The Queen’s Dark Ambition follows a fourteen-year-old girl whose struggle to belong in a new town plunges her into a sinister fairy world where trust is perilous and survival demands courage. What was the inspiration for the setup of your novel?

What prompted me to write the first few chapters was when I dreamt of standing in a local wood, jumping over a stream, and finding a whole strange world of hostile fairies on the other side. Those first few chapters were written over ten years ago, when I was still at University, and the story itself developed slowly since then. I guess that shows the power of an idea or story, that it can stay with you.

I intentionally wanted the main character’s curiosity towards a stranger she meets to be what draws her back, as equally, if not stronger than, the dangerous pull of the wood and the fairy abode. A core part of the story explores the development of their relationship. The stranger, Bower, who is a wizard, helps Stacy, the main character, to question life and explore the bigger issues, whilst untangling the true and unexpected nature of the fairy domain.

A pivotal part of the story is about her finding not only her courage, but her voice as well, as fighting for what’s right. I initially thought of her as an introvert, like myself.

It wasn’t until much later in the revision and editing process that she really started to surprise me with just how strong a character she is and what she’s capable of.

Stacy’s voice feels raw and unfiltered, especially in her messy emotions. What inspired you to write her with such honesty rather than softening her flaws?

I’m an emotionally driven writer and love exploring characters’ thoughts and emotions. The protagonist, Stacy, is a teenager, and I craved leaning into that emotional space for the sake of the reader, for them to be taken along for the ride and feel those messy emotions along with Stacy.

The story shifts from domestic drama to eerie fantasy, almost like stepping from one world into another. How did you balance the real-life struggles with the supernatural elements?

I don’t think it’s much of a balancing act, but a question of putting Stacy’s domestic drama into perspective. She’s still obsessed with her phone and is wrestling with teenage worries. She realises the importance of her friends, from whom she is estranged, as well as her parents, whose love she’s been doubting recently, what with a family move and arguing with her Mum. Her friends have also shunned her due to the move. Despite this, she would do anything to protect them all and to get back to them, even in a perilous and unfamiliar world.

Throughout the story, I’ve sprinkled in some real-life grit, which hopefully makes it more believable and resonates widely with readers. I think that’s the glue between the two worlds, as well as seeing both through Stacy’s eyes. I hope I’ve created moments of unexpected surrealism and joy from Stacy’s perspective, too, though.

The fairies in your book are both beautiful and menacing. What drew you to portray them in such a dangerous, unsettling way?

I really wanted the main villain to be alluring to Stacy and to readers, hence why Elantra, the Queen, is beautiful too, to create jarring and unexpected undertones. Honestly, I think the most dangerous thing about the Queen could be that she’s relatable, and, at times, Stacy has sympathy for her. She gets under Stacy’s skin, and Stacy wants to understand how she got like that.

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