, and the endings are not neat, tidy bows. They’re bloody, and they’re sad, and they feel earned. I would definitely recommend this book. If you love your fantasy truly dark, and you like stories that make you feel something real and gritty, you should pick this up.
Pages: 79 | ASIN: B0FM6DD3ZR
My Sister’s Quilt
My Sister’s Quilt is a tender and heartfelt collection of short stories woven together by the enduring art of quilting and the threads of family, love, and legacy. Across its pages, the book travels through time, from the age of sailing ships and noble estates to the shadowed years of the Underground Railroad, linking each story with a common motif of fabric and memory. Each story, though distinct in setting and character, feels stitched from the same cloth of compassion, strength, and the quiet resilience of women who endure, create, and remember.
The writing has an old-fashioned gentleness to it, like something you’d hear on a front porch swing in late afternoon. Shawgo writes simply but with feeling. Her characters are vivid without being forced, and her dialogue carries a kind of natural rhythm that makes even the smallest moments, like sewing a stitch or sharing a meal, feel important. Sometimes the pacing slowed a bit more than I’d like, but that slowness felt right for the kind of storytelling she’s doing. It invites you to linger, to feel the texture of the scenes instead of rushing through them.
What I loved most was how deeply emotional this book became without ever turning sentimental. The relationships between sisters, mothers, and daughters are tender, sometimes strained, but always human. There’s a sense that the quilts are more than fabric. They’re witnesses, binding generations together through hardship and joy. I felt both comforted and stirred, like the stories were asking me to think about what we pass on and how we remember those who came before us. The writing has a warmth that sneaks up on you.
I’d recommend My Sister’s Quilt to readers who love quiet, heartfelt storytelling, especially those drawn to historical fiction, women’s lives, and family sagas. It’s for anyone who has ever held something handmade and felt the history in it. This book would speak beautifully to quilters, to daughters, and to anyone who believes stories, like stitches, can hold us together when everything else falls apart.
Pages: 146 | ASIN: B0FSW2L1MC
What Is Unseen
J. Andrew Rice’s What Is Unseen weaves together the stories of people wrestling with grief, faith, morality, and redemption in small-town Texas. The novel follows several characters, Kyle Luman, a grieving widower; Phylicia Jones, a civil rights attorney returning home after loss; and Ben Mueller, a hardworking man dealing with betrayal and corruption. Their paths cross in a world where hope and pain walk hand in hand, and where unseen forces, faith, conscience, and community, shape every life. The story unfolds gently, yet it builds momentum through layered perspectives and a shared struggle for meaning. Rice uses East Texas not just as a backdrop but as a living presence, a place heavy with history, heat, and hidden grace.
Reading this book hit me harder than I expected. The writing has an easy rhythm, simple but deep, like someone telling you their story over coffee on a quiet porch. Rice doesn’t rush his characters or their pain, and that patience made me care about them. Kyle’s loss felt real, almost raw, and his slow climb out of grief was both painful and uplifting. The dialogue felt like a homegrown conversation, unpretentious and familiar. At times, though, the story takes its time, and some descriptions felt more like journal entries than storytelling. Still, there’s beauty in the way Rice captures human resilience. The message about hope, faith, and the unseen hand that steadies us is one that sticks with you.
I’ll admit, I didn’t expect to feel so attached to these people. Rice brings out a kind of emotional honesty that sneaks up on you. The novel reminded me that good and bad often live side by side, and sometimes the right thing is murky, not shining. The characters are flawed, sometimes unlikeable, but always relatable. There’s something tender about that. The way grief meets faith, how bitterness bends toward forgiveness, it all feels earned, not forced. The story doesn’t preach, but it does nudge you toward reflection. It made me think about what I hold onto and what I let go of.
I’d recommend What Is Unseen to anyone who likes stories about redemption, faith, or small-town life with real heart. It’s perfect for readers who enjoy character-driven fiction and don’t mind a slow burn. This isn’t a thriller or a love story, it’s a quiet journey through brokenness toward light. For those who’ve lost something or someone and are still figuring out what comes next, this book will feel like a friend.
Pages: 364 | ASIN: B0F861FZ9Z
Prickly Pears: A Collection of Short Fiction
Prickly Pears is a vivid and haunting collection of short stories that explores the fragile edges of humanity. Author Isabelle B.L moves through memory, war, love, loss, and womanhood with language that cuts and soothes at the same time. The stories drift from Sicily’s sunlit hills to modern kitchens, from whispering ghosts to restless children. Each piece feels like a dream you only half remember but can’t shake off. Her characters are bruised but alive, her settings rich with scent and sound. The book opens with wartime childhood and stretches into surreal, delicate tales that merge body and mind, reality and metaphor, until they blur into one another.
I kept stopping to reread sentences because they were too beautiful to move past. The author’s writing is fearless, raw, poetic, and weird in the best way. She doesn’t write to please, she writes to uncover. Sometimes I caught myself holding my breath, especially in pieces like “Marigold Dawns” and “The Jam Jar,” where ordinary acts, making tea, making jam, turn into rituals of grief and rebirth. The way she ties emotion to physical texture made me ache.
The darkness doesn’t just lurk in the corners; it sits right in the middle of the page. Some stories felt like confessions. Yet I kept reading because of how relatable it all was. There’s an honesty that burns. I could sense the author’s compassion even when her characters were cruel or broken. The rhythm of her writing carried me through it. It’s lyrical but never soft. It reminded me that pain and beauty often live in the same place, and she isn’t afraid to show that.
Prickly Pears isn’t a book for comfort; it’s a book for feeling. It’s for readers who like language that stings a little, who aren’t afraid of stories that leave scratches. I’d recommend it to anyone who loves short fiction. If you enjoy authors like Carmen Maria Machado or Clarice Lispector, you’ll find something electric here.
Pages: 205 | ASIN: B0C8841Q2C
A Dark Night In Oregon: A Short Story
This short story grips you from the first flash of lightning. It begins in a lonely Oregon diner, rain pounding outside, and ends with the revelation that the frightened waitress, Linda, isn’t who she seems. She’s Jo Jordan, a wanted criminal tangled in a past of violence, betrayal, and survival. The tension builds fast. What starts as a quiet night at a retro café turns into a deadly standoff, where trust collapses and hidden truths crawl into the light. It’s short, sharp, and intense. Every page hums with unease.
Reading this, I felt caught in Jo’s turmoil. She’s dangerous but relatable. The writing doesn’t beg for sympathy, but it gives her enough raw honesty that I couldn’t help but feel torn. I liked how Ana Cortes layered Jo’s history through quick flashes of memory rather than long explanations. It kept the story moving and my nerves tight. The dialogue felt real, too. Short, clipped, sometimes almost choking on itself, just like real fear does. The violence hit hard but wasn’t overdone. The only thing that tripped me up was how fast it all happened.
What stuck with me most was the quiet sadness under the action. This isn’t just a story about crime. It’s about running, from others, from guilt, from yourself. I felt the rain, the loneliness, the weight of being hunted. The author writes with a movie-like rhythm, but she sneaks in emotion between the bullets. It made me think about how far someone might go just to start over, and how the past has a way of finding you, no matter where you hide.
I’d recommend A Dark Night in Oregon to readers who love fast-paced thrillers with a human edge. It’s perfect for anyone who likes stories that twist crime and emotion together. It’s dark but not hopeless. If you want something that makes your pulse race and your chest ache a little too, this one’s worth your time.
Pages: 10 | ASIN : B0FBW4292Y
Things That Defied Categorization
The Meteor Symphony is a colorful mix of short stories, poems, and microfiction, stitched together with music, humor, grief, and hope. What was the inspiration for this collection of writings?
At first, this was going to be the title story developed into a full-length novel. But the story was fully baked as barely a novella. All the while, I’d been writing short stories for a jazz website called Jerry Jazz Musician as well as poetry for who-knew-what (at the time).
I’d amassed lots of material that was a reflection of my experiences and my interior life as well as some fun fiction and other things that defied categorization. It felt right to put this out under one book, encompassing prose and poetry.
How did you go about organizing the writings in the book? Was there a specific flow or structure you were aiming for?
My main goal was to present different moods and perspectives in a random order, much as what life gives us. Things come at us daily without being organized or predictable. In fact, quite the opposite.
What themes were particularly important for you to explore in this book?
Dealing with grief and disappointment; dealing with love that may not be reciprocated; and also the silly, funny moments of being a human.
What is one thing that you hope readers take away from The Meteor Symphony?
Not to deny the feelings and moods that come over you. Allow them and when they’re overshadowing living your life, put them in a box. Find a poker game to join (see my poem “Deal ’Em”).
Author Links: GoodReads | Website
“From the first sentence, Burke brought me into the world of her words. She is a gifted writer.” – Donna Kenworthy Levy, author of A Soul Promise
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Debbie Burke is the author of twelve books (fiction and nonfiction), mostly about jazz and art. She is also a professional photographer, focusing on architecture, industrial design, and the liminal, as well as a professional editor and author coach at Queen Esther Publishing LLC. Burke’s jazz and photography blog at debbieburkecreative.com has garnered international acclaim. Originally from Brooklyn, NY, she now resides in the Tidewater region of Virginia.
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